[THE NEW YORK
Music Trade Review -- © mbsi.org, arcade-museum.com
-- digitized with support from namm.org
PUBLIC LIBRARY
THE
VOL. LIV. N o . 5
REMFW
Published Every Saturday by Edward Lyman Bill at 1 Madison Ave., New York, Feb. 3, 1912
S1NGL
£.O C O°PER S VE O AJL ENTS -
That is a term which applies with singular force to the Gerhard piano. Why
invincible ? Because it has merits which are unapproachable — Because it possesses
qualities which give it an impregnable place in the piano world—Because the dealer who
has it in his warerooms possesses an advantage over competing forces—Because it is an
up-to-date instrument in every particular. Look at the illustration depicted on this page.
It is a faithful reproduction of the Gerhard Style 55. Study the lines, the dignity, the
massiveness; do you not think a piano so stately and impressive, a piano so suggestive of
stability will prove a good seller ? While this illustration can convey but an imperfect
idea of its b e a u t i e s
we may say that it is
encased in the choicest
selected veneers and it is
throughout constructed as
solidly and impressively
as appears in this repro-
duction. To enter into
detail regarding its special
features of construction is
unnecessary, but every
dealer who desires to
maintain a p o s i t i o n of
"piano i n v i n c i b i l i t y "
should lose no time in in-
vestigating this splendid
product. This is only one
of many Gerhard styles
made in mahogany, oak
or walnut.
The Gerhard pianos
have proven not merely
sellers in the broader sense,
but the agency has been
demonstrated a valuable
asset for any dealer. An
entirely new line of styles,
M A N U F A C T U R E D
A
T
T H
embracing various case
H. P. NELSON COMPANY, FACTORIES
designs, haS been recently
North Kedzie, North Sawyer, West Chicago Avenues and C. M. & St. P. R. R.
completed.
A
A
CHICAGO, U. S. A.
A
A
E