Music Trade Review

Issue: 1912 Vol. 54 N. 2

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
REVIEW
THE
V O L . LIV. N o . 2
Published * very Saturday by Edward Lyman Bill at 1 Madison Ave., New York, Jan. 13,1912
SINGLE COPIES. 10 CENTS.
$2.00 PER YEAR.
Piano Publicity Which Teaches a False Doctrine
O
N E would think to scan the a d v e r t i s e m e n t s a p p e a r i n g in the daily papers t h a t we have gone b a r g a i n
i mad as a people, for the advertisements of all of the g r e a t business houses seem to be d o m i n a t e d
'
by one purpose, and that to convince the public t h a t it can buy p r o d u c t s at reduced rates.
P e r h a p s the people have been fed so long on this kind of pabulum t h a t they are seeking only
business a n n o u n c e m e n t s wherein special price inducements are offered.
Be t h a t as it may, one fact remains, and that is that the a v e r a g e advertisers are e n d e a v o r i n g to win
p a t r o n s to their stores in their public a n n o u n c e m e n t s by reason of a reduction bait r a t h e r t h a n b y an
a r g u m e n t a t i v e c a m p a i g n which should interest people up to the point of the necessity of p u r c h a s i n g the
articles advertised.
It is generally a d m i t t e d t h a t ninety per cent, of the b a r g a i n a d v e r t i s e m e n t s are simply forms used to
a t t r a c t the public, and t h a t a dollar necktie reduced to fifty cents is w o r t h fifty cents only, and h a t s reduced
from $5 to $2.50 only represent in actual value the lesser price.
It is the same with piano advertising, save in rare instances.
T h e basic advertising principle seems to be to compel the people to think t h a t they are g e t t i n g tre-
m e n d o u s reductions in purchases, which as a m a t t e r of t r u t h they are not.
N o w , to m y mind, that is not the kind of progressive advertising.
It is far better to w o r k upon the public mind to such an e x t e n t that readers e v e r y w h e r e realize the
necessity of a piano in their h o m e s — t h a t it aids to make life pleasant a n d b r i n g s much happiness into t h e
home life of our people—than to make a r g u m e n t s along price-slaughter lines.
T h e r e are, of course, refreshing examples of advertising conducted a l o n g dignified, progressive lines;
but the adoption of an educational policy is limited to a very few, whereas the m a n y rush into public print
w i t h lurid price-cutting a n n o u n c e m e n t s .
T h e majority of the advertising w r i t e r s obviously desire to impress readers with the fact t h a t they
can get pianos for n o t h i n g down and a trivial sum each m o n t h .
In other w o r d s , t h e y seem to treat the public as h a v i n g no resources whatsoever, which is to my mind
a false policy; and again, still worse, they give the impression t h a t selling pianos is a business which
requires no capital.
In other words, there are two points which are plain in the average piano a d v e r t i s e m e n t — o n e is t h a t
the readers believe t h a t the public is pauperized and the other t h a t it costs n o t h i n g to m a k e pianos or to
sell them—capital is not desired.

W h y , only the other day a prominent b a n k e r remarked to m e : " T h e piano business is very peculiar.
I have been looking over a n u m b e r of piano a d v e r t i s e m e n t s , and it would seem to me t h a t m o n e y is not de-
sired by the advertisers. . A t least, t h a t is the impression it created in my, mind."
But bad as the cut-rate teachings are there are others equally as destructive. Can a n y o n e explain
w h y is it necessary to advertise t h a t n o t h i n g should be paid down upon a piano?
W h y should a p a r t y w h o can pay n o t h i n g d o w n on a piano be given the o p p o r t u n i t y of h a v i n g an
i n s t r u m e n t w o r t h h u n d r e d s of dollars placed in his h o m e ?
A most flagrant illustration: A little while a g o one of the big d e p a r t m e n t stores in this city adver-
tised t h a t pianos would be delivered before C h r i s t m a s into the homes of people w h o desired i n s t r u m e n t s
and it would not be necessary to pay a n y t h i n g on the i n s t r u m e n t s until F e b r u a r y .
T h a t is indeed t r y i n g to get rid of pianos with a vengeance. In other words, it is conveying the
impression to the public that it costs n o t h i n g to run the piano b u s i n e s s — m o n e y is not an essential—and
t h a t i n s t r u m e n t s cannot cost very much when a merchant will place t h e m in homes and expect no p a y m e n t
w h a t s o e v e r on the i n s t r u m e n t s for several m o n t h s .
W h y should a great d e p a r t m e n t store select pianos as the one commodity which it sells which should
be offered on such t e r m s ?
.
,
• •

