Music Trade Review

Issue: 1912 Vol. 55 N. 19

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE: MUSIC TRADE
REVIEW
A
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPILLANE, Managing Editor
Executive and Reportorlal Stall:
B. BRITTAIN WILSON,
A. J. NICKLTN,
CARLETON CHACE.
AUGUST J. TIMPE,
L. M. ROBINSON,
WM. B. WHITE,
BOSTON OFFICE:
CHICAGO OFFICE:
JOHN H. WILSON, 824 Washinfrton St.
Telephone, Main 6950.
PHILADELPHIA:
R. W. KAUFFMAN. -
GLAD HENDERSON,
L. E. BOWEM.
E. P. VAN HARLINGEN, 87 South Wabash Ave.
ALBERT G. BRENTON, Assistant.
Room 806. Telephone, Central 414
MINNEAPOLIS and ST. PAUL:
ST. LOUIS:
ADOLF EDSTEN.
CLYBE JENNINGS
SAN FRANCISCO: S. H. GRAY. 88 First St.
DETROIT, MICH.: MORRIS J. WHITE.
CINCINNATI. O.: JACOB W. WALTERS.
BALTIMORE. MD.: A. ROBERT FRENCH.
INDIANAPOLIS, IND^ STANLEY H. SMITH.
MILWAUKEE, WIS.: L. E. MEYER.
LONDON, ENGLAND: 1 Gresham Buildings, Basinghall St tf E. C.
Published Every Saturday at 373 Fourth Avenue, New York
Enttted at the New York Post Office as Second Class Matter.
SUBSCRIPTION, (including postage), United States and Mexico, $3.00 per year; Canada,
tS.SO: all other countries, $4.00.
ADVERTISEMENTS, $2.50 per inch, single column, per insertion. On quarterly or
vearly contracts, a special discount is allowed. Advertising Pages, $75.00.
REMITTANCES* in other than currency forms, should be made payable to Edward
T.vman Rill.
Departments conducted by an expert wherein all ques-
tions of a technical nature relating to the tuning, regu-
TM»hnlj*al n o n a r l m o n l o latin* and repairing of pianos and player-pianos are
l C C U U l t « l lM?|ldl IIMTIMS. dealth with, will be found in another section of this
paper. We also publish a number of reliable technical works, information concerning which
will be cheerfully Riven upon request.
Player-Piano and
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900
Silver Medal.. .Charleston Exposition, 1908
Diploma... .Pan-American Exposition. 1901
Gold Medal
St. Louis Exposition, 1904
Gold Medal. .Lewis-Clark Exposition. 1905
LONG DISTANCE TELEPHONES-NUMBERS S982-5983 MADISON SQUARE
Connecting all Departments.
Cable address •• "Elbill, N e w York.**
NEW YORK, NOVEMBER 9, 1912.
EDITORIAL
A
SUGGESTION of some importance was made by L. S. Sher-
man, head of the great Pacific Coast house of Sherman, Clay
& Co., during his recent visit to New York, when he pointed out
that a great deal of harm had been done the straight piano business
by injudicious and poorly considered- advertising of the player-
piano—that in order to make a case for the player-piano many
piano merchants deemed it necessary to "knock" the straight piano
which he termed "the backbone of the business 1 ."
This criticism is not without reason. There are plenty of argu-
ments-to use in connection with the exploitation of the player-piano
without endeavoring to put the straight piano in the "has been"
class." Piano merchants who give serious thought to the quality of
their advertising should be most careful when handling this subject.
Mr. Sherman has put this matter very aptly as follows:
"The merchant in his player advertisement practically tells the
public that it is folly to buy a straight piano, and, as a result, many
prospective purchasers are doubtless scared off from buying any-
thing at all. They say to themselves: 'The straight piano is no
good, and we can't afford the player just now; better wait and see
if the players will get any cheaper.'"
Mr. Sherman also complained of the custom which has grown
to be an abuse, of giving music rolls free with the player-piano, and
not featuring this department of the business along more digni-
fied and profitable lines. In other words, following the example
of the talking machine dealers, who make a good profit on the
sales of records.
The music roll situation is unquestionably a pretty bad one in
many parts of the country, and it would be a much better plan were
prices on music rolls fixed by the manufacturers and maintained by
the piano merchant. At the present time, too, many piano mer-
chants handling music rolls have the "cut price" habit, with the
result that they not only harm the entire business, but make it most
difficult for those piano merchants who believe in conducting the
music roll business on sane, profitable lines, to succeed.
LL piano manufacturers are vitally interested in the main'
tenance of fair and honorable methods in every department
of the trade, and when the product of a brother manufacturer is
assailed maliciously by an unscrupulous sheet, it becomes at once a
matter of trade interest, and when an alleged trade newspaper by
insinuations and innuendo seeks to convey a false impression con-
cerning a reputable product, the trade must be aroused, and surely
members of a piano industry cannot ignore such attacks'.
