Music Trade Review

Issue: 1913 Vol. 57 N. 10

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
MEW
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPILLANE, Managing Editor
Executive and Reportorlal Stall:
B. BaiTTAiM WILWM,
A. J. NiCKLiM,
CAILETOH CHAC«.
AUGUST J. TIMFE,
L. M. ROBINSOK,
WM. B. WHITI,
GLAIHINWUOK,
L. E. Bowiaa.
BOSTON OFFICE:
CHICAGO OFFICE:
E P V H
r».w TT Wn^oit >B4 Washington St
* HABLINGKN, 87 South Wabath Are.
Telephone, Mmin 6950.
Room 80S. Telephone, Central 414
PHILADELPHIA:
MINNEAPOLIS a n d ST. PAUL:
ST. LOUIS:
R. W. KAUFFMAN.
ADOLF EMTCN.
CLVM JBHNINGS
SAN FRANCISCO: S. H. GRAY, 88 First St.
DETROIT, MICH.: Montis J. W n:T«.
CINCINNATI. O.: JACOB W. WALTMS.
BALTIMORE. MD.: A. ROBERT FRENCH.
INDIANAPOLIS, KWD.: STAHLEY H. S U I T *
MILWAUKEE. W I S . : L. E. M I Y U .
LONDON. ENGLAND: 1 Gresham Buildings, Basinghall St., E. C.
Published Every Saturday at 873 Fourth Avenue, New York
Knitted at the New York Post Office as Second Cbeus Matter.
SUBSCRIPTION, (including postage), United States and Mexico, $3.00 per year; Canada,
$8.60; all other countries, $4.00.
ADVERTISEMENTS, $S.bO per inch, single column, per insertion.
On quarterly or
yearly contract*, a special discount is allowed. Advertising Pages, $75.00.
REMITTANCES, in other than currency forms, ihould be made payable to Edward
Lyman Bill.
'
onH
Departments conducted by an expert wherein all que*
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tions of a technical nature relating to the
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the tuning, regu
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T*i*knli>fll I t a n a r t m p n t c
of f pianos
and
player-pianos
art
niiicai v e p a n u i e n i s . dea i t with wi n be
l paper.
e c n i i We
i c a also
i v publish
e p a n a u i number
e n i s . of d reliable
e a i t w i t h technical
wi n b e
will e r be
cheerfully
. W
e a l s o p u given
b l i s h a upon
n u m b e egust
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be cheerfully given upon >eguest
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f o u n d in an other section of this
of whick
this
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o u n d information
i n an other section
concerning
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ning whick
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900
Silver Medal.. .Charleston Exposition, 1901
Diploma
Pan-American Exposition, 1901
Gold Medal
St. Louis Exposition, 1904
Geld Medal.. Lewis -Clark Exposition. lOOt
U M
DISTANCE TELEPHONES-NUMBERS 5982 5963 MADISON SQUARE
Coaneettn0 a l l Departments.
Cable address : "ElbPl. N e w York."
NEW YORK, S E P T E M B E R 6, 1 9 1 3
EDITORIAL
T
HAT a satisfied customer is a merchant's best advertisement is
an undisputed fact, for without satisfied customers offering
their own, and often their friends' patronage to a store, there would
be very little real business building. A man does not buy a player-
piano every month or every year, but that fact should not lead the
dealer to believe that once the sale is closed and the money in hand,
the purchaser is worthy of no further consideration.
The player-piano in use in the home with the man's friends
gathered about, will, if it is a good player and gives satisfaction,
directly influence more sales than the cost of several players spent
in advertising of a general character. The commendation of the
purchaser, combined with an actual demonstration of the instru-
ment by one whom the friends know is not working to influence a
sale, has an effect in favor of the dealer which cannot be over-
estimated.
A certain dealer in a city not far from New York, and who
fully realizes the value of the satisfied customer as a business
builder, has adopted the plan, in an offhand way, of using the homes
of his customers as demonstration parlors. When he learns of any
private gathering or of a little social at any of the several churches
to which he has sold players, he goes in person or" sends one of his
assistants with a choice selection of music rolls to furnish a part of
the entertainment. The courtesy is much appreciated, because with
an expert at the player the host or hostess are left free to entertain
their friends and at the same time enjoy the music without effort
or interference. This dealer also frequently finds that several of
the guests are much interested in the working of the instrument and
are anxious to have its details fully explained, which means that the
dealer adds just so many new prospects to his list.
