Music Trade Review

Issue: 1912 Vol. 55 N. 9

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6
THE
Published Every Saturday at 373 Fourth Avenue, New York
SUBSCRIPTION, (including postage), United States and
Mexico, $2.00 per year; Canada, $8.50; all other coun-
tries, $4.00.
Telephones—Numbers 5982 and 5983 Madison Sq.
Connecting all Departments
NEW YORK, AUGUST 31, 1912
The pessimist, like the poor, we have with us
alway. We can stand him with less equanimity
than we can endure the poor. For he is an un-
mitigated nuisance. Quite a good many members
of his tribe are at present abroad in the player
business, prophesying dire things for business this
fall. Yet the most rigid observation of the^ busi-
ness situation in this country warrants no such
gloomy predictions. We are greatly inclined to
listen to prophets of evil, if only because the Amer-
ican people are so idiotically sensitive to what they
believe to be "conditions." One gets so sick of
hearing about "conditions" all the time. Big men
make their own conditions, and so forever master
that which they have created. The average Amer-
ican citizen always appears to think himself caught
between the horns of a dilemma. Either his busi-
ness will not succeed because grasping capital will
not loan money for it, or else the great financial
geniuses who run the country will take all their
money out of the United States and spend it else-
where, because they will not stand for this or
that program of legislation. And so on forever
ad nauseum. Everybody is afraid that capital will
run'away and go to Timbuctoo; just as if the
great masters of capital were so many school-
boys, frightened by a cow mooing at night on a
lonely road! Really, the intelligence of the great
American people is not so very high.
The truth is that there is not the slightest rea-
son to foresee anything but a prosperous fall and
winter in business. The crops are splendid and
the activity in all lines of business depending upon
them is enormous. These lines are written next
door to the Chicago Board of Trade, and it would
do the heart of any pessimist good to see the tre-
mendous amount of business in real wheat, cereals
and provisions which is being daily transacted.
The bugabood of bad business is just a bugaboo
and no more. It is about time that we heard the
last of it. Yet, until we can silence the croakers
and the Jeremiahs, we shall have a lot of very
excellent gentlemen worrying their very excellent
heads off their very excellent bodies, for fear that
some bogey is going to jump out at them and take
all their money away. What nonsense the whole
thing is!
Nor as there any reason why the political bogey
should be permitted to interfere with business this
year. The bogey .is not at all a dangerous spirit
and does no more than lean over the fence, utter-
ing a doleful and feeble cry at long intervals. Yet
we see men who otherwise are fairly intelligent
running around in circles and uttering loud shrieks
of agony over the possibility of a radical President
being elected! If men only read history they
MUSIC TRADE
REVIEW
would know that nothing radical is done all at
once. The progress of liberalism is sure, but it is
painfully slow, and the world gets each year just
such increment of radicalism as it is at that time
ready to absorb. Of course, professional politicians
are crying Wolf! but they have their own little
axes to grind and care nothing whether they
frighten the country into fits or not. Let us have
an end of this nonsense. Let the more sensible
of us try to persuade our less intelligent brethren
that the Metropolitan Tower will still stand and
the Masonic Temple will present the same front
to State street, even if Debs is elected!
EXHIBIT AT "MOVIES" CONVENTION.
Rudolph Wurlitzer Co. Shows Models of Auto-
matic Pianos and Player-Pianos at Hotel
La Salle—Furnishes Music for Banqueters.
(Special to The Review.)
Chicago, 111., Aug. 26, 1912.
The Rudolph Wurlitzer Co., this city, was the
only Chicago firm in the organ and piano business
to make an exhibit at the convention of moving
picture operators and manufacturers at the La-
Salle Hotel this week. The convention closed
Friday night with a banquet on the roof garden
For heaven's sake, then, let us get down to busi- of the LaSalle.
In spacious quarters on the 17th floor, near the
ness and quit weeping. If one might paraphrase
a popular song one might say, "Everybody's Doing convention hall room, the company had its head-
It. Doing What? Talking Rot!" We need to quarters. Here styles "]" and "G" of the 88 and
get down to business and prepare for fall and win- 65-note player were shown. These instruments
ter trade* Take note, please, that those who are have flute, violin, drums and mandolin attachment
simply sticking to business are finding themselves and may be played either automatically or
very busy. We do not know of a single player manually]
During the sessions of the convention at
factory in good standing at this time which is
not working pretty well up to its normal capacity. Orchestra Hall on Wednesday and Thursday
There is absolutely nothing wrong either with music was furnished by one of the large Wur-
business or with the business situation, except the litzer Hope-Jones orchestra piano and unit or-
calamity howlers. And they ought to be decapi- chestras, under the manipulation of Dr. Ronford,,
tated, one and all. One thing is sure, and that is a Chicago musician of note. The basis of this in-
that the player-piano business this fall can easily strument is a powerful pipe organ, besides whichi
it has attachments for simulation orchestrial ef-
be far and away the best on record, providing that
we shall be sensible enough to allow it to be so. fects. The displays were under the direction of
Thomas Clancy, head of the automatic depart-
Of course, it is easy to say, on the one hand, that
the time to advertise and hustle is when business is ment of the Wurlitzer Co., who came to Chicago
bad. But it is equally easy to find out, on the especially to meet the moving picture men. Hope-
Jones, the veteran organ builder of the Wurlitzer
other hand, that the business world never in any
circumstances takes good advice. It never hustles factories, was also in attendance. A third instru-
when it ought to, and always stops advertising as ment was set up in the roof garden of the LaSalle
soon as advertising will really do it some good. and furnished music for the closing banquet of
But there is another side to the question which is the convention. Several hundred out-of-town
possibly of greater importance and certainly is more people from all parts of the country were in at-
tendance at the convention.
interesting.
