Music Trade Review

Issue: 1913 Vol. 56 N. 8

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
MAKING MONEY IN HANDLING MUSIC ROLLS?
REVIEW
turn-over, is as vicious to the customer as to the
dealer. It merely means that customers, after a
Disturbing Situation Analyzed and Some Conclusions Arrived at Which Are Worthy of Consid-
while, are getting a new roll (and making it into
eration—They Are, of Course, Open to Amendment—The Main Object Is to Endeavor to Put
an old one) for the price of about ten cents. Pos-
the Music Roll Business on a Sounder and More Profitable Basis—Abolishing Roll Gifts.
sibly the same roll may go from hand to hand
until its full retail value has been paid in. But
In the Player Section last month were pub- ers would be rendered easier if there were a general
the truth is that demand for rolls among people
reduction in the listed prices of music rolls. It is
lished several expressions of opinion from leading
who are not satisfied to keep something good, but
piano merchants on the question of making the well known that a majority of dealers do give dis-
must be forever looking for new things to play,
music roll business more profitable. It would per- counts, and if the actual list price were lowered,
comes in masses, not in series. Thus, the sort of
haps be more correct to say that the gentlemen say 20 per cent., it would be possible to do more
people who make the greatest number of exchanges
who expressed their opinions were concerned business with the retail buyers without that beat-
in a year are the people who all want the same
chiefly in making the roll business not so much ing around the bush that discounts from lists al-
•piece at the same time. Where, then, does the
'"more" profitable as just plain ''profitable." Music ways suggest. The retail buyer should be made to
profit come in? Is it not probably true that the
roll departments have not generaly been large in- know from the start that an investment of from
average roll is by no means paid for before it is
come producers, and all of us arc beginning to see ten to fifty dollars in music is a necessary feature
worn out? And is it not worn out generally in
that the trouble is due to past methods of handling in the buying of a player-piano. The way to this
a very short time? People do not take as much
the business. It would not be difficult to show can, of course, be greatly smoothed by including
care of what they rent as of what they own.
what the fault in these methods has been—where the price of the rolls, together with those of bench
On the other hand, the old style of circulating
they have been wrong. But mere destructive criti- and cabinet or other accessories, in the general
library seems to us to be much more sensible.
cism will not help us very much. Let us see lease, so that the retail buyer, if purchasing on
Here the consumer pays a definite sum annually,
whether anything can be done toward making the time, can have the advantages of the instalment
semi-annually or quarterly, generally at the rate
sale
expanded
to
cover
music
and
all.
This
will
wrong right, toward adopting methods which will
of about twenty-five dollars a year, and for that
sugar-coat the pill effectively.
turn a burden into a profit.
fee is entitled to take out and use a definite number
The first purchase of this sort for real money
It will be agreed, no doubt, by all that the two
of rolls for a definite time; generally fourteen rolls
chief profit consumers in the roll business have will always have the effect of increasing the pur-
for fourteen days. At the end of each fourteen
been, and are, the universal exchange and the free chaser's respect for the music roll as a commodity.
days unreturned rolls are charged to the customer
gift at time of purchase. In the one case the pur- The idea that we all want to impress on that pur-
at the retail prices as sold.
chaser is given the opportunity to exchange any chaser is that music rolls are made to be sold and
Now this is a good plan. Customers are made
roll once bought, at a nominal rate of a few cents that it is a desirable thing to buy a lot of them.
to see from the start that tfTe roll has a value.
on each turn-over. In the second case the practice In order to inculcate this idea, it is desirable that
the customer's tastes should be ascertained and as Then, they know that they must take care of what
has grown up of presenting to each purchaser of
they rent or have it charged to them. Then also,
a player-piano a definite number of rolls, say a nearly as possible satisfied. To be satisfied with
they have a chance to try out music long enough
dozen or twenty-five. These two simple, and ap- the music is a long step toward being satisfied
with the player itself. A well-stocked library, to know whether they want it or not. In fact, if
parently sane, methods have been the cause of
such a library be worked on the idea that it exists
much evil and are directly responsible for the therefore, in charge of a salesman who is compe-
principally to assist people in choosing music rolls
failure of the retail music-roll business to produce tent, and whose knowledge of the stock in his
wisely for permanent possession, it is best fulfilling
charge is more than merely superficial, is required
adequate profits.
its obvious destiny. .
in
the
beginning.
