Music Trade Review

Issue: 1914 Vol. 59 N. 12

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
EDWARD LYMAN BILL - Editor and Proprietor
i
!
J. B. SPILLANE, Managing Editor
Executive and Reportorlal Staff:
B. BRITTAIN WILSON,
A. J. NICKLIN,
CARLETON CHACE,
AUGUST J. TIMPE,
L. M. ROBINSON,
W M . B. W H I T E ,
GLAD HENDERSON,
L. E. BOWEKS.
BOSTON OFFICE
CHICAGO OFFICE:
i n n « T i WixsnM *5U Washington St
E. P. VAN HABLINGEN, Consumers' Building.
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ngtOTi
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" , f ' It y* ™
220 So. State Street. Telephone, Wabash 6774.
Telephone, Main 6950.
HKNRY S. KINGWILL, Associate,
LONDON, ENGLAND: 1 Gresham Buildings, Basinghall St., E. C.
NEWS SERVICE I S SUPPLIED WEEKLY BY OUR CORRESPONDENTS
LOCATED IN THE LEADING CITIES THROUGHOUT AMERICA.
Published Every Saturday at 373 Fourth Avenue, New York
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION (including postage), United States and Mexico, $2.00 per year; Canada,
$3.50; all other countries, $5.00.
ADVERTISEMENTS, $3.50 per inch, single column, per insertion. On quarterly or
yearly contracts, a special discount is allowed. Advertising pages $110.00.
REMITTANCES, In other than currency forms, should be made payable to Edward
Lyman Bill.
Departments conducted by an expert
technical nature relating to
lating and repairing of pianos and
dealt with> will b e f o u n d i n an( , ther
paper. We also publish a number of reliable technical works, information
will be cheerfully given upon request
PlilVPI*
PiJIIIA
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1 iajCl-1
lailU ailU
Tpi*tinii*fll
t j O p S o f a
wherein all ques-
the tuning, regu-
player-pianos are
8 e c t i O n of this
concerning which
Exposition Honors Won by The Review
Grand Prix
Diploma
Paris Exposition, 1900
Silver Medal• • .Charleston Exposition, 1908
Pan-American Exposition, 1901
Gold Medal
St. Louis Exposition, 1904
Gold Medal..Lewis-Clark Exposition, 1906
&OVG DIBTAHCE TELEPHONES—1VT7MBEB8 5983—5983 MADISOXT «Q
.
Connecting 1 all Departments
*
Cable address: "Elbill, New York."
NEW Y O R K , S E P T E M B E R 1 9 , 1914
EDITORIAL
A FEATURE of the meeting of the Piano Merchants' Associa-
l \
tion of Ohio of particular interest was the suggestion of
F. B. Beinkamp, president of the association, and later adopted as a
resolution, that the association emplpy an attorney to censor piano
advertising. In most cases where the "Printers' Ink" statute or
other measures against misleading advertising have been put into
force, much of the effectiveness of the legislation has been lost
through the fact that individual piano merchants hesitated about
starting action to have the provisions of the law apply to competi-
tors. It is one thing to believe that advertising is misleading and
quite another thing for the laymen to prove in court that such is
the case. Then, too, it means an expenditure of time and money
that the average dealer considers not commensurate with the results.
With an attorney representing the entire association, however,
the prosecution of dealers who practice misleading or fraudulent
publicity becomes at once simplified. The attorney is certain of
; his ground before he takes action and the action, when taken, has
the force of .the association behind it. .
.
The move of the Ohio piano merchants is certainly a move in
the right direction and might be emulated with advantage by piano
men in other States.
The fact that an attorney has been retained to prosecute mis-
leading advertisers is in itself a factor that will tend to discourage
the average unethical dealer from engaging in such practices.
S announced in The Review last week, the opening of the
A
classes in piano construction at the Murray Hill Evening
Trade School, will occur on next Monday evening, September 21.
Registration has been going on during the current week, and early
reports have lead to the belief that it will be very satisfactory.
The manufacturers of player actions and player-pianos in New
York, however, owe something more to the classes than a passing
interest in their welfare. It is true that the benefits derived from
the course redound primarily to the student himself, but the fact
remains that increased efficiency on the part of the workman means
a better product. This is a rule with no exceptions.
