Music Trade Review

Issue: 1911 Vol. 53 N. 23

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPILLANE, Managing Editor
Executive and Reportorlal Staff :
GLAD. HENDERSON, EUGENE C. MAYER, H. E. JAMASON, B. BHITTAIN WILSON, W. H. DYKES,
A. J. NICKLIN,
AUGUST J. TIMPE,
W M . B. WHITE,
L. E. BOWESS.
BOSTON OFFICE:
JOHN H. WILSON 824 Washington St.
Telephone, Main 6950.
CHICAGO OFFICE:
E. P. VAN HARLINGEN, 37 South Wabash Ave.
Telephone, Central 414.
Room 806.
ST. LOUIS:
MINNEAPOLIS and ST. PAUL:
PHILADELPHIA:
R. W. KAUFFMAN.
ADOLF EDSTEN.
SAN FRANCISCO:
CLYDE JENNINGS
S. H. GRAY, 88 First Street.
CINCINNATI. O . : JACOB W. WALTERS.
BALTIMORE. M D . : A. ROBERT FRENCH.
LONDON, ENGLAND: 1 Gresham Buildings, Basinghall St., E. C.
W. LIONEL STURDY, Manager.
Published Every Saturday at 1 Madison Avenue, New York
hnteted at the New York Post Office as Second Class Matter.
SUBSCRIPTION, (including postage), United States and Mexico, $2.00 per year; Can
ada. $3.50; all other countries, $4.00.
ADVERTISEMENTS, $2.50 per inch, single column, per insertion.
On quarterly or
yearly contracts a special discount is allowed. Advertising Pages, $75.00.
REMITTANCES,
in other than currency foims, should be made payable to Edward
Lyman Bill.
Music Section
An important feature of this publication is a complete sec-
tion devoted to the interests of music publishers and dealers.
PlaVPP UnA
Departments conducted by an expert wherein all ques-
I lajCl dUU
tions of a technical nature relating to the tuning, reg-
T w h n i r s i l Fiona r t m o n t c
ulating and repairing of pianos and player-pianos are
l e U U I l U U IfCpdl l l l i e i l l ! ) . d e a l t w i t h j wi fi b e f o u n J i n another section of this
paper. We also publish a number of reliable technical works, information concerning
which will be cheerfully given upon request.
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900
Silver Medal... Charleston Exposition, 1902
Diploma
Pan-American Exposition, 1901
Gold Medal
St. Louis Exposition, 1904
old Medal
Lewis Clark Exposition, 1905
Gol
LONG DISTANCE TELEPHONES NUMBERS 4677 and 4678 GRAMERCY
Connecting all Departments.
Cable address : "Elbill, N e w York."
NEW YORK, DECEMBER 9 , 1911
EDITORIAL
H P HERE has been of late a decided change for the better in ad-
-L vertising.
Objectionable matter is not accepted by publishers with the
same avidity as of yore and a peculiar influence has developed re-
cently in trade journalism.
It was only the other day that a piano manufacturer remarked
that he declined to go into a paper wherein there were advertise-
ments of men who had paid tribute money to the hold-up editor.
He said that if good advertisers objected to.being placed along-
side of some quack medicines that he objected to having his card
placed in juxtaposition to that of the men who had paid hush money.
7 2 said the inference might be placed upon his action that he
also had contributed to dishonest journalism.
That is a new theory, but why should it not follow in trade
journalism as well as in anything else?
Every man is known by the company he keeps and why should
not a man have positive views as to his advertising company?
There is a decided reformation in the newspapers as a whole
and shady advertising is now rejected by many publications.
Concealed advertising at any price is no longer popular with
daily newspaper publishers, and even the country weekly editors
who were formerly supposed to publish anything that was not posi-
tively immoral, provided it was paid for at the usual rates, are
putting up the bars against it. The newspaper conscience has been
quickened. To masquerade under false colors is no longer consid-
ered permissible.
The conviction has been growing for some time that the own-
ers of newspaper properties while conducting them as commercial
enterprises, nevertheless sustain toward the public a moral responsi-
REVIEW
bility that cannot be evaded. Editors are more careful than for-
merly as to what they print. Their readers look to them for reliable
news, for intelligent and unbiased opinions upon public questions,
and for leadership and support in reform movements. If they de-
ceive them, then how can they expect to retain the respect or support
of the community ? They cannot, and they know it.