A
bright
music
student,
caught
Must Establish Standard of Value.
Time to Recover Lost Ground.
young, often makes an ideal librarian.
There is just exactly one primary ride for the
Let us wake up to the facts before us and realize
successful building of a permanent demand in any
Circulating Libraries and Their Value.
that there is still time to recover lost ground be-
line. That is the creation of a permanent standard
fere the roll business goes to pieces. If some
Hut what about the circulating library? So far
of value. The buying public must come to believe as concerns the universal exchange plan, experience
manufacturers could find a lawful way of protect-
that the value assigned to a saleable article is in- shows that the circulating scheme is not a money
ing their retail prices through their patent rights,
trinsic, and not out of proportion to the price maker, but rather a loser all round. It does not
just as the talking machine manufacturers do, the
asked for it. When the public are assured that a work out well, because it tends to unsettle, not to situation would at once clear up. Until that hap-
certain article which they are invited to buy is steady, market values. The idea of being allowed
pens, such discussions as the present will have some
really and truly possessed of an intrinsic and per- to exchange as often as possible after having once value in bringing the actual facts before the notice
manent value, then they will buy it if they can use bought a roll, merely paying a nominal fee at each of the trade.
it The thing is plain enough and need not be
insisted on further.
for-busiuess player, the Peerless, constructed not merely to
TELLING PEERLESS PUBLICITY.
sell, hut to establish a standard and set a pace for auto-
If, however, this sense of value is destroyed, or
matic piano, and to give full value and interest on the
never aroused; if the public learn to believe that a Some Post Cards for Circulation Among Pros- money to the purchaser.
pective
Purchasers
Which
Contain
a
Real
certain article can be had for nothing, then the
Long life is the logical accompaniment of a magnificent
"Punch" and Get Results—Clever Advertis- constitution. The users of Peerless instruments know that
attempt to sell it at something like its cost will be
they last longer and work harder than any other instrument.
ing Has Been Instrumental in Bringing Suc-
difficult and often hopeless.
Our competitors say "They ought to—they have been
cess to the Peerless Line.
That is what is the matter with the music roll
longer on the market." Well, they do!!!
business. Intrinsic value is there, but the public
Economy is the natural complement of endurance and
Much of the success of the Peerless automatic long life. Obviously if you only replace an article half
have been educated into the idea that they can get
rolls for nothing, or for next to nothing. Hence piano is due to the excellent line of advertising as often as another of equal cost it is only half as expen-
sive. The longevity of the Peerless is due to its careful
they do not rush to buy. They take as much free that has been issued by the Peerless Piano-Player adjustment
by practical builders, who have made a life-study
Co.
(F.
Kngelhardt
&
Sons,
proprietors),
St.
Johns-
graft as they can get, and cannot see why they
of piano actions.
should spend good money on something of which ville, N. Y., and an excellent example of which
Satisfaction with a purchase is the best excuse for an in-
the asking price seems to them absurdly high. And, has just been received by the members of the vestment. Instruments which are in the repair shop half
the time, or out of commission because no repair shop is
mark you, this asking price only seems absurdly trade.
are a thorn in tile side. This aspect of the busi-
The latest publicity is in the nature of post available,
high because in the first place there were given
ness should be given careful consideration in purchasing.
away enough rolls to make—at the asking price— cards of original and interesting form, and bear- The Peerless has a reputation for long-termed service with-
quite a large apparent loss to the seller. So the ing text matter that shows attention and ability in out overhauling.
public reason that if the seller can afford to give its get-up. The post cards are intended for the Standardization of coin-operated pianos is the achieve-
upon which the Peerless Piano Player Company bases
away music rolls whereof the list value is fifty perusal of the prospective purchaser and put forth ment
its claim to your consideration. The Peerless is the first
a
series
of
thoroughly
convincing
arguments
re-
dollars or so, said list price must be excessive;
and the best coin-operated piano ever built. They have
or else the profits in the player-piano sale must garding the virtues of the Peerless line, especially been recognized at National and International expositions
have been enormous. In either case the cause of in the matter of making money for the owners. as standard for excellence, endurance and final economy.