All such advertising, to my mind, is indefensible, and I see no reason w h y the piece de resistance
of an advertisement should be t h a t the public can get possession of i n s t r u m e n t s for n o t h i n g and be
required to pay no cash for a long period to come.
Surely a peculiar doctrine to teach the b u y i n g masses.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPILLANE, Managing Editor
Executive and Reportorlal Stall:
GLAD. HENbEltsoN, EUGENE C. MAYER, H. E. JAMASON, B. BRITTAIN WILSON, W. H. DYKES,
A. J. NICKLIN,
AUGUST J. TIMPE,
W M . B. WHITE,
L. E. BOWEFS.
CHICAGO OFFICE:
E. P. VAN HARLINGEN, 37 South Wabash Ave.
Telephone,
Central 414.
Telephone, Main 6950.
Room 806.
PHILADELPHIA:
MINNEAPOLIS and ST. PAUL:
ST. LOUIS:
BOSTON OFFICE:
JOHW H. WILSON, 824 Washington St.
ADOLF EDSTEN.
SAN FRANCISCO:
:
CLYDE JENNINGS
S. H. GRAY, 88 First Street.
CINCINNATI, O.: JACOB W. WALTERS.
BALTIMORE, MD.: A. ROBERT FRENCH.
«
LONDON. ENGLAND: 1 Gresham. Buildings, Basinghall St., E. C.
Published Every Saturday at 1 Madison Avenue, New York
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION, (including postage), United States and Mexico, $2.00 per year; Can-
ada. $3.50; all other countries, $4.00.
ADVERTISEMENTS, $2.50 per inch, single column, per insertion.
On quarterly or
yearly contracts a special discount is allowed. Advertising Pages, $75.00.
REMITTANCES*
in other than currency forms, should be made payable to Edward
Lyman Bill.
Music Section
An important feature of this publication is a complete sec-
tion devoted to the interests of music publishers and dealers.
I* P i 51 lift 21 Illi
Departments conducted by an expert wherein all ques-
l -t lallU allU
tions of a technical nature relating to the tuning, reg-
[)PltJtrfmPIlfc
ulating and repairing of pianos and player-pianos art
JfC|»«ll IHICllia. dealt with, will be found in another section of this
paper. We also publish a number of reliable technical works, information concerning
which will be cheerfully given upon request.
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900
Silver Medal. . .Charleston Exposition, 1902
Diploma
Pan-American Exposition, 1901
Gold Medal
St. Louis Exposition, 1904
Gold Medal. ...Lewis-Clark Exposition, 1906
LONG DISTANCE TELEPHONES-NUMBERS 4677 and 4678 GRAMERCY
Connecting all Departments.
Cable address •• "Elbill, New York."
NEW YORK, JANUARY 13, 1912.
EDITORIAL
T
T the meeting of the Advertising Men's League held in New
York last week Lewis H. Clement discussed the subject of
fraudulent piano advertising in a very exhaustive way in which
he suggested the passage of a Federal law, and the discussion
that followed emphasized the fact that the agitation which
was inaugurated by this paper many years ago, and which was
supported by Mr. Clement and other progressive members of
the Piano Merchants' Association, had now 7 been launched into a
larger sphere. This movement is no longer confined to any one
industry, but has become a topic of national interest and of national
concern.
Whether or not a bill of a Federal character is ever passed, it is
evident that the members of the State legislatures are inclined to
approve of such a measure as will tend to protect the public against
misrepresentation in advertising. One or two Governors of States
have not been friendly to such reformatory bills, particularly in
Ohio and Wisconsin, but in time they will "see the error of their
ways." At present the United States is far behind England and Ger-
many in the passage of laws that prevent the use of false descrip-
tions or misstatements in advertising or other subterfuges tending
to* mislead the purchasing public. This will not long obtain, how-
ever, for there now exists a moral awakening in the business as in
the political world that is working for the common good.
A
REVIEW
R. W. KAUFFMAN.
REVIElW
HE subject of fraudulent and questionable advertising" which
has been discussed in all its phases in The Review for the
past ten years has again come into the limelight through the national
campaign now being waged by the Advertising Men's League,
which is making efforts to have State laws passed forbidding
misleading advertising as inimical to the best interests of honest
merchants in all lines of trade.
Judging from the suggestions—and they have been numerous
enough—it would seem as if the American people were to be
"legislated" into honest methods. This has led critics to claim that
this implies that the American mercantile classes are prone to de-
ception—to dishonesty.

