Music Trade Review

Issue: 1912 Vol. 54 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE: MUSIC TRADE
T
HE progress in popularity of the player-piano has brought
about many striking phenomena in the way of trade develop-
ment. One of the most interesting of these has been the accept-
ance by one section of the theory that a pneumatic action is best
made by specialists who design a standard type and provide with
it all who wish to use it, while the other holds that the house which
makes a fine piano and desires for its player product the same repu-
tation that the original instrument had should produce, no matter
at what cost in time, labor and expense, a mechanism entirely indi-
vidual in itself.
It is not our place to compare the relative excellence of the two
schools, but rather to mention their existence as a fitting prelude
to some comments on one of the most remarkable of the individual
pneumatic developments, the Artistano, of the A. B. Chase Co.,
Norwalk, O.
It was the recent privilege of the Technical Editor of this
newspaper to inspect the plant of the A. B. Chase Co., at Nor-
walk, O., and there to see something at first hand of the actual
making of a mechanism for piano playing which had long been
familiar from its musical side and as a complete structure, but
which was now to be inspected, for the first time, in process of
building.
The Artistano player mechanism has always had a fascination
for the technical observer, if only because of its utterly individual
and unique character. It is not at all like any other mechanism.
It stands quite by itself in all the essentials of construction and
design. There is nothing just like it elsewhere.
These considerations alone would mark as exceedingly inter-
esting any mechanism built in accordance with them. And when
we add that the musical results therefrom proceeding are also in
certain ways almost unique, we have said enough to prepare the
reader for something more than ordinary.
Leaving aside further consideration of the Artistano itself,
however, for the moment, it is proper to remark that the plant of
the A. B. Chase Co. is in most respects quite a model. He who is
accustomed only to the cramped quarters and poor light of factory
buildings in crowded sections of great cities is at once struck with
the abundance of space, the excellent light and the remarkable
cleanliness that one perceives throughout the whole plant. Not
only is this so, but it is safe to say that at least one-half as many
men again could be provided with bench room without crowding
the plant beyond the limits generally assigned.
This is, of course, a very great advantage, since it renders
possible the turning out of delicate work in the most advantageous
conditions. The men, too, appreciate the abundance of light and
room which in itself is an exceedingly important thing. In fact,
the A. B. Chase Co. is noted for the high class of mechanics
attracted to its works and for the loyalty and contentment of these
men, who not only take a genuine pride in what they are doing,
but almost invariably settle down to become permanent citizens of
the town.
A further important and noteworthy feature of the factory is
seen in the very excellent arrangement of departments, whereby
one principle of scientific management—economy in the procession
of work—is strikingly emphasized. From the moment that the
lumber takes its place in the mill room the work makes a steady
progress from floor to floor, from department to department, grow-
ing in complexity at each step, but never being turned back, and
never doubling on its tracks.* It might be added that a spur of
the Lake Shore Railway comes up to the doors of the plant, so that
no transshipment of boxed pianos or supplies is necessary, every-
thing being unloaded from the freight cars right on to the factory
floors.
One is likewise struck with the general appearance of order
and cleanliness. The floors are always clean; so are the workmen
themselves. Such details as the aggregation of women workers in
REVIEW
the player department within a separate room, the provision of
excellent factory arrangements, and the general breadth and sweep
everywhere apparent, are further admirable features. A visit to
the A. B. Chase plant is an eye-opener in more senses than one.
The A. B. Chase piano has been known for what it is these
many years. Its high rank among the artistic musical instruments
of the country, no less the lofty purposes which have inspired its
makers, have more than once furnished themes for description and
appreciation. And it is therefore not only interesting, but apposite
that the Artistano should prove to be a mechanism of precisely the
same rank, or, rather, of .exactly parallel rank; a mechanism
entirely worthy of the piano in which alone it is placed.
