Music Trade Review

Issue: 1913 Vol. 56 N. 13

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
THE RELATION OF THE MANUFACTURER AND THE DEALER.
strator to talk at length on the various aspects
of playing music with the player-piano, but it is
The Problems That Face the Dealer Handling Player-Pianos and How He May and Should Be quite another thing for a business man, for ex-
Assisted by the Manufacturer with Beneficial Results That Are Mutual—Technical In- ample, to sit down at the instrument and get
struction of the Dealer and His Assistants Absolutely Necessary for Success.
from it the nice effects which he has heard. The
fact is that a reference book of some sort is im-
In the player business, more perhaps than in any thunders out no clangorous volleys of notes,
peratively needed, whereby the customer can re-
other that comes to mind, the relations between neither disturbs nor annoys. It produces gentle
fresh his memory and find what he wants to know
manufacturer and dealer must necessarily be very music, gently and naturally played. And the faculty
al any time. A certain amount of practice and
for doing this sort of thing is the rarest of rare
intimate. Whereas, on the one hand, the re-
study is necessary if the player-piano is to be
tailer is essential to the distribution of player- possessions in the player trade.
used with satisfaction. " Although any one who
Naturally one feels that manufacturers them-
pianos, on the other hand, the nature of the prod-
has enough musical feeling to enjoy music has
selves would do a vast service to their trade and
uct is such that special knowledge of some sort
enough to learn the trick of coaxing fairly good
is necessary to make the process of distribution to the whole industry, if they would undertake
interpretations out of the player-piano, still, this
run smoothly. And this knowledge is of such a to interest retailers in sane methods of demon-
is a matter which requires some instruction, some
character that the manufacturer has no right to stration and sale. Somehow or other we must
practice, some patience. If it were possible to
have good selling methods, and the manufacturer
expect the retailer to possess it instinctively.
give every purchaser a few personal lessons at
Manufacurers are prone to complain that re- really is the man to start the ball rolling. A home, the problem would be solved. But this is
tailers, especially the smaller men, do not under- booklet on salesmanship would be a good invest- neither practicable nor possible. Here, then, the
take the player business aright. There is some ment.
manufacturer should again have recourse-to litera-
Just exactly what constitutes good salesman- ture, and supply the dealer with a short, well-
truth to the complaint. But it is not enough mere-
ly to complain. It is also necessary to remedy ship we shall not discuss in this place, since the vritten, accurate and attractive booklet, addressed
it if that be possible. The retailer himself com- scope of the present article does not call for it. to and written for the purchaser, and devoted to
But we belive that if the advertising department explaining interestingly how the latter may ob-
plains that the player-piann proposition saddles
en him the necessity for maintaining skilled of a player manufacturer were to put itself seri- tain from A he player-piano the musical satisfaction
special help, for doing special advertising and for ously to the task of producing a manual of sales- for which he craves.
giving special training to salesmen. Of course manship, the result would be more than worth the
So far, we have spoken chiefly of the way in
it might be answered that the increased profits trouble taken.
from player sales ought to offset all this. But
There is still another direction in which the which a manufacturer may and should assist his
the reply would probably be that there is not manufacturer may and rightly should take the dealer through the medium of literature. Printed
enough profit anyway. Obviously this is a prob- lead. That is in reference to the purchaser's in- matter, however valuable though it be, is not of
lem that needs looking into carefully.
terests. It is no longer enough to sell a player- itself enough. Tn addition, there must be the per-
sonal enthusiasm of the manufacturer himself
Ignoring all theoretical considerations, and get- piano, and let it go at that. The manufacturer
and of his wholesale representatives. An enthu-
vho
proposes
to
build
up
a
business
for
himself
ting down to brass tacks, it is up to the player
siastic organization, understanding the plan of
manufacturer to show the retail man how to sell which shall have some permanence must realize
campaign, and doing their best to carry it out, will
his goods. No matter whether the task be welcome that the satisfaction of each purchaser is as im-
win every time. The manufacturer's travelers
or not, all experience shows it to be necessary. portant to him as anything else; if indeed it be
ought
to be men who can set the good example
Tt becoms a question, then, of asking just what not the most important thing of all. Now, we are
in demonstration, in selling, in maintenance, to the
the manufacturer must do and how much trouble all beginning to find out that when we have
sold the retail purchaser we have really not com- retail trade. Let this be the case and all is well.
he must take.