The Peerless Automatic Piano Supports Itself and You.
The largest of the post cards has one of its edges
retail roll selling is distinctly hurt.
There is no maintenance cost to a Peerless purchase.
folded
over
with
the
text,
"It
supports
itself
and
It feeds uii nickels, it is true, BUT—
How to Make Things Better.
you," in heavy black type with red border. The They are supplied by the "other fellow," and ultimately
So much for the critical side of the discussion. text matter itself, which follows herewith, has find their way into your pocket.
The facts will be very generally admitted, nor need what is aptly termed a real "punch," and is well
Hook it up to any desired point or points and make a
new entry in your ledger—
we continue to impress them on the minds of read- worth reading.
Credit by Automatic Piano Proceeds, $$$$$$
ers. The latter want to know whether anything can
For full information about the Peerless Automatic Pianos
Prominent in the list of virtues of the Peerless Auto-
write direct to the makers and we will put you iti touch
be done to make things better.
matic Piano is the absolute dependence that may be placed
with the dealer for your territory.
The very first step should be, in our opinion, the on it.
T H E PEERLESS PIANO PLAYER CO.
Every user of the various slot apparatuses that have been
abolition of free gifts. If the buyer argues that he
(F. Engelhardt S: Suns, Proprietors)
St. Johiibville, N. Y.
Chicago
must have music rolls in order to play the player- placed on the market from time to time have a wholesome New York
horror of their capacity to take the money and not to deliver
Other cards sent out by the company are also
piano, the only answer is that the player-piano the goods.
up to the high standard, and according to the
manufacturer does not make rolls, any more than
Each prospective purchaser of a Peerless Automatic Piano
the piano manufacturer publishes sheet music. is hereby assured that the Peerless is constructed to prevent reports of the dealers in the various sections of
Just as sheet music must be bought for hand play- •bis embarrassing and confidence-awakening contingency, and the country, as one of the cards states in its head-
ing, so must rolls be bought for the player. The may accept this as our personal guarantee that its internal ing, "We are the company that put the 'Peer' into
mechanism is a? perfect as its external appearance.
Peerless."
task of reasoning this into the heads of retail buy-
Reliability ami endurance go hand in hand in this built-
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
6
THE
RENEW
Published Every Saturday at 373 Fourth Avenue. New York
SUBSCRIPTION, (including postage) United States and
Mexico, $2.00 per year; Canada, $8.50; all other coun-
tries, $4.00.
Telephones—Numbers 5982 and 5983 Madison Sq.
Connecting all Departments
NEW YORK, FEBRUARY 22,1913
The Editor-in-Chief of The Review has recently
been calling timely attention to the big problem
presented to the player trade in the matter of the
trade-in. There is no doubt whatever that the
whole proposition is one of considerable serious-
ness, nor can we disguise from ourselves the fact
that hitherto it has not been handled very syste-
matically. At the same time, however, we must
not conceal from ourselves the equally obvious fact
that this is one of those matters easier to discuss
than to analyze or remedy. Plainly enough, so long
as the player-piano is what it is, the majority of
people who buy will have old pianos to give in.
Something must be done with these relics. What
can be done? Obviously, one solution is to turn
them into player-pianos by fitting them with some
suitable player mechanism. But, unfortunately, the
manufacturers of player mechanisms—not without
justice—do not want to associate themselves too
strongly with a proposition that bears the stigma
of the second-hand, lest their business be thereby
damaged. Especially acute is this phase of the
subject, when one considers that the number of
player mechanisms capable of transforming any
piano into a player is compartively small. Another
solution has been proposed. We are invited to im-
itate the automobile dealers and turn all second-
hand and traded-in pianos over to a certain lim-
ited number of recognizea second-hand merchants,
who will agree to take the whole turnover among
chemselves and who will further agree not to slash
prices in too competitive a manner. This latter
may not be an ideal solution, but it has worked
well in the automobile trade and might work
equally well with us.
