Music Trade Review

Issue: 1912 Vol. 54 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPILLANE, Managing Editor
Executive and Reportoiial Stall:
GLAD. HBNDKXSON, EUGENE C. MAYU, H. E. JAMASOK B. BRITTAIN WILSON. W. H. DYKES,
A. J. NICKXIK,
AUGUST J. TIMPB,
W K . B. WHITE,
L. E. BOWERS.
BOSTON OFFICE:
CHICAGO OFFICE:
E. P. VAN HARLINGEN, 37 South Wabash Ave.
Telephone, Central 414.
Room 806.
MINNEAPOLIS and ST. PAUL:
ST. LOUIS:
JOHN H. WILSON, 824 Washington St.
Telephone, Main 6950.
PHILADELPHIA:
R. W. KAUFFMAN.
ADOLF EDSTEN.
CLYDE JENNINGS
SAN FRANCISCO: S. H. GRAY, 88 First Street.
CINCINNATI. O.: JACOB W. WALTERS.
BALTIMORE, MD.t A. ROBERT FRENCH.
LONDON, ENGLAND: 1 Gresham Buildings, Basinghall St., E. C.
Published Every Saturday at 1 Madison Avenue* New York
REVIEW
T
HE sales of talking machines by some of the large houses
handling pianos in this country have reached a sum that may
be termed remarkable. It goes without saying that those who
have won the largest measure of success have given the talking
machine adjunct of their business the attention which it deserves.
The departments are in charge of experienced men who believe
in getting results by means of advertising, by special display rooms,
recitals and other forms of artistic exploitation, realizing that the
talking machine is in the truest sense a musical entertainer and edu-
cator, and that when it is handled properly it forms a most valuable
asset for the music trade merchant.
There is a lesson to be drawn from the advertising policy of
the large manufacturers of talking machines.
Despite the talk about hard times and contracted trade, and
many other topics which arc brought to the front by pessimists
when trade conditions are discussed, the conductors of these enter-
prises brush them aside and proceed to spend even more money in
dull times than when business is active.
As a result, during the past year the manufacturing end of
the talking machine business showed an increase of more than
thirty per cent., thus emphasizing the fact that it is the persistent
advertiser that succeeds.
Enteted at the New York Post Office as Second Class Matter.
T
HERE are some in the music trade industry who have not
studied the philosophy of advertising.
They make a liberal appropriation for publicity one year, the
next they economize, and so it goes on. This is a mistaken policy.
Departments conducted by an expert wherein all ques-
A certain percentage of the earnings of every business should
Player-Piano and
tions of a technical nature relating to the tuning, reg-
ulating and repairing of pianos and player-pianos are
be
devoted
to advertising, and this should be expended judiciously
Technical Departments. dealt with, will be found in another section of this
and
continuously.
paper. We also publish a number of reliable technical works, information concerning
which will be cheerfully given upon request.
Sporadic advertising on the part of any manufacturer or dealer
is a mistake.
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900 Silver Medal.. .Charleston Exposition, 1902
Just keep an eye on the persistent advertiser in the piano trade,
Diploma.... Pan-American Exposition, 1001
Gold Medal
St. Louis Exposition, 1904
Gold Medal Lewis-Clark Exposition, 1905
or any other business, and you will see a winner—provided, of
LONG DISTANCE TELEPHONES NUMBERS 4677 and 4678 GRAMERCY
course, that the advertising is properly conceived, wins the con-
Connecting a l l Departments.
sideration of the reading public, and, most important of all, treats
Cable address •• "QbllL N e w York."
of a product of merit.
NEW YORK, FEBRUARY 3 , 1912.
It matters little whether it is a piano or a talking machine, if
it is without merit, all the advertising in the world will not enable
it to win out, for people in time will ascertain its true worth, and
instead of advertising being helpful in such an instance it is abso-
EDITORIAL
lutely detrimental.
An article that possesses merit, that is, sold at a price which is
reasonable
for the values incorporated therein, and that which is
URING the past year a great many piano merchants have
brought
to
the attention of the public in an interesting way, will
taken on talking machines, and, fully realizing the im-
surely
win
success for the advertiser. The occasional splurge in
portance of giving this branch of their business the closest attention
the
publicity
field is only "a flash in the pan." It is the steady
in the matter of management and advertising, have realized a hand-
advertising
that
pays, and the advertisers who keep everlastingly
some profit.
at
it
in
the
trade
papers, and the newspapers in and out of season,
With some merchants the talking machine sales for the year
are
invariably
in
the
lead.
made up the deficit in the piano department. The increased sales
of talking machines is due, in a large measure, to the production
HERE are only two ways you can increase your business—you
of hornless talking machines priced as low as $15. While the out-
must either get new customers or get more business from
put of these instruments has been enormous, the higher-priced
old customers. There are only two ways to get new customers—
styles were also in great demand, so much so that the manufac-
either sell them what you already have to sell or provide something
turers have a vast number of unfilled orders on their books at the else for them to buy. There are only two ways of getting more
present time.
business from old customers—sell them more of what you are now
The sales for these machines have resulted in an increased call
selling them or sell them something you are not now selling them.
for records, and to-day the leading record manufacturers are work-
In this connection Batten's Wedge says: Advertising brings new-
ing to their utmost to catch up with the demand, which is simply
customers for what you already have to sell. It often causes you
overwhelming.
to improve your product or the varieties of vour goods, and so ex-
The success of the talking machine business is an illustration
tends your business. It causes old customers to buy again, to speak
of the advantages of fixed prices. Indeed, the conditions which
of your wares to others, and to buy other things from you. It
exist are a credit to the men who control the destinies of this new
forces you to consider how your proposition compares with that of
and important branch of the music trade industry.
