Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
56
FORT McHENRYJO BE PARK.
Baltimore Plans Honor for Author of
Spangled Banner."
E. R. BALL COMPOSES WAR SONG.
'Star
Frederick Law Olmsted, of Boston, has com-
pleted plans for parking Fort McHenry at the en-
trance to Baltimore harbor. This is the centennial
year of the writing of the "Star Spangled Banner"
by Francis Scott Key, and Baltimore is arranging
to celebrate this and other events with a week of
elaborate patriotic pageantry, civic and industrial
parades in September.
Jt is intended to build within Fort McHenry a
memorial hall co.sting $300,000. In this will be
placed the original "Star Spangled Banner" which
inspired Key, and other historic flags, arms, can-
non and relics of that time. A monument to Key
will be placed near the site of the flagpole from
which the flag waved that met his eyes, and near
it a steel staff, from which will fly the flag as it
appears to-day. Mr. Olmsted has laid out a land-
scape plan which not only preserves the original
lines of the old fort, but holds all of its ramparts
in shape should it ever be needed in the defence
of the city.
'Across the Rio Grande" One of First Mexican
War Songs to Be Offered to the Public and
Pleases Audiences Immediately.
"Across the Rio Grande" is the title of the latest
composition from the pen of Ernest R. Ball, and
it is also tine of the first of the Mexican War
songs to be offered to the public. The words are
the joint work of those expert lyricists, Dave Reed
and George Graff, Jr., who have written the verses
for the majority of Mr. Ball's ballads. The com-
poser himself, appearing In vaudeville with Miss
ISSTHERIOGRANDE
MARCH SONG'
^~
BUSONI'S INDIAN FANTASIE
WANT POPULARSONGS CENSORED.
Move to That End Made This Week by North
Carolina Club Women.
(Special to The Review.)
RALEIGH, N. C, May 4.—-A national censorship
of popular songs is the object of a memorial that
the North Carolina Federation of Women's Clubs
will address to Congress this week.
School teachers have taken songs down as recited
to them by children, with the result that a great
agitation against popular music has followed.
EDGAR S. KELLEY IN GERMANY.
Edgar Stilman Kelley, the American composer,
is now in Germany. He was invited by the Liszt
Society to conduct his New England Symphony
at their festival in Altenburg on April 27.
THE LATEST ENGLISH SONG SUCCESS
Over a Quarter Million Copies Sold in England and the Colonies.
"Little Grey Home in the West"
By HERMANN LOHR
Published in four keys: Bb (A to D), C, D b a n d E b .
Price 60 Cents
CHAPPELL & CO., Ltd.
41 East 34th St., - NEW YORK
Canadian
Branch: 347
Yonge St.,
TORONTO
T H E OLIVER DITSON CO.,
Boston, Mass.
For Violin and Piano.
Adagio-Romanze (Guslav Hollaender)
$0.75
Cavatina, in G, O p . 36 (Gustav Hollaender)
75
Chant Sans Paroles, Op. 2, No. 3 (I 1 . I. Tchaikowsky) . .60
h i the Mill, Op. 38, No. i (Gustav H o l l a e n d e r )
7-")
Minuet, in D. ( W . A. M a z a r t )
4Q
Pierrette, Air de Ballet, Op. 41 (Ceeile C h a m i n a d e ) . . . .73
Scherzo (Gustav H o l l a e n d e r )
1.00
Serenade-Andalouse, Op. 100, N o . 3. (Guido P a p i n i ) .50
Spanishche S e r e n a d e (Gustav Hollaender)
75
Valse Caprice, in Kb, Op. 16 (Karl Rissland)
60
For Violoncello and Piano.
Licbeslied, Op. 3, No. 1 ( F . Flaxington H a r k e r )
60
Thios for Violin, 'Cello and Piano.
A Dream (J. C. Bartlett)
60
Sextet from "Lucia" (Gaetano Donizetti; Air. liy Win.
Dressier)
73
G. RICORDI & Co..
14 East 43d Street, New York.
VOCAL.
Flower Thoughts (Frederick H. Martens-John Carring-
ton)
$1-00
The Child's Face (Music by Agnes Mary Lang)
60
The Hour Glass (II. T. Burleigh)
SO
The Jocund Dance (Blake-Roger Quilter)
.60
Where are You Going? (Keats-Roger Quilter)
60
INSTRUMENTAL.
Autrefois, for piano (Edgar Barratt)
Carissima, for piano (Edward Elgar)
60
Carissima, for violin and piano. (Edward Elgar)
75
Congratulations, also listed as "Castles Lame Duck
Waltz"—Valse (James Reese Europe)
60
Djorah, romance for piano (Eugene Janowski)
60
Forest Studies (Percy Rideout)
1.00
1 Green Boughs, 2—Beech-Mast, 3 •- OaK Pageant.
I'ink Rose, romance for piano. (Eugene Janowski)
60
Embodies Impressions Gained on Last Ameri-
can Tour in New Musical Creation.
