Music Trade Review

Issue: 1911 Vol. 53 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE!
The World Renowned
MU3IC TRADE
REVIEW
HE QUALITIES of leadership
were never better emphasized
than in the SOHMER PIANO of
to-day.
SOHMER
VOSE PIANOS
BOSTON.
They have a reputation of over
FIFTY YEARS
It is built to satisfy the most
cultivated tastes.
for superiority In those qualities which
are most essential In a First-class Piano.
VOSE & SONS PIANO CO.
The advantage of such a piano
appeals at once to the discriminat-
ing intelligence of leading dealers.
Sobmer & (to.
WAREROOMS
Corner Fifth Avenue and 32d Street,
BOSTON, MASS.
BALER
PIANOS
MANUFACTURERS' HEADQUARTERS
N e w York
3OS SOUTH
W ABASH
AVQPOJB
CHICAGO,
JANSSEN PIANOS
CJhi
PIANOS
GRAND and UPRIGHT
Received Highest Award at the United States
Centennial Exhibition, 1876, and are admitted to
be the most Celebrated Instruments of the Age.
Guaranteed for five years. $^~ Illustrated Cata-
log furnished on application. Price reasonable.
Terms favorable.
Warerooms: 237 E. 23d St.
Factory: Irom 233 to 245 E. 23d St., N. Y.
The most talked about piano in the trade.
Any other piano just as good costs more.
In a class bv itself for quality and price.
The piano that pays dividends all the time.
ORIGINALITY
BEN H. JANSSEN
East 132nd St. and Brown Place
is the key-note of the
Bush & Lane propo-
sition. A tone beyond
comparison. A case
design in advance of
all. We stop at nothing
to produce the best.
NEW YORK
CABLE
& SONS
Pianos and Player Pianos
SUPERIOR
Old
IN EVERY WAY
Quality. Our Players Are Perfected to
the Limit of Invention.
CABLE & SONS, 550 W e s t 38th St., N.Y.
DAVENPORT-TREACY PIANO CO.
k
BUSH & LANE PIANO CO.
Pianos are conceded to embody rare values. They are the result
of over three decades of acquaintance with trade needs. They
are attractive externally, possess a pure musical tone and are sold
at prices which at once make the agency valuable to the dealer.
FACTORY 1901-1907
PARK AVENUE,
HOLLAND, MICH.
NEW YORK, N.Y.
One of the three
GREAT
1TANQS ARE
PIAN()S
HIGHESTVvYQUALITY
MADE IN CHICAGO
The John Church Company
HADDORFF
CLARENDON PIANOS
Novel and artistic case
designs.
Splendid tonal qualities.
Possess surprising value
apparent to all.
Strauk Pianos
SING THEIR OWN PRAISE
STRAUBE PIANO CO.
59 East Adams Street
CHICAGO
:
ILLINOIS
Manufactured by the
HADDORFF PIANO CO.,
Rockford, - - Illinois
M.
P. MOLLER,
C
"«"U™CTU»ER of
cSn C cerT d P I P E
ORGANS
HAGERSTOWN, MD.
mm
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
V O L . LIIL N o . 3. Published Every Saturday by Edward Lyman BUI at 1 Madison Ave., New York, July 22,1911
T
SINGLE
COPIES, 10 CENTS.
31
$£oo PER S YEA£
H E protection of name values occupies a more important position than ever before in the trade
history of this country.
Why?
Simply because family patronymics used in business are becoming of greater value—hence
trade names are guarded with more caution and safety than formerly.
In other words, the name attraction is so great by reason of increased values that many manufac-
turers to-day are forced to defend their rights in the courts.
The generally accepted belief is that every man has a right to use his own name in a business enter-
prise.
But is he particular if the use of that name has a tendency to mislead the people in purchases of any .
kind and interferes with the rights of others?
In no trade are name values more appreciated than in the piano line.
This is due to the longevity of the piano and the fact that it is used in the home for so many years
and viewed by so many people who have familiarized themselves with the name upon the fallboard,
which right away obtrudes an interesting proposition, in connection with the use of names.
Notwithstanding the frequency with which an owner of a piano may view the fallboard, in my opin-
ion ninety-five people out of every hundred who own pianos could not tell the complete title of the firm
or corporation whose name appears upon the fallboard of the instrument which they own.
If asked they would say they had a Victor piano.
They could not tell whether it was manufactured by Victor Bros., Victor Piano Co., or Victor &
Co., but simply the one name—the family patronymic was impressed upon their minds.
If you think I am wrong in my percentage, jus; try it on a few people who own pianos and ask if
they could tell the full name appearing upon {jhe fal board of their instrument.
This fact, which I assume can be easily proven, shows the necessity of preserving the names in the
piano manufacturing world.
No man can be deprived of the opportunity to earn his livelihood; but, the question comes up, how
does this use of certain names interfere with the corporate or legal rights of others?
Then, too,- the law should protect the public, and in most cases it would seem that court decisions
work out with fairness.
It was only a short time ago when a stockholder of a well-known Boston corporation thought that
he could establish a competing company in New York and win certain advantages which went with the
name which was on the Boston piano, which was his family patronymic.
Me was led on by false advisers,"but in trie end right triumphed, and lie was compelled to quit.
And so it goes!

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