Music Trade Review

Issue: 1912 Vol. 54 N. 9

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE: MUSIC TRADE
REVIEW
TALKING MACHlNEj:HEERS LEPER.
Mr4 Eldridge R. Johnson, Wife of President
of Victor Talking Machine Co., Sends Ma-
chine and Big Supply of Records to Exiled
Chinaman in Pennsylvania—Gift Proves a
Revelation and Great Source of Pleasure.
Yee Sui, the Chinese leper, knelt in his little
shack on the pesthouse reservation one day re-
cently and poured forth to his new-found Chris-
tian God a prayer of thankfulness.
A little box rested on the bare table in the one
room in which Yee Sui eats, sleeps and—lives, if
life to him until now has been living. The little
box was a present to Yee Sui, and there is a
long story about it. As was his habit, Yee Sui
had daily watched Yee Tang trudge up the hill.
But last week a boy accompanied Yee Tang, and
the boy bore a package. Yee Tang made greet-
ings and spoke a word of comfort. Then he laid
aside the wrappings of the package.
The little box with polished sides and glistening
trimmings was revealed. Yee Sui wondered, for
Yee Tang had not spoken of that which he
brought. From a smaller package Yee Tang
drew a black disc. Anyone but Yee Sui would
have seen that it was a talking machine, but Yee Sui
knew not of such things. With increasing won-
derment he saw Yee Tang turn a handle.
The record was one made by the choir of Trin-
ity Church of New York, and the famous old
hymn was exquisitely rendered. Yee Tang said
afterward that the beauty of the hymn had seemed
to transform the bare, little room into a thing of
beauty, for both had stood as in a trance, as men
in a higher realm.
Yee Tang had the song sung again; he trans-
lated to Yee Sui, and Yee Sui chanted in his
native tongue to the accompaniment of the sing-
ers.
The next selection was one of Sousa's
marches. To Yee Sui it was a sort of shift from
the sublime, but it enraptured him. As the music
would wax softer until there was scarcely a mur-
mur, Yee Sui would look anxiously, child-like. As
it flowed swiftly into a crescendo, finally ending
in a magnificent crash, Yee Sui smiled: "It is like
a beautiful flower suddenly bursting into bloom,"
he said to Yee Tang.
Though these two pieces were a superlative de-
light, there still was a climax waiting, thanks to
Yee Tang and a new found friend of Yee Sui's.
It was Mrs. Eldridge R. Johnson of "The Chim-
neys," Merion, Pa., and wife of the president of
the Victor Talking Machine Co., who brought this
sunshine into the life of the outcast Chinaman,
says the Pittsburgh (Pa.) Gazette-Times.
Not only was there with it excellent variety of
records—hymns such as "Oh Come, All Ye Faith-
ful," "Joy to the World," "Praise Be the Father"
and "Onward Christian Soldiers," and Sousa con-
certs, comic operas, quartets, duets, solos and the
like—but there was a score of records in Chinese.
These records—though often .they are kept in
stock—were made specially for Yee Sui. They
are chants and songs with stringed accompani-
ment. They arrived at the company's store last
week and were turned over to Yee Tang.
It was one of these records that Yee Tang had
saved for the climax of his entertainment. Sud-
denly he started the machine and there rolled out
a song favorite with China's sons. Perhaps it
brought memories of more happy days, days
among loved ones in a faraway land, perhaps
many things—but the shock was almost too much
to be borne. Yee Sui cried; but Yee Tang's com-
forting finally prevailed. Yee Sui wanted it played
again, and he seemed to grow wonderfully young.
He danced about in delight as Yee Tang played
the others to him. Then Yee Tang played them
all over again. Afterward Yee Sui learned how
to adjust the machine and then he played one all
by himself.—The Talking Machine World.
GEO.
W. LYLE VISITING THE TRADE.
General Manager George W. Lyle, of the Co-
lumbia Phonograph Co., General, New York, is
making an extended trip through the South and
West.
Wanamaker's
(New
York)
Auditorium,
Showing the (Irtat
Victor-Victmh
Kxhihition.
