Music Trade Review

Issue: 1912 Vol. 54 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
62
REVIEW
FEATURES SCHMID WALTZ.
THAT all the schemes for the uplifting of the
musical tastes of the masses have a little sub-
scription clause attached.
THAT there is generally provision made for a
soft job for the leader of the movement in carry-
ing out the work.
THAT as some peop\e persist in preferring Conan
Doyle's works to Homer's writings, so there are
some who prefer a popular ballad or novelty song
to Chopin's preludes. It's a matter of taste as
much as education.
THAT when it comes to collecting royalties from
music roll and talking machines record manufac-
turers, the publishers and composers are in the
position of the stockholder who holds the bag.
THAT the additions to "Most Popular Folios"
will be ready for the trade at an early date.
THAT Hinds, Noble & Eldredge, the publishers,
state that the contents of the new volumes are
well worth waiting for.
THAT one virtue, at least, of the Ziegfeld pro-
ductions, is that they offer to the publishers al-
most unlimited opportunities for squeezing in in-
terpolations.
THAT as one sales manager says, "One good in-
terpolation in a line show is worth two scores of
shows that have been relegated to the storehouse."
THAT a new patriotic march and two-step, "In
America," by Ulysses J. Alsdorf, and which is
said to be especially effective for use in campaigns,
has just been published by M. Witmark & Sons.
THAT the Edgar Selden Music Publishing & Pro-
ducing Co., is rapidly getting under way, with
temporary offices at 1560 Broadway.
THAT the new concern, under the capable man-
agement of Edgar Selden, will soon have ready for
the trade several songs by prominent writers.
Victor Kremer Co.,
Publishers of
11
LITTLE PUFF OF SM0KE,G00D NIGHT"
"HONEY SAL"
"SINS ME AN IRISH COME-ALL-YE"
"RAGGED EDGES' 1
"MOTHER"
"WHY DON'T THE BAND PLAY DIXIE"
Victor Kremer Co a|
732
C S HI E CACO S T
MILLION COPY HIT
Down By The Old Millstream
Also New Hits
New
New
New
New
New
New
WHEN WE WERE SWEETHEARTS New
UNDER THE OLD OAK TREE New
WAY DOWN SOUTH
New
RAG RAG RAG
New
THAT SUBWAY RAG
New
FRANKIE AND JOHNNY
New
TELL TAYLOR, MUSIC PUBLISHER
NEW YORK
CHICAGO
BUY YOUR MJJSIC FROM
BOSTON
Publishers
WALTER JACOBS
187 Tremont St.,
BOSTON. MASS.
Publisher of
"Kits »f Spring." "Some Day When Dreams Come True."
And Some Others World Famous
OLIVER
DITSON
COMPANY
BOSTON
NEW YORK
Anticipate and Supply Every Requirement of Music Dealers
WHITE-SMITH MUSIC PUB. CO.
PUBLISHERS, PRINTERS & ENGRAVERS OF MUSIC
Main Offices: 08-64 Stanhope St. Boston
Branch Houses: New York and Chicago
KOLB & DILL REUNION A SUCCESS.
Oreste Vessella, Prominent Atlantic City Con-
ductor, Well Pleased with New Number—
His Interesting Career in Music.
German Comedians Appear in "The Girl in the
Train" and "The Politicians" in San Fran-
cisco and Enjoy Long Run.
Of the millions that visit Atlantic City every
year there are few who have not heard Oreste
Vessella and his famous Italian band. This is his
tenth season at the Steel Pier, and his concerts
are patronized by the elite of the country. Musical
critics speak in highest terms of praise of his abil-
ity as a conductor, and he is acknowledged by
musicians as one of the most thoroughly technical
men on this side of the Atlantic connected with
any large concert band.
Mr. Vessella at the age of seven was considered
a prodigy on the clarinet; in fact, he played solo
clarinet in the town band of his native place,
Alife, Italy. At twelve he was sent to the Con-
servatore Naples, where he studied for six years.