The player-piano field of to-day has reached the point where
actual knowledge and not chance plays the chief part in the making
of a satisfactory product.
Player-pianos are plentiful now and are getting more and more
numerous every month, and, therefore, the demand for trained
workmen increases in like ratio.
The Board of Education supplies the class room, the light and
other service in connection therewith, and also the necessary in-
structors. All it asks of the piano manufacturer is that he advise his
employes of the opportunities afforded by the school and suggest
that they enroll. He can also aid in a more material way by
donating equipment, such as player actions, old player-pianos or
cabinet players, and sections of player mechanism which are of
small value to him, but of great value to the students in ttiieir prac-
tical work.
The gift of a player-piano to the school has a big sound, but
if the contribution of an old 65-note player will result in greater
skill on the part of half a dozen of the manufacturer's employes
who attend the classes, the profits will be the largest that the manu-
facturer can ever secure on an investment of equal size.
British piano men who have visited New York recently have
stated that it is practically impossible to have a first-class player
action made in England, owing to the fact that the workmen can-
not be depended upon to be accurate, and, therefore, wherever
possible, all the actions used in England come from the United States
or other countries. The American manufacturer may well feel
proud of the reputation of his player action, but he must not forget
that the ability of the actions themselves to live up to that reputa-
tion lies largely in the hands of the workmen.
It is the aim of the Murray Hill Evening Trade School to
give to ambitious workmen the necessary skill and knowledge to
uphold the American tradition in the player-piano world. With
Fhree-score or more piano manufacturers in the City of New York,
just a little support from each will insure the success of the class
in player-piano construction for years to come.
Technical education is not something abstract—something for
the other fellow to consider—it is a subject in which every piano
man is vitally interested.
The association has recognized the necessity for this form of
education by endorsing the classes and the individual manufacturer
should back up that endorsement with his personal support.
It's good business!
T
HE work of the piano merchants at the Convention of the
Piano Merchants' Association of Ohio, held in Columbus
last week, serves to prove that association conventions, particularly
the meeting of State organizations, are far from being simply in-
formal gatherings with a general good time as the principal object.
The chief accomplishment of the Ohio association has been
the bringing about of a better feeling between piano dealers of the
State, and is the greatest work that any trade body can do. With
mutual confidence paramount the evils of the trade that bring the
merchants together in the first instance lose their terror, for
united action is powerful.
It is greatly to be regretted that despite the recommendations
of the National Association officers, there are not more State
organizations of piano men similar to those existing in Connecticut,
Indiana and Ohio, for there is room in every State for such a body.
The tendency of the piano business is toward better trade
methods, and although the individual dealer can accomplish much
in his own territory, through association work with feilttw dealers
of the State, the power of the individual is increased manyfold.
State associations protect the trade from legislation inimical to their
interests, prove strong factors in bringing about measures against
misleading advertising and fraudulent business methods, have a
strong influence for the one-price system of piano selling, and in
short prove ideal defensive bodies for the trade.
When the occasion arises, as happens in almost every State,
when the piano men must take the offensive to accomplish their
ends, a solid organization, backed by the representative dealers of
the State, has much more influence in securing results than have a
number of dealers, equal to its membership, but fighting as indi-
viduals.
The merchant in any line of business who keeps within his
shell and believes that he is sufficient unto himself is rapidly be-
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
NO TIME FOR SPINELESS INACTIVITY.
(Continued from page 3.)
a billion bushels, and yet this fabulous amount is not enough for next year. Not only must two
stalks of wheat and two ears of corn grow where one grew before, but three, four or five.
The American farmer must enroll at once with the reservists who are called out to fight and
win the commercial battles of the United States in the next year or two.
If there is a poor market for cotton, raise corn. That has been the trouble with the South.
It has held to cotton exclusively, and the same soil will raise corn as well. But these enormous
deficits in the production of the soil, of the mines and of the factories must be made good from
some source, and it is plain that America is the one great country upon which the whole world
must rely for its varied products.
The more uncertainty which can be taken out of the minds of men the better it will be, and
even the most pessimistic will admit that home prospects certainly look better than ever, and that
big crops at high prices certainly mean the distribution of material wealth.
The quicker American business men get the depression idea out of their minds the better it
will be for those with whom they are brought in contact.
