Music Trade Review

Issue: 1914 Vol. 59 N. 22

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5
THE MUSIC TRADE REVIEW
Present Conditions Emphasize the Necessity for More Equitable Relations
Between Those Engaged in Business—The Importance of the Service Idea
in Promoting Sales—Views of Frederick A. Luhnow and Frank E. Morton.
Present conditions in the retail trade are largely ascribed to War. But it is equally true that to meet
new conditions new ideas must be devised. Indeed, remedies always flow from necessity. Thus, the question
is being asked whether a radical improvement in our basic ideas as to merchandising would not give us re-
sults hitherto thought impossible. It is evident that the thinking men of this, as of every other, industry have
for long seen the coming of the day when the old method of "dog eat dog" and the practical enforcement of
the caveat emptor principle must disappear before a rising tide of enlightened public sentiment. No longer, in
fact, can we build successful business on the theory of "putting something across." Naturally, there is still—
and for a long time will continue to be—a more or less solid conviction on the part of most men that this is
the road to success, that one cannot expect to make goods and sell them on their merits strictly. And no-
where has this poisonous false belief shown greater vitality than in our own trade.
Yet its doom is already apparent. Everywhere wise men are waking up to the truth that no transaction is
legitimate until both parties to it have reaped a profit:
Now, all this naturally leads to the idea of Service, by which term we may crystallize the various notions
which are being formulated concerning the new theory of sales. More and more it is being seen that the way
to make a sale is to treat it as a transaction in which value is given for equal value; in fact, in which the
amount of cash that passes is simply the measure of the value given. Moreover, in addition to this we are hav-
ing the point made clear that the responsibility of a seller or maker towards a buyer does not end with the pass-
ing of money, but continues as long a« the peculiar conditions of the goods'irf question, require for their main-
tenance in perfect condition, any oversight on the part of the former. This gives rise to the idea of Service, the
biggest idea in the piano or player field to-day.
Instead of merely theorizing on these points, however, we have asked two gentlemen who have made suc-
cessful application of them to give us their views, which they have done below. One of these, Mr. Frederick
Luhnow, of the M. Schulz Co., a well-known retail sales authority, speaks of Service practically applied as the
remedy for dull times, and shows the value of intelligent thinking. The other, Mr. Frank E. Morton, acoustic
engineer of the American Steel & Wire Co., discourses especially upon the principle involved in the idea of
Service, as interlinked with that of Quality and as suggesting the basis for an entirely new conception of sell-
ing as an art, as a factor in civilization and as a necessary legitimate service to mankind.
And now we shall allow these gentlemen to speak for themselves:
trinsic merit, and amounting absolutely to nothing
in matter of creating a healthy appreciation. The
To put the matter in a word, I frankly assert dealer who sells a dozen players because he wants
that the principal bringer of good times in the to have something to suit every ^capricious demand
player business, and the main preventive measure is in a weak position because he has nothing specific
in case of apparent bad times, is intelligence. Give to pin his faith to. If he sticks to one type, de-
fends that, learns its possibilities and sticks to it,
us increased intelligence in the retail handling of
he
will win out, even though once in a while he
the player and the business will take care of itself
does
lose out a sale to a competitor.
in the best possible manner.
The idea of wanting to change your line be-
Let me particularize: The general appeal of the
player-piano comprises a broad idea, which can be cause somebody won out on a talking point sale is
applied to all types of instrument. But each in- a commonplace of the business, but a reflection on
strument is itself an individual thing, different the sanity of the dealers nevertheless.
After this special form of intelligence which is
from all the others and possessing special features
manifested
in sticking to one line I should like to
which make it advantageous in definite directions.
speak
about
another just as important: I refer to
Seeing, however, that the public mind, while per-
fectly receptive, is at the same time quite vague as that much abused idea; service. In this company
to details, it would seem to be the part of com- we learned some years ago many valuable lessons
mon sense to adopt one line of players, to study through our experience with coin-operated instru-
that line and to devote oneself to selling that one . ments. Among other things—not to make too long
line. Whenever I see a house spreading its player a story—we learned the absolute necessity of giv-
effort out thin, embracing half a dozen different ing systematic maintenance service. We found—I
players and trying to do justice to each, I always am speaking now of some years back—that we had
feel that here is a house which has not studied the to visit each and every instrument we sold at reg-
ular intervals for a given period, whether the re-
player selling question deeply.
quest to do so were definitely made or not. In
The dealer who takes up one line, studies that
fact, we found that only by cultivating among our
in its entirety and devotes himself to the exploita-
customers the understanding that we took a per-
tion of that on? specific type of mechanism, is in a
sonal interest in them and in their instruments
strong position. It is bad reasoning to contend
could we sell them successfully or keep them
that one must have a lot of different types of
sold.
players in order to "give the public what it wants."