In 1901 he came to America, and not being
familiar with our language accepted the position
of first clarinet at the Steel Pier. One night dur-
The reunion of Kolb & Dill, the prominent and
successful comedians, which resembles in some re-
spects the recent reconciliation of Weber & Fields,
has proven very interesting to the theatergoers of
San Francisco for the "past few weeks, and as a
result the Savoy Theater, that city, has been ex-
periencing some box office records. The comedians
appeared in the musical comedy "The Girl on the
Train," book by Harry B. Smith, from the Ger-
man by Victor Leon, and music by Leo Fall. The
musical numbers, including "Follow Me," "Good-
Bye, My Love, Good-Bye," "I'm Fancy Free,"
"That's Why Lots of People Marry," and the
other prominent successes went over in a perfectly
satisfactory manner.
Kolb & Dill also made a hit in a revised ver-
sion of "The Politicians," with book by Aaron
Hoffman, lyrics by Dave Reed, and tuneful music
by Ernest R. Ball, Fred Hoff, George Christie
and others. The song hit of the production is
"Lady Angeline," while "Rosebud" and "Would
You, Sweetheart, Would You," are close seconds.
M. Witmark & Sons publish the music of both
productions.
THE CREATION OF A SONG.
Mme. Sembrich's "Was mir gerfallt" Proves
inspiration to Managers, but Causes Trouble
for Dealers.
According to a story from St. Petersburg, igno-
rance of German on the part of a manager re-
cently resulted in a mistake in planning a program
for Mme. Sembrich.
It seems that Marcella Sembrich had been un-
able to decide what she should sing at the recital
immediately after Schumann's "Widmung," and
every time that the manager insisted he must have
the complete program she gave him answer that
she was not yet sure—she must think it over again.
Finally, on the day before the concert, he declared
he would not leave, the room before knowing what
other Schumann song the soprano was going to
sing. At this Mme. Sembrich lost her patience
and said shortly: "Ich singe was mir garfallt" (I
will sing what I like."
"All right," was the impresario's mental com-
ment. "Now I know what I will do." Where-
upon he had "Was mir gefallt" (What I like)
inserted in the program. Now it pleased Sembrich
to sing Schumann's "Sandmann," and the result
was that the day after the recital the St. Peters-
Oreste Vessella.
burg music dealers were kept at their wits' ends
ing this engagement the leader became ill and by the orders that poured in for Schumann's "Was
Vessella was importuned to take his place. His mir gefallt."
manner of conducting and the numerous encores
and plaudits he received attracted the attention
of the proprietors of the pier and they made him a
proposition to organize a band for the following
season. This he did, organizing the Royal Italian
Band. The following year he reorganized it under
the name of Vessella's Italian Band.
His admirers claim that while his programs al-
ways contain the best works of the old masters,
his rendition of waltzes being peculiarly charming
and effective. He introduces a new waltz every
year, which he makes popular not only at Atlantic
City but over the whole world. For this year he
has selected the "Perle de Perse" valses, by Jo-
hann «,C. Schmid, and Vessella claims that it is
the best waltz that he has ever selected and is
particularly proud that it is by an American com-
poser. The composer in return has arranged with
Words by Dave Reed
his publishers, J. H. Remick & Co., to have future
editions dedicated to Oreste Vessella.
Music by Geo. Christie,
Everybody's Singing It
THE GREAT NOVELTY SONG
"Lady
Angeline"
Composer of " Baby Rose 1 '
EXCELLENT SALES RECORD.
F. H. Burt, Eastern sales manager for J. H.
Remick & Co., states that the sales of his depart-
ment for the opening months of 1912 show a ma-
terial advance over the record for the same period
last year, and that the results for the first three
weeks in April have been especially satisfactory.