After a period of decline during which it almost
disappeared from sight, the music-roll circulating
library is again coming into prominence. There
is much to be said in a practical business way for
this plan. If a circulating library is well and sys-
tematically handled, it can be made a producer of
roll sales all the time. Not only so, but the kind
of sales likely to be thus promoted is in every way
superior. Many people will simply buy nothing
outright in the way of music except that which is
recommended by some one else or that which is
entirely within their own personal knowledge.
Many people would be glad to improve their
musical taste if they were not afraid to buy music
of a superior kind. They are only too often afraid
of just this, because they believe that they may be
unable to do justice to it, and may have to throw
it aside. Now, a circulating library is the very
thing to overcome this difficulty. When people
can try out a piece for a couple of weeks and
then return it if they like, they are much more
likely to experiment. And when people begin to
experiment they begin to improve. Incidentally, it
might as well be noted that music roll manufac-
turers will welcome anything which promises to
expand the normal sales of standard music, for it
is the standard music that pays best. You don't
have to rearrange it every month. The whole sub-
ject is worthy careful study, and some space has
been devoted to it in the present number.
Every one will rejoice that the Board of Educa-
tion of the City of New York, under the protect-
ing eye of the New York Piano Manufacturers'
Association, has definitely established a course of
instruction in piano-player mechanism for the use
of tuners, piano mechanics and workers in the same
field. Together with the similar activity displayed
MUSIC TRADE
REVIEW
by the New York Y. M. C. A., this new move
marks a positive recognition of the importance
which must be attached to the player-piano as a
commodity and as a feature of modern social life.
No doubt the reasons which moved the Board of
Education to take this decisive step were prac-
tically the same as influenced them when they first
began to broaden the scope of their evening school
work—namely, the idea of putting the facilities of
the city at the call of any considerable social need.
The spirit thus indicated is in every way admirable.
The personnel of the instructors appear to as-
sure that whatever they undertake to teach will
be well and thoroughly taught. It remains, how-
ever, for the trade to realize that their part in
the matter is of no little importance and that their
interest is essential to the continued life of the
movement.
It is not enough to voice approval of the scheme,
or even to assist it by loaning apparatus. It is
equally necessary to take a living and continued
interest in the work, to give it continual and prac-
tical support, to keep a watchful eye on what is
done, and to attempt the formation of some ra-
tional judgment, at the end of the first season, as
to what the results have been, and are likely in
the future to be.
It is plain that any work of this sort can be
judged only by its results, while improvements can
be made, or the necessity for them ascertained,
only by comparison of experience and careful ex-
amination of the conditions in teaching as these
develop. The matter is of the utmost importance.
The continued interest of the Board of Education
and of the piano manufacturers is necessary to the
permanent success of the cause.
NEW FEATURES EMBODIED IN LATEST ELECTRELLE MODEL.
Much Interest Manifested in "1913 Model" Which Is on Exhibition in the American Piano Co.
Offices—Operated on New Principle in Which Pneumatic System Plays an Important Part,
A new and greatly improved "1913 Model" Elec- and without the slightest sacrifice of mechanical
trelle, operated on a new principle in which the
or musical quality.
pneumatic system plays an important part, is now
The new Electrelle is, of course, equipped with
on exhibition in the offices of the American Piano
the Flexitone and a particularly sensitive tempo
Co., New York, and the first of the new players is device for those who desire to do their own inter-
expected to be ready for the market some time in
preting. Through the use of the Rythmodik music
July, or probably before that time. The feature of
rolls the mechanism may be started and left to
the improved mechanism that most attracts is its itself without further attention while those in the
high degree of sensitiveness and its ready response
room dance or sit at a distance and enjoy the
to every demand of the music roll and the con-
music. All the operating is done through the
trolling device. It also contains a new transposing medium of an electric motor, and there are no foot
device.