It is unnecessary to go into minute detail regarding the con-
structional features of this instrument for playing the piano. It is
sufficient to say that in principle it is of the double valve type, with
sensitive bellows. Its control consists of two levers operating a
divided action, the exhaust chest being in two compartments and
the levers operating tension switches through the medium of ex-
pression governors. The motor is of unusual design in that its
units connect with the crank shaft through rolling contact, without
bearings, while its slide valve covers are of glass.
But the most interesting thing about the Artistano mechanism
lies in the manner of its housing within the piano. In the uprights
the whole mechanism is disposed below the keybed in unitary form.
Not only is the whole pneumatic action thus kept entirely distinct
from the piano itself, but it is fastened on a hinge in such a way
that when desired the whole structure may be swung outwards.
In this latter condition the action remains an unit, no part of it
being dissociated from the rest. Thus foi purposes of examina-
tion or test, the action may be operated as it stands outside of the
piano. The value of this to the tuner, whether for the rapid loca-
tion and remedying of trouble or for access to the bottom board
and trap-work of the piano, need hardly be mentioned. When we
add to these facts the further fact that the tracker box, containing
the control levers, slips easily forward in front of the key-slip, with
the same motion that brings forward the foot pedals and that no
part of the piano above the keybed is in any way required to house
parts of the player mechanism, we have said enough to make it
understood that the Artistano mechanism is indeed quite different
from anything else of the kind.
Equal ingenuity characterizes the disposition of the mechanism
in the grand. In this case the same features are preserved in the
housing of the tracker, while the rest of the mechanism is disposed
on a frame which slides below the posts of the piano frame and is
adequately concealed by a two-inch moulding. The pedals fold
into the lyre and the whole action may be removed by the extrac-
tion of a few thumb nuts and a gentle pull forward.
In the end, of course, the things that a player action will do
are the important things. It was the privilege of The Review's
Technical Editor, after his inspection of the plant, to spend some
time in the warerooms playing an Artistano grand. It was not his
first experience with the instrument by any means. But one always
turns back to the Artistano grand with a sense of delighted antici-
pation. The perfect intimacy of the union between piano and
player pianist, the easy position in a comfortable chair, the mar-
velous delicacy and responsiveness of the mechanism; all these
elements go into the making up of an experience which is always
delightful and which one remembers for long afterwards. The
Artistano is an instrument for the master player-pianist. It is the
eternal honor of its makers that they have never been lured by the
fascination of commercial aggrandizement from their steady pursuit
of the straight path of continual struggle to attain that goal of ideal
perfection which is ever in the vision, if not in the realization of all
true workers in art. To voice an appreciation of a house like this,
and of its wonderful work, is not merely a" duty; it is the highest
of pleasures.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
9
CARING FOR THE PLAYER AFTER IT'S SOLD.
state of player knowledge is lamentable? If the
project of a common technical school seems too
hazardous, why not place the matter in the hands
The Importance of Having Tuners and Regulators Thoroughly Acquainted with the Intricacies
of some existing proprietary tuning school, with
of Player Mechanism—Shouldn't Manufacturers Insist That the Salesmen Who Handle
the proviso that a certain subvention be paid annu-
Their Players Shall Be Duly Qualified by a Course of Instruction in the Player Factory?—
ally for every student turned out as a satisfactory
This Should Be Made a Condition by Manufacturers When Placing the Agency with Dealers.
player man? Such a school, in right hands and un-
der proper supervision, with the necessary equip-
A pithy enough comment on the contents of the to factories, will all help. But in the end it might
ment supplied to it, might accomplish an immense
present Player Section would be that it is to be as well be recognized that the two latter at least
amount
of good.
likened to a gigantic interrogation point. From are expensive enough to be out of the reach of
These questions should be looked at somewhat
end to end of this month's articles and editorial many. The study of good, text-books really is the
paragraphs one reads between the lines the ques- only universally available solution to-day, and cer- broadly. It is not a case where the selfish or
tion, "What are you going to do about it?" But, tainly the most effective. But even more is re- narrow interests of one house or of any number of
be it noted that the question is being asked hf re, in quired. Truly, as much can be had from faithful houses should be allowed to predominate. On
a dozen different ways, only because it must be study of The Review's Technical Library as is the exact contrary, it is a matter in which every-
asked and must be answered.
available from other sources, at much less ex- body has an equal stake and in which the interest
of one is the interest of all.