The Remick catalog at the present time contains a
goodly number of steady sellers, some of which are
developing into real hits, and as a result the orders
received have been of a substantial nature.
Live dealers will have a good
supply of this number on hand.
PUBLISHED BY
M. WITMARK & SONS
New York
Chicago San Francisco
London
Parii
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
BEETHOVEN^S_LOST MSS.
Curious Symphony of Doubtful Origin Produced
in London—Peculiar Features of the Work
That Have Caused Much Discussion.
REVIEW
r
MUSICA E MONTM
OLIVER DITSON & CO.,
Boston, Mass.
What has been called the lost symphony of
VOCAL.
Umbrella Song, action song for schools (A. A.
Beethoven or the "Jena Symphony" was first pro- An Skellam-F.
A. Challinor)
$0.60
duced last week at Queen's Hall, London, Eng., by A Tambourine Song, action song for schools (A. A.
Skellam-F. A. Challinor)
60
an orchestra conducted by Landon Ronald.
Come Home, Little Girl (J. C. Macy)
50
The
Bee
and
the
Butterfly,
song
for
children
(J.
B.
The authenticity of the composition has been
Tomlinson)
60
hotly discussed by critics ever since the discovery
INSTRUMENTAL.
A
Forest
Violet
(John
M.
Steinfeldt)
$0.30
of the MSS., and all now practically admit that
Alia Turca, for the piano (Susan Schmitt)
3D
the internal evidence is not entirely convincing, Berceuse, for piano (John M. Steinfeldt)
30
In
a
Gondola,
for
piano
(H.
Engelmann)
50
as the music is in the conventional style of the Tune Day, mazurka for piano (Oscar Russ)
40
30
eighteenth century, and is said to lack any touch May Time, piano solo (Susan Schmitt)
Polketta, in F, for piano (Oscar Russ)
30
which would identify it with Beethoven. On the Skipping Rope Dance, for piano (Oscar Russ)
40
Debutante, four second grade piano pieces ( H .
other hand, there is nothing to identify it with The Engelmann):
1. The First Ball, waltz
40
any one of his contemporaries. The authenticity
2. To the Banquet, march
40
of the composition, therefore, rests more upon
8. In the Moonlit Garden, reverie
40
4. In Quaint Costume, old English dance
40
the circumstances surrounding its discovery.
The Gulls, piano solo (Richard Platt)
50
SO
The band parts were found by Herr Fritz Stein The Surprise (Susan Schmitt)
Three Moods, for piano (Jean Paul Kursteiner)
75
in the library of the Academy Concerts at Jena. Toccatina, in G, for piano (John M. Steinfeldt)
60
the Old Mill Told, for piano (John M. Stein-
On the second violin parts is the inscription, What feldt)
60
which may or may not be in Beethoven's hand-
Air a la Bourree, for the organ (Geo. Frederic Handel)$0.50
for the organ (Leo Delibes)
50
writing, "Par Louis van Beethoven," and on an- Arioso,
Electro, air de ballet for piano (Carl Wilhelm K e r n ) . . .60
Lover's Lane, for piano (Leo O.ehmler)
40
other, "Symphony von Beethoven."
It is Tn
Maiden's Reverie, romance for piano (Jean Antiga). . .50
known for a fact that Beethoven did send some
Meditation in C, for piano (John A. West)
60
of Rapture, valse lente for piano (Jean Antiga) .50
music to Jena from Bonn, which latter place he Moment
Moment Musical, A minor,, for piano (Richard Ferber) .50
My
Native
Land, for piano (Jean Antiga)
30
left in 1792; therefore, if the music be his he
My Regiment, military polka for piano (C. W. Kern) .60
must have composed it before he was 22 years Pastarella, in A minor for piano (Herbert W. Waering) .50
The Surprise, for piano (Susan Schmitt)
30
of age.