The relations that must necessarily exist between
One big proposition that always faces the re- pleted the transaction by any means. Before we wholesale and retail trade in this business of ours
tailer is that of maintenance. However we look can say that, we must know that the purchaser is are indeed peculiar, but they are inevitable. The
at it, it is not the fault of the dealer that player- going to be thoroughly satisfied with what he has manufacturer certainly does have to butt into the
pianos need to be kept in order. Still less is it bought.
retail trade a whole lot. So long, however, as
As things are, the average retail purchaser does
his fault that the required skill and experience for
good results flow therefrom, why should any one
this work arc not to be found everywhere. Thus not get as much out of his player-piano as either complain ?
the manufacturer is faced with the necessity for he or we would like. It is easy for the demon-
cteating knowledge regarding his player product
then a single handclap breaks the spell and you
STRONG MANUALO CAMPAIGN.
among the tuners and repairmen of the dealer.
find yourself joining madly in the applause echo-
Not only so, but he must also do what can be
How the Baldwin Co. Features Its Popular ing from pit to gallery.
done to enlighten all tuners everywhere, because
" 'Magnificent,' you say to your friend as you
Player-Pianos in Its Announcements to the
his instruments go into many parts of the country
file out; 'our leader was never in better form.'
Public—Convincing
Copy
That
Tells
the
where a large repair shop cannot be maintained
Prospect Why the Manualo Is Worth While. But down deep in your heart is a little envy of
and where dealers, in consequence, are forced to
this man's work, a longing to have his thrill of
rely on the ministration of the local tuners. Schools
The Baldwin Co., Cincinnati, O., is pleased personally producing these inspiring selections
can do much, but they cannot supply knowledge with the rapid growth in popularity of its new just as you feel them.
to all the tuners in the country for obvious rea- player, the "Manualo," and orders for this instru-
"It is the fulfillment of this longing that makes
sons. Therefore it is the plain duty of the man- ment are being received from Baldwin dealers in
the 'Manualo' appeal so strongly to every music
ufacturer to supply the trade and the tuners all parts of the country. General commendation lover—that will make it appeal to you.
everywhere with well written, intelligible, instruc- of the "Manualo," both from the trade and public,
"The 'Manualo' is to its performer the com-
tion 'books, telling what to do, as well as what not has greatly encouraged the Baldwin Co. in its pletely accomplished and instantly responsive in-
to do, and, above all, providing plenty of illustra- campaign of national publicity, and the enthusiasm
strument that the perfectly trained orchestra is
tions.
of Baldwin representatives regarding the "Man- to the conductor. You play upon it just as he
But there is more than this. Just as the tuners ualo" is a matter of much gratification to the com- plays upon his men, asking what you will in tech-
nique and feeling and receiving all you ask.
and practical men need technical instruction, so pany.
"By 'completely accomplished' we mean that the
do the dealers and their salesmen need selling in-
Publicity in the national magazines is one of
'Manualo' plays the whole world of music litera-
struction. This of course includes the art of
the plans of the Baldwin Co. towards creating a
demonstration, which is so sadly neglected. The feeling of co-operation between itself and its ture—symphonies, operas, overtures—anything that
the conductor can play with his orchestra you can
statement may cause a smile, but player manu- agents, and some of the advertisements that appear
facturers who maintain their own salesroom and in the leading magazines over the signature of the play on the 'Manualo.' It gives you the brilliant
orchestral effects which no pianist can secure.
have their own retail corps, well know the enor- Baldwin Co. are most admirable.