Now, in selling the player-piano we have found
The whole public idea is, naturally, just a desire
that* it is a good policy to debit each sale with a
for music at command: and any artificial desire
for something in tubing, in motors, in this, that definnte cost for service. When we sell a player,
or the othgf device, is merely artificial, stimulated a certain sum is set aside to cover the cost af
by salesmen who do not knyw how to talk in*
(Continued Qn page 6)
FREDERICK A. LUHNOW'S VIEWS ON THE SUBJECT.
Those who complain of dull times and ascribe
conditions as they experience them to war, to de-
pression, to everything that can be imagined except
to themselves, are victims of bad reasoning. It is
constantly being discovered that ideas abandoned
as played out, territories believed to be swept
clean of business, propositions thought to be out-
of-date hopelessly, have a way of brightening up
quite marvelously when approached from some
new angle. When we survey the retail player field
we find that many dealers are just now excusing
themselves for lack of business by pleas which are
no different from those which usually exist except
that the plea of war is now available in addition to
all the others. To such men it never seems to
occur that if they really want to know the reason
for dull times they should look primarily to them-
selves.
In our business we find it constantly a good
thing to refurbish our selling methods, to re-
study the arguments we are setting forth, to re-
think our whole proposition in new terms. We
continually find that as soon as we let ourselves
get into a rut sales fall off; and until we get out
of the old careless way into a new and better
reasoned way, we suffer the penalty. In the player
retail business there is a legitimate and natural
demand to be satisfied, with by no means an ade-
quate supply. The public, naturally and rightly,
will take to the player-piano like the proverbial
ducks to their proverbial water; and when we find
that they do not, we must conclude that the fault
is not half so much with them as with those who
are supposed intelligently to supply tfrejr wants.
•it
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
THE POINT OF VIEW-(Continued from page 5).
maintenance for one year. We begin by sending player retail sales problem, whether times be boom-
with the music rolls, on the day the player is de- ing or dull.
livered, a man who shows the customer how to
manipulate the rolls, how to operate the various
devices and how to start or stop playing rightly.
The idea ot service as a part of, necessary to,
We do not leave that customer's house until we
are reasonably sure that he knows what he is and rightly included in, sales, is one to which the
doing and how to do it. Then at specified inter- world of business is rapidly waking up. Our own
vals we call again, see that the instrument is doing experiments in that direction, now fully matured
well, correct any little mal-adjustment that may and applied, illustrate this fact. Let me try to
have occurred, try to discover whether there is indicate what I mean in a very few words, apolo-
any cause for dissatisfaction, and what it is, re- gizing for the inadequate treatment of a very large
move that cause by explaining the nature of the and important subject.
On our publications you will find the words
trouble—which is generally due to ignorance—and
generally make the customers understand that we
are as much interested as they are in seeing that
they are pleased and satisfied. This we do whether
asked or not for a year free.
Of course, all this means that the dealer must
do as we did; train our practical men until we
had player mechanics as well as tuners, capable of
tuning, repairing and playing, and able to cultivate
a personal acquaintance with the customers. If a
dealer cannot afford a special man let him learn
for himself by going to the factory where his line
of players is made, studying the proposition from
the ground up and becoming familiar with it. Then
he will know it and can put himself in a position
to make his knowledge valuable.
Intelligence and its practical application are at
the basis of all this. It is simply a question of
making the public intelligently appreciative. As
long as the player is treated as merely something
to sell, of which one need no more know the origin
or construction than the department store owner
need understand the manufacture of a package of
pins, so long will the player business languish
whenever times are not booming. But if the
dealer will undertake, even now, to get in touch
with his trade, to study his proposition that he has
to sell, to concentrate his endeavors upon learning
the real sincere advantages of the player instead
Frank E. Morton.
of its meretricious talking points, he will be able to "quality and service." A full interpretation of
laugh "hard times" to scorn. The people are just these two words defines our sales policy. Every
as ready to-day as ever they were to listen to sale follows and is followed by a service which
the man who has something really good to say. apprehends and comprehends a quality consistent
And if what he has to sell is as good as what he with the purpose intended and the highest efficiency
has to say, he can sell; and sell all the time. That, obtainable in its utilization.
at least, has been our experience, through good
Under this plan the product goes forth protected
times and bad. We know that we can sell always, by a wholesome respect for its active and potential
because we always know what we are selling and qualities, a respect also extended to the salesman
why we sell it rather than another.
whose co-operation and collaboration continues al-
Intelligence, in a word, is the solution of the ways thereafter.
