Music Trade Review

Issue: 1912 Vol. 54 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
MUSIC TRADE
Conducted by B. B. Wilson
these numbers will be chosen very carefully from
the large number of songs, instrumental and
J. H. Remick & Co. Explain W h y They Dis-
operatic publications we issue every month we
continued Their Club Plan—Desire to Aid
know that leaders throughout the country will
the Dealers.
appreciate our new plan.
The dealers are advised to take advantage of
J. H. Remick & Co., who recently discontinued
their orchestra club despite the fact that it had the advance offers, by Remick & Co., as they
in the neighborhood of 30,000 members and was are advertised in the various musical papers of
said to have been a financial success, have sent the country.
out a letter of explanation to the trade in which
OLCOTT SCORES WITH "MACUSHLA,"
they say, in part:
Believing that we did not serve the best inter-
His New Irish Play with Music Given for First
ests of our many friends among the professional
Time in New York City.,
musicians and especially up to date first class
leaders, by the orchestra club which we had or-
Chauncey Olcott scored an old-time success in
ganized, we abandoned the plan. The principal
"Macushla," which opened at the Grand Opera
reason for this change is due to the fact that so House last Monday night to an immense audi-
many other orchestral clubs followed, and lead- ence. The story of the play, which met with
ers were flooded with all sorts of arrangements such favor on the road, has been told in The
and numbers, each one under the much used word
Review many times.
HIT, that our own really well arranged and
"The Girl I Call My Sweetheart Must Look
worthy works were neglected and not given a
Like You," sung by Mr. Olcott during the first
chance until the actual demand for them came.
act, was the "hit" last Monday evening. "Good-by,
For the future our intentions are to publish
My Emerald Land," of course brought the
only the best and most popular of our publica-
lump to the throat with most listeners; "I Love
tions in the orchestral form arranged in J.
the Name of Mary" was encored again and again,
Bodewalt Lampe's inimitable manner, and since
while "With the Twinkle in Her Eye," particu-
larly bright and catchy, made a lasting impression.
Not a Hit that w i l l die but a seller that w i l l live.
The lyrics to the musical numbers were written
by Chauncey Olcott and Louis Weslyn, and the
music by Dan J. Sullivan. Frederick Knight Lo-
gan and Ernest R. Ball.
"Macushla" will hold down the stage at the
Grand Opera House for three weeks, an unusual
event for one attraction at that house. The pro-
duction was made by Augustus Pitou. All the
music of "Macushla," including a selection, is
published by M. Witmark & Sons.
ANENT THE ORCHESTRA CLUB.
I WILL LOVE YOU WHEN
THE SILVER THREADS ARE
SHINING AMONG THE GOLD
ROGER LEWIS
F. HENRI KLICKMAN
Frank K.Root 8 Co.
CHICAGO
NEW YORK
Published by McKinley Music Co., Chicago.
THE
EUROPEAN
MOONLIGHT
CLAIRDELM
DANCE
k HERMAN FINCK
quarters at Fourteenth and U streets, has re-
cently been incorporated under the laws of Dela-
ware, with capital stock of $250,000. The officers
of the company are: H. Kirkus Dugdale, presi-
dent ; M. D. Dugdale, vice-president and M. E.
DeVoll, secretary and treasurer.
WHY SOME COMPOSERS ARE NOT RICH
Sir Edward Elgar, in a Recent Interview,
Throws Some Light Upon the Subject of
Composers' Incomes from Production Rights.
Sir Edward Elgar has been pointing out to an
interviewer the enormous misunderstanding that
prevails as to the amount of money to be made
by the individual composer out of his own music.
He estimates that there are not many more than
one hundred first-rate symphony orchestras ex-
isting that have their own important musical li-
brary. If each of these purchase the full score
arid parts of a new symphony it will be, roughly,
the maximum; on the other hand, if a novelist
sells 2,000 copies of a book it is put down as a
failure. Did ever a modern musician, he asked,
sell 2,000 full scores? To emphasize his point that
it is only from pianoforte or violin music that the
composer can make a living—ballad-makers were
not taken into consideration—Elgar cited exam-
ples from his own experience. When he visited
Turin in November to conduct a concert he found
a superb orchestra of 125, which for years had
had his "Enigma" Variations in its repertory and
had played the work on tour under Toscanini as a
show piece.
Now, said Sir Edward, in not one year since the
variations came into being (1899) have his fees
from their performance amounted to a sum suf-
ficient to pay the cost of the manuscript paper
on which they were originally written. Yet the
variations are played hundreds of times each year
"STARS OF THE DESERT"
in Europe and America. Out of the multitude
Is the Title of a New Song Cycle by Mrs. Amy
of the performances last year Elgar gathered $3.50
Woodforde-Finden.