There is, of course, no direct return to the dealer for his share
in the entertainment, but one good prospect secured through means
of a single evening spent in good company makes the venture well
worth while and the number of prospects per evening is generally
greater. Incidentally the owner of the player-piano appreciates the
interest taken by the dealer and his willingness to oblige them and
such friendship has a real money value.
D
ON'T overlook the article written by Elbert Hubbard, which
appears in another portion of The Review.
We have entered into arrangements whereby The Review will
enjoy a special service and will be able to present to readers a series
of articles written by Elbert Hubbard on trade journalism. The
articles will be of distinct interest and it will be seen by a perusal
of the first of the series that Mr. Hubbard has given a splendid
exposition of the value of trade publications to members whose
interests lie in a particular industry.
'
Mr. Hubbard says: "In the old days business men cut each
other's throats. Later they cut prices. Then they cut acquaintance.
Now they co-operate. The inane competition born of selfish rivalry,
which has only one object—success through the failure and elimi-
nation of a competitor—is now almost non-existent.
"The competition that obtains nowadays is that of friendly riv-
alry, based on trustfulness, which seeks to merit success. It is
emulation; a noble effort to obtain the highest excellence and give
the highest good by sustained effort and applied intelligence.
"The one-price system and the fulfillment of 'promises' have
contributed largely to this desirable condition and friendly feeling
between business men and business houses. All this has been the
result of education. The truths of fraternity and the square deal
have been assimilated until they have become the life-blood of in-
dustrial and commercial activity.
"It is to meet the requirements of these new economic conditions,
this thirst for special information on specific subjects, that we liave
offered to us technical and commercial courses by various schools
and colleges throughout the United States. And thousands have
benefited thereby. But if I were asked what I consider the chief
medium of instruction and helpfulness for the business man of to-
day, I should unhesitatingly say his trade, technical or class
paper.".
T
HE irritating delay in Congress in the completion of tariff re-
vision and the continued uncertainty as to when the new
schedules will become operative are trying the patience of business
men the country over and are about the only remaining causes for
hesitation in general trade. In many lines of business a hand-to-
mouth buying policy is being pursued because of the indisposition
of manufacturers and merchants to make important contracts until
the bill receives the signature of the President. The fear is grow-
ing that the bill will be held up until it is too late to make proper
provision for the winter trade, and complaints are therefore becom-
ing general on this score. It is, however, conceded that in its final
effects upon business, tariff revision has been pretty thoroughly
discounted. There is no very general demand that Congress hurry
its work on the currency now that the Secretary of the Treasury
has, by the assistance rendered the interior banks, removed all
danger of a monetary stringency during the crop-moving season.
There is now every promise that there will be sufficient funds for all
legitimate business necessities during the fall and winter, with a
sufficient surplus remaining in the vaults of the metropolitan banks
to encourage financial operations of a constructive character.
P
RIDE of industry has become a marked characteristic of the
leading American cities within the last few years. Chicago
celebrated its "Made in Chicago" week, Cincinnati its "Made in
Cincinnati" week and Louisville its "Made" in Louisville" week re-
cently, and other cities are trying to follow the same example, of
advertising their home products in a most interesting and effective
manner.
Tn this connection it is pleasing to note that piano manufactur-
ers and merchants are first among those to take advantage of the
opportunity to feature their products in their respective cities.
Handsome displays, chiefly of an educational nature, have been
adopted as the means of informing the local public regarding their
home industries, and the effect is doubly Valuable, inasmuch as
numerous visitors are also impressed with the extent of the indus-
tries featured.
Celebrations, such as the "Made in Chicago" week referred to,
will do more than any amount of general advertising to impress the
citizens of that particular city with the fact that the very products
they most desire are made within the borders of their own munici-
pality, and civic pride is a factor that should not be overlooked by
the local manufacturer in his hunt after business.
r
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
NECESSITY FOR SYSTEMATIC BUSINESS PLANS.
(Continued from page 3.)
In this way we will work out a program which is bound to bring the most desirable results.
Business in these days of keen competition cannot be conducted upon successful lines without
the introduction of perfect system, and the men who hold back and wait for positive assurance
from every side that business will be good usually fail to make the advance which their business
and general conditions would seem to justify.
This is not the time for the weak-hearted ones, but it is the time
for men with good, clean-cut business ideas who are not afraid to back
their ideas with definite action. The general conditions warrant the
making of early business plans.
Piano Manufacturers at Panama-Pacific Exposition
P
IANO manufacturers are being- urged to participate in the
Panama-Pacific Exposition to be held in San Francisco in
It must be admitted that piano manufacturers do not take
eagerly to the idea of spending thousands of dollars for exposition
purposes.