"By 'instantly responsive'—and this is most im-
mous advantages of having a standard of demon-
The arguments used by the Baldwin Co. in pre-
portant—we mean that the 'Manualo' plays in
si ration and salesmanship. Selling players is not senting its "Manualo" to the general public are
like selling steak. It is not quite so simple a exemplified by a recent advertisement that ap- sympathy with your instinctive accents in pedaling
matter. Yet perhaps a majority of all dealers peared in the Saturday Evening Post under the just as the orchestra follows every movement of
the conductor's baton. For instance: Suppose
. and salesmen seem to think no particular knowledge heading, "The thrill of leading a great orchestra
or special line of appeal to be necessary.
in great music is yours when you own a Baldwin your interpretation of a certain selection calls for
The fact is that the large and successful player 'Manualo.' " The text of the advertisement was a gradually increasing volume of tone extending
manufacturer could do far worse than issue a interesting, informative and educational, and over several measures; instinctively you gradually
booklet, for distribution to salesmen, on the fine should prove of interest to Baldwin dealers as increase the force of your pedaling just as the
indicative of the "talks" advanced by the Baldwin conductor's movements would become more force-
points in selling that particular instrument. If
that booklet goes deeply into the matter of demon- Co. in the presentation of its player to the pur- ful. And, just as the orchestra would respond, so
stration, so much the better, for good demon- chasing public. The advertisement read in part as does the 'Manualo' satisfy your every wish, every
degree of strength in the pedaling bringing forth
follows:
stration is half the battle. When we say 'good
"A famous conductor is leading his men through a proportionate volume. And so it is with all
demonstration', we do not mean the high-falutin
other effects—soft, dreamy playing, crashing
sort of pseudo-recitalism in which some salesmen the finale of a brilliant composition. You sit
indulge, in making themselves supremely ridicu- almost breathless, watching his every movement, chords, rhythmic dance measures—no matter
drinking in the waves of tone as they rise and fall what, you control the 'Manualo' as the conductor
lous in the process. We mean the quiet effective
sort of work, which reveals the master. Good in perfect sympathy with his baton. At last the controls his men—instantly, absolutely, com-
demonstration leaves no sensation of great effort, final climax—the audience sits silent, enthralled^- pletely."
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
6
THE
RMEW
Published Every Saturday at 373 Fourth Avenue. New York
SUBSCRIPTION, (including postage ) United States and
Mexico, $2.00 per year; Canada, $8.60; all other coun-
tries. $4.00.
Telephones—Numbers 5982 and 5983 Madison Sq
Connecting all Departments
NEW YORK, MARCH 29,1913
Officially, spring is here. Through some error,
the opening day was attended throughout large sec-
tions of the country with exercises principally car-
ried out by Father Winter in his most savage garb.
Perhaps it is as well that we are not enjoying too
early a spring-time, for business needs our atten-
tion just now. Spring fever is all very well, but
one prefers to begin to feel it about a month later
than the present time. Even those of us, however,
who have been getting that tired feeling are likely
to wake up as soon as we reflect at all upon present
conditions in business. For all things just now
tend toward a strengthening in every line, a relax-
ation of straitened conditions, a return to nor-
mality. It is true that there is still a certain tight-
ness in the money market, but this may be sup-
posed to be but temporary. To a certain extent,
no doubt, the business world will feel inclined to
wait a little and see what the new administration
proposes to do. But it is even more certain that
whatever any Democrats may say, they have no
intention of trying to do any harm.
MUSIC TRADE
REVIEW
is used altogether in connection with the perfor-
mance of purely mechanical function; of function,
in short, which does not demand the interjection
of expressive personality. If the word "operator"
implies anything at all, it implies that personality,
in the sense of freedom and permission to express
itself, is entirely foreign to it. We operate a sew-
ing machine or an automobile by repressing our
personality. We play music by expressing our-
selves in it. Every time one uses the word "opera-
tor" in connection with playing music—even though
it be by means of the player-piano—one interposes
a negative suggestion which may work fatally
against the state of mind in which the prospective
purchaser should always be. "Player-pianist'' may
not be a perfect term, but at least it is logical and
means something. For heaven's sake, let us be
done with "operators" and "operating."