Victor-Victrola
The one instrument toward which the
entire music world is turned today is the
Victor-Victrola.
Towering far above all other musical in-
struments, it stands as a splendid example of
what real merit can accomplish in even so short
a space of time.
The Victor-Victrola is one of the greatest
successes of modern times—a success so great
that it has wrought a wonderful change in the
talking-machine industry. A change that is
even apparent in the appearance of the talking-
machine stores.
You can remember such stores before the advent of
the Victor-Victrola; and then compare them with the
modern salesrooms of today.
What was once perhaps just an ordinary everyday
store has been transformed into a bright attractive estab-
lishment, bustling with activity and a veritable Mecca for
the music loving public.
And in elevating the talking-machine business to a
higher and more artistic plane, the Victor-Victrola has
brought to the dealers a new era of influence and pros-
perity that is constantly widening and
leading to still greater things in the
years to come.
Victor Talking Machine Co.
Camden, N. J., U. S. A.
Berliner Gramophone Co., Montreal, Canadian Distributors.
Always use Victor Records played with Victor Needles- -there is no other
way to get the unequaled Victor tone.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE:
MUSIC TRADE
REVIEW
Conducted by B. B. "Wilson
composers are equally 'in favor of this latter
scheme. The two societies would probably be run
side by side and possibly under the same manage-
ment.
ORGANIZE TO RECOVER ROYALTIES.
British Publishers, Composers and Authors
Band Together for the Purpose of Regulating
and Recovering All Royalties from Mechan-
ical Instrument Record Makers.
A very influential society is being formed among
composers, authors and music publishers of Great
Britain for the regulation and recovery of all roy-
alties henceforth to be paid by mechanical instru-
ment record makers upon musical compositions in
this country.
The publishing houses that have already become
members of the society include the following:
Novello & Co., Boosey & Co., Chappell & Co.,
Enoch & Co., Ricordi & Co., Ascherberg, Hop-
wood & Crew, Francis, Day & Hunter, Hawkes &
Son, Keith, Prowse & Co., Metzler & Co., Joseph
Williams, Reynolds & Co., Phillips & Page, Lar-
way, Hammond & Co., Feldman & Co. and Gould
& Co.
The following composers have already notified
their intention of joining the new association:
Edward German, Lionel Monckton, Ivan Caryll,
Paul Rubens, Leslie Stuart, Howard Talbot, Hugo
Felix, G. II. Clutsam, Liza Lehmann, Guy d'Har-
delot, Teresa del Riego, Dorothy Forster, Her-
mann Lohr, Montague Phillips, Coningsby Clarke,
Kennedy Russell, Bernard Rolt, Sterndale Bennett,
and Pedro de Zulueta.
Among lyric authors who have also notified their
intention of becoming members are Messrs. Adrian
Ross, Basil Hood, F. E. Weatherly, Arthur Ander-
son, Arthur Wimperis, Percy Greenbank, Edward
Teschemacher and Harold Simpson.
The intention is to run the new society upon
very similar lines to those that have proved so
successful in the exploitation of the French f 'So-
ciete des Auteurs, Compositeurs et Editeurs de
Musique" for the collection of minor performing
fees.
In all probability at an early date a society sim-
ilar to the French society will also be initiated in
this country, and to some extent affiliated with
the French society. Naturally, in this latter in-
stance special rules would be framed to meet the
particular requirements of composers' and pub-
lishers' interests in England as opposed to possible
dissimilar interests abroad. Practically all the
above mentioned music publishing houses and
THE STORY OF "MISSION BELLS."
Interesting
Letter
Regarding
Addition
Whitney-Warner Edition of Music.
to
J. H. Remick & Co. has just published a letter
received from Marie Louka, the prominent com-
poser who has joined the staff of the Whitney-
Warner Co., and forwarded to that company to-
gether with the manuscript of "Mission Bells." The
letter describes under what circumstances the num-
ber was composed, and after telling of the visit
of Miss Louka to the Pacific Coast in search of
health, describes the following experience:
"One day, while making a trip on horseback to
the foot of a range of mountains with my com-
panion and a guide, we lost our way. It was late
in the afternoon when we discovered this fact.