Btisoni, who has been engaged by Hanson for
another American tour next season, has composed
an Indian Fantasie for piano and orchestra, which
is said to embody "the impressions received dur-
ing his last visit to America—the majestic Mis-
sissippi, the boundless prairies and the silhouette
of the fast-vanishing redskin with his barbaric
ceremonies and picturesque accoutrements. These
impressions are blended into a sustained tone-
picture of flashing colors after the fashion of the
Liszt concertos. Introduced by an orchestral pre-
lude, the Fantasie enters—first as a long piano
solo, developing later into capriciously clever
variations. The middle movement is a canzone of
great beauty, composed of two Indian love songs,
and the finale pulses with life and color and is
most characteristic of the three subdivisions. It
is extremely ingenious, constructively considered,
and a veritable tour de force of piano virtuosity
which American conccrtgoers will have an oppor-
tunity of hearing."
Whether this "Indian Fantasie" is written in
Busoni's latest style is not stated, but it is known
that he has joined the ranks of the futurists and
musical cubists, who sneer at the idea that ugli-
ness is the opposite of beauty. To them it i:;
beauty itself—'beauty of the future!
NEW MUSIC.
nu.sic at)
CRNE5T R.BALI
fl<\ WITMARM 4 JONS
Maude Lambert, tried out the song first at the
Alhambra Theater last Wednesday a week, and
the audience was most enthusiastic. Thereafter it
was the feature of every performance, and its
repetition at the Orpheum Theater in Brooklyn
drew crowds of sailors and marines from the
Navy Yard, who were not slow in catching the re-
frain and carrying it away with them. M. Wit-
mark & Sons, the publishers, distributed the first
professional copies and orchestrations to, bands-
men and marines bound for Mexico, so that the
song will be heard in Vera Cruz and Tampico
within a week or so.
The words tell the story of the recent happen-
ings in Mexico and what is liable lo happen. The
song is scoring a great hit.
BOOSEY & CO.,
0 East 17th Street, New York.
VOCAL.
Audacity (Charlotte Washboimie-Vernon Eville)
$0.60
Blackbird and Thistle (Edward Teschmacher-Oskar
Borsdorf)
60
Blossom-Time (Nora Hopper-Roger Quilter)
60
Forget (Christian Linton-Rolps Cox)
60
Friend o' Mine (F. E. Weatherly-Wilfrid Sanderson) .60
Lorraine (P. J. O'Reilly-Wilfrid Sanderson)
60
The Island of Gardens (Marguerite Radclyffe-Hall-S.
Coleridge-Taylor)
60
Thy Valentine (Gits Edwards-Vernon Eville)
60
Waiting (Edward Tcschcmacher-Cuthbert Wynne)
60
GREAT MINDS RUNJN SAME CHANNEL.
Composers Puccini and Mascagni were aston-
ished to learn through mutual friends that, un-
known to each other, both started work about the
same time on operas based on the same work,
Ouida's lvovel, "Two Little Wooden Shoes."
Neither will yield to the other by discontinuing,
and it is probable that both will finish for produc-
tion at practically the same date.
REVIVES SPANISH WAR BALLAD.
Charles K. Harris took advantage of the war
scare in its early stages to resurrect his success of
Spanish War days, "Rreak the News to Mother,"
which was featured by a couple of vaudeville per-
formers with such success that others were quick
MUSICAL COMEDY THE BEST.
tn. take up the number. The result has been a de-
Has a Number of Points in Its Favor as Com-
mand for the ballad that would do credit to an
pared with the Straight Drama, Claims Mar-
entirely new song.
garet Romaine in Recent Interview.
In making comparisons between musical comedy
and straight drama in a recent interview, Mi.-s
Margaret Romaine, at present appearing in musical
comedy in N«w York, says, in favor of the former
style of production:
"A musical attraction is more likely to be dis-
cussed about town than the usual dramatic offer-
ings, chiefly because there are so many ways of
bringing it to the attention of the public. After
the theater one hears the same tuneful melodies as
part of the repertory of a Broadway cafe or-
chestra. At home you listen to the same strains
on the piano or the phonograph. At afternoon
bridge parties there is discussion about Miss So-
and-So,, the clever dancer, who wears a latest
style Parisian gown in her new musical success.
"Musical comedy will always be a popular form
of entertainment. It is bound to be, because it
offers what the people of the twentieth century
want—laughter and music. A good production of
this sort is really a panoramic motion picture—a
series of laughable situations, sprightly dancing
and lilting music. There are generally three
changes of scenic effects, and in some of the larger
productions as many as fourteen or fifteen dif-
ferent scenes."
AT THE MINSTREL SHOW.
Bones (with cornet under his arm).—"Why am
I like a horse who has just had his dinner?"
Jones.—"Because you've got your corn-et."
She—Charles, what's a cabaret?
He—A cabaret is a place that takes the rest out
if restaurant and puts the din in dinner.
Another "BALL" Triumph
Ernest R. Ball has written many successes,
but none that will achieve a greater popu-
larity than his latest
"WHILE THE RIVERS
OF LOVE FLOW ON"
WHILE THE I^IVERS/LOVE
FLOW O N
LYRIC BY
GEORGE GRAFF
ALREADY H U N -
D R E D S OF T H E
BEST SING I NG
ACTS ARE USING
IT
1
SLOGAN:
STOCK
UP
M. WITMARK & SONS
Witmark Blcfg., 144-146 West 37th St.
NEW YORK CITY
Chlcato
San Francisco
London
Paris
Melbonrn e