To allow consciousless rascals to use their columns to rob the
men and women who trust them is about as honorable as it would
be to invite friends to your house and then send word to a gang of
burglars to come and steal their jewelry and pocketbooks while
they were asleep.
From the above it must not be concluded that concealed adver-
tising is always vicious, because it is not. Under any circumstances,
however, it is deceptive and should not be admitted to any news-
paper.
I
F the great lawyers and the great judges and the great politicians
cannot figure out just what the Anti-Trust law means, how is
the average citizen able to voice even an opinion regarding it?
Whether it is a good thing to split up the great organization
is a matter of opinion.
It seems like forcing a department store to separate its necktie
counter from its shoe department—its lace department from the
grocery department, and put a different firm label on each.
It is impossible to turn back the hands of the clock and revert
to a disjointed competition which the world has outgrown.
There is still opportunity for the small dealer and the small
manufacturer to instill intelligence and pay close personal attention
to business to offset capital and the larger operations.
There is one way in which any Trust has been able to drive
the small dealer and manufacturer out of business—that is, by tem-
porarily underselling him in his own local market—selling under
cost until he was compelled to capitulate.
The Standard Oil Co. in the old days used this weapon to sup-
press competitors.
W
HEN discussion of the proposed reciprocity agreement was
at its height, the attempt was made to create a scare in
this country over the growth of Canada. That country, we
were told, was going to swamp the productions of our Northwest.
And now we have the result of the Canadian census of 1911, to
teach us what the growth of Canada amounts to, and to satirize
our alarms.
The population of Canada in 1911 is 7,081,869. This is not
only two millions less than the population of New York State alone,
but it is over a million less than the population of the two Western
States of Illinois and Indiana, lying side by side. It is less than
the population of Illinois and Wisconsin. It exceeds the population
of our six New England States by only half a million.
The population of all the prairie provinces taken together, and
reaching from Ontario to the Rockies and northward to the North
Pole, is a million less than that of our Northwestern State of Min-
nesota. The population of that whole vast region is about the same
as our two exclusively agricultural States of North and South
Dakota.
Canada has been growing smaller, relatively to the United
States, for a hundred years. The disparity is increasing, not dimin-
ishing.
Canada can never be thought as a dangerous rival to this
Republic.
Her growth is slow and, now that she has turned a cold
shoulder to us, it will probably be many years before we will
attempt other commercial treaties with that nation.
So far as the music trade is concerned, it only affects it in-
directly, anyway, because the number of pianos which we ship
across the border annually are relatively unimportant when con-
sidered with the American output.
But there are opportunities in Southern countries which are
constantly opening for American products, among which are pianos.
S
ALESMEN must be competitors, but credit men should all be
partners. Credit men should not even try to stand alone. To
paraphrase a little: They should share each other's woes, each
other's burdens bear, and each should always be ready to help the
other swear.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
What Is the Name of a Piano?
This Question Is One of the Most Vital Before the Piano Industry—It Strikes at the Very Founda-
tion of Every Trade Edifice Built Upon Name Value—There Must Be a Definite and Clear Posi-
tion by Legally Constituted Tribunals as to What Is the Name of a Piano, for If Name Piracy Be
Permitted Then the Property Interests of Individuals and Corporations Become Seriously En-
dangered—Some of the Prominent Men of the Industry Affirm That the Name of a Piano Is
the Patronymic of the Man Who Founded the Business—Testimony Bears Out This Definition,
but It Is Still an Unsettled Question and Until There Is a Complete Definition There Will Be
Trading Upon the Name and Reputation of Others One of the Interesting Questions of the Day.
W
HAT is the name of a piano, and, having determined the
real name of the instrument, what are the dealers of this
great big country of ours going to do to protect that name from
encroachments by illegitimate competition?
The question what is the name of a piano seems ordinary
enough at the first flush; and yet when we debate upon it is must
be admitted that it is one of the most vital subjects affecting the
future of the music trade industry; still at present it is hazy,
undefined and surrounded by the fogs of deceit.
