Music Trade Review

Issue: 1914 Vol. 58 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SP1LLANE, Managing Editor
Executive and Reportorlal Staff:
B. BRITTAIN WILSON,
A. J. NICKLIN,
CARLETON CHACE,
AUGUST J. TIMPE,
BOSTON OFFICE:
, . „ „ H w , , o n M sai Washinrtnn St
JOHN IL WILSON, 824 Washington bt.
Telephone, Main 6950.
PHILADELPHIA:
L. M. ROBINSON,
W M . B. WHITE,
CHICAGO OFFICE:
E. P. VAN HARLINGEN, Consumers' Building.
^ T J, hone> W a b a s h 5774 .
ga<) g o ^ ^ ^
HENRY S. KINGWILL, Associate,
MINNEAPOLIS and ST. PAUL:
R. W. KAUFFMAN.
GLAD HENDERSON,
L. E. BOWERS.
ADOLF EDSTKN.
ST. LOUIS :
CLYDE JENNINGS,
SAN FRANCISCO: S. H. GRAY, 88 First St.
DETROIT MICH.: MORRIS J. WHITE.
CINCINNATI, O.: JACOB W. WALTERS.
INDIANAPOLIS,IND.: STANLEY H. SMITH.
BALTIMORE, MD.: A. ROBERT FRENCH.
MILWAUKEE, YVIS.: L. E. MEYER.
KANSAS CITY, MO.: E. P. ALLEN.
PITTSBURG, PA.: GEORGE G. SNYDER.
LONDON, ENGLAND: 1 Gresham Buildings, Basinghall St., E. C.
Published Every Saturday at 373 Fourth Avenue, New York
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION (including postage), United States and Mexico, $2.00 per year; Canada,
?3.50; all other countries, $5.00.
ADVERTISEMENTS, $3.00 per inch, single column, per insertion.
On quarterly or
yearly cnntnicts, a special discount is allowed. Advertising pages $90.00.
REMITTANCES, In other than currency forms, should be made payable to Edward
Lyman Bilf.
Departments conducted by an expert wherein all ques-
tions of a technical nature relating to the tuning, regu-
lating and repairing of pianos and player-pianos are
dealt with, will" be found in another section of this
paper. We also publish a number of reliable technical works, information concerning which
will be cheerfully given upon request.
Player-Piano and
Technical Departments.
Piano Co., Memphis, Tenn., for the exploitation of the Vietor
Yictrola and its timeliness when used with the latest dance records.
One of the large windows of the Houck Co.'s store was set
aside for the display with special furnishings and a large Victrola
installed therein. Each afternoon and evening a couple of expert
dancers, a man and woman, illustrated the latest popular dances,
the tango, maxixe, etc., in the show window to the accompaniment
of the Victrola and the enthusiasm of the large crowds that blocked
the sidewalk on the outside.
The live player-piano dealer with a large show window, and
especially those who have recital halls in connection with their
wareroefms, should be able to get excellent results from the same
plan with the player-piano and a capable operator taking the place
of the Victrola.
Dancing exhibitions as an addition to the recital program
with admission in the evening by card and with invitations sent to
leading names on the company's list of prospects would, in all prob-
ability, attract more genuine attention and interest than a half-
dozen ordinary player-piano recitals, and interest begets results.
The talking machine dealers are taking timely advantage of
the craze for dancing by emphasizing how those interested can
secure an orchestra in their home through the purchase of the talk-
ing machine. These arguments can just as well be applied to the
player-piano, for many sales can be made through this medium,
provided dealers are wide-awake enough to properly exploit the
player-piano and the music rolls for dancing purposes which they
handle.
T
HE story is told, and worth repeating, too, of a representative
of a trade publication who recently visited a well-known
Exposition
Honors Won
by The Review
Grand Prix
Paris Exposition, 1900
Silver Medal- • .Charleston Exposition, 1902
manufacturer, and insisted upon his placing with him a large sized
Diploma
Pan-American Exposition, 1901
Gold Medal
St. Louis Exposition, 1904
advertising contract. His insistence was so marked that it became
Gold Medal. .Lewis-Clark Exposition, 1905
somewhat irritating, but the manufacturer did not manifest the
LONO DISTANCE TELEPHONES—NUMBERS 5982—5983 MADISON SQ.