The player-grand is coming to the front, though
perhaps a little more slowly than some enthusiasts
may have desired. The mechanical problems in-
volved have been found to be formidable, but that
manufacturers are unwilling to put forth any
mechanism as perfected until it actually is so is an
admirable thing. It proves that nothing is being
done hastily. Also it makes us feel quite sure that
when the several new player-grands expected to
appear during the present season are put on view
they will be ready to meet any requirements and
will disappoint nobody. The man who imagines
that there is no field for the player-grand is des-
tined to disappointment. Probably, price and size
will always keep the demand down, but there is al-
ready a clientele for this class of instrument. Not
only so, but the player-grand affords means for
bringing the player before a class which hitherto
has rather fought shy of it. The simon-pure music
lovers have not yet begun to take kindly to the
player, and until they do we need not expect due
recognition of this new force in music. The player-
grand, however, will do much to bring about this
desirable condition, and that is why we are all
eagerly awaiting new developments in this line.
SEEK NEW CLASSIFICATION IN PERFORATED MUSIC ROLLS.
Present Freight Rate Is One and One-half First Class—Player and Roll Men Want Lower Rate
Make Application to Official Classification Committee.
(Special to The Review.)
which are now rated single first class: Phono-
Chicago, 111., March 24, 1913.
graphs, phonograph cylinder records and sheet
For some time past manufacturers of music
music
rolls, not only in this, city, but in the State, have
T h e m o d e o f p a c k i n g f or shipment of these
been anxious to secure a new carload rating for a r t i c i e s j s substantially the same. They are all
perforated music rolls, which at the present time u s u a n y packed for shipment in wooden boxes,
is one and one-half first class, and this matter v a r y ; n g j n individual weight from (55 to 480 pounds,
came up for consideration at a meeting of the a n d i n dimensions ranging from 2 to 3 feet, in
classification committee which was held in Chicago t h e i o n g e s t dimensions, and from 1 to 2 feet in
last week.
The size of pack-
e a c j 1 o f t n e o t n e r dimensions.
Thomas C. Moore, traffic manager of the a g e S j j n r e s p e c t t o convenience of handling, is not
Meanwhile we have problems of our own to ab- National Piano Manufacturers' Association, was materially different for these several lines of
present and set forth the reasons why there should
g o o d S j a n d f r o m t h i s . p o h l t o f v i e w it s e e m s t h e r e
sorb our attention. This is a time of year when
the wise manufacturer will ask himself whether be a correction in the discrimination made in s h o u l d b e n o d i f f e r e n c e j n the classification,
freight rates against music rolls as compared with
T h e f o i ] o w i n g t a i,i c compares the four articles
the policies he has pursued during the past few
talking machine records.
mentioned :
months of hustling business have been in every
The classification is invariably based upon such
way successful. Especially is it a good time to ask
.
.
'
.
100 His. weight.
Bulk, cu. ft. Value.
ourselves what we are going to do in the not al- c o n s i d e r a t i o n s a s ( 1 ) bulk r e l a t i v e t o w e i g h t ; ( 2 ) Music rolls
2
$f>o.oo
ways well handled department of publicity. In this v a l u e relative to w e i g h t ; _ ( 3 ) difficulty and risk of
^35* cyiinder -•—,;,::::::::::
5 *
K
respect the article on the player catalog which will handling relative to weight; in connection with
sheet music
2
75.00
appear next month should be read by all who these considerations the following facts were pre-
T h e Melville Clark Piano Co. has been most
have ever had occasion to consider the prob- sented:
energetic in its advocacy of a change in the classi-
lem of producing such a piece of advertising litera-
Comparing music rolls, which are now rated one fication, and it has circularized the trade in this
ture. Catalog writing is not always so easy as it and a half first class, with the following articles,
connection.
looks; wherefore occasional remarks on the con-
ditions which have to be.fulfilled in this work are
cians who play the rolls is given, and the entire
stimulating and helpful. A good many thousands
arrangement of the catalog is praiseworthy be-
Handsome Booklet Full of Interesting Matter
of dollars are spent every year on the production
cause of its simplicity and convenience.