This, however, is not correct.
It is true that attempts have been made to mislead the public
by means of so-called coupon or puzzle schemes—methods which
unquestionably have done much to damage the reputation of the
piano business as well as those engaged in the industry.
While this plan of publicity attracted the consideration of a
number of piano concerns which considered the profits and not the
results, yet the rank and file—in fact, the majority—have been
strongly opposed to it. Thanks to continuous editorials in The
Review and those who "saw the light," this opposition took the
form of a .formal resolution condemning this method of obtaining
business being proposed at the convention of the National Piano
Merchants' Association some four years ago, which, although killed
on initial introduction, was approved by a large majority of the
members at the convention of the association held in Chicago last
year.
S
OME gratifying facts bearing upon the increased wealth of the
great mass of people upon whom piano merchants depend for
sales are furnished in the report of the Banking- Department of the
State of New York, just issued, from which it appears that wage-
earners are piling millions into the savings banks. In the entire
State $67,288,976 was added to deposits during the year. More
than $45,000,000 of this vast sum w.ent into the savings banks of
Greater Xew York. In the entire metropolitan district wage-earners
added over $50,000,000 to their bank savings.
It has well been said that true prosperity exists only when the
wage-earners are able to save, because from their surplus they are
able to invest in pianos and other necessities, formerly considered
luxuries, which tend to add to their enjoyment in the home. These
figures published by the Banking Department give a reason for the
increased activity in the retail piano business during the closing
months of the year. So many people talk "hard times" that, poll-
parrot like, they "get the habit" and fail to recognize that funda-
mental conditions in the business world are sound and that a dis-
tinct betterment is in progress all along the line. Figures don't lie,
and the report of the Ranking Department tells a story of industry
on the part of the rank and file of our people that is both interest-
ing and encouraging.
HE piano manufacturer who on opening his mail finds five
or six unexpected demands for long-time note renewals,
or the road man who secures an order for a couple of carloads
of pianos and finds on his return to headquarters that it has'been
cancelled, have certainly some substantial grounds for feeling
"out of sorts," but there are many people who become
"grouchy," if they are not already so, without such cause—they
have the habit. The latter will be interested to know that a
philosopher in Paris has invented a "long-felt want" in this con-
nection. It is called the grouchometer. We all know that it
is characteristic of the French temperament to laugh at its own
shortcomings. In these days of nervous hurry and scurry few-
people have time to cultivate a calm and contented state of
mind. Everybody complains of bad luck; everybody has a
grievance; everybody grouches about something or other.
Hence the latest fad, which is really a philosophic novelty.
Have you had a disappointment? Has fate been unkind? Con-
sult your grouchometer. It is simply a little schedule of pos-
sible future misfortunes which one draws up beforehand. In
nine cases out of ten one finds that some mischance that actually
befalls one is not on the list. Why? Because it has not en-
tered into one's mental calculations, because no real importance
has been given to it in calm reflective moments. Therefore,
reasons French logic, why worry about it? If the misfortune
is on the list then there is still less reason for worry, because if
we expected it it shows that we had time to think things out
and the case finds us armed against its possibility.
T

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