Music Trade Review

Issue: 1912 Vol. 54 N. 7

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
The World Renowned
SOHMER
MUSIC
TRADE! REIVIEIW
7THE QUALITIES of leadership
W were never better emphasized
than in the SOHMER PIANO of
to-day.
VOSE PIANOS
BOSTON.
They have a reputation of over
It is built to satisfy the most
cultivated tastes.
The advantage of such a piano
appeals at once to the discriminat-
ing intelligence of leading dealers.
Sobmer & Co.
WAREROOM8
Corner Flftfc Avenue and 33d Street, New York
FIFTY YEARS
for superiority In those qualities which
are most essential In a First-class Piano.
VOSE & SONS PIANO CO.
BOSTON, MASS.
BALER
PIANOS
MAN UFACTU EBBS' HBADQUA«TB«S
3OS SOUTH
WABASH
AVBNUB
CHICAGO,
KI1VIBALI
JANSSEN PIANOS
The most talked about piano in the trade
Any other piano just as eood costs more.
In a class bv itself for quality and price.
The piano that pays dividends all the time.
BEN H. JANSSEN
East 132nd St.
LARGEST OUTPUT IN
THE WORLD
NEW YORK
CABLE & SONS
Pianos and Player* Pianos
SUPERIOR IN EVERY WAY
Old Established H O U M . Production LlmlUd t *
Quality. Our Players Are Perfected te
the Limit of Invention.
We We KIMBALL CO
CHICAGO, ILL.
CABLE A SONS, 550 West 38th St., N.Y.I
PIANOS AND ORGANS
ORIGINALITY
is the key-note of the
Bush & Lane propo-
sition. A tone beyond
comparison. A case
design in advance of
all. We stop at nothing
to produce the best.
BUSH & LANE PIANO CO.
Thi qulfty goes IN Mora tho lino goes ON
HOLLAND, MICH.
Tin right prloas to th» right dtalsrs In th« right territory. Desorlpttva oataloguM up«n rvquMt.
CEO. P. BENT
One of the three
GREAT
PIAN0S
of the World
riAjygs ARE
HIGHEST IH QUALITY
MADE IN CHICACO
The John Church Company
HADDORFF
CLARENDON PIANOS
Nvvel and artistic east
designs.
Spitndld tonal qiMMflas.
PtttMS surprising valit
apparent tt aft
Straubc Pianos
SING THEIR OWI PRAISE
STRAUBE PIANO CO.
5 9 East Adams Street
CHICACO
:
ILLINOIS
Mamittoturwl by H M
HADOORFF PMNO CO.,
tafcfcrf, . . U U M I ,
M. P . MOLLER., n«mtr*CTu»tw or
CI
&n£rr d P I P E ORGANS
UAGERSTOWN, M D*
!'V YORK -- digitized with support from namm.org
Music Trade Review -- © mbsi.org, arcade-museum.com
PUBI,
V O L . LIV. N o . 7
Published Every Saturday by Edward Lyman BUI at 1 Madison Ave., New York, Feb. 17,1912
SINGLE COPIES. 10 CENTS.
$2.00 PER VEAR.
The Taint of an Industry.
iiuiu 1 —
M
ANUFACTURERS in every industry are interested in maintaining trade papers of standing and
character, for it is conceded by all intelligent men that the work of the legitimate trade press is
constructive. They record man's intellectual and scientific development.
Trade papers of influence and circulation wield a tremendous force in any industry.
They are looked upon as business builders; and, too, the progressive trade journals are created at
enormous expense. A competent staff of experts is maintained, whose duty it is to faithfully chronicle
not merely news happenings, but the improvements which are made in the technical world as well. Every
department of trade life is carefully covered, and each issue of the up-to-date trade journal conveys to its
readers a vast fund of information gathered from every department of trade life.
Branch offices and correspondents cover the entire country, so that far-away happenings are regu-
larly recorded in the papers, which make their appearance with regularity and precision.
In fact, progressive trade journalism has advanced tremendously during the past decade; but in the
piano industry it has never reached the position which it should have occupied on account of the malign
influences of men whose efforts have not been to build representative trade papers, but rather pieces of per-
sonal machinery, which could be used at the will of the conductors to extort unwilling money from the
pockets of men who have been compelled to pay the price demanded.
.
Such work should not be confounded with journalistic enterprises; but it has been so associated in
the minds of many and because hold-up methods have been rampant in this industry they have held
back the legitimate trade press from coming into its own.
So open, so continuous, so brazen have been the attacks that men have patronized papers, not on ac-
count of the values they have offered—they have never even stopped.to weigh the difference in trade news-
papers—but they have simply paid for something which has never been delivered to them.
They have paid money in order that attacks might be withheld upon their products.
• The value of the papers have never entered into consideration, but the attitude of* the conductors of
hold-up journalism has caused trade papers as a class to be looked upon with suspicion.
Years ago it was a common occurrence to hear the trade press denounced in the most violent terms
whenever piano men gathered in association councils.
.
.
They did not come squarely out and name the offending papers, but they roundly denounced the
entire press.
In other words, the papers which were conducted on the basis of progressive newspaper work were
tarred with the same stick as the disreputable journals, which simply fattened on the weaknesses and fear
of men.
The papers which were honest received a meagre patronage because the men of the industry did not
fear attacks from such sources; but the hold-up men were paid liberally—hence honest trade journalism
has suffered not only in. pocket but in reputation by reason of that form of journalism which has tainted
this industry for three decades.

.
At various intervals the attacks have become so severe that men have been forced to resort to the
courts of law to protect themselves and their interests, and it is well to record the fact that there is noth-
ing on record to show that whenever the legitimate interests have come into legal encounters with hold-up
journalism that the victory has been won by the journalistic misfits.
On the contrary, they have always evaded.a definite legal encounter. . ' ..
- . . . . - •
Their practice is to bluster—to threaten, believing that these.methods will prevent a legal attack;

- . • .


(Continued
on page ?•)

- •
• •
" "*

Download Page 2: PDF File | Image

Download Page 3 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.