Music Trade Review

Issue: 1913 Vol. 57 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
51
THE MUSIC TRADE REVIEW
GUS EDWARDSJSTAYS BANKRUPT.
ARE YOU ?
T o keep in line with
the demands of the
times, you must sell
Century Edition
Ten Cent Sheet Music
Referee's Reason for Refusing to Recommend
Discharge of Former Publisher.
William H. Willis, referee in bankruptcy, has
recommended that a discharge from bankruptcy be
denied to Gus Edwards, music publisher, song
composer and theatrical producer, formerly of
1531 Broadway, against whom an involuntary pe-
tition was filed on Feb. 8, 1910. On the same day
petitions were filed also against the Gus Edwards
Music Publishing Co. and Lillian A. Edwards. His
liabilities were $34,854 and there were no assets.
The referee decided that Edwards had assigned
five vaudeville acts to James E. McClees, of Phil-
adelphia, to conceal them from his creditors. Ed-
wards did not include them in his schedules. The
referee hdd also that an assignment of songs
made by Edwards for the company was made to
conceal them from creditors, with the exception of
the song "By the Light of the Silvery Moon,"
which was the property of the Gus Edwards Mu-
sic Publishing Co., and which was sold for $7,000
to Jerome H. Remick in November, 1909.
TABLOID TRUTHS
"EXCLUSIVE SONG" THE THING
Century Music Pub. Co.
1178 Broadway
New York City
When it's Apple Blossom Time
In Normandy.
Sunshine and Roses.
You're a Great Big Blue Eyed
Baby.
You Can't Stop Me From Lov-
ing You.
How Could I Know That You
Loved Me?
The Perfume of the Flowers.
I'll Get You.
I'm on the Jury.
That Old Girl of Mine.
That Tango Tokio.
Jerome H. Remick & Co.
219 W. 46th Street
68 Library Avenue
NEW YORK
DETROIT, MICH.
We are the publishers of the
European Success
Un Peu D'Amour
(A Little love, a little kiss)
Song Arrangement (French and
English Words)
Piano Solo Arrangement
Write for Terms
CHAPPELL & CO., Ltd.
41 East 34th St., - NEW YORK
347 Yonge St.,
-
TORONTO
WE HAVE BEEN TOLD
that Chris Columbus discov-
ered America on October Z>
1492. This may be all well
and true, but in the language
of the classics, "Ich ga
bibble!"
What we DO KNOW is that
MARIE RUSSELL
just discovered our bootiful
ballad
"THE CURSE OF AN ACHING
HEART"
and that it is now one of
the "Home Runs" of her act!
In Vaudeville Next Season, Say the Wise Ones
—Shy at Published Numbers That Travel
Faster Than They Can—But Nevertheless
"We Shall See What We Shall See."
The "exclusive soiig" will be the thing next sea-
son in vaudeville from all accounts, says Variety.
Singers on the variety stage are commencing to
shy at the published number which travels faster
than they can. Singers zig-zagging around the
country find that almost'the second week they have
a song in the act the same number was heard the
week before, just the same.
A popular hit nowadays is sung all over imme-
diately. The melody is dinned into the public's
ears until the song and the singer are through al-
most as quickly.
That music publishers are commencing to appre-
ciate this is best indicated by offers of publishers
here and there to furnish favored turns with ex-
clusive or restricted numbers by their staff of
writers. The "restricted" soog is promised to one
singer and no other until generally placed on the
stage market. This acts much as a number in a
production. The exclusive song delivered by the
publisher is for the singing rights only, publisher
reserving the publishing rights.
Music publishers have been holding singers
through a weekly payment equivalent to a salary,
for singing the publisher's songs. Vaudeville acts
have been accepting this money in the belief it was
added profit for them, but have gradually com-
menced to understand that through the acceptance
and the continual singing of published numbers,
they were only competing with others having the
same repertoire for the most part, besides losing
the distinctiveness an exclusive song hit would give
them. In other words, this "standing still" or
"going back" has cost vaudeviJle acts more in
salary or refusal of increase by the managers than
the weekly payment of the publishers amount to.
Any number of acts now are looking for ex-
clusive songs and exclusive song writers, of which
there are not many over here just now, although
songs and vaudeville on this side are leaning more
toward the English idea, which is to purchase a
song outright.
You can't expect more from a pig than a
grunt!
LEO. FEIST, Inc., - NEW YORK
"THE TANGO PRINCESS."
"The Tango Princess" is the name of the newest
German operetta. It emanates from the pen of
Jean Gilbert, the creator of "The Girl in the Taxi,"
who is now the most successful composer of op-
erettas in this country. The piece will be per-
formed in the coming season at the Thalia Theater
oi Berlin.
OFF TO THE MAINE WOODS.
Louis Bernstein, nf Shapiro, Bernstein &. Co.,
Broadway and Thirty-ninth street, New York, de-
parted on Monday for Maine, where he will spend
two or three weeks fishing.
MAKING_BIG HIT.
Lulu Glascr, assisted by Tom Richards in their
operetta, "First Love," is securing a big hit with
"Kiss, Kiss, Kiss," published by Leo Feist. She
tours the continent, beginning September 10.