There is no reason why publicity methods should be abandoned. Keen advertisers realize that
advertising is a powerful force to stimulate business confidence. Men who are on the fighting lines
of business realize that, and it is just at such a time when the weak and
inefficient retreat and abandon the field to the stronger and more ag-
gressive business forces.
Ginger up the business methods and remember spineless inactivity
never did amount to a rap in any kind of times.
Importance of Educational Advertising.
i n P H E subject of advertising received a great deal of considera-
[ J. tion at the annual meeting of the Oliio Piano Merchants'
[Association held in Columbus, O., last week, and among the very
interesting addresses made that of Perry B. Whitsit on "Educa-
tional Advertising" was admirable. He pointed out how the edu-
cational element in an advertisement plays a vital part in the suc-
cess of the article advertised, and in this connection gave a number
of instances that were most convincing. Getting down to the piano
trade, he said:
"I consider the piano and player-piano luxuries for the simple
reason that they are not necessities. It is true that a home is
hardly considered complete in this day without one or the other, so
jwhere there is a natural spark of desire in all new households to
J3wn a piano or a player-piano, it sometimes takes quite a time to
fan this spark into a flame of realization, and I believe the quickest
and best way to accomplish this is by the educational advertising.
Especially do I believe this in the case of the player-piano. Is it
not surprising to you gentlemen, to come into contact with so many
people who are terribly prejudiced against the player-piano? Why,
I meet men every week of my life who openly laugh when I speak
of the wonder of the modern player. I believe most of us take it
for granted that because we have watched every step in the player-
piano development, the public has done likewise, but we are de-
ceiving ourselves. Nine men out of ten, 90 per cent., mind you,
coming a back number. He loses touch with current conditions
and methods of doing business and is outclassed by the men who
get together and exchange ideas.
The piano business of to-day is an enormous proposition, so
big that haphazard methods don't count. The man who is unable
to mix with other merchants in his calling either at club or associa-
tion conventions is to be considered unfortunate. He is handi-
capped.
T
HE selection of the name "Chickering Hall" for the Audi-
torium of the new Lord & Taylor store shows an interesting
understanding of name values in music and in the music trade.
The term "Chickering Hall" is not unknown to the music
lovers of New York, for up to fifteen years ago or so the old
Chickering Hall at Eighteenth street and Fifth avenue was one of
the music centers of the city.
know the player-piano by some sort of a rattle-bang affair, whicbj
they accidentally heard a decade ago. We cannot run our players!
up and down the streets as the automobile people do their new model
I:
cars every year.
|
"A man who can tell you every improvement made on the
Packard automobile since the first couldn't tell you whether you use
foot or steam or water power in that wonderful player you sell
and know all about. It is not the man's fault. We as a whole
simply have not done enough educational advertising. True, we
have spent out good money, but we have been content to tell the
public that our player was either very much better or very much
cheaper than the other fellow's. When we appropriate one-half of;
our money to making the public believe in player-pianos and in-j
vestigate the claims we make and buy them, and the other half of
our money for 'best for least' purposes, we will have started an
educational advertising policy which will cause the public to investi-
gate this wonderful instrument, and will also make them buy to a
greater extent than we have known. We must have at least part
of those 90 per cent, who are against us now on our side. We
have a wonderful instrument, but we must not hide it."
Mr. Whitsit's arguments are sound and well worthy the con-
sideration of every piano dealer, too many of whom, unfortunately,
do not utilize their advertising space along the most effective or
commendable lines.
If the conduct of the Lord & Taylor Auditorium is made to
conform with the traditions of the old Chickering Hall musical
New York will have much to be thankful for.
The name "Chickering" as applied to the hall does not simply
signify the adoption of a name of a prominent piano, but rather
the adoption of all that that piano and its associations represent in
the musical world.. It means that to live up to the name, the con-
certs and recitals given in the Auditorium must achieve a standard
—an ideal that means considerably more than the advertising of a
piano naire.
It is entirely fitting that a piano name shou 1 d mean something
in music—something tangible—something lofty. The use of the
name "Chickering" for the Lord & Taylor Auditorium reflects as
much honor on the house which employs it as there is honor
conferred upon the name of the oldest piano made in America
through its use.

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