your competitors, and so lets in new ideas and policies, all making
From the very first they realized the importance of educating
for a larger and more successful business. It makes you build up
the public. They conducted a campaign of publicity that has
the efficiency of your selling force to take care of the new business
amazed many, but which has demonstrated that advertising is a and in turn helps to develop the old business. At every point,
profitable investment. In this way they have created a home de- then, advertising helps business. It seldom gets credit for all the
mand for their product which has accrued to the dealers' interests.
influence it has in a business, but it is the real cause of a great deal
They have educated the dealers handling their goods in the of fundamental improvement in all parts of a business.
matter of window display, of salesmanship, and other essentials
ANY writers of advertisements try to say too much. They
toward an intelligent comprehension of the requirements of the
business. As a result of this progressive policy the talking ma-
should learn that "half is better than the whole"—that an
chine industry has grown to such a degree that few, unless posted
ad. should express the quintessence of thought and not be given in
on the internal conditions, have any idea of its extent.
a crude state.
SUBSCRIPTION, (including postage), United States and Mexico, $2.00 per year; Can
•da, $8.50; all other countries, $4.00.
ADVERTISEMENTS, $2.50 per inch, single column, per insertion. On quarterly or
yearly contracts a special discount is allowed. Advertising Pages, $75.00.
ltEMITTANCES. in other than currency forms, should be made payable to Edward
Lyman BUI.
D
T
M
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
The Grinding of the Mills £>
E
VERY . industry is vitally interested in its journalistic ex-
ponents, and it is admitted by all fair-minded men that con-
structive trade journalism has aided in the development of indus-
trial enterprises. In the music trade, however, there has existed
for several decades a kind of journalism which has a most per-
nicious influence upon the entire industry, for no matter how much
we may wish to avoid the subject we cannot deny the fact that
hold-up journalism has thrived to a greater or lesser degree in this
industry for a long period of years.
We say a long period of years—yes, for it was more than three
decades ago when one of the most respected piano manufacturers
first paid a sum of money to a man to discontinue attacks upon the
character of his products. It would seem that this hush money or
blood money had an immediate effect upon the future acts of the
cur who received it, because his career immediately became domi-
nantly identified with that kind of work, and at irregular intervals
from that time on we have seen manufacturers maligned and abused
—until thoroughly disgusted with the conditions and fearing the
result upon their enterprises they finally succumbed—walked up
to the captain's office and paid the price.
The hold-up methods became so general that trade journalism
was tainted by this influence—tainted in such a way that it became
thwarted in its growth and has never reached the proud position
which it should have acquired in the piano industry.
The acts of the exponents of hold-up journalism have polluted
the entire profession, for while men may respect an individual jour-
nalist and his paper, yet it must be frankly admitted that as a pro-
fession music trade journalism has been looked upon with grave
suspicion.
It is not pleasing for a trade newspaper to utter such senti-
ments, but nevertheless they are true and there is no use of denying
the facts as they exist.
We have seen some of the most respected and honorable men
of the industry forced into a position of paying tribute to a venal
press, and we have become to a certain extent so hardened—so
accustomed to this plan—that men shrug their shoulders and say
at some fresh attacks: "Well, I wonder what he will pay?" or
"How long will it be before a settlement is reached?" Is it not
amazing that respectable business men should have submitted to
such dishonest and unholy tactics?
Is it not a reflection upon the industry itself, as well as upon
the journalistic profession?
How is it that men can go on and pay tribute to men who have
plied the bludgeon and wielded the knife under the mask of trade
journalism?
We have earned the undying enmity of the kind of vermin
who hold up piano manufacturers because we have done what we
could to thwart and check their influence as far as possible, and
they resent interference—they do not wish their game stopped.
But it is only up to a certain point that a paper can go. Beyond
that action must be taken by the men who make the existence of
such a piece of demoralizing machinery possible.
So long as men continue to pay tribute to abusive journalism
just so long will it exist unless crushed out through legal
process.
Withdraw that patronage and down it goes, and its poisonous
life will become extinct.
It seems incredible that such an influence could have existed
all these years in the piano industry and that men have been forced
to resort to the courts of law to protect themselves from assault
from journalistic thugs. But there must be an end to such condi-
tions, and it would seem that the end is drawing near, for the mills
are grinding—they are grinding with unerring force, and without
doubt ere long illicit journalism will become but a blackening
memory in this trade.
Every man who believes in trade decency should stand with the
men who to-day are doing their utmost to defend the right—not
merely extending sympathy, but a support best emphasized by with-
drawing patronage from abusive journalism.
How can an advertisement be of value to anyone in a paper
which damns or praises according to the money paid?
Every intelligent reader in this trade knows that some men are
to-day still paying blood money, and how long will they do it?
How long will they sit indifferently by and see their fellow
workers in the trade call to their aid the legal machinery of the
State and the Government to crush out the influence which has
been such an ulcer spot on the industry?
An advertisement in a characterless sheet can be of no aid to
a legitimate enterprise, and no business support should be given any
publication which has villainously abused a reputable business man.
If the violators of journalistic decency are caught in the toils
of the law they are entitled to no sympathy from their fellowmen,
and if they spend a few years peering through grated bars they
will perhaps for the first time in their lives know what dishonor
means.
Men who work under the dictation of a dishonest chief are just
as base and just as low as the man whose dictates they obey, be-
cause if they were not in sympathy with such work they would re-
fuse to perform it.
They are not entitled either to the sympathy of their fellow-
men ; nor should such lepers be received in the offices where only
the presence of gentlemen should be tolerated.
Let the mills grind, and let them grind so fine that there will
be a complete annihilation of all of the influences which have so
long tainted the music trade and degraded the journalistic pro-
fession.

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