pedals attached. For manual playing, the tracker
In the latest Electrelle the connection between bar and attendant mechanism may be folded back
under the keybed of the piano out of the way and
the pneumatic and electrical units is brought about
through the medium of finely balanced diaphragms out of sight.
which respond readily in making contacts under
When the new Electrelles are ready for the mar-
the faintest pressure. The diaphragms are ar- ket in the spring a special feature of the selling
ranged as units, and in the event of any adjust- campaign carried on in connection with it will
ment being required one may be removed or re- be the emphasizing of the readiness with which
placed without disturbing the remainder.
the mechanism may be installed in straight pianos
Moreover, the contact mechanism is so attached
already in use, without moving the pianos from
to the tracker bar that the old bar may be removed
the homes of their owners.
and replaced with a new one containing a new set
The absence of complicated mechanism, the re-
of diaphragms without necessitating the readjust-
duction to a minimum of the liability of the Elec-
ment of any part of the mechanism proper. In
trelle to get out of order, even when used care-
short, according to W. B. Armstrong, vice-presi- lessly, and the fact that standard music rolls may
dent of the American Piano Co., the new model
be used, should all serve to add to the interest
Electrelle has been made practically fool-proof, shown in the new player.
TO OCCUPY LARGER QUARTERS.
AUTOMATIC JMANO PLAYER.
Gulbransen-Dickinson Co. Finds Present New
York Quarters Crowded—To Remove in April
—Business Is Active with This Company.
Details of a Patent Relating to Pneumatic
Mechanism for Pianos Was Recently Granted
to Michael Verstraelen, of California.
The Gulbransen-Dickinson Co., 442 West Forty-
second street, New York, will remove its present
quarters some time in April. The future location
of its plant has not been definitely decided, as the
company wishes to be certain of having sufficient
floor space in its new headquarters before signing
a lease. The demand for Gulbransen-Dickinson
player actions in the East has steadily increased
each year, and the plant is at present working
to full capacity in order to fill the orders on hand.
They have been handicapped the past season by
the lack of sufficient room, but this condition will
be much improved when the company moves into
its new quarters.
Some idea of the prosperous condition of the
company's business may be gleaned from the fact
that A. M. Mansfield, road ambassador in the East,
has not been able to start a trip since the first of
the year owing to the numerous orders being re-
ceived from their New York clients. The total
business in the first two months of this year is far
in excess of the business closed last January and
February, and the orders in hand justify the belief
that the entire spring season will be far ahead of
1912.
The first meeting of the creditors of the Krell
Auto-Grand Piano Co., bankrupts, is scheduled to
be held on Friday next, February 28, at which time
the creditors may attend, prove their claims, ex-
amine the bankrupt, appoint a trustee and transact
such other business as may be necessary.
(Special to The Review.)
|
Washington, D. C , Feb. 18, 1913.
Patent No. 1,051,468 for an automatic piano-
player was granted last week to Michael Verstrae-
len, of Near Inglewood, Cal., and one-half of which
he has assigned to J. H. Burton, Ocean Park, Cal.
This invention relates primarily to pneumatic
mechanism for installation in any standard upright
piano with a Boston fall, whereby the same may
be played automatically and more particularly to
certain details of construction, whereby improved
execution is obtained; and to the arrangement of
the small pneumatics which operate the hammers;
and to the construction of the valves controlling
these pneumatics, whereby a greater range of action
is obtained than is possible without a case espe-
cially constructed for the piano to house the play-
ing attachment; and also to the arrangement and
construction of the mechanism for controlling or
giving expression to the music played on the in-
strument, whereby a greater and more effective
control and better expression is obtained than in
the ordinary piano-players; and also in other de-
tails of construction hereinafter set forth; and the
object thereof is to provide mechanism adapted
to be built into any upright piano without chang-
ing the external case thereof, and which will not
interfere with the ordinary use thereof, and which
will enable an operator to automatically play such
piano with as fine expression as can be obtained by
a skilled musician from such instruwsn,t, by thft
ordinary use of the keys thereof.

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