TO BE SUNG IN BOSTON.
Richard Zandonai, the young Italian composer,
has finished his new opera, "Francesca da Rimini,"
to which d'Annunzio has written the libretto in
verse, and both composer and librettist will come
to America to assist in the production of the new
work to be given at the Boston Opera House in
the fall.
THE TALK OF NEW YORK
CHAS. K. HARRIS' TWO FAIIAD HITS
"Don't You Wish You Were Back Home Again?"
AND
BROADENING SPHERE OF ACTIVITY.
"Not Till Then Will I Cease To Love You"
Irving Berlin, the author of "Alexander's Rag-
time Band" and a number of more recent ragtime
successes, has arrived from London, where he has
been looking after the business end of his music
publishing. He appeared in the music halls with
some of his newest songs and incidentally made
arrangements for the production in London of a
new light, opera by Leoncavallo. The production
will mark Mr. Berlin's first appearance as a pro-
ducer and a wide jump from ragtime. Mr. Berlin
had his accompanist, Clifford Hess, with him, and
they appeared at three concerts on the "Kronprinz;
Wilhelm."
You can order them from your nearest
jobber, or direct from the Publisher
CHAS. K. HARRIS
Broadway and 47th Street
New York
MEYER COHEN, Mgr.
ROBERT TELLER SONS & DORNER
Music Engravers and Printers
SEND MANUSCRIPT AND IDEA OK TITLE
FOR ESTIMATE
226 West 26th Street, New YorK City
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
52
MONUMENT FOR NEVIN'S GRAVE.
MUSIC TRADE REVIEW
WANTS WORKERS TO S1NQ.
SCHOOL OF^HURCH MUSIC
Subscription and Benefit Concert to Furnish
Memorial to American Composer.
French Financier Says Their Efficiency Is
Greatly Increased.
By means of funds raised by subscriptions and
through a public concert which will be given some
time during the coming winter, a committee of
men and women prominent in Sewickley Valley
music circles are planning the erection of a memo-
rial monument over the grave of Ethelbert Wood-
Ibridge Nevin, the composer, in the Sewickley
Cemetery, Pennsylvania.
At present no monument marks Nevin's resting
place, which overlooks the Sewickley Valley, where
he was born, says the Pittsburgh Times. He died
in New Haven, Conn., in 1901, and was buried in
the family lot beside the graves of his father,
Robert P. Nevin; his mother, Elizabeth Oliphant
Nevin, and three brothers and sisters.
Just where the concert will be given has not yet
been decided upon, but it is planned to have musi-
cians of national reputation render the program.
The large Presbyterian Church in Sewickley, where
Nevin was organist in his earlier years, has been
suggested as an appropriate scene. A magnificent
new organ has been recently installed, which would
lend splendid aid to vocal and orchestral features.
The church itself, which had great sentimental
value in Nevin's time, seats about 1,000. The Car-
negie Music Hall in Pittsburgh is also under con-
sideration.
A movement to increase the efficiency of work-
ers by inducing them to sing while working has
been set on foot by Jacques Vernes, the well-
known French financier.
M. Vernes argues that France's industrial de-
cline, as compared with other nations, is largely
attributable to the fact that modern Frenchmen
have neglected the arts of song and dance. This
theory has aroused lively discussion in the artistic
as well as the industrial circles of Paris.
"What is chiefly needed in the industrial pur-
suits," said M. Vernes, "is a knowledge of rhythmi-
cal movement. As rhythm is the principal base of
music, I have decided to introduce music in all the
industrial enterprises with which I am connected.
I tried it in the Pyrenees, where we have built
roads and bridges. The result is simply amazing.
I do not mean ragtime music or tango dancing. I
want to revive the times when every workman sang
at his bench.
"The spirit of commercialism as exemplified in
Paris by American methods has had a depressing
influence in France. While it has taught us much,
it is in direct conflict with our nature. A counter-
acting influence is necessary, and I believe that I
have found it in songs for workers.'"
To Be Established in New York Under the
Auspices of Trinity Church of Which the
Organist and Choir Masters Will Form the
Main Staff of Instructors.
THE UNGRATEFUL "DEADHEAD."
When Oscar Hammcrstein was solving grand
opera problems at the Manhattan Opera House a
few years ago, he was greatly annoyed by one per-
sistent deadhead. Finally, after he had enjoyed
courtesies for months, there came a night when the
supply of seats was exhausted by the paying pub-
lic, but this did not affect Mr. D. H., who pre-
sented himself at the box office and asked for seats.
Oscar .=pied the D. H. from a rear office and
quickly phoned the treasurer to inform "the pest"
that he had expired suddenly.
"Mr. Hammerstein died this morning," the
tieasurer said, sadly.
"Vat! He died und he leave me no seats for
to-night? I vill refuse to go to his funeral."
And the D. H. purchased two gallery tickets.
The Manhattan Distributing Corporation, Chi-
cago, 111., has been incorporated, with capital stock
of $2,500, for the purpose of buying and selling
books, magazines, sheet music, etc. The incor-
porators are: Otto Denkewaitr, -Anna K. Alex-
ander and Mabel Torerson.
