Music Trade Review

Issue: 1913 Vol. 57 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPILLANE, Managing Editor
Execntlve and Reportorlal Staff :
B
BttiTTAiN WILSON
A. .T. NicKLiN,
CARLETON CHACE,
AUGUST J. T I M P E ,
L. M. ROBINSON,
W M . B. W H I T E ,
GLAD HENDERSON,
L. E. BOWERS.
BOSTON OFFICE:
CHICAGO ( I t H U :
JOHN H. W.LSON, 32, Washington St.
g^jVA, %£»«";
^oltl
Telephone, Mam 6950
R o o m 8 06. Telephone, Central iU.
PHILADELPHIA:
MINNEAPOLIS and ST. PAUL:
ST. LOUIS:
R. W. KAUFFMAN.
ADOLF EDSTEN.
CLYDE JENNINGS,
SAN FRANCISCO: S. II. GRAY, 88 First St.
DETROIT. MICH.: MORRIS J. W H I T E .
CINCINNATI, O.: JACOB W. WALTERS.
BALTIMORE, MD.: A. ROBERT FRENCH.
INDIANAPOLIS, I N D J STANLEY H. S M I T H .
MILWAUKEE, W I S . : L. E. MEYER.
LONDON, ENGLAND: 1 Gresham Buildings, Basinghall St., E. C.
Published Every Saturday at 373 Fourth Avenue, New York
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION, (including postage), United States and Mexico, $2.00 per year; Canada,
$3.50; all other countries, $4.00.
ADVERTISEMENTS. $2.50 per inch, single column, per insertion. On quarterly or
yearly contracts, a special discount is allowed. Advertising Pages, $75.00.
REMITTANCES, in other than currency forms, should be made payable to Edward
Lyman Bill.
Departments conducted by an expert wherein all ques-
tions of a technical nature relating to the tuning, regu-
lating and repairing of pianos and player-pianos are
paper. We also publish a number of reliable technical works, information concerning which
will be cheerfully given upon request.
Player-Piano and
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900
Silver Medal. . .Charleston Exposition, 1902
Diploma. .. .Pan-American Exposition, 1901 Gold Medal
St. Louis Exposition, 1904
Gold Medal. .Lewis-Clark Exposition, 1905
LONfl DISTANCE
TELEPHONES—NUMBEBS 5982—5983 MADISON SQ.
Connecting- all Departments
Cable address: "Elbill, New Yori."
NEW YORK, OCTOBER 4 , 1 9 1 3
EDITORIAL
HPHKRE has been a better tone to business in the music trade in-
X dustry'the
dust
past week, and this is due largely to the decided
fc'asing of t the stringency in the money market.
-, ; -The cr,Qp. moving season is still at its height, and this has
.fallen co'txsidie.'r^'rile money, which in a few weeks will wend its way
.back.'fc^tbe East and thus ease still more the strain which has been
'fQit:s'o:!iiar1jedly in business circles the past two months.
and the United States, generally, are not the only
"tight money," for Charles H. Steinway, president
of Steinway & Sons, who returned from Europe late last week, in
a talk with The Review, elsewhere in this issue, discusses condi-
tions in Europe, and points out that the manufacturing field over
theie is also suffering from the lack of monetary elasticity.
Financial conditions throughout Europe were greatly disturbed
by the Balkan Wars, which followed each other in succession, and
brought about not only a great demand for lives, but for money.
The need for money abroad, particularly in Germany and England,
has resulted in demands on this country that have disturbed the
financial equilibrium to a marked degree.
Rut, as we just have stated, the situation is brightening and
within a few weeks a permanent betterment is looked for, so far as
the money situation is concerned.
The business situation is well summed up in Dun's Weekly
Review as follows: "Sustained progress along conservative lines
is the keynote of advices from the leading mercantile centers. Im-
provement is not wholly uniform and some sections and branches
of trade reflect better conditions than others. In the aggregate,
however, the volume of current transactions continues large and
though hesitancy is still shown in entering upon future commit-
ments, the feeling of caution is less manifest than heretofore."
Piano merchants report collections to be improving. A condi-
tion much desired by piano manufacturers, many of whom believe
that our retail friends have not labored as strenuously as they might
in securing the cash from their customers, that would enable them
to meet their obligations to the manufacturers with whom they are
doing business, with more regularity thrn has been the case for the
past six months.