into his own exchequer. The case of "Gerontius"
is almost worse, for the composer's average yearly
"Stars of the Desert," is the title of Mrs. Amy
income from its performance is about, and not
Woodforde-Finden's latest song cycle which has
more
than $125. This is not the fault of the pub-
been issued by Boosey & Co., of New York and
lishers, but of the public and the musical societies,
London. This work is a companion volume to
the "Four Indian Love Lyrics," by the same com- who will play any music that is "free." Amateur
actors in the country will readily pay $5 for the
poser and one of the most widely known album
right to play some farce, but not one penny piece
of songs in this country. It is most effectively
can be extracted for the musical composer, whose
scored with that melodic color and charm which
distinguishes all of Mrs. Finden's works. It has work is rejected if his performing right is in-
sisted on—if, indeed, it exists.
been produced in England with the most conspicu-
ous success, artists of the highest standing dis-
"THE COMPASS" A UNIQUE GROUP.
playing their appreciation of the merits of those
very beautiful songs. The titles of the songs with
"The Compass," a group of four songs, is
words by Laurence Hope are, "Stars of the
among the recent publications of the house of M.
Desert," '"You are All That is Lovely," "The Rice
Witmark & Sons. The idea is decidedly unique,
Was Under Water" and "Faith." The produc-
as are the respective titles, as follows: "North"
tion of the volume is admirable and up to the (Deep in everlasting snow you lie), "South"
well known Boosey standpoint.
(Your breath is laden sweet with jessamine),
'"East" (All pink and white with cherry blooms),
MUSIC PUBLISHERS INCORPORATE.
"West" (Sun blest are you O Golden Land). The
poems are the work of Lillian B. Rice, and al-
The H. Kirkus Dugdale Co., which for the past
though but one short stanza is devoted to each
four years have been engaged in publishing and
subject, these are remarkable for their great
promoting music in Washington, D. C, with head-
The "M o s t Popular
Songs for the Guitar"
contains about 125 of the
old familiar songs—Plan-
tation, Patriotic, Senti-
mental, Humorous, and
Sacred—songs that every-
body knows and every-
body loves. They are
arranged with an easy
guitar accompaniment that
even the mediocre players
can carry. Price. 75 cents.
Another After The Ball Hit.
"That Swaying Harmony"
By CHAS. K. HARRIS
You can order it from your nearest
jobber or direct from the Publisher.
Played by Leading Orchestras Everywhere.
CHAPPELL & CO., Ltd.
41 East 34th St., New York.
CHAS. K. HARRIS
Broadway and 47th St., New York
MEYER COHEN, Mgr.
HINDS, NOBLE 6 ELDREDGE,
31-S5 West 15th Street. New Y«rk
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
beauty of expression. The music is by Joseph
Melville, who deserves a great deal of credit for
his melodic conception and masterly treatment of
these little gems.
believed by the publishers that the number will
measure up to the standard set by "Honey Man"
if present prospects are to be depended upon.
VON TILZEB, SONGS IN BURLESQUE.
THE REVIEW AEARS
This week could almost be called "Harry Von
Tilzer week," at the Columbia Theater, for by
far the greater number of the feature numbers
were by that popular composer and publications
of the Harry Von Tilzer Music Publishing Co.
Among the songs that attracted the most atten-
tion were "That Kazatsky Dance," "Oh! Mr.
Dream Man" and "The Ragtime Goblin Man."
Although the songs mentioned were only intro-
duced a short time ago they are already in a
fair way to be classed among the season's hits.
49
"The Carnival King," have seemingly lost none
of their popularity while Paull marches that have
been on the market for years retain a youthful
vigor that is most satisfying and which is attested
to by the order book. A new Paull will, as usual,
make its appearance in the Spring.
SIC 'EM,_PRINCE!
THAT the increase in the number of cafes and
restaurants giving entertainments or "cabaret"
performances has opened an excellent field for
the exploitation of popular music.
THAT the latest ballads and rags seem to offer
the most desirable accompaniment to anything
from bird and a bottle to a small beer.
THAT Harry Von Tilzer is generally to be seen
in the front row on Monday nights. Where?
Ask him.
THAT the new Feist number, "If Every Star
was a Little Pickaninny and There was a Little
BY THE WRITERS OF "HONEY MAN."
Chicken in the Moon," is a song worth watching.
Perry and White, who are appearing at the THAT the Courtney Sisters had to give six en-
Greenpoint Theater this week have introduced
cores with it at Hammerstein's on Monday, de-
with great success a new song by the writers spite the fact that they went on after eleven
of the Feist hit, "Honey Man" and entitled "Who's o'clock.
Going to do Your Living When I'm Gone?" The
THAT it possesses a virtue to be appreciated,
new song seems to possess the qualities that please that of originality.
the audiences for it has secured a number of
THAT the new quarters of the Head Music
encores for the team at every performance. It is Publishing Co., are proving none too large to
handle the growing business of the company.
THAT Johann Schmid is one of the busiest bees
in the Remick hive these days looking after the
Wh:.tney-Warner Co. proposition.
THAT one publisher lays the blame for a certain
part of the dullness in the field of sheet music
selling during the holidays to the campaign for
early Christmas buying.
THAT there is at least food for thought in the
theory.

THAT Ted S. Barron, general manager of the
Dealers are satisfied with Cen-
Jerome & Schwartz Publishing Co., will return to
tury Edition Ten Cent Sheet
his desk within a week or so.
