Music Trade Review

Issue: 1913 Vol. 57 N. 7

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPILLANE, Managing Editor
Executive and Reportorlal Staff :
B. BBITTAIM WILSON,
CAKLETON CHACS.
L. M. ROBINSON,
A. J. NicKLiN,
AUGUST J. T m r i ,
BOSTON OFFICE:
'OHM H. WILSON, M4 Washington St
J
, _ . .
•» * • « A «• *»
p
GLAD HBNPUSON,
WH. B. WHITE.
L. E. B o w i n
CHICAGO OFFICE:
v
* " HA.LINGM. 87 South Wabash Aye
** KNK Y 5« it. ING W I L L , A-MOClfttfe
Telephone, Main 6950.
R o o m g 0 J 7 Telephone, Central 414
PHILADELPHIA:
MINNEAPOLIS a n d ST. PAUL:
ST. LOUISt
R. W. KAUFPMAN.
ADOLF EDSTEN.
SAN FRANCISCO: S. H. GRAY, 88 Pint St.
CINCINNATI, O.: JACOB W. WALTEKS,
BALTIMORE. MD.i A. ROBEBT F I I N C B .
CLYM JENNINGS
DETROIT. MICH.: M o u u J. WMITK.
INDIANAPOLIS, IND4 STANLEY H. SMITH
MILWAUKEE. W I S . : L. E. MIYXS.
LONDON, ENGLAND: 1 Gresham Buildings, Baiinghall St., E. C.
Published Every Saturday at 378 Fourth Avenue, New York
Entered at the New York Post Office as Stcond Ckus Matter.
SUBSCRIPTION, (including postage), United States and Mexico, $3.00 per year; Canada,
18.60; all other countries, $4.00.
ADVERTISEMENTS, $2.60 per inch single column, per insertion.
On quarterly «r
yearly contracts, a special discount is allowed. Advertising Pages, $76.00.
REMITTANCES, in other than currency forms, should be made payable to Edward
l,yman Bill.
Departments conducted by an expert wherein all quel
PianA •nil
t i o n s o f a technical nature relating to the tuning, regu-
lating and repairing of pianos and player-pianos are
y
dea j t
with
will b e f o u n d
in another
section of tus
paper. We also publish a number of reliable technical works, information concerning which
will be cheerfully given upon request.
Exposition Honors Won by The Review
Grmnd Prix
Paris Exposition, 1900
Silver M«/«/.. .Charleston Exposition, 1808
Diploma... .Pan-American Exposition, 1001
Gold Medal
St. Louis Exposition, 1004
Gold Medal..Lewis-Park Exposition. 1908
LONG DISTANCE TELEPHONES-NUMBERS 8982-5983 MADISON SQUARE
Connecting all Departments.
Cable a d d r e s s : "Elblll, N e w York."
NEW Y O R K , A U G U S T 16, 1 9 1 *
EDITORIAL
T
HE annual convention of the American Guild of Piano Tuners
held last week in Cleveland, O.—regardless of the repre-
sentative character or the aims and objects of that body—came close
to being an ideal convention of those associated in one branch of
the trade, owing to the personal character of the various discussions
entered into during the meetings. It has been the practice of the
Guild at its annual meetings to arrange for addresses by men recog-
nized as authorities on the matters on which they spoke, and the
latest convention was no exception. The greatest benefit derived
from the various addresses, however, lay in the discussions that
followed regarding the different points brought out.
The tuners were not asked to accept the statements offered as
simple facts not open to argument, but were encouraged to ask
questions and present their own personal views, with the result that
the delegates left the convention room with a first-class idea of
what the addresses had consisted of and generally were the posses-
sors of increased knowledge regarding the complex features of their
calling.
One paper, intelligently presented and carefully discussed in a
manner to afford a perfect understanding of the various points
brought out, is worth a dozen papers read in a monotone before a
more or less indifferent audience. Probably a page taken from the
tuners' book would prove effective in adding interest to the con-
ventions of the National Association of Piano Merchants, a matter
that is attracting much attention from those interested in the future
growth and welfare of that organization.
I
N speaking of the convention of the tuners, it would be gratify-
ing to sec some movement tending to provide for a certain
standard among those tuners who profess to be capable of repairing
player-pianos of various models. The Guild, if it secures the proper
support and carries out conscientiously its aims and objects, as set
forth in its constitution, can undoubtedly accomplish much in the
way of placing the profession of piano tuning on a higher plane
.and routing out the "fakes" and incompetents. Such work should
be of great interest to both the manufacturer and the retailer, for
the incompetent tuner can do much to damage the tone of the high-
est class of piano both before and after it goes into the home of the
final purchaser, and thereby hurt the reputation of the instrument.
