Music Trade Review

Issue: 1912 Vol. 55 N. 12

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
50
THE
MUSIC TRADE
REVIEW
The success of the production seems to have been
assured at the first performance for on the first
Proves the Most Attractive Feature of "Tanta-
business day after the opening, the day after
lizing Tommy" Which Is the Hit of the Labor Day, the publishers, Chappell & Co., Ltd.,
Season in Chicago—Press Unanimous in were fairly swamped with orders for the complete
Praise of Score of This Pleasing Work.
score and the principal separate numbers.
"Tantalizing Tommy" is one of the real hits of
the season.
There have been few musical comedies or oper-
ettas which have received such unanimous praise
from critics upon the opening performance as
"Tantalizing Tommy," which recently opened in
Receives Cordial Reception at Opening in New
Chicago under the management of A. H. Woods
York on Monday—What the Critics Say.
While the production itself, which is described as
a play with music, appealed to the critics in vari-
"The Count of Luxembourg," the new Lehar
ous ways, the music was, without exception, highly operetta, which made such an excellent impression
upon Boston audiences, opened for its New York
season at the New Amsterdam Theater on Mon-
day evening and further increased its triumph.
There has been much written about the operetta
and much of the music has already become familiar
to Americans, being much in demand even before
the actual production of the piece in this country
was announced. The New York critics were
most favorably impressed with the operetta and
told ihe public so. Some of the comments follow:
The World: It seems hrrdly necessary to speak
of Lehar's score, so familiar have the songs of
"The Count of Luxembourg" become. It is al-
ways melodious, with an orchestration that ; s at-
tractive and sometimes bizarre. Its familiarity
should be in its favor and its tunefulness, coupled
with the joy of Miss Swinburne's performance,
should win for "The Count of Luxembourg"
mother success.
The Times: With one delicious wave of melody
following another, with a book that provides just
enough opportunity for really clever people to be
funny, with a chorus that both satisfies the eye and
delights the ear, and with Miss Ann Swinburne, a
comparative newcomer among prima donnas, but
who is little short of a revelation for this type of
entertainment, "The Count of Luxembourg" very
promptly and satisfyingly duplicated its foreign
success at the New Amsterdam Theater last night.
The Sun: Perhaps because "The Count of Lux-
embourg" is a musical romance there is less of the
pronounced Viennese waltz rhythm, slighter snap
and sparkle to some of the dance tempi and a gen-
erally less highly seasoned atmosphere than the
first of Lehar's works to become popular possessed.
Hugo Felix.
There is, however, a waltz of exquisite move-
praised and commented upon with a great degree
ment and throughout music of unvarying agree-
of favor.
able quality, delicately and tastefully scored. So
In the music Hugo Felix, the composer, has there is ample to allure the public on the musical
struck a new vein, but though the music is original
side of "The Count of Luxembourg." Last night's
in character it is thoroughly melodious and thor- audience delighted in the new work.
oughly charming and strongly reflects the skill
and ability of the composer.
MILLION COPY HIT
The numbers of the score, which by the way,
abounds in tuneful selections that have made the
greatest impression upon the Chicago audiences,
Also New Hita
are "Irish Stew," a song of a quality which much
New WHEN WE WERE SWEETHEARTS New
belies its name, and "You Don't Know,"
New
UNDER THE OLD OAK TREE New
New
WAY DOWN SOUTH
New
New
RAG RAG RAG
New
McKINLEY MUSIC CO'S NEW HIT.
New
THAT SUBWAY RAG
New
New
FRANKIE AND JOHNNY
New
MUSIC BY HUGO_F_EL1X PLEASES.
PRAISE "COUNT OF LUXEMBOURG."
Down By The Old Midstream
IffflfflHf
OHYOUSATURDAYNIDHT!
TELL TAYLOR, MUSIC PUBLISHER
NEW YORK
CHICAGO.
BUY YOUR IVMJSIC FROM
BOSTON
Publishei
WALTER JACOBS
187 Tremont St.
BOSTON. MASS.
Publisher of
"Kus 9f Spring." "Somm Day When Drtamt Com* Trut."
And Some Others World Famous
OLIVER
DITSON
COMPANY
BOSTON
NEW YORK
Anticipate and Supply Eyery Requirement of Music Dealers
WHITE-SMITH MUSIC PUB. CU.
Published in Chicago.
PUBLISHERS. PRINTERS & ENGRAVERS OF MUSIC
Main Offices: 62-64 Stanhope St., .Boston
Branch Houses: New York and ChicaiM
"OH, OH, DELPHINE!" A REAL HIT.
Philadelphia Critics Prophesy That New Caryll
Musical Comedy Will Prove a Second "Pink
Lady"—Much Praise for the Music.
"Oh, Oh, Delphine!" the new musical comedy
direct from London, with book and lyrics by C. M.
S. McLellan and music by Ivan Caryll, and found-
ed upon the French farce, "Villa Primrose," had
k.y, American premiere at the Forrest Theater,
Philadelphia, last week, with the composer as con-
Juctor, and was received in a really enthusiastic
spirit by both the first night audience and the
critics, who freely predicted that it would prove a
worthy successor to '"The Pink Lady." The man-
ner in which Caryll's music impressed the Philadel-
phians is illustrated in the following extracts from
the reviews appearing in the daily papers:
Philadelphia Record: The audience was pleased
at times with the music and again enraptured, for
Caryll, without following too closely his style in
'The Pink Lady," has written with inspiration
melodies that will soon become extremely popular.