Connecting' all Departments
slightest sign of yielding.
Cable address: "Elbill, New York."
Finally, the trade paper representative brought his fist down
NEW Y O R K , A P R I L 4 , 1 9 1 4
with an explosive bang on the desk and said: "You arc spending
too much money in The Music Trade Review—mo'ney which should
be spent in our publication."
"Is that so?'' replied the manufacturer, "and by what right do
EDITORIAL
you make such an assertion ? 1 .et us take The Music Trade Re-
view and compare it with your publication. First, the editorial
H E R E was a time when piano merchants o'utside of a few large
policy of the paper is looked upon as its great strength. Docs your
cities failed to recognize the value of artistic environment
paper compare with its concededly strong editorial policy?"
for the display of their products. Within the past few years, how-
An unwilling admission came from the representative that it
ever, there has been a complete metamorphosis of ideas on this
did not make a showing with it.
subject. From time to time The Review lias printed illustrations
"Then, let us take another live subject—the player. I find
showing the very effective displays made by dealers in widely sepa-
five times as much matter regarding the player as in your publica-
rated sections of the country—some located in small towns as well
tion. Can you disprove this?" He could not.
as large cities—wherein the value of artistically arranged ware-
"I find in technical matter the same condition. Is this not
rooms as a desirable environment for the instruments which they
true?" Another faint admission.
handle is pleasingly emphasized.
"Then I find by actual count there are seventy-five points cov-
This is a move in the right direction, for the warerooms, like
ered by trade correspondents. Can you show more?"
the window of an establishment, reflect the general point of view
"Again, I find every department, such as supplies, small goods,
of the proprietor—they reflect the managerial policy—the condition
sheet music and everything of that kind, covered fully and com-
and class of merchandise dealt in—the alertness or backwardness
pletely. Can you show any one point in which you excel?" With
of individuals concerned with the institution. In other words, they
considerable of the bombast extracted, the representative finally ad-
tell whether the business is conducted on progressive up-to-date
mitted that he could not.
lines, or whether it is one of those dreamy, standstill establishments
"And, then," continued the manufacturer, "I am informed
which exist in spite of their unenterprising proprietors.
that The Review is more closely followed by the reading element in
Too much stress cannot be laid on the value of interior decora-
this trade than any other publication, and I know from personal
tion in connection with piano display. The leading piano houses
observation and from reports made by my travelers, that the deal-
of the country have long recognized the importance of special art
ers nationally rely upon it as representing in the best manner clean,
rooms for the display of special instruments, and the tendency all
up-to-date journalism. Can you disprove this?" He could not.
along the line is to make the architecture and furnishing of these
"Then," continued the manufacturer, "why have you the im-
special rooms in keeping with the line of instruments shown therein.
pudence to come in here and demand from me patronage by attack-
This is an age when the aesthetic sensibilities of visitors and
ing a paper whose standing and reputation is above criticism, and
purchasers are keen to decorative influences if they are conceived
whose advance during the past few years has been little short of
in a proper spirit, and it is most gratifying to notice from the various
marvelous ?"
illustrations printed in The Review that piano merchants through-
"The facts are you are losing ground and The Review ad-
out the country are giving closer attention than ever before to the vancing. Hence this evident soreness On your part, but I, with
decoration and tasteful appearance of their establishments.
others, shall continue to place my advertising where my business
The dealers in player-pianos who long for something besides
judgment dictates."
regular recitals and the ordinary window displays to attract public
As the trade paper representative disappeared, limp and spine-
attention to the possibilities of their instruments might, with profit,
less, he was heard to mutter: "I'll get even with The Review ir
take a hint from the method recently adopted by the O. K. Houck
some way, even if I have to kidnap its entire staff."
T
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
DEFINITE, CLEAN-CUT ACTION DESIRED.
(Continued from page 3.)