Heaven knows we have enough things about
pense. But it is neither sensible nor right that
Tuners Not Antagonistic.
which to think, enough problems in this player the trade itself should be content to leave the mat-
And, furthermore, it should not be supposed that
business to discuss and solve. The present Player ter of imparting player knowledge to the men who
Section brings forward some of them. The present
are willing to invest in technical books or to study the younger generation of tuners is really antag-
article discusses a question just as important as any the descriptive catalogs put forth by houses. Again, onistic to the acquirement of player knowledge or
of the others, and, in fact, perhaps one of the most something more is needed than book study. Books to the player itself. The writer of this article
important that can be conceived.
are intended to act as aids, as guides and as cor- knows the exr.ct contrary to be the case. He has
We refer to the position of the player trade rectives. They are not intended to supersede prac- personally had the opportunity of teaching many of
these gentlemen and of advising many more. The
with respect to the care and maintenance of player- tical study, but to give direction and system to
technical works published by The Review have been
pianos in the home. In what follows not a word what otherwise might be aimless and certainly
bought eagerly by tuners all over the country, and
is intended in criticism of the excellent work that would not be systematic.
its Technical Department is weekly read by hun-
has been done by more than one great wholesale
Expense Should Not Be Considered.
dreds of such men. The only difficulty is to bring
and retail organizaton in the way of bringing into
Again, we have to reckon with the temperament
existence a corps of trained practical experts to do of the tuners and their colleagues. A great many practical instruction to those who need it. And
this work. What is here insisted, however, is that,
tuners, for instance, resent being obliged to go to this ultimately is a matter which must have the at-
in fact, the country at large provides a problem considerable expense to acquire knowledge which tention and care of the manufacturers.
While on this subject also, it might not be out
much bigger than these scattered energies can
they think they ought to get for nothing. The
solve. In order to obtain anything like a proper
spirit thus exhibited is. not at all admirable. The of place to point out that any scheme of player in-
perspective we must look at the matter from a na- Review, through its Technical Department, has struction should also include courses for the bene-
fit of salesmen who desire to learn demonstration.
tional viewpo'nt, as a country-wide problem which
continually preached against a spirit like this. The
It is not too much to say that good demonstration
demands the broadest treatment.
writer of this article has lent his utmost personal
is the biggest single element in retail player selling.
influence
to
the
cause
of
persuading
tuners
in
Let us consider the situation as it exists. Some-
thing like 35,000 player-pianos are being made and general to get in line with player development. He We have so frequently spoken of this matter before
sold annually. Allowing that one-third of these has pointed out that it is to be a case of the sur- and at such length, that it seems hardly necessary
pass through the hands of dealers who do not have vival of the fittest, and that he who lets present here to do more than state the fact again.
specially equipped departments for sales and main- opportunities go by will soon find himself in the And lastly, as a matter of current interest and
discard. Yet the spirit of indifferentism still per- in respect of its bearing on the attitude of tuners
tenance, there will be 10,000 players annually sold
sists,
at least among the older men. The younger toward the player, it might be remarked that the
of which the maintenance is more or less left to
chance. As a general proposition it is quite safe element is quickly waking up. But there are hun- American Guild of Piano Tuners, at the request of
dreds of tuners yet who are monkeying with player many members, has undertaken to give instruc-
to say that the piano tuners of the country know
very little of player mechanism. It is equally safe mechanisms which they absolutely have no business tion in player mechanism for the benefit of its
members. Each visit of the national organizing
to allege that no systematic method has yet been to touch. And something must be done about it.
devised for giving them the instruction they re-
In the first place, why should not a player man- officer to a branch of the Guild is made the occa-
quire. Hence it follows that some thousands of
ufacturer insist, as a condition of granting the sion of holding several sessions, at which practical
players annually pass under the hands of men who agency for his line to any dealer, that each man talks are given by the officer in question on player
mechanism, its regulation, repair and maintenance.
are required to care for them, but who are very who is to handle those instruments on the outside
largely incompetent to do anything of the kind.
or in the stores shall be duly qualified by a course Such a spirit is right and farseeing, and it is to be
Ways for Acquiring Player Knowledge.
of instruction in the player factory? Or, if this hoped that this good work will continue.