That a man is a good and capable tuner does not signify, how-
ever, that he is competent to take charge of and repair a player-
piano that is out of order, no matter how far his egotism may carry
him in that belief. To qualify as a player repairman the tuner
should have an intimate knowledge of all the leading models of
player actions, knowledge gained in the repair department of the
local piano stere, or through visits to various factories where the
officials are always willing to receive the ambitious tuner and ex-
plain the details of the mechanism for his benefit.
The writer has personal knowledge of several cases where the
taking of money by the tuner for alleged repairs to player-pianos
has been in the nature of fraud, for the tuners operated on sheer
guesswork and without practical knowledge of what they were
doing, and consequently with unsatisfactory results. Player knowl-
edge is a broad subject, but it has grown to a point where the local
man should know something about the repair of such an instrument
and not force the owner to send to larger cities or even to the fac-
tory for competent workmen.
The number of incompetent tuners is large, but the number of
incompetent player mechanics is far greater and they do much to
arouse distrust regarding the craft as a whole. In working for a
standard of player-knowledge among its members, the American
Guild of Piano Tuners will have a hard but important duty to
perform.
In lending their assistance to such a movement the manu-
facturers of player actions and player-pianos will aid their own
cause materially. Even in the best players there are minor troubles
bound to occur which call for competent attention.
The importance of this subject has long been emphasized by
The Review, and it was with the object of enlightening piano tuners
and others and stimulating them to a better knowledge of player
irechanisms that this office produced technical works from time to
time—books whose value has been acknowledged by an army of
ambitious piano workmen.
T
HE death of Robert C. Ogden, who for so many years, as resi-
dent manager, guided the destinies of the Wanamaker in-
terests in New York, which was recorded in last week's Revfew,
brings to mind not only his great.public service as educator and
philanthropist, but also the fact that it was under his direction that
the 1 Wanamaker house entered on the retailing of pianos about
thirteen years ago.
When the agency for the Chickering, Angelus, and other well-
known instruments was assumed by Wanamaker, the wise ones pre-
dicted that it was the beginning of the end in the piano trade—that
pianos would be handled like hardware, or drygoods—in brief, in
the usual department store style.
At the very start, however, Robert C. Ogden emphasized that
the piano department of Wanamaker would be a complete retail
store in itself, conducted in sympathy with the traditions of the
trade, but along distinctly progressive lines.
The success achieved is history. It was under the sympathetic
administration of Mr. Ogden that the artistic policy of the house
was so forcefully maintained both in the admirably written adver-
tising presented and in providing artistic demonstrating and display
quarters.
In the years previous to his retirement from Wanamaker's,
Robert C. Ogden was keenly interested in the piano department of
the business and contributed many valuable ideas which were uti-
lized to good advantage both in regard to the selling and advertising
policies -of the house.
He was a man of broad sympathies, whose relaxation from
intense business activity was devoted to helping others. From the
period almost immediately following the Civil War, Mr. Ogden
interested himself in the improvement of public education in the
South and to that object he gave of his time, energy and exceptional
talent for organization in increasing measure. As head of the Con-
ference of Education in the South, president of the Southern Edu-
cation Board and as trustee of the Hampton and Tuskegee Insti-
tutes he accomplished an educational work which constitutes a unique
personal memorial
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
Meeting Changing Retail Conditions.
LEADING article of more than ordinary interest which ad-
A
mirably sets forth the changing conditions in the retail
department of the music trade, as well as other industries, is that
which appeared recently in Good Storekeeping under the
caption "Follow the Gleam." We print it, in part, as worthy the
earnest consideration of those who desire to keep in touch with
developments. It reads as follows:
We who have been in business life for two decades or more
know that new methods, new obstacles and new facilities have stolen
upon us almost unawares. And as we look back to the way busi-
ness was done in the eighties, and later, we feel as one who looks
upon the shifting scenes of a stage transformation.
Interesting as all this may be few of us can afford to philoso-
phize upon it as mere spectators. We are actors in the drama.
The changes concern us; they affect our fortunes and our careers.
We cannot set back our environments to where they were—we must
adapt ourselves to them. Else, by the law which reigns in com-
merce as in nature, we succumb. We must "follow the gleam."
We must face and analyze the new forces and work with them.
The retail merchant has found himself in a changed world,
more thr.n most men. In place of a host of snail manufacturers
competing for his business, he finds one or a very few large com-
panies, much less yielding to his demands. Chain stores overrun
the lan.d. The catalogue houses have flourished and ship their
goods into his town undsr his very nose to his best customers. The
parcel post is an actuality. More subtly, the attitude of customers
has changed in various ways.
The dealer can no longer ignore the new era. It has become
a matter of urgency, if he is to continue a retail business, that he
adapt himself to irodern conditions. If they present difficulties,
still he must from them derive means to master the difficulties. He
must follow the gleam, the dancing, moving, receding light that
is to get him safely out of the labyrinth.
