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50
THE
the remainder had excellent natural voices they
lacked other requisites without which they could
not succeed.
"It must not be inferred from this that there
are not many other fine voices suitable for opera,
or that their owners have insufficient dramatic
ability or presence fitting them for a difficult call-
ing. In my travels throughout the United States
I have listened to a sufficient number of good sin-
gers to enable me to know that in both quality and
quantity our operatic material compares favorably
with that of Europe.
"Now and then some foreign country sends us
an unusually superior voice, but in the main
America's singing product ranks with any to be
found anywhere, so far as its raw state is con-
cerned. Owing to the fact that we have but four
opera houses in the country maintaining permanent
organizations, where the patrons insist on prin
cipals who have made their reputations in Europe,
our operatically-inclined young folk are obliged to
cross the ocean to gain experience.
"For those able to secure the funds for the long
training necessary, this is not an obstacle that
cannot be overcome, but had we a number of
opera houses where the American singer of un-
questioned gifts might have the benefit of routine
and rise from secondary parts to the first rolls, I
am confident that many American names would be
added to the roster of the leading opera organiza
tions of the world.
''Considering the methods that have prevailed in
America ever since opera has been sung here, it
is not surprising that the audiences should have
the idea that the European singer is superior to
the American. It is only in the las; few years
that we have had a sufficient number of native
singers at the Metropolitan—and, now, with the
Boston and • Philadelphia-Chicago companies—to
make any sort of showing. However, having
demonstrated that they can sing with the best ar-
tists of all countries, Americans now should be
given every possible chance."
INCORPORATES TO PUBLISH MUSIC.
The Arthur C. Wilson Music Publishing Co..
Los Angeles, Cal., has been incorporated with capi-
tal stock of $'2-5.000. The directors are A. C.
Wilson, B. L. Wilson and B. F. Finney.
WORLD WIDE HIT
Down By The Old Millstream
Every dealer should have it; alio,
"DAVY JONES AND HIS MONOPLANE"
"WHEN WE WERE SWEETHEARTS"
"BUCKWHEAT CAKES"
"FARE-THEE-WELL"
Order from your Jobber, or,
TELL TAYLOR, MUSIC PUBLISHER
Grand Opera House Bldg., CHICAGO, ILL.
Victor Kremer Co., " I K . "
Publishers of
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ROBERT TELIER SONS & DORNER
Music Engravers and
BKND MANUSCRIPT AND IDEA OP TITLB
FOR ESTIMATE
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MUSIC
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MUSICA E MONTH
C H A P P E L L & CO., LTD.,
41 East 34th Street, New York.
VOCAL.
Agatha Green (Music by Margaret Cooper)
$0.60
An Old English Valentine (Music by Edward German). .60
A Song of Memories (Music by Clarence Lucas)
60
Come (Music by Guy d'Hardelot)
60
Crossing the Bar. Duet (Music by Hermann Lohr) . . . .60
Five Little Love Songs (Music by Liza Lehmann)
60
Flower of a Fairer World (Music by Montague Phil-
lips)
60
Lazyland (Music by Paul A. Rubens)
60
Prairie Pictures (Music by Liza Lehmann)
1.00
Rosette (Music by Montague A. Phillips)
60
Rose of My Heart (Music by Hermann Lohr)
60
Since You Came Back (Music by Dorothy Forster) . . . .60
Soldier, I Wish You Well (Music by Graham P e e l ) . . . .60
Songs of the Ship (Tersa Del Riego)
60
The Irish Fusilier (Music by W. H. Squire)
60
The Red Rose Wooed the White Rose (Music by
Teresa Del Riego)
60
Two Miniature Songs (Music by Godfrey Nutting)
60
Un Rien (Music by Guy d'Hardelot)
60
INSTRUMENTAL.
Alba, for Piano (Carlo Albanesi)
50
Der Rosenkavalier, Tanzwalzer (Richard Strauss)
100
Gipsy Love, Waltz (Franz Lehar)
75
"DER ROSENKAVALIER."
Music by Richard Strauss. Separate Vocal Numbers.
German Text (English and German Text in Press.)
Arie des Tenor ( I . Akt) "Di Rigori armato il seno."