On this point, returning to internal evidence,
G. RICORDI & CO.,
some critics say that the music, while not char-
14 East 43d Street, New York.
VOCAL.
acteristic is too much too mature for that period of
An Old Song Ended (D. G. Rossetti-Cyril Scott)
$0.60
60
Beethoven's development, while others declare it A Surmise (Philip S. Baker-Harold Simpson)
A White Rose (John Boyle O'Reilly-Edgar Barratt) . . .60
is just as characteristic of the composer as other A Year Ago (Marshall Roberts-Frances Weir)
60
Come, Sing to Me (Jack Thompso-i)
60
music which he is known to have written at that Corengrato,
Canzone Napolinana (R. Cordiferro-S. Car-
time but which cannot be considered individual.
dillo)
60
GRANDS, UPRIGHTS
63
Dewdrops (Harold Simpson-Ethel Barns)
60
Good Night (Shelley-Landon Ronald)
60
Heart o' the World (Fred G. Bowles-Gertrude Sans
Souci)
60
Life's Maytime (Harold Simpson-Ernest Newton)
60
Lift Thine Eyes (Arturo Lucey-Frederic Knight Logan). .60
Prayer (Edgar Allen Poe-John Carrington)
60
Rich Earth (James Oppenheimjohn Carrington)
60
Slumber Song (Clifford Mills-Roger Quilter)
60
When We Grow Old (Hilda Hammond-Spencer-Ed-
ward German)
60
Where Roses Fade (A, E. Housman-Frances Weir) . . . .61)
INSTRUMENTAL.
Chinchilita, for piano (B. Hartz)
$0.60
Danse de la Dauphine (Henri Ducliatel)
60
Ideale, for piano (Vincenzo de Crescenzo)
60
Joy With Sorrow, for violin and piano (P. A. Tirin-
delli)
60
La Gitanelte, tango-maxize for piano (J. Valerde)
60
Number 23, Tango Agentine for pi_no (M. Sarrablo). . .60
Sous Bois, for pianc (Edgar Barratt)
60
We are in receipt of a very handsomely printed
and carefully prepared catalog containing illustra-
tions and descriptions of the latest styles of pianos
from the Jesse French & Sons Piano Co., New-
Castle, Ind.
Do you wish to make five dollars? Then send
your ideas upon leading trade topics, embodied in
two hundred and fifty words, to The Review. You
will find full particulars elsewhere in this issue.
SEYBOLD PIANO and ORGAN CO.
ELGIN, ILLINOIS
mon GRADE
LEADER
For the
THE
DEALER
NEW and BETTER
Received the HIGHEST AWARD
World's Colombian Exposition
Chicago, 1W3
T H E KRELL P I A N O CO., CINCINNATI, O.
T i . StjlM For 1912
Excel All Preriott
Creatkm*
Krakauer
Pianos
Factories
Cjfrwt A r e n a
136tfc «ae 137th Street
New York
RICCA
A Piano Worth While at
a Popular Price
Represent in
their construction
the highest
mechanical and
Exolualve Repreaentatlon Given. Some Coed
Territory Still Open
RICCA & SON, Ino
93-99 Southern Boulevard, New York
artistic ideals.
KRAKAUER BROS., Makers
W. F. PETERS GO
ESTABLISHED 1 9 0 2
HENRY
KELLER
& SONS,
MANUFACTURERS OF
Manufacturers of W. F. PETERS CO. and
VALOIS & WILLIAMS PIANOS and
PLAYER PIANOS
UPRIGHT PIANOS
Unexcelled Value
2 8 1 - 2 8 3 Eaat 137th Street
Between If6th St. and Long-
Write for Prices
NEW YORK
Whltlook Avenue,
AfJTMF
Y O R K
m
The Weser Piano Is The Best
Proposition In The
Market To-Day A n d We
Are Ready To
WESER BROS
^^
Prove It By Sending A S ample
On Approval To Any
R e s p o n s i b l e Dealer I n
The T r a d e
NEWTORK

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