Fortunately, these twenty years have seen the rise of an ally
of the truly progressive merchant, with the help of which he may
go a long way toward meeting the competition of chain stores and
mail order houses. National advertising is most emphatically the
merchant's friend for all such advertising (aside from the com-
paratively small advertising of the catalogue houses) constantly
and insistently calls upon-the public to "ask your dealer." National
advertisers want the retail store to remain. They believe in dis-
tribution through local merchants. They know that, with rea-
sonable co-operation from retailers, no distribution is so effective
as that through the old channels of the jobber and the local store.
Does the merchant stop to think that the goods whose com-
petition he most dreads—mail order goods—are generally not half
so popular and well known as nationally advertised goods are?
Does he notice that the private brands of the chain stores constantly
fight the public's demand for famous trade-marked products? Does
he even realize how small and weak all catalogue houses combined
are in comparison with the total number of companies which adver-
tise nationally? The entire annual business of the mail order
houses, in gross, is less than the advertising expenditure of the great
national makers of trade-marked goods!
To follow the gleam—the light of a policy based on things as
they are, not as they were and never will be again—the retail mer-
chant has but to join hands heartily with national advertisers, cash
in on the immense demand they create, duplicate some of their
national advertising by local advertising—and he will find that the
cheaper distribution resulting will enable them to take increasingly
good care of him and put him where he will laugh at the competi-
tion of syndicated businesses.
Banner Year In Our Foreign Trade.
E
LSEWHERE in The Review appears the completed report of
the foreign trade of the United States for the fiscal year
ending with June. It makes a remarkable showing and tells the
story of a banner year in foreign trade. As will be noted, the fig-
ures show an increase of $159,700,000 in imports and $261,500,000
in exports over those of the previous year, which had the highest
record up to that time. The total of foreign trade on both sides
of the account was $4,275,000,000, which was greater than ever
before by $421,000,000. The excess of exports over imports was
$652,900,000, which had been exceeded only in the year ending
June, 1908, when imports had been depressed and exports stimu-
lated by the effect of the panic of 1907.
One of the significant aspects of this account is to be found in
the relatively large increase in exports of manufactured goods, the
value of which was $1,507,401,942 out of a total for all exports of
$2,465,000,000, or nearly five-eighths of the whole. Of these $778,-
008,349 are classed as "manufactures ready for consumption," an
increase of nearly $108,000,000 over the previous year. Manufac-
tures for further use in manufacturing show an increase of nearly
$61,000,000. These include various forms of metal, as ingots of
copper, billets of steel, etc. In manufactures of foodstuffs the in-
crease was small, little more than $1,500,000 in value, the total in
the latest year being $320,401,482.
• Another interesting aspect of our foreign trade lies in the fact
that considerable more than half of it is still with European coun-
tries. A good deal more than one-half of our exports went there
and nearly one-half of the imports came from there. The United
Kingdom is still our best customer, taking $597,000,000 of our ex-
ports and supplying over $295,000,000 of our imports. The large
difference between these items is due to the extent to which Eng-
land imports raw materials, especially cotton and food products,
chiefly grain and meat. Our nearest neighbor, Canada, is the next
best customer, taking $415,000,000 of our exports, while sending
us only $120,000,000 of her products. In this case the excess of
exports was made up largely of manufactured goods, though our
cotton supply accounts for a considerable part. Asia is the only
"grand division" which shows a falling off in trade with the United
States.
The figures bearing on the exports and imports of musical
instruments, which appeared in these columns last week, tell a story
of healthy-conditions—-there being a very substantial increase in,
both export and import trade, as compared with the last fiscal year.',
Municipal Music a Profitable Investment.
P to the present time the general public has held a well-founded
idea that municipal music, in whatever form, was simply a
very pleasant form of philonthropy, a means of giving the public
a certain amount of enjoyment at the expense of the taxpayers and
without any chance of real returns for the investment except in the
matter of gratified music lovers and officials self-satisfied with their
generosity. These ideas regarding the philanthropic nature of
municipal music, however, have been upset in part through the ex-
perience of Portland, Me., in connection with the municipal pipe
organ in that city.
The organ has only been in use for a single season, but during
U
Jthat time the audiences have totaled 150,000 and with the receipts
already in sight for a series of daily summer recitals now being
given, the total earnings of the organ for the season will exceed
$10,000. The concerts and recitals are under the direction of Will
C. MacFarlane, the municipal organist, formerly of New York, and
the success of the affair is a distinct tribute to the lovers of organ
music in Portland.
The fact that a municipal organ, with concerts properly con-
ducted, can be turned into an income producing investment for the
city as well as a boon to music lovers, should encourage the installa-
tion of municipal organs in public auditoriums throughout the coun-
try—a custom now widely prevalent in Great Britain and growing
in favor here.
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