Intelligence, properly applied, means utimately
that conception of selling which is comprised in
the word service. And that is the bottom of the
whole matter.
THE VIEWS OF FRANK E. MORTON ON SERVICE.
Make More Money On Player-Pianos
T^VERY player-piano sale is an
^—' incomplete sale unless you also
sell a player-piano roll cabinet.
Have Udell cabinets on your floor
and complete your sales. Make
all the profit.
Catalog No. 46 pictures and de-
scribes the Udell line of cabinets—
The capacity of Udell cab-
inets varies from 50 to 200
rolls. Back of each is the
Udell guarantee. Write for
Catalog 4(i to-day.
showing the wide variety in size, wood,
style and finish.
Write for it today.
T h e U d e l l W o r k s , 1204 W. 28th St., Indianapolis
Sheet Music Cabinets, Piano Player Roll Cabinets. Disc Record Cabinets, Player-piano and piano benches.
Contrast this method with that of the past, which
consisted of adroitly securing the customer's
money and attempted palliation of the offense by
the delivery of a more or less unwelcome product.
Contrast the publication of expert treatises by
our advertising department upon the practical ap-
plication of scientific research, with the "please-
take-this-stuff-off-our-hands, we-don't-want-it" ar-
gument calling attention to a rebuilding sale
caused by a broken window; an alteration sale on
account of a new partition; or a clearance sale
caused by poor judgm.'nt of buyers.
Under the "quality and service" plan salesman-
ship includes: Ascertaining
(a) The purpose for which the product is in-
tended.
(b) The demands, ordinary and extraordinary,
upon this product.
(c) The facilities of the customer for fabricat-
ing or otherwise utilizing the product, and
(d) The financial condition and mental attitude
of the customer after the delivery of his fabrica-
tion or utilization of the product.
The salesman, in turn, is served by specialists,
and all that the efficiency of the purchaser may be
increased—that he may become more prosperous
and therefore a better customer.
The business of scientific salesmanship thus be-
comes as dignified as that of the college professor
whose teachings make possible this practical ap-
plication. A knowledge of values, the fundamental
principle upon which this operation depends for its
success is not taught in schools and colleges, but
must be inculcated as a concomitant of thrift in
childhood.
GIVING MUSIC ROLLS A VALUE.
Piano Department of J. L. Hudson Co., Detroit,
Uses Credit System as Means of Solving Free
Music Roll Problem—How Plan Operates.
(.Special to The Review.)
DETROIT, MICH., November 23.—The piano de-
partment of the J. L. Hudson Co. appears to have
solved in part the problem of placing the music
roll business, as it applies to player-piano pur-
chasers, on a more substantial basis. The depart-
ment has arranged a system whereby the purchaser
receives with the players, instead of a fixed
number of music rolls, a credit slip calling for
music rolls at the regular price to an amount
equal to three per cent, of the price of the instru-
ment bought.
The chief recommendation of the system is that
it gives the purchaser a fair idea of the cash value
of music rolls, impresses him with the fact that
they are not altogether free adjuncts to the player,
and prepares him to spend real money for rolls
when his credit allowance is exhausted.
After the amount of credit has been used the
customer may take advantage of the company's mu-
sic roll service, which provides for the delivery of
lots of twenty rolls, from which permanent selec-
tions may be made. The rolls are delivered by
automobile and are called for in three days. Rolls
kept after the trial period must be paid for.
AUTOPIANO CHRISTMAS SLIDES.
The Autopiano Co., Fifty-first street and
Twelfth avenue, New York, has been for some
time past distributing among the dealers who han-
dle the Autopiano handsome colored moving pic-
ture slides which have been used with consider-
able success throughout the country. A new series
is now ready for the dealers particularly adapted
to the Christmas holiday season and will be sent
upon request.
ENOUGH_AT HOME.
Flo—Mr. Brown has become so irreligious! I
haven't seen him at church since he married.
No—Well, you see, his wife sings in the choir.

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