While pondering what to do we heard the chiming
of sweet bells—three in number, we judged from
the sound—and following this, to us most welcome
sound, we came upon an Ursuline convent, situated
in a most beautiful natural park in the foothills
of a long range of mountains. As we came up
close we could hear the soft tones of an organ and
the singing of the nuns. It was vesper time, and I
was so deeply impressed with the beautiful scene
that I forgot the predicament we were in. We
reined up our horses and stopped until the chant-
ing was over, and the whole scene made such an
impression upon me that I resolved to embody it
just as it then impressed me in a musical compo-
sition. This I have since done, and I am sub-
mitting the manuscript to you under conditions
that it be named 'Mission Bells' and that a short
description of this event in my life be inscribed
upon every copy."
The letter itself indicates that it was the work
of a clever descriptive writer and one readily im-
pressed with the beauties of nature. The music
itself is also considered a masterpiece of descrip-
tive writing.
Me to Your Arms Again," which possesses the
true Harris quality. As is usually the case with
the new Harris numbers, the first edition was
practically exhausted through advance orders be-
fore it had actually been delivered.
A CLEVER WALTZ COMPOSER.
Fedro de Zulueta's Compositions Attract Much
Attention in Great Britain and America—
Chappell & Co. Are the Publishers.
Chappell & Co., Ltd., are featuring with great
success the popular waltz compositions of Pedro de
Zulueta, who despite his
name was born and bred in
England and has achieved
all his success in that coun-
try. Mr. de Zulueta is well
known as a singer and a
composer of songs, but it
is as a popular waltz com-
poser that he has achieved
his greatest renown.
Among this composer's
best known works are to
be included his f i r s t
PEI RO DE ZULUETA.
waltz, "Amour Passager,"
his "Phryne," "Sonia," "Rendezvous," "Water
Lily" and his latest offering, "Claudine," which
promises to be his greatest success and which is
decidedly popular among dancers.
NEW GEO. EDWARDES SUCCESS.
'The Sunshine Girl" Proves Worthy Successor
to Other Edwardes Triumphs.
George Edwardes' latest production "Sunshine
Girl," was cordially received by a large and
enthusiastic audience at the Gaiety Theater,
London, last Saturday night. "The Sunshine Girl"
is possessed of one of Paul Ruben's best scores, as
well as a consistent plot and rollicking lyrics by
Cecil Raleigh and Arthur Wimperis. A capable
cast of Gaiety favorites succeeded in getting the
best effects out of the piece. Chappell & Co. pub-
lish the music.
NEW HARRIS BALLAD SUCCESS.
Charles K. VIarris has added to his list of "bal-
lads that live'' a new one under the title of "Take
STAUFFER NOWJN CONTROL.
Buys Out Interest of Ernie Erdman in Aubrey
Stauffer & Co., Chicago.
(Special to The Review.)
Chicago.-Til., Feb. 28, 1912.
Aubrey Stauffer, of the firm of Aubrey Stauffer
& Co., music publishers, in the Grand Opera House
building, has taken over the interest formerly held
Not a Hit that w i l l die but a seller that w i l l live
OUR BIG SELLERS
I WANT A GIRL
OHi
MR. DREAM MAN
KNOCK WOOD
T H E COUNTRY
I WILL LOVE YOU WHEN
THE SILVER THREADS ARE
SHINING AMONG THE GOLD
SOME
THEY ALWAYS PICK OM ME
All
MLL
AIONC
MI.VSHHL
VOU'RE ACQUAINTED
WITH THIS O1SI&
ALL ABOARD FOR BLANKET BAY ,VnV
THE RAGTIMEJGOBLIN MAN
ROGER LEWIS
F. HENRI KLICKMAN
Frank K.Root 8 Co.
CHICAGO
MIWYORK
Publishes by McXlnley Music Co.,

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