Monolog der Marschallin ( I . Akt) "Kann mich auch ein
Made! erinnern."
Schlussduett (I. Akt) (Marschallin Oktavian) "Die Zeit, die
ist ein sonderbar Ding."
Ankunst des Rosenkavalier und Uberreichung der sil-
bernt-n Rose, Duet ( I I . Akt) (Oktavian Sophie) "Mir
ist die Ehre widerfahren."
Duet ( I I . Akt) (Oktavian-Sophie) "Mit ihren Augen voll
Tranen."
Terzett ( I I I . Akt) (Sophie-Marschallin-Oktavian) "Hab"
mir's gelobt, ihn lieb zu haben."
Schlussduett ( I I I . Akt (Sophie-Oktavian) " I s t ein Traum,
kann nicht wirklich sein."
Instrumental Arrangements.
Walzer for Piano (O. Singer).
Walzer for Piano Duet.
Valse (arranged for Dancing) (Joli. Doebber).
Vorspiel (I. Akt), for Piano Solo.
Fruhstiicksscene (I. Akt) for l'iano Solo.
Nachlange (Fantasie) for Piano (O. Neitzel).
" T H E QUAKER GIRL."
Lyrics by Adrian Ross and Percy Greenbank. Music by
Lionel Monckton.
Come to the Ball (Valse Song)
$0.60
A Ouaker Girl
.'
60
Ah, Oui
60
Tony from America
60
O, Time, Time
60
Or Thereabout
60
Petticoats for Women
60
Just As Father Used to Do
60
Take a Step (Dancing Duet)
60
Pianoforte Selection
1.00
Valse
75
Vocal Score
Net 2.00
"GYPSY LOVE."
Lyrics by Harry B. and Robert B. Smith. Music by Franz
The Melody of Love
'
$0.60
I Will Give You All for Love
60
Lessons in Love
60
Matrimony
60
Baby Duet
60
Love Is Like the Rose
60
Love's Sorcery
60
There Is a Land of Fancy
Gypsy Love
6o
When I'm Waltzing With You
60
Waltz
7u
March (Hungarian)
60
Selection
1.00
"PEGGY."
Lyrics by C. H. Bovill. Music by Leslie Stuart.
Ladies, Beware
$0.60
The Lass with the Lasso
60
Go Away, Little Girl. Go Back to School
60
Whistle and the Girls Come Round
60
Juliet and Romeo
60
I Beg Your Pardon (Duet)
60
Mr. Edison
60
Which He Didn't Expect From a Lady
60
I Like to 'Ave a Little Bit On
ttO
Vocal Score
2.00
Selection
L00
Danse Fascination
68
Peggy Valse
75
G. RICORDI & CO.,
14 East 43d Street, New York.
VOCAL
Absence (J. A. Middleton-Easthope Martin)
$0 60
A Song of Dreams (Dorothy llazlehurst-Cecil Hazle-
hurst)
6 0
I.ecause God Gives Me You (Frederic G. Bowles-
Frederick Knight Logan)
."
60
For the Kiss (Georges Doncieux-A. St. John Brenon).. !co
I m a Jolly Old Rover (T. E. B. Henry-Geoffrey
O liara)
c o
Maono (Henri Daisey-A. St. John Brenoti'-Paui
r auchey)
QQ
°., Lovely^ Night ( E d . Teschemache'r'-Landon Ronald) '.'. ~6u
1 he I n foreseen (Rosamund M a r r i o t t Watson-Cyril
Two Little Songs (E. Cuthbert NuunY.'.
60
No. 1—Pearl. N o . a—Rose •
Who? (Githa Sowerbv-F. Paolo T o s t i ) . . .
«o
...
,, ,
. INSTRUMENTAL.
Ritournelle, for Piano (Landon R o n a l d ) .
BO
Echoes, for Piano (Ralph II. B e l l a i r s ) . . '. '. \ \ '. '. '. '. \ '. \ ] [QQ
S H A P I R O M U S I C P U B L I S H I N G CO.
1416 Broadway, New York
r
v, , *»
VOCAL.
Come Back Marguerite (Alfred Bryan-Fred Fischer)..$0.50
He Never, Never Said Good-by ( B e n D e e l y ) .