Another Ballad by Ernest R. Ball
I'll Change The Shadows
To Sunshine
Lyric by
George Graff, Jr.
Writers of "Till
the Sands of the
D e s e r t Grow
Cold," "Goodbye,
My Love, Good-
bye," " H e r e ' s
Love and Suc-
cess to You," "Let Us Have Peace," "Call-
ing of the Sea," "When Irish Eyes Are
Smiling," "Lost Melody," "Where Is the
Love of Yesterday?" etc.
The demand for this beautiful song is
growing steadily.
M. WITMARK & SONS
Witmark Bldg., 144-146 West 37th St.
NEW YORK CITY
Chicago
San Francnce
London
Pari*
Melbourne
RAGTIME LIKE PIMPLES.
Frank Damrosch on Sailing, Explains
Vogue in Europe.
Its
Frank Damrosch, director of the Institute of
Musical Arts, sailed for Europe last week on the
"Kaiser Wilhelm II." With regard to the present
craze in Europe for American ragtime, Mr. Dam-
rosch said that if Europe adopts ragtime it will
deserve all the injury it will receive. "Ragtime
tunes," he said, -"are like pimples. They come and
go. They are impurities in the musical system
which must be got rid of before it can be consid-
ered clean."
Mr. Damrosch said that the advance in musical
culture in America had been so rapid in the past
few years that he believed the musical average in
this country to-day is above the same as that in
Europe.
ROYALTY AND^ RAGTIME.
A dispatch from London to the New York
American says: "There is a distinct lull in the
popularity of ragtime, largely due to royal influ-
ence.
Yet ragtime keeps creeping in at court and mili-
tary functions. King George was so worked up
about it that at a recent function he had the bands
play in advance every single item on the program
in the gardens of Buckingham Palace, including
"Abide With Me" and Tschaikowsky's famous
Overture of 1812. .
The latter nearly came under the royal ban, his
Majesty being with some difficalty persuaded that
the Russian folk air which crops up in it was not
ragtime.
WALTER JACOBS
187 Tremont St,
BOSTON, MASS
Publisher of
"Kiss of Spring," "Somt Day Wht* Dreams Com* Trut."
And Some Others World Famous.
OLIVER
DITSON
COMPANY
BOSTON
NEW YORK
Anticipate and Supply Every Requirement of Music Dealers
WHITE-SMITH MUSIC PUB. CO.
PUBLISHERS, PRINTERS ft ENGRAVERS OF MUSIC
Maim Offioca: 6»-*4 StaafefM St, Baste*
Brm—h Hmatj: W«w York mai Q k w
Plans have been completed to establish in New
York the Trinity School of Church Music. Trinity
parish, after which it is named, makes it possible
by giving lecture rooms and furnishing in its nine
chapels facilities for instruction on some of the
greatest organs, including the one in old Trinity
Church at the head of Wall street, and in Inter-
cession Chapel in upper Broadway, which is to be
opened in' October. Lectures will be given in
Trinity School in Church street.
Trinity organists and choir masters will form
the main staff of instructors. These will include
Dr. Victor Baier, choirmaster of Trinity; Moritz
E. Schwartz, the present Trinity organist; F. T.
Harratt, Intercession Chapel organist; Robert J.
Winterbottom, St. Luke's organist, and at the head
of all, Dr. Felix Lamond, of Trinity Chapel. In
the list also is Edmund Jacques, the organist of
St. Paul's Chapel in lower Broadway, who has
made famous the noonday cantatas there. Other
instructors are John Carrington, a veteran vocal
teacher, who comes from England; A. M. Richard-
son, late of Southwark Cathedral, London, and
Mark Andrews.
The new school, which will open in the fall, will
have a course of thirty weeks for three years.
The tuition has been fixed at $250 a year, and it is
expected the students will be attracted from all
sections of the country. Lectures will be given
daily and practice will be afforded in all of the
nine chapels of Trinity, besides Trinity Church
itself. Both instrumental and vocal training will
be given.
A JOLLY LOT OF TUNES.
"I always did dislike men who have no ear for
music," said" one girl, "and now I dislike them
more than ever. Charley Nevergo called to see
me yesterday evening. At 11 o'clock I went to the
piano."
"And played Home, Sweet Home?'" said the
other girl.
"Yes. First I played it as a ballad. He didn't
move. Then I played it as a waltz, a polka, and
then a ragtime."
"And what did he do?"
"He said, 'Gracious, Miss Jones, what a jolly
lot of tunes you know! And all so different!'"
If you desire a man for any department of
your service, either for your factory or for your
selling department, forward your advertisement
to us and it will be inserted free of charge.
Don y t fail to order these Songs
My Dixie Rose
Who shall Wear them
You or I, Love?
Gasoline
My Old Girl
My Caroline
f one Story the
Roses Tell
'Mid the Purple Tint-
ed Hills of Tennessee
You Can't Repay the
Debt You Owe your Mother
Meet Me in the Twilight
NEW YORK
MCKINLEY MUSIC CO.
CHICAGO

Download Page 51: PDF File | Image

Download Page 52 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.