And it is also to he hoped that the suggestions
Now some people will reply to these remarks be impractical, would it not be eminently economi-
made in the body of this article will have more
that tuners and other piano workers may easily cal in the long run for each player factory to em-
find ways and means for acquiring player knowl- ploy a corps of traveling experts to visit dealers than passing attention at the hands of the trade.
edge. They will point to the fact that p'ayer fac- and do the same thing? It is true that both of
tories always welcome visiting tuners and do what tbese methods have been tried to some extent. But
ORGANIZE PLAYER ASSOCIATION.
they can for them. They will also say that there what is now needed is a systematic way of doing
(Special to The Review.)
are schools which include in their curricula courses the thing, not merely the sporadic efforts of a few
Dallas, Tex., Jan. 23, 1912.
in player regulation and repair, and finally, they individual firms.
The
Southern
Player-Piano
Association was re-
will point to The Review's Technical Library, to say
A Suggestion for Player Manufacturers.
cently formed for the purpose of promoting a
nothing of the educational descriptive catalogs
Or, again, would it not be an eminently wise and
which have been sent forth by the makers of vari- broad thing for the manufacturers of player ac- greater knowledge and appreciation of music
ous player actions. And they will ask why all tions to establish at some central point, like Chi- among its members, and to arrange for such mu-
sical entertainments as may be selected. The
these avenues together are not sufficient to furnish
cago, for instance, a technical school, which might
Government of this association is vested in three
all the instruction needed for many years to come. give instruction free to all who would come and
The best answer is to point out the very plain ask for it, and which would have the immense ad- officers, viz., president, vice-president and secre-
tary-treasurer.
fact that if these avenues were together sufficient vantage of containing specimens Lf every action
None but owners of player-pianos are eligible
there would be no need to talk about the matter now on the market? Such an enterprise, when
for membership and are requested to send to the
at all. But the plain truth is that they are totally shared among all the houses now manufacturing
president or secretary of the association their name
insufficient. They all help, but none of them do player actions, would not be expensive to each,
and address. The association expects to discuss
more than this. What is needed Is something in-
while the aggregate cost would be repaid many
finitely more systematic, broad and adaptable.
times over, in increased efficiency, in decreas ng the great masters, the value and possibilities of the
Tuners and Regulators Must Get in Touch.
numbers of players sent back to factories on ac- piano-player, as well as its care and use.
The officers are as follows: President, Will A.
The fact remains that, by hook or by crook, count of trivial defects and in general satisfac-
we must get the tuners and regulators through- tion. Surely there is nothing either wild or ab- Watkin. Dallas, Tex.; vice-president, Dr. T. C.
Dye, Carson, La.; secretary-treasurer, Bert C.
out the country into direct touch with the intri- surd about the idea.
Marlatt, Joplin, Mo.
Will it not be generally agreed that the present
• cacies of player mechanism. Books, schools, trips
NATIONAL ripi»t r i|>
TTie "No
"No Trouble*'
Trouble*' Player
Player
Tl\e
NEW ART STYLES
MANDOLIN, a n d t h e N e w VIOLIN-FLUTE
ATTACHMENT
B J J. ^ ^ ^ ^ |> M M ^ ^
NATIONAL PIANO PLAYER CO.
OREGON-ILLINOIS
Write lor Descriptive Catalogue
PIANO
Nickel-in-tlie-Slot
Nlckel-In-tlie-Slot
Continuous Roll, and Automatic
Rewind Styles—Also 88 Note Pedal
and Combination Pedal and Elec-
tric Styles.

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