T
HE tariff bill emerged this week from the Senate and House
conferees, with the various items in which the music trade
industry is interested unchanged. Despite the strenuous opposition
made to placing a duty of 20 per cent, on ivory, which has long been
on the free list, the tariff bill goes to the President with this item
as originally listed, thus two dollars will be added to the cost of each
piano.
The changed duties, rs they affect the music trade industry in
substance, are a reduction from 45 per cent, to 35 per cent, on musi-
cal instruments, piano actions and metal strings; a reduction from
45 per cent, to 25 per cent, on talking machines; a reduction from
20 per cent, to 15 per cent, on veneers, from 25 per cent, to 10 per
cent, on varnishes; from 20 per cent, to 10 per cent, on pianoforte
leather; from 55 per cent, and 44 cents per pound to 35 per cent, on
felts; from 25 per cent, to 20 per cent, on gut strings, while metals
are either substantially reduced or placed on the free list.
While it will take some time to find out exactly what effect
this new measure will have on business generally, still the leading
members of the various industries, as interviewed by prominent
New York newspapers, state that the reductions in the tariff have
been largely discounted and that the changes will not have the dis-
turbing effect anticipated at the time that the bill was introduced.
T
HE second contribution from the pen of Elbert Hubbard, one
of the greatest and most fascinating of to-day's philosopher-
writers, appears elsewhere in this issue of The Review and makes
helpful and interesting reading, for there are few men possessing
his inimitable and lucid style, or his keen, perceptive sense of values.
These articles, which appear in the first issue of each month
in The Review, embrace logic, reason and determination, and are
well worthy of close perusal.
FOLLOWING THE UPLIFTED HAND.
(Continued from page 3.)
,v.
the current of invisible force transmitted to them; he faces the way the pointing hand indicates,
and forgetting fear, forgetting self, experiencing only the overmastering influence of the directing
hand, he plunges on to death or victory.
So around the great business leaders are gathered selected staffs of trained men who will
follow the genius who has demonstrated his intellectual powers of leadership. They follow the
uplifted hand.
All of us cannot be at the heads of great industries, but the man who is at the front of a small
enterprise can make his position more secure and more profitable if he will figure along advanced
lines of human endeavor rather than to grovel in the dust of defeat
and decry competition, which is another way of saying that he does „ ,
\iw,v\ rti/H'
not possess the courage to meet it. He should gather round him men uC^jDVVvlMfYVVW^
who will follow the uplifted hand.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
A Criticism and the Reply.
WELL-KNOWN piano merchant in sending a critical
A
communication to this publication says: "I will say that
I have always regarded your paper as clean, free from aspersions
and attacks on manufacturers and dealers.
"However, I acknowledge to a lack of interest in any and
all of the papers published in the interests of the piano trade,
as I have been unable to find much information and but little
uplift.
"I plead to the same feeling regarding the National Associa-
tion of Piano Dealers, in which I lost interest a good many
years ago.
"If seems to me that the paper that will benefit the trade is
the one that will give it information, advice and uplift, and that
it will use its pages freely to comment or criticise piano adver-
tisements without fear or favor.
"As it is, I believe no one will contradict me in claiming
that the music trade press is fulsome in praise where manu-
facturers advertise liberally and is either silent or critical when
they don't.
"It is possible that certain patronage would be lost if the
trade press were to be absolutely straightforward and honest
in reviewing the various conditions as they come up from time
to time, but it is only by so doing that the press would be of
genuine value to the trade. One might refer, for instance, to
the recent entering into the retail business of manufacturing
interests in New York, with the aid of a chain of department
stores, using the money made through the dealer in the years
gone by to take business away from the dealers in the years to come.
"The press is silent regarding this condition, and for that
reason dealers remote from the localities where this campaign
has already been introduced are practically ignorant of it, where-
as with a straightforward trade press they would know all
about it.
"If you can remodel your paper to make it the Bible of the
piano dealer you will put your periodical in a class by itself.
"I have admired The Review for its straightforward posi-
tion, but I think that there are things which we can criticise
without being unkind."
The above is taken from a communication of a man of high
repute, and who is evidently sincere and means precisely what
he says.