It is said that the Piano Manufacturers' National Association
will support its members against any unfair attacks by trade news-
papers to the extent of withdrawing advertising patronage from an
offending publication, and there recently appeared an insinuation in
an alleged trade newspaper that the old-established piano of Decker
& Son, New York, is what is colloquially termed a "stencil" piano.
Will the piano manufacturers ignore this attack upon one of their
members? We shall see.
Could any statement be more malicious or untruthful? It is
obvious that if any dealers 1 read the article and are low enough
in their business methods, they will use such a statement to defeat
sales. In other words, it is placing a dishonorable argument in the
hands of men who are base enough to use it and to think of it, such
a statement from a paper which draws sustenance from piano manu-
facturers. Are men so indifferent that they will calmly ignore such
insults ?
On account of such misleading and false statements Decker &
Son have been compelled to issue a warning to the trade that any
infringers of the name or imitators of the piano will be prosecuted
to the full extent of the law.
The Decker & Son piano, which is termed in trade circles the
Decker piano, is put forth from the factory of Decker & Son (Inc.).
The piano represents the work of three generations of Deckers, the
business having been founded by the late Myron A. Decker at
Albany in 1856.
This business has always been in the hands of members' of the
Decker family, and the instruments made by the Deckers have won
a splendid reputation throughout the entire country.
The Decker factory is located at 697-703 East 135th street, and
the structure which they occupy was built for the manufacture of
Decker & Son pianos.
The business methods 1 of the firm have always been honorably,
straightforward, and Frank C. Decker, son of the founder, was
once president of the Piano Manufacturers' National Association.
He is a man who has always held to high business ideals, and now
what must his brother members of the association think to see his
product attacked by a characterless sheet? The question is, will
men continue to support such a publication by advertising patronage ?
It is true the number is steadily diminishing, but there are still
some members of the Piano Manufacturers' National Association
who sit calmly by and give patronage to a publication which attacks
brother members, yes, even a former president of the national as-
sociation as well as the New York association.
T
HE great majority of people can be classified in one or other
of two psychological types, corresponding to the great senses
of sight and hearing.
These classes sometimes are called the "visuals" and the "audi-
tives," respectively. The "visuals" or visualizers seem to conduct
the majority of their mental processes by visual symbolism. They
"think in pictures"; their mental method is graphic. The majority
of women belong to this group, and, of course, the majority of
painters, sculptors, architects, decorators, engineers and mechani-
catty gifted people. Such people readily apprehend space relations,
and can conceive new ones. If they possess this power in high
degree they may paint fine pictures, build new types of architecture,
conceive new machines'.
The auditives, on the other hand, think more in sounds and
words and not in pictures. They naturally include the musicians,
the men of letters and the scientific and philosophic people. They
are more numerous among men than among women. They notice
things around them less, and are more commonly credited with
being "absent-minded."
If great development of either is rare, vastly rarer is great de-
velopment of both in one and the same individual. Such indi-
viduals stand out as the few ffapreme examples of what we call
versatility, and of these the most notable representative in the his-
tory of the world is Leonardo da Vinci,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
How Music Trade Institutions Have Helped Musical Art.
HE formal opening of the magnificent new concert hall in the
Aeolian Building on Saturday last, when Gottfried Galston,
the distinguished Munich pianist, was heard through the medium
of the Steinway piano, brings to mind how much indebted is the
musical public of New York to the great piano manufacturing insti-
tutions which from the earliest days of the industry have built
and maintained handsome concert halls where people may study
their needs musically, and where great artists of international fame
may be heard.
No one who has studied the development of music in New
York can overlook that we owe much to such notable institutions
as Steinway, Chickering, Steck, and now the Aeolian Co., for the
public spirited manner in which they have helped along the greater
knowledge of musical art. For it was 1 through the old Steinway
Hall on Fourteenth street that some of the most famous artists of
the world were introduced to the public of this country, and later
Chickering Hall was another important contributing factor along
these lines, where many American artists were also stimulated to
new achievements.
These old halls which so worthily upheld the traditions of the
music trade as patrons and stimulators of musical knowledge, and
its propagation, have long since disappeared, but a new, larger and
more palatial concert hall has now been dedicated to public uses
by the Aeolian Co., as they so gracefully put it: "As a partial
return for this support, as an acknowledgment of the obligation we
feel we owe, we have erected this new building. In its every detail
we have attempted to create a structure in harmony with the highest
ideals of musical art—an edifice of which New York could be justly
proud, and which would reflect this city's 1 cultured taste."
The men who chronicle passing events for the great newspapers
and who gladly pay tribute to the public spirited men who con-
tribute large sums of money for public buildings and enterprises
T
that advance science and art, have absolutely overlooked how
greatly the American people are indebted to those music trade insti-
tutions that have inaugurated and maintained music halls and musi-?
cal salons, all of which have stimulated musical culture, giving en-
couragement to American artists and enabling us to hear the most
famous musicians of the world.