for Flayer-Pianists—List of Music Rolls At-
of catalogs in this business of ours, and it is to be
A special section in the new catalog is devoted to
expected that manufacturers will give a good deal
tractively Featured.
a list of "Red Label" records, played by world-
of thought to their preparation. But the sad fact
famous artists. This "Red Label" list is of un-
does indeed remain that the make-up of these
usual merit, and contains classic selections by such
A new catalog devoted to the Rythmodik record
sumptuous brochures is often the best thing about
world-famous artists as Busoni, Bauer, Godowski,
music roll has just been issued by the music roll
them. Yet the copy is really the selling argument, department of the American Piano Co., and will
Hoffman, Carreno, Backhaus, d'Albert, Max Pauer,
not the make-up or the illustrations. What one be ready for general distribution by the time this
Friedheim, Borchard, Goodson, Ariani, Schar-
says is quite as important as how one says it. when paper is issued. This catalog contains a list of
wenka and many others. This special list will be
one is making a selling talk.
rapidly increased in the near future by the addi-
all Rythmodik rolls up to and including the March,
1913, supplement, and considerable time and ex- tion of many more classic selections by world-
One hears a good deal about the difficulty of sell- pense has been involved in the production of thr famous artists.
ing player-pianos in small towns. The arguments new publication.
The principal idea in the compilation of this
usually advanced by those who worry about small
town selling are suggested in an article published new catalog has been to present to the trade and To the Dealer as Much as Some Think, Says L.
in. the present issue. It would seem that every public a catalog that will not only accurately and
S. Roemer, of Cable & Sons, New York.
sort of player selling must be looked at individu- conveniently list all Rythmodik record rolls, but
L. S. Roemer, wholesale representative of Cable
ally. The small town has its difficulties and its one that will be artistic and pleasing to the eye.
obstacles. But so has the large city. The differ- Judging from the advance proofs of the new & Sons, 550 West Thirty-eighth street, New York,
ence is in kind, no doubt, but the fact remains that •publication received at this office, the American has returned from a three weeks' trip in the Mid-
in degree the difficulties are much alike. The small Piano Co. has certainly succeeded in this en- dle West. Naturally, Mr. Roemer had a success-
ful trip; the status of the factory reflects it. One
town merchant may have a smaller field, less op- deavor.
portunity and more narrow-mindedness. But he
The first few pages of the publication are de- thing that impressed Mr. Roemer was the fact
has also the opportunity to deal with a more easily voted to a "foreword," which contains a short that the dealer is shy of the "cheap" piano-player.
interested public, with more settled and solid con- history of the accomplishments of Charles F. Stod- He said: "The cheap player does not appeal to
ditions, and with a far less complex trade situation. dard, inventor of the Rythmodik record roll, with the dealer so much as some seem to think. The
The small town dealer can sell players. He must, a brief outline of the merits and features of the cheap player requires too much attention after
however, not be content with copying the methods roll. The general list of rolls is divided into a the instrument is sold, and every minute of a re-
of big city merchants, but must evolve his own. number of subheadings, such as "classic master- pairman's time just so reduces the net profits of
That way success lies.
pieces," "popular melody," etc. At the beginning the sale. The piano must be made solid; the
player must be strong yet delicately adjusted; and
Once more we feel it a duty to ask why the of each subdivision is a very attractive illustration
player trade persists in talking about "operators." descriptive of the rolls to be found in that section, the sale of a player-piano is profitable to the
The person who plays a player-piano is not an for example, "Mozart and his sister playing before C'ealer. Our player demand is increasing every
"operator," in the sense generally understood as Maria Teresa" illustrates the "classic masterpiece" month, which shows more than words just the
section. A short biography of the various musi- character of Cable & Son's products.'"'
applicable to that term. "Operator" is a word that
NEW RYTHMODIK ROLL CATALOG.
CHEAP PLAYER_DOES NOT APPEAL

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