The man who really amounts to something,
whose goods are just a little mite better than the
other fellow's, is the man who comes out on top
when everything is not booming. And when you
consider how many good men there are in this
player business of ours, it does not take much gray
matter to figure out that most of them ought to be
doing pretty well. And, in fact, most of them are
doing just this. Still, there might be improve-
ment, and there in fact will be improvement, as
soon as we all get back from our vacations and
really settle down to hustling. Paradoxical as it
may seem, the American people are better buyers
of luxuries than of anything ehe. If there were a
veritable panic in this country now you would still
find that people were buying player-pianos. And
let it be remembered, also, that you can sell all
the player-pianos that you can make, if only you
present them to the public in the right way. The
truism that advertising will sell anything may be
old and bewhiskered, but it is just as utterly true
to-day as ever it was. If you tell people that they
need player-pianos to make them happy, or to en-
able them to put on as much front as their neigh-
bors, or for any old reason, and if you keep on
saying this over and over again, the time will soon
come when they will believe you. And when once
the American people come to believe that a certain
thing is necessary to their happiness, or that of
their children, they go right out and buy it, with-
out waiting to see what is going to happen next
year. And there you are!
MOLLER ORGAN IN AUGUSTA, GA.
Installed in One of the Aristocratic Churches
of That City—Some of the Specifications.
(Special to The Review.)
Augusta, Ga., Aug. 26, 1912.
M. P. Moller, of Hagerstown, Md., has just com-
pleted the installation of a two-manual duplex pipe
organ in the Church of the Good Shepherd iro
Summerville, the aristocratic suburb of Augusta.
The organ has the Moller patent tubular pneu-
matic action throughout, including couplers and
stop action. The instrument cost $2,500 and was
erected under the supervision of Oscar Postetter
and Fred Betts, both experts in their line, and who
have made many friends during their stay in the
city. This makes the second Moller organ to be
installed in Augusta within a year, the other in-
strument being in St. Mathew's German Lutheran
Church, which has given perfect satisfaction and
will doubtless Lead to others being installed from
the house of Moller.
TO EXPERIMENT FOR AEOLIAN CO.
Prof. Dayton C. Miller, of the Case School of
Applied Science, Cleveland, O., and conceded to be
one of the world's greatest experts in tonal inves-
tigation and acoustical discoveries, has just com-
pleted arrangements with the Aeolian Co. whereby
he will do experimental work for this company
this fall. Dr. Miller is the inventor of the Phono-
deik.
The Master Player-Piano
is now equipped with an
AUTOMATIC TRACKING DEVICE
Which guarantees absolutely correct tracking of even the most imperfect music rolls
W I N T E R & CO., 220 Southern Boulevard, New York City
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
THE LITERARY
July 47,1912
REVIEW
DIGEST
14?
transparent that one can see through the walls. The writer
tells us that he once sunk such a pit in a river 5 to 7 feet deep,
in which the speed of flow attained four miles per hour. He
adds however:
"The sinking of more than one or two pits diametrically
across the river should be avoided, since this impedes the
current, and the water is liable to raise the ice, in various
places, causing cracks through which the
pits are flooded."
PHOTOGRAPHING MUSIC
T
O RECORD the performance of a
pianist in such a way that it may be
reproduced at will with all its pecu-
liarities and individualities—to make a rec-
ord, in short, that will turn the mechanical
player with which it is used into a Paderewski
or a Joseffy—if either of them officiated when
the record was formed—this is the feat that
has been successfully accomplished, we are
told, by Melville Clark, of Chicago. Robert
H. Moulton, who writes of it in The Tech-
nical World (Chicago, July), tells us that
many of the ablest minds in the commercial
field of music have been turned to the so-
lution of this problem—that of devising a
means for the making of music that shall be
an actual and permanent record of a per-
formance, instead of a mere musical score,
and have pronounced it an impossibility.
He goes on:
to the cunningly introduced 'accidentals'—made the
presence of the composer at the piano seem a certainty. His
tempo, his style, his pedaling, the power of his stroke on the
keys, and the sensuous element—the expression—were repro-
duced in such an accurate way that the mechanism seemed to
be endowed with a human mind.
"The operation of Mr. Clark's device—which he calls a
recorder—may best be explained in the simple statement that the
pressure of a button, turning on the electric
current, sensitizes every playing part of the
piano—keys, pedals, and all—to the slightest
touch of the performer, and secures in perfect
relation every playing movement made.