Henry Dreher, also a former president, writes: "I certainly read your various editorials on the
first page of your paper with great interest, and have several times felt that I would like an oppor-
tunity of congratulating you on these articles, as they are not only educational, but any business
man carrying out some of your ideas would certainly find them profitable."
Thos. M. Pletcher, vice-president the Melville Clark Piano Co., Chicago, 111., says: "All of the
things you suggest in regard to fixing some valuation on trade-in pianos are very fine indeed, except
for the fact that in the writer's opinion nothing can be done."
Here is an opinion from Wm. H. Collins, a leading piano salesman of Chicago, who remarks:
"There is no doubt whatever in my mind that the problem of traded-in pianos is one that ought to
engage the careful attention of every player man. When I sell a player-piano and take a straight
piano, used, in trade as partial payment for the player, I am undertaking two transactions. I am
selling a player-piano and also buying a second-hand straight piano. Plainly, then, until the second-
hand piano which I have bought has been sold again, and at a profit, there is no complete sale. If
anybody makes such sales supposing that they are finished when the down payment on the player
has been made he is fooling himself. The traded-in piano must be resold before the transaction has
been completed."
Mr. Collins says further "there must be concerted action, and he believes that the piano manu-
facturers can do much in the way of beginning it."
While there must be a beginning, sometime and somewhere, why not start in right now on a
country-wide campaign?
I shall be glad to receive communications from any members of the trade who have ideas to
express along remedial lines.
The whole object of the campaign is to arrive at some general agreement whereby the condi-
tions of the trade may be materially benefited, and that one of the great problems—a dominant one
on account of the player-piano—may be much simplified.
I repeat what I have said in former issues—that, in my humble opinion, the over-valuations and
lack of system used by many piano merchants throughout America on traded-in pianos have been
among the chief reasons why dealers have not advanced further along the road to material wealth.
Take every one of the houses that have gon^ to the wall during the past few years, and you
will find by an analysis of their stocks that they have loaded themselves up with a lot of traded-in
stock which has been carried on their books at the prices at which they were traded-in, and in most
cases ridiculously high allowances were made for these instruments.
This is a matter which interests not only every piano manufacturer, but every piano merchant
in this great, big country of ours, and if the coming convention in New York can be so employed
that a national system may result, then much good will have been accomplished.
The sale of player-pianos has grown very materially during the past few years—in fact, last
year it took an amazing upward trend, and this year the proportion between straight and player-
pianos is constantly narrowing, and it will not be long before the sales of player-pianos will equal
those of straight pianos.
At the present rate of valuations on trade-ins an unfortunate condition will result, and a good
many men will have traded themselves out of business.
The question of devising fair valuations for traded-in pianos is one which requires the serious
consideration of the entire trade, and the piano merchant who is selling on long time a player-piano
which represents considerable investment, and accepts in part payment thereof another instrument
which he must resell in order to complete his original transaction, must meet certain conditions, and
if he does not succeed in meeting these successfully he will sooner or later find himself loaded up
with a stock of used pianos taken in at high valuations and having for them no adequate outlet.
What say you, gentlemen of the trade? Cannot the situation be
met in such a manner that conditions may be bettered by concerted
action?
All admit the seriousness of the situation—then why not strive to
better it by logical action?
T
HE four papers to be read at the coming convention of the Na-
tional Association of Piano Merchants and announced this
week by President O. A. Field are, each of them, of timely interest
and importance to the trade at large. The question of clean adver-
tising has been brought up before, but it will bear frequent repeating.
The proper advertising and handling of second-hand or trade-in
pianos is also a subject of most timely interest, as is the dis-
cussion of the one-price system and its bearing on the dealer and
his customer. Of the four papers, however, that referring to the
benefit of short terms should receive the greatest attention as
presenting the dealer's view of the subject. It is to be hoped
that the attendance at the convention will be such that the
papers receive the proper attention and discussion. The an-
nounced policy of fewer papers, but to have those few carefully
considered, instead of many papers soon forgotten, is interest-
ing enough to be given a fair try-out by the association members.

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