When there is a Steinway piano, how can there be a Steinway
Bros> piano without confusing the two?
A Weber piano, how can there be a Weber & Co. piano with-
out serious injustice being done to the Weber?
A Chickering piano, how can there be a Chickering & Co.
piano without confusion existing in the minds of the public as to
which is the real Chickering?
The more we look at this piano name question, the bigger and
broader it becomes and the more it interlocks with the future of the
whole piano industry.
What is the name of a piano?
Some of the best known men of the industry have not hesitated
to make documentary statements to the effect that in their opinion
the patronymic of the man who founded the business settles the
name—that is, the name of the piano.
In other words, if it be Weber, then the piano is known as the
Weber piano no matter whether there may be prefixes or suffixes,
such as initials—Piano Co.—Company—Bros.—Mfg. Co.—or other
words.

The name of the instrument in concrete form is known as the
Weber.
Now, if an individual bearing the same family name starts a
business and puts forth a piano bearing his name, where does the
individual or corporation who has spent hundreds of thousands of
dollars in the upbuilding of an industrial property stand?
Their property is jeopardised and the property of every man
may be threatened under similar conditions.
Commercially and industrially a name may sound large—it may
cut a big figure in the artistic or commercial world, but along comes
another man bearing a similar name and starts in business—how
does his work affect the values cjeated by the money and efforts of
others ?
Can anyone argue for one moment that he is not profiting by
the combined capital and energy of other people?
In the piano trade the piracy of a name is easy because there
are men who will put forth instruments bearing similar names to
those appearing on the fallboards of the old historic instruments
and claim that they are the simon-pure article and the first is but
an imitation and that the business has been formed into "a trust."
Now, when such conditions exist, and we know that they do
exist, because the papers containing advertisements of the near-
name pianos are to be found all over this country, then there is only
one protection for the names which admittedly have great com-
mercial value, and that is a legal protection.
The courts must define and settle the question, What is the name
of a piano? before property can be safe and investment secure in the
piano business.
Name piracy has existed and will exist until there is some legal
enactment to settle this whole name status once and for all. Then
the manufacturers have some basis upon which to build a stable
foundation for their business.
There is so much in the piano business which smacks of trading
upon the name and reputation of others that it does not seem as if
after all these years the ethics of the trade had reached a very ele-
vated position.
What is the name of a piano?
A good many men in the retail and manufacturing line may
be caught red-handed because unquestionably some of them have
violated the moral laws of the country.
Name protection is something in which the entire trade is in-
terested, and it is a matter of record that the single name, indicating
the family of the piano maker, is. the name by which the people
designate the instrument.
Visit any theater in the United States, and there are thousands
of them, and millions of people who read the theater program,
and yet can you find one which contains in any advertisement more
than the single name of the piano advertised ?
For instance, will you find the term "Steinway & Sons' piano
used exclusively in this theater"—the Weber Piano Co. piano used,
or Sohmer & Co. ?
No, it will be simply the words the Ste'invay, the Weber,
the Sohmer, and the theaters have been carrying on this kind of
education for years. The same applies to all concert programs as
well.
Ask anyone what is the name of the piano in their homes and
will they repeat the full corporate name appearing upon the fall-
board of the instrument ?
Not by a piano-sight—they will simply designate the instru-
ment by the family patronymic and by nothing else.
That is the name of the piano.
Prefixes and suffixes are excluded.
Then when we have established this fact clearly in the trade
mind, what next follows ?
^
Legal protection—a clear definition by the courts as to w^at is
the real name of a piano, and this question is of absorbing interest
to the entire trade of this country.
It is imperative, therefore, that the question, What is the name
of a piano? be answered by the courts in an unequivocal manner;
for if name piracy be permitted then what value is there in piano
names?
Individuals and corporations who have labored for years and
have expended vast sums in the upbuilding of name values are face
to face with a situation which is unjust from every viewpoint.
Their preserves may be poached upon to an alarming extent
and their property values greatly depreciated until this question,
What is the name of a piano? be settled clearly. There are troublous
times ahead.
This subject strikes at the very sub-cellar of trade stability,
and, without a clear definition, name values go. tumbling.

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