"While the importance of this achieve-
ment in the field of the mechanical player
can be readily appreciated, its influence upon
the development of musical history repre-
sents its chief value. It is from this stand-
point that it appeals most to its inventor.
He frankly states that he does not think it
has commercial value.
"To be able to sit down at the piano,
imprint one's individuality in all its phases
upon the interpretation of any given musi-
cal composition, have the music so produced
cut, and then to use it on a piano-player
and hear oneself play, certainly seems the
fulfilment of the composer's wildest dream.
"But that is not all. The recorder re-
lieves the composer of the manual drudgery
of putting his thoughts down on paper with
pen or pencil. Also,- it enables him to
preserve the continuity of his thoughts,
which is difficult when he is forced to stop
to jot down his composition."
Possibly in the near future some one will
tell us just how the "recorder" works, but
the mechanical details are apparently a
Krom " The Technical World Magazine" (Chicago).
secret for .the present—a fact that will
MELVILLE CLARK,
make some malicious critics suspect Mr.
Whose invention records musical
Moulton's assurance that commercial success
compositions automatically.
is not the inventor's aim.
"There is a man in Chicago, however,
Melville Clark, for whom the word impos-
sible has never held terrors. So he quietly
set to work a couple of years ago, convinced
in his own mind that he would succeed
where others had failed. Mr. Clark is gen-
erally acknowledged to be one of the greatest
designers and builders of pianos and piano-players in the world.
He was the first to build a piano-player to operate over the
entire keyboard.
"Consequently when he announced a short time ago that
he had perfected a device which would not only make a per-
manent record of a performance on a piano, but do it so faith-
fully and accurately that not a single eccentricity of the pianist's
individuality would be lost, the respectful attention of the-
musical world was immediately forthcoming.
"Naturally there were many skeptics—men who desired to
be shown. One of these was a pianist and composer of inter-
national reputation.
"Of course, Clark,' he said, when told of the new invention,
[ know you have accomplished wonders in your line. But in
this case your claims sound, ah
'
"'Preposterous?' said Mr. Clark. 'Sure! I don't blame you
at all for thinking so. But just come along to my office and see
for yourself.'
"Together they repaired to Mr. Clark's private office, where
a piano was in readiness. In one corner of the room stood a
little closet. The pianist also noticed that a wire ran from the
alectric light fixture in the middle of the room into the closet.
'"Just a moment,' said Mr. Clark, as he turned on the current.
Immediately there issued from the closet the soft hum of a tiny
dynamo.
'"The recorder is in that closet,' explained Mr. Clark, 'and
this current operates it. Now all you've got to do is to fire
away, and the recorder will do the rest.'
"The pianist fired. Resolved to make the job a good one and
test the instrument to the limit of its capabilities he improvised
a selection as fiery and brilliant as a thunderstorm.
"When he had finished, Mr. Clark went into the closet and
returned with a roll of paper, similar in appearance to those used
on piano-players. Placing the roll in another piano with a repro-
ducing attachment, he set the reproducer in motion with his feet.
"The effect was startling. The exactness of the record—even
STARCH AS A POISON —The recent
conviction of a druggist by English magistrates for selling an
infants' food containing over 70 per cent, of starch, calls at-
tention to the fact that this almost universal food substance
is not innocuous to all persons and under all circumstances.
The British Medical Journal (London, June 13), commenting on
this conviction, tells us that—
"There is overwhelming evidence that the digestive disorders
to which many young children are subject have resulted from
feeding them upon foods largely composed of starch. Hitherto
no very great effort has been made to prevent these foods being
sold, beyond the general advice which is given to mothers and
nurses by doctors and health visitors as to the harmfulness of
them. The medical officer of health of the county of Rutland,
Dr. Christopher Rolleston, has, however, succeeded in obtaining
a conviction before the local justices against a chemist for selling
a preparation of infants' food which contained upward of 70
per cent, of practically unaltered starch, and which was there-
fore held to be not of the nature, substance, and quality demand-
ed by the purchaser. The preparation was described as being
suitable for an infant only a few days old. A dessert-spoonful
of the mixture was directed to be put into a basin to be mixt
to the thickness of a smooth cream with cold milk or water; to
this was to be added half a pint of milk and water in equal parts,
and it was then to be brought to the boil. It was contended
by the chemist that the boiling would convert the starch into
sugar, and this view was supported by a member of the Society
of Public Analysts. There are some artificially prepared infants'
foods in which the conversion of the starch into saccharine bodies
is complete, but they do not contain 70 per cent, of starch."
The writer complains that it is not very satisfactory that the
harmfulness or otherwise of the preparation should be left to
the decision of a local bench of magistrates. Health boards, he
thinks, should have summar}- power in such matters.
Here's the plan: Order one sample roll of hand-played music from all other
cutters. Then let us send you a roll of our autograph hand-played music, gratis.
Gather all the folks around your instrument; make the comparison. We are
already smiling over the result.
M E L V I L L E C L A R E P I A N O CO,
Sales Agents for Q. R. S. CO.
410 FINE ARTS BUILDING, GHIGAGO

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