Times have changed since the great Columbian Exposition
at Chicago, which, by the way, reached the high water mark of
piano exposition patronage. At that time piano manufacturers
trom all sections of the country created expensive exhibits, and
many of us remember the wrangling and turmoil which occurred
during the exposition period.
At the close the official awards were plentifully scattered, and
many claimed "the highest award." As a matter of fact, it would
be difficult to say just who secured the "highest award," as it was
largely a question of word phrasing and juggling.
After that exposition manufacturers began to consider the
question seriously as to whether the returns were commensurate
with the outlay, and many decided negatively, so that when the
exposition at St. Louis developed, the piano men were few in num-
ber who took part.
Some of the exhibits made in the saintly city were most credi-
table to the industry on account of the beauty and excellence of the
instruments displayed, and as the number was somewhat limited
there was special satisfaction apparent among those who exhibited.
And now comes San Francisco, and it is a question whether
piano manufacturing as a whole will participate largely in this
exposition, which is to commemorate the wedding of the Atlantic
and the Pacific, the marital bonds being the great Panama Canal.
There is some trouble, too, across the water regarding exhibits.
If the people who are running the Panama exhibition at San
Francisco are wise, they will not worry very much about the
participation of either Germany or Great Britain in that show.
At the outset, neither Germany nor Great Britain took any
offical interest in the exhibition. These international shows have
not been productive of very much profit to exhibitors, for a long
time. Other means of advertising are more effective.
But as soon as the German Government had officially promul-
gated its refusal to participate in the San Francisco exhibition, the
English began to take an interest in it. They saw that the pros-
pective absence of the Germans afforded a fine chance for British
manufacturers to step in and make a show of their w r ares for the
benefit of the western Americans. The prospect of a Democratic
tariff bill in Congress, with import duties removed or greatly de-
creased, also affected their imaginations powerfully. It became
apparent at once that, in one way or another, Great Britain would
be well represented at San Francisco.
And now the Germans are having their sober second thought
on the subject. If the English are going to be so well represented
there—well, the informal assurance has gone forth that, even with-
out an official backing of the Government, German art and industry
will have a creditable showing at the Panama Fair.
Probably it will. The wars and rumors of wars, jealousies
and rivalries, of European governments have profited the United
States enormously in the past, and there seems to be no good reason
why we should not go on profiting.
Improvement in Player-Piano Advertising.
1
.\
* H E R E is no question in the minds of those who have studied
the subject that player-piano advertising as a whole has shown
remarkable improvement within the last few years, and it is equally
evident that its improvement is due directly to a more intimate
knowledge of the instrument possessed by those who are entrusted
with the work of preparing advertising copy.
Some of the early player-piano advertising was absolutely
weird when it was considered in the light of an actual selling talk.
The copy writer contented himself with flights of oratory, and fre-
quently did not get down close enough to earth throughout the
advertisement to give the reader a chance to get a definite line on
what he was trying to say.
With the growing knowledge of the details of the player
mechanism and what it wiH accomplish there also comes an appre-
ciation of the intelligence of the average American. In fact, in every
line of advertising, especially where it concerns a more or less
complex article, it has been found proper to assume that the reader
can appreciate the fact regarding its construction.
In the matter of the player-piano the average man who is think-
ing of investing from $500 to $1,500 in an instrument is surely in-
terested enough to desire information regarding its construction
and means of operation. The inclination to use the "human in-
terest" copy, with its little story of fact or fiction, is not to be de-
rided if one or more points of merit in the player are emphasized.
To the many thousands with an inventive turn of mind refer-
ence to the motor, the pneumatics, and other operating parts is to
be welcomed and appreciated. To the musician, or the reader who
knows and appreciates good music and desires to produce it him-
self, a detailed talk upon the system of expression control is much
more desirable than a flighty talk upon how he can learn to surpass
the efforts of Paderewski in one evening.
It is being realized in advertising player-pianos that the reader
who is sufficiently interested to become a prospect, and whom it is
desired to impress is not at all adverse to have the facts presented.
It gives him a favorable impression of the instrument and
helps him in his decision. There are doubtless many ways in which
the average player-piano copy can be improved. At the present
time, however, there is much to be commented upon favorably.
This development is most gratifying. It emphasizes that the
manufacturers of player-pianos, as well as those who are preparing
copy relating to these instruments, are fully cognizant of the fact
that if the player-piano is to be a stable product its constructive
and musical merits must be brought to the attention of the public
in a logical and understandable way.

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