\
When Carnegie Hall was dedicated the generosity of Andre??
Carnegie was extolled in pages of eulogy in the newspapers. But
when an institution affiliated with trade like the Aeolian Co. pre-
sents to the people of New York a hall that in many respects is
superior to Carnegie Hall because of its perfect acoustics and re-
markable pipe organ for public purposes, but a very meagre space,
comparatively, is given to this event in the New York papers.
This is hardly fair, and it seems to us that the work of a public
spirited institution like the Aeolian Co. should command as wide
a measure of appreciation and acknowledgment as that of any
private individual.
New York should be, and undoubtedly is, proud of Aeolian
Hall. It stands as one of the several important buildings that mark
the artistic progress of the metropolis. In design, in equipment,
it is as individual as it is artistic, and in no part of the world can
any similar structure be found devoted to the exploitation and
artistic advancement of musical instruments.
The dedication of the concert hall in the new Aeolian Building
opens to New Yorkers not only a most delightful home for orches-
tral and chamber music, which will be appreciated by music lovers,
but the magnitude of the enterprise of the Aeolian Co. has also
an uplifting influence on the music trade industry as a whole. It
places the piano business upon an artistic plane—the plane it should
occupy, and in this respect the widest acknowledgment is due the
Aeolian Co. for the erection and the dedication to music and the
trade of a building that is distinguished for beauty and completeness.
The Motion Picture and Music Trade Publicity.
I
N The Review recently reference was made to the progressive
move of Behr Bros. & Co., the prominent New York piano
manufacturers, who are branching out into a new form of adver-
tising campaign which is destined to be of material value in bring-
ing the merits of the Behr Bros, pianos in direct contact with
thousands of persons daily in a most interesting and impressive
=way.
:
In this connection Behr Bros. & Co. have had prepared for the
jmoving picture machine a number of slides, all of which bear
forcible display matter, treating of the qualities and prestige of the
'Behr Bros, pianos which are to be supplied to representatives of
Behr Bros. & Co. with the object of being displayed every after-
noon and evening in the leading moving picture houses in'their
town at a cost which will, seem a mere trifle as compared with
advertising in the local newspapers.
j
Since the announcement was made of this move Behr Bros.
i& Co. have received innumerable letters from dealers, not only
approving most heartily of this innovation in the matter of pub-
licity, but placing large orders for slides, which by the way are
prepared in a most artistic way in colors, and which not only feature
the Behr piano, and its record in the musical field, but the local
dealer also gets his share of the publicity as his name and address
appear at the bottom of each slide.
:
Behr Bros. & Co. are certainly entitled to praise for their enter-
prise in grasping this thoroughly up-to-date method of bringing
their pianos in close relation with the general public.
This brings to mind that the motion picture machine is destined
to prove a commercial,factor of great importance in all lines of
industry in the near future. It has been so perfected that it can be
conveniently carried by a salesman on his travels, and where he is 1
supplied with slides by the manufacturer, all he has to do is to
enter an office, draw the shades on the window, attach a socket to
the electric light and commence to turn a crank, while the instru-
ments which he desires to sell are shown upon the screen in all
their natural colors—in fact, an exact facsimile of the original
product—bringing visually to dealers in faraway cities an exafct
facsimile of the instrument, who thus receive impressions of how
the styles may appeal to prospective customers.
This is supplementary work to the splendid publicity inaugu-
rated by Behr Bros'. & Co. just referred to. It means carrying tHe
moving picture idea into the manufacturing field, for it is possible
to get slides of the entire process of making a piano from the raj/r
product to the perfected instrument, and this material would cer-
tainly prove most interesting for use either by a local dealer in a
moving picture house, or form the basis of a lecture-recital in his
wareroom in connection with a display of the pianos or player-
pianos which he represents 1 . It would make a good illustrated taflc
on piano or player-piano construction, showing the innumerably
details connected with the production of these instruments, and tHe
extent of the plant of the manufacturer.
It constitutes the most educational kind of work if given serious
consideration by the manufacturer and the piano merchant, and it
is now made possible through the perfection of the motion-picture
machine. Through its aid the public is brought into personal rela-
tion with the manufacturing processes of the various articles in
which it is interested, and thus enthusiasm and interest are aroused
to a most unusual degree.
Behr Bros. & Co. are to be congratulated on becoming the
pioneers in the East in utilizing the motion picture for publicity
purposes in the piano trade. It demonstrates not only that they
are absolutely modern in their ideas of doing things, but that they
are most interested in means to help their representatives and pro-
vide them with a plan of augmenting public interest in the products
of the house.
'
The co-operation of the representatives of Behr. Bros. & Co.
is manifested in the many letters received by this firm and it shows
that the new move is going to prove a great success and one of
mutual advantage.
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