Philadelphia Evening Telegram: The new piece,
a successor in merit and a probable successor in
popularity to "The Pink Lady" of last season, is
constructed along the s tage of more compactness; it has less of the ex-
traneous, the "specialty" and "interpolated num-
ber." Among the delectable ditties are the saucy
and sophisticated "'Did You Ever Tell Your Hus-
band?" with its odd little twist; the rollicking
"Maxim Girl," the comic patter of '"Everything's
rt Home Except Your Wife," and the melody-
laden "Oo-La-Bimbooula," which ought to succeed
"Beautiful Lady," from "The Pink Lady," as the
favorite at the cafes.
Philadelphia North American: Mr. Caryll's
contribution ranks witli his finest accomplishments.
The score is dashing, melodic, infectious in rhythm,
blithe and airy, yet conformed continuously with
competent musicianship and good taste.
Philadelphia Evening Item: Ivan Caryll in "Oh,
Oh, Delphine!'' again demonstrates that he is a
wizrrd in the construction of enticing melody.
Critics of the other papers wrote in the same
tenor, practically without exception. Chappell &
Co. publish the music.
Sales are swelling gloriously.
Harold and Helen Ballon's
POST CARD SONGS
Have Caught the Hearts and Purses.
The ONLY novelty in printed music. Original,
catchy, complete with accompaniment and pleasing
sentiment. Samples, List and Prices at your call.
HAROLD AND HELEN BALLOU, Publishers.
Maritime Building,
Seattle, Washington.
An Unusual
Announcement
We have decided to place
ERNEST R. BALL a n d GEORGE GRAFF'S
Latest and Greatest Song Success
Till the Sands of the
Desert Grow Cold
In Our Popular Catalog
Already it is going big, but at the new
price it will become
The Greatest Ballad Hit
of the Present Time
M. WITMARK & SONS
Witmark Building, 144-146 West 37th St., New York
New York
London
Cbicage
Paris
S M Frudsco
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
"MY BEST GIRL" j>LEASES NEW YORK.
Wins Praise of Public and Press at First Per-
formance at the Park Theater Late Last
Week—A
Distinctly
American
Musical
Comedy of Real Worth.
'"My Best Girl," a clever musical comedy of dis-
tinctly American cast, with book and lyrics by
Channing Pollock and Rennold Wolf and music by
Clifton Crawford and Augustus Rarratt, made its
bow to the New York theatregoers at the Park
Theater on Thursday night of last week and re-
ceived a most cordial reception both from the pub-
lic and the press.
The piece, in which Clifton Crawford in the
stellar role won still further honors for himself
as a finished comedian, offered a number of pleas-
ant surprises. Its story was continuous enough to
hold it together, its dialogue was bright and at no
time suggestive or indelicate, it had seven or eight
songs that were capital and there was an atmos-
phere of daintiness about it that made it extremely
attractive. Not one in three musical comedies in
New York are worth showing, and this was one in
a dozen of the worthy ones.
Plot doesn't matter much in such pieces as this.
The embellishments are what count. There were
plenty of the latter in the way of songs, dances and
ensemble numbers, in which Mr. Crawford fully
asserted his right to be called a star. One "patter"
song he sung in the first act, entitled "If the Morn-
ing After Were the Night Before," is the best
lyric since George Ade wrote "The Cold Gray
Dawn." "1 Do Like Your Eyes," "Mr. Schnoodle,"
"Tactics," "The Regular Army Man," "Howdy Do"
—these are only a few of the songs which instantly
scored and were demanded over and over again.
The scenes were laid in an automobile sales-
MUSIC TRADE
room, beside old Castle William on Governor's
Island and at an inn. In the latter was introduced
a toboggan slide which proved a decided novelty.
M. Witnrark & Sons publish the music.
THE "PROTECTION" OF "PARSIFAL."
The Demand for a Special Law
Wagner Opera for Bayreuth
Much Opposition—Would Offer
portunity for Those Composers
Profit by Wagner's Originality.
51
REVIEW
Wagner no longer takes a hand in the arrange-
ments for these festivals. Siegfried Wagner alone
remains, and the time will come when he, too, will
no longer be active. When that time comes it is
quite likely that the Bayreuth performances will be
given purely on a speculative bas's. In the mean-
to Reserve
Meets With
Grand Op-
Who Would
Leoncavallo's Latest Work "Izangari" to Be
Produced in London, This Week.
Count Hulsen, manager of the Royal Opera in
Berlin, is not going to be bamboozled by the
cranks who want "Parsifal" reserved for Bayreuth
with the aid of a special law to be passed by the
Reichstag. He admits that Bayreuth offers spe-
cial advantages for the proper enjoyment of this
sublime masterwork, because those who go there
specially to hear it are in an expectant and recep-
tive mood, which helps to hypnotize them into a
condition in which everything seems good, and
critical considerations, which disturb one's enjoy-
ment elsewhere, are silenced.
Nevertheless, he continues—in a communication
on this subject to the Berlin Tageblatt—this fact
does not warrant the passing of a bill excepting
"Parsifal" from the law of copyright. Cosima
A dispatcli from London, dated September 12,
states that Leoncavallo, the composer, is here re-
hearsing the new opera "Jzangari" (The Gypsies),
which will t>e produced at the Hippodrome Sep-
tember 16. He describes it as a sister to "Pagli-
acci." Leoncavallo says he studied 500 composi-
tions of Roumanian gypsies before writing the new
opera, but did not use any of their airs. He only
embodied the airs and local peculiarities of the
gypsies' work, which include a special scale of their
own.
The opera will introduce a new instrument called
the contraviolin. Of this instrument Leoncavallo
says : "It is played by a 'cellist, and is an octave
under a violin. I had it made to give effect to the
peculiar tearing sound of Tzigane mivsic. The
effect of the instrument in harmonics is extraordi-
nary.
NEW OPERA INTRODUCED.
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