He first acknowledges his lack of interest in the trade
papers, and at the same time it is plain that he reads them, and
reads them closely, for there is no other special field in which
he can gain information which is of value to himself and to
his salesmen.
There is no question but that trade papers could be better,
and there is no question, either, but that some of them are bad
enough; but they are conducted by men who are human beings,
who have the same impulses, good or bad, as the men who read
them, and if the advertisers had been unwilling to support a
malicious or decadent press it never would have existed. There-
fore it is fair to presume some men desire a servile or abusive
press. They need it in their profession.
So far as finding information in the trade papers is con-
cerned, we must differ very materially with our friend, because
every issue of The Review contains contributions from a hundred
different sources. Aside from the staff in our home city and
branch office in Chicago, there are correspondents in the prin-
cipal cities throughout the Union who contribute weekly.
So far as advice and uplift are concerned, we have hundreds
of letters on file which show that the advice of this paper is
looked for by men who rely upon its utterances.
For many years we have fought for the maintenance of
correct principles. We may say that the National Association of
Piano Merchants was originally planned and urged by this paper.
We may say that great national questions, such as one
price, the coupon, guessing contest evil and the one name piano,
doing away with misrepresentation in advertising, have all been
argued in these columns month after month.
In fact, we have at intervals taken up the great question of
trade expansion, and fought for trade advance faithfully and
conscientiously.
We may say that years ago we saw the possibilities of the
player-piano, and we commenced educational work along those
lines, acquainting the dealers with the trade-building power of
this new claimant for public patronage, and endeavored to im-
press upon the trade the importance of educational work in con-
nection with the sale of player-pianos.
In this connection we may add that we have produced the
only technical works in the world relating to the player-piano;
we have conducted an important player department weekly, and
monthly have produced a complete section of the paper devoted
to player-pianos larger in itself than some of the lesser music
trade publications.
This work has been conducted at considerable expense,
but with the desire to make this publication a power in the
legitimate development of music trade interests.
No one who has not gone into the subject carefully can
appreciate the amount of educational work which is required
along technical lines, and in this particular The Review has
occupied a unique position.
So far as the trade press being fulsome in praise when
manufacturers advertise liberally, it is but natural to suppose
that trade paper conductors feel well disposed to the men who
support them as compared with those who do not; but to say
that the trade press is lacking in honesty in reviewing various
conditions is hardly fair.
We would like to call the attention of our critic to the fact
that when the great wave of coupon advertising and guess-
ing contests and puzzle schemes was sweeping the country and
threatening to completely demolish piano selling conditions,
The Review, of all other trade papers, commenced a campaign
against this admitted evil.
Some of our old-time friends and advertisers were opposftl
to us. They thought that we had no right to criticise their aots, \
and the result was an unpleasant feeling was created, not on
our part but on the part of others towards the paper and its
management.
They felt that we were interfering with their plans, and
they did not hesitate to say so, and some of them said many
bitter and harsh words concerning our policy at the time, but
such actions did not swerve us in the slightest. We did not
resort to abuse in any particular; on the contrary, we tried to
convince, by argument, our clients and others who were adopting
the coupon, guessing contest scheme of piano selling that they
were wrong and that we were right. We succeeded in arousing
national sentiment opposing this whole plan. We carried it to
such a point that the dealers in convention expressed themselves
as opposed to its continuance, and thus we created a national
discussion which resulted eventually in sweeping the puzzle
schemes off the piano calendar, and at the same time we were
successful in annihilating some of our own trade, for it is a
fact that the piano men, like business men in other lines, are
thin-skinned—they cannot stand criticism—and they resented
our attack upon their methods, even though we were very careful
not to mention names in connection with our anti-guessing and
coupon campaign. So, with the loss of thousands of dollars in
advertising in this particular campaign and in others, we think
that *he criticism of our subscriber is hardly fair.
It is true that some manufacturing interests have been in-
terested in creating a chain of distributing interests through
department stores, but that move is legitimate. One is per-
fectly justified in seeking any output for products so long as the
methods adopted conform to established business principles, and our
friend could not surely expect a trade publication to tell the
manufacturer that he had no right to put out his goods through
a chain of department stores if he chooses, even though he is
running the risk of offending some of his dealers,
(Continued on page 6.)

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