Music Trade Review

Issue: 1912 Vol. 54 N. 2

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE: MUSIC TRADE:
The World Renowned
REVIEW
7THE QUALITIES of leadership
W were never better emphasized
than in the SOHMER PIANO of
to-day.
SOHMER
VOSE PIANOS
BOSTON.
They have a reputation of over
FIFTY YEARS
It is built to satisfy the most
cultivated tastes.
for superiority In those qualities which
are most essential In a First-class Piano.
VOSE & SONS PIANO CO.
The advantage of such a piano
appeals at once to the discriminat-
ing intelligence of leading dealers.
Sobmcr & (to.
WARIROOM!
BOSTON, MASS.
BAUER
PIANOS
MANUPACTUKBKS' HBADQUAKTBK8
Corner Fifth Avenue and 33d Street, N e w York
aOB SOUTH
WABA8H
AVBNUB
CHICAGO, I1JU.
KIMBALI
JANSSEN PIANOS
The most talked about piano in the trade.
Any other piano just as good costs more.
In a class bv itself for quality and price.
ORIGINALITY
The piano that pays dividends all the time.
BEN H. JANSSEN
East 132nd St.
LARGEST OUTPUT IN
THE WORLD
is the key-note of the
Bush & Lane propo-
sition. A tone beyond
comparison. A case
design in advance of
all. We stop at nothing
to produce the best.
NEW YORK
CABLE & SONS
Pianos and Player* Pianos
e W . KIMBALL CO,
CHICAGO, ILL.
SUPERIOR IN EVERY WAY
Old Established House. Production Limited to
Quality. Our Players Are Perfected to
the Limit of Invention.
CABLE & SONS. 550 W e s t 38th St., N.Y.I
PIANOS AND ORGANS
BUSH & LANE PIANO CO.
The qitlity goes IN before the name goes ON
The right prlOM to the right dealers In the right, territory.
A C A
V i l - W s
D
PETMT
• • D t l l
I
HOLLAND, MICH.
Desorlptlve catalogues upon request.
A / \
M»mife»«HMr*
C«n««l Orllo..
W W a a «"nuWBIur»r» 2 |4"2I6 South WabashAve., CHICAGO
Tfie
©^eff
One of the three
GREAT PIANOS
of the World
The John Church Company
CINCINNATI NEW YORK CHICAGO
Owners of The Everett Piano Co., Boston.
riANQS ARE
HIGHEST IH QUALITY
MADE IN CHICACO
HADDORFF
CLARENDON PIANOS
Novel and artistic cast
designs.
Splendid tonal qualities.
Possess surprising value
apparent to all.
StrautK Pianos
S i l t THEIR OWII PRAISE
STRAUBE PIANO CO.
59 East Adams Street
CHICAGO
:
ILLINOIS
Manufactured by the
HADDORFF MANO CO.,
. - Ulbtris
ROGUONL,
M.
P. MOLLER,
c
MANyr»CTUHER OF
d
c2£&T P I P E ORGANS
HAGERSTOWN. M D.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
REVIEW
THE
V O L . LIV. N o . 2
Published * very Saturday by Edward Lyman Bill at 1 Madison Ave., New York, Jan. 13,1912
SINGLE COPIES. 10 CENTS.
$2.00 PER YEAR.
Piano Publicity Which Teaches a False Doctrine
O
N E would think to scan the a d v e r t i s e m e n t s a p p e a r i n g in the daily papers t h a t we have gone b a r g a i n
i mad as a people, for the advertisements of all of the g r e a t business houses seem to be d o m i n a t e d
'
by one purpose, and that to convince the public t h a t it can buy p r o d u c t s at reduced rates.
P e r h a p s the people have been fed so long on this kind of pabulum t h a t they are seeking only
business a n n o u n c e m e n t s wherein special price inducements are offered.
Be t h a t as it may, one fact remains, and that is that the a v e r a g e advertisers are e n d e a v o r i n g to win
p a t r o n s to their stores in their public a n n o u n c e m e n t s by reason of a reduction bait r a t h e r t h a n b y an
a r g u m e n t a t i v e c a m p a i g n which should interest people up to the point of the necessity of p u r c h a s i n g the
articles advertised.
It is generally a d m i t t e d t h a t ninety per cent, of the b a r g a i n a d v e r t i s e m e n t s are simply forms used to
a t t r a c t the public, and t h a t a dollar necktie reduced to fifty cents is w o r t h fifty cents only, and h a t s reduced
from $5 to $2.50 only represent in actual value the lesser price.
It is the same with piano advertising, save in rare instances.
T h e basic advertising principle seems to be to compel the people to think t h a t they are g e t t i n g tre-
m e n d o u s reductions in purchases, which as a m a t t e r of t r u t h they are not.
N o w , to m y mind, that is not the kind of progressive advertising.
It is far better to w o r k upon the public mind to such an e x t e n t that readers e v e r y w h e r e realize the
necessity of a piano in their h o m e s — t h a t it aids to make life pleasant a n d b r i n g s much happiness into t h e
home life of our people—than to make a r g u m e n t s along price-slaughter lines.
T h e r e are, of course, refreshing examples of advertising conducted a l o n g dignified, progressive lines;
but the adoption of an educational policy is limited to a very few, whereas the m a n y rush into public print
w i t h lurid price-cutting a n n o u n c e m e n t s .
T h e majority of the advertising w r i t e r s obviously desire to impress readers with the fact t h a t they
can get pianos for n o t h i n g down and a trivial sum each m o n t h .
In other w o r d s , t h e y seem to treat the public as h a v i n g no resources whatsoever, which is to my mind
a false policy; and again, still worse, they give the impression t h a t selling pianos is a business which
requires no capital.
In other words, there are two points which are plain in the average piano a d v e r t i s e m e n t — o n e is t h a t
the readers believe t h a t the public is pauperized and the other t h a t it costs n o t h i n g to m a k e pianos or to
sell them—capital is not desired.