50
1 vc Got a Ragtime I k e in My Bonnet ( L Wolfe "Gil'-
bert-Oreste Migliaccio)
5 0
J u s t Think of All the Money You Could' Save' (Wiliiam '
Jerome-Jean Schwartz) . .
.50
They Don't Speak to One Another N o w ' ( E d g a V Selden-
.50
Herbert Ingraham)
When a Girl VVhose H e a r t I s B r e a k i n g ' L o v e s ' a " Boy
.50
Who Doesn't Care (Dave Oppenheim-Joe Cooper)
HARRY VON TILZER MUSIC PUB.
126 West 43d Street, New York
\i
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.
BeS 63 ! 1
Oh, Mr. Dream j j
CO.,
VOCAL.
' W - D e n n i s°n-Anna Gumaer
(Jimmie'v."Monaco) '. '. '. '. '. '. '. '. '. '. [.
C (C
2
VANDERSLOOT MUSIC PUB. CO.,
Williamsport Pa.
.,
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...
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INSTRUMENTAL.
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( apitol City March and Two-Step (Hai
. Lincoln)$0.50
I Wonder How the Old Folks are at 1
:, Waltzes.
(K W. vandersloot) . . .
Ma
T> rch 3 " d J w o - S t e P ("arry'j.' Lincoln) To
TriniJl W m *
col
Reverie Iranscnption (Harry J. Lin-
50
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M. W I T M A R K & SONS
144 West 37th street, New York
. t
,. I N S T R U M E N T A L
K
IIere Caa nd 0I Th
> ' " a n O l 1 I e r n i a i 1 J> «rlet)
Merry Mill," The (Pau? W^chs 6 ) . . e " 0 ' . S t )
laying in the Barn. For piano (Walter' RoVfe)
Pomegranate Mowers. For piano (H. von Zois
Valse Boheme. For piano (C Kriens)
$0.60
.30
.30
'
.50
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.1.00
My Shadow (Jessica Moore-tieo." L. Spaulding)
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FROM
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anch Houses: New York and
WALTER JACOBS
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Publisher of
of
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BOSTON
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28
Also at London and Leipzig
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OLIVER DITSON CO.,
Boston, Mass.
VOCAL
A World Enchanted (Alfred H. Ilyatt-W. Franke-Har-
ling)
$0-50
The Birth of Love (Ellis P. Butler-Reginald Barrett). .50
The Time I've Lost in Wooing (Thomas Moore John
Gaiety Theatre Bldg., 665^ Washington St.. Boston.
H. Densmore)
50
The Whispering Song (Carrie Bullard-John Kendrick
"CHICKEN
" " U " '
- WALTZES.
Bangs)
50
INSTRUMENTAL.
Oehmler, Leo, for Piano:
Brave American Boys, Two-Step, Op. 178, No. 2 . . .30
Clown's Parade, Op. 175, No. 1
30
BOSTON
N E W Y O R K
Farewell, Sweetheart, Op. 177
40
Hare and the Tortoise Race, The, Op. 178
30
ntir.pate at1 H Snonlv Every Requirement of Mimi- n , . i
In Lover's Lane, Op. 180
40
N
JOS.
OLIVER
J. II. REM1CK & Co.,
131 West 41st Street, New York.
VOCAL
Do It Now (Williams & Van Alstyne)
$0.50
I'm Coming Back (Seymour Brown-Nat. D. Ayer)
50
It's Just Like Being at Home (Harry Lauder-William
Hargreaves)
50
Lazy (Williams and Van Alstyne)
50
My Irish Girl (Henrietta Blanke-Belcher)
50
When the Dew is On the Rose (Anita Owen)
$0.50
"Let George Do It." Book by Aaron Hoffman,
Lyrics by Paul West, Music by Nat 1). Ayer...
Confidences
50
Waltz Me to the Altar, Walter
50
Gee, How I Hate You
5o
The Subway Squeeze
.•
50
I'd Rather Go to Jail
,'fto
The Gum Shoe Man
50
Spoony Words
[50
The Telegraph Girl
J50
In a Bungalow for Two
.50
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SOME OF
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THAT PARADISE RAG
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Our New Isiuc Proposition will be of intereit to you
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