THAT his extended trip to date has been most
Music, because the sales tell the
successful.
Another Slap at Popular Music—And It Comes
from Terre Haute.
"So called 'popular music' and compositions
with sentimental titles are the two classes of
music to be rigidly prohibited from the home,"
said Ludolph Arens, director of the Conservatory
of Music of Terre Haute, Ind., in a paper be-
fore the Musical Art Society in that city recently.
Continuing, Mr. Arens said:
"The 'popular music' is what the dime novel
is to literature. Look at its gaudy, indecent title
page. That betrays it. The other kind, such as
'The Last Sigh,' 'The Last Consolation of the Last
Prayer,' 'The Sleeping Princess,' 'The Dying
Poet,' and 'The Weeping' Orphan,' is sickening.
Everything that sleeps or dies or dreams is in-
cluded."
Who wrote the '"Raindrop" prelude, with its pro-
cession of dead monks, or "The Erl-King," with
the story of the child killed by his touch? Who
wrote those cheerful little things? We inquire to
know.
SUPREME
IN
ITS FIELD ! ! !
story of the high esteem in which
it is held by those who buy it.
The Best—Because It I s !
Cintury Music Pub. Co., ' !7 N 8 6 wTork w
CENTURY EDITION
RAGTIME ON^HURCH ORGAN.
Dr. Peters's Congregation Tells Soloist to "Go
Ahead."
The large pipe organ in the Pilgrim Church,
One Hundred and Twenty-first street and Madison
avenue, played to ragtime Monday night at the
first weekly free public concert. It caused not a
little discussion among the members of the con-
gregation, some maintaining that a church was
a place of worship only and should not be used
for amusement purposes.
When Amelia Somerville said she did not think
she ought to sing the "Ragtime Violin," the audi-
ence showed their appreciation of Dr. Madison
C. Peter's efforts by telling her to "Go ahead."
PAULL MARCHES IN DEMAND.
Mission Bells
The Latest Instrumental
Novelty
BY
MARIE LOUKA
A Descriptive Tone Poem for Piano
A New Favorite with Teacher and Pupil
Whitney Warner Co.
131 West 41st Street
NEW YORK
E. T. Paull, the "New March King," who de-
votes himself exclusively to the "publishing of
marches and who has built up a demand for such
works that keeps up in season and out and year
in and year out, states that there has been very
little let-up in business during the Winter with
the exception of the usual lull around holiday
times and that his latest march "The Dashing
Cavaliers," issued last Fall and its predecessor,
|
HIT after HIT
§
55
S
£5
O u r J a n u a r y new issues are up to the Jerome & ™
Schwartz standard. W e can promise you a sensa- • •
tion in
••
E
"I Love to Hear an Irish Band" =
=
(Play on St. Patrick's Day)
5
2
=
By Jerome & Schwartz.
You'll hear it on ST. PATRICK'S DAY, too.
2
5
S
"Fingers and Thumbs"
5
5
By Jerome & Schwartz.
55
S
Featured by Miss Bessie Wynn.
55
55
All L i v e D e a l e r s W i l l W r i t e a t Once f o r Our 55
55 " N e w Departure" P r o p o s i t i o n , w h i c h m e a n s 55
=
A S E A L S Q U A B S DEAIi
55
=
JEROME & SCHWARTZ PUB. CO.
=
S
1445 B r o a d w a y , H e w T o r k .
55
55 Ted S. B a r r o n , Gen'l Mgr., B ' w a y T h e a t r e B l d g . 55
niiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiuiiiiiiiiiiifis
Here' s what they say about
"THAT DRAMATIC RAG"
BERT FITZGIBBONS, "The
Daffydil of Vaudeville,"
says: "The greatest song I
ever sang. n
McKAY and CANTRELL, say".
"The song has proven a wonder-
ful success."
KRANTZ and WHITE, say:
"It's the best laugh getter
we ever put on."
THE WINDSOR TRIO, say:
"It's a riot. "
MAUDE RAYMOND says: "I
stop the performance every
time I render the song."
WILLIE WESTON says:
"It's the best song in my
act. "
We could down the length
of the page naming acts who
"rave" about that really
clever song,
"THAT DRAMATIC RAG"
L E O .
F E I S T - - N E W
Y O R K
A. H. GOETTING
MUSIC
JOBBING SERVICE
Why don't you, Mr. Dealer, buy ALL YOUR
MUSIC FROM ONE SOURCE?
No matter what music is wanted or how many
copies, simply send ONE ORDER to us. and the
music will be shipped to you on the day your order
is received.
Our prices are guaranteed to be the LOWEST,
as we won't be undersold by anyone. Send for
our Monthly Bargain List (free) and join th«
circle of money-making music dealers.
A.
H.
GOETTING
Sprlnglleld, Mass.
A. H. Goetting. 86IS60 Wabash A v c , Chicago.
Naw York Music Supply Co., 1868 Broadway, N. Y.
Bstarprise Music Supply Co., 149 W. 80th S t . N. Y.
Coupon Music Co., 611 Washington St., Boston.
A. H. Goettiag. 148 Yonge S t . Toronto, Can.

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