W h y , only the other day a prominent b a n k e r remarked to m e : " T h e piano business is very peculiar.
I have been looking over a n u m b e r of piano a d v e r t i s e m e n t s , and it would seem to me t h a t m o n e y is not de-
sired by the advertisers. . A t least, t h a t is the impression it created in my, mind."
But bad as the cut-rate teachings are there are others equally as destructive. Can a n y o n e explain
w h y is it necessary to advertise t h a t n o t h i n g should be paid down upon a piano?
W h y should a p a r t y w h o can pay n o t h i n g d o w n on a piano be given the o p p o r t u n i t y of h a v i n g an
i n s t r u m e n t w o r t h h u n d r e d s of dollars placed in his h o m e ?
A most flagrant illustration: A little while a g o one of the big d e p a r t m e n t stores in this city adver-
tised t h a t pianos would be delivered before C h r i s t m a s into the homes of people w h o desired i n s t r u m e n t s
and it would not be necessary to pay a n y t h i n g on the i n s t r u m e n t s until F e b r u a r y .
T h a t is indeed t r y i n g to get rid of pianos with a vengeance. In other words, it is conveying the
impression to the public that it costs n o t h i n g to run the piano b u s i n e s s — m o n e y is not an essential—and
t h a t i n s t r u m e n t s cannot cost very much when a merchant will place t h e m in homes and expect no p a y m e n t
w h a t s o e v e r on the i n s t r u m e n t s for several m o n t h s .
W h y should a great d e p a r t m e n t store select pianos as the one commodity which it sells which should
be offered on such t e r m s ?
.
,
• •

All such advertising, to my mind, is indefensible, and I see no reason w h y the piece de resistance
of an advertisement should be t h a t the public can get possession of i n s t r u m e n t s for n o t h i n g and be
required to pay no cash for a long period to come.
Surely a peculiar doctrine to teach the b u y i n g masses.

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