Music Trade Review

Issue: 1911 Vol. 53 N. 20

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
THAT a negro maid has been arrested on the
charge of stealing Sophie Brandt's jewels for the
purpose of raising money for the purchase of a
piano player.
THAT it must be an awful blow to a real prima
THAT Melville Ellis, composer, actor, stage direc- donna.
tor, etc., has filed a petition in bankruptcy with
THAT rehearsals will soon begin of "The Wed-
liabilities of $7,331, and no assets.
ding Trip," a new comic opera by Mme. De Grasse
THAT, according to the schedule of debts, a and Harry B. Smith, and with music by Reginald
couple of music publishers had faith in Mr. Ellis DeKoven.
to the extent of several dollars or more.
THAT the music of the production will be pub-
THAT incidentally the petitioner is economizing lished by Remick & Co.
by living at the Hotel Rector.
THAT Joseph M. Gaites announced last week that
THAT Samuel R. Schneider, formerly connected owing to the immediate success of Victor Herbert's
with various theatrical publications and enter- new opera comique, "The Enchantress," he is
prises, is to enter the music publishing field as a organizing two more companies, one to present it
lyric writer.
in the Middle West and the other in the Far West
THAT one well-known music publisher declares and South.
that he would rather have one musical production
THAT "The Melody of Love," frem Lehar's
for which he holds the publishing rights on the "Gypsy Love," is beginning to spread through the
road than six of the same sort on Broadway.
music centers.
THAT it is a case of "Broadway for the reputa-
THAT "The Dance of the Virgins" (Manning &
tion, but the small town for the orders."
Co.), the latest European waltz success, is proving
THAT "The Girl Who Married Dear Old Dad" strong enough to keep the publishers busy on
writes from "Blanket Bay" that "They Always Pick orders.
on Me."
THAT Remick & Co. seem to be turning out real
THAT' she has been advised to "Knock Wood" hits in half-dozen lots these days.
and then she'll be "All Alone."
MREVIEWflEARS
From the Very Day!
You will notice a
splendid increase in
business from the
very first day you
handle
CENTURY EDITION
TEN CENT SHEET* MUSIC
1(78 Broadway
New York City
Oh! You Beautiful Doll
Ivan Caryll, the prominent British composer, is
at present in New York for the purpose of dis-
cussing with Klaw & Erlanger the production here-
of his latest successful operetta, "The Primrose
Villa," the book of which is an adaptation from
the French. Mr. Caryll will remain in the United
States for several weeks.
Witmark Production Successes
NOW PLAYING IN NEW YORK
At the New York Theatre
GREAT
AMERICAN SINGERS VS. EUROPEAN
Riccardo Martin Claims That There Are Plenty
of Good Tenor Voices in the United States—
Americans Singing in Operas in Europe Win
Success—Interesting Views.
Why is the American opera tenor?
For the good reason that he isn't, comes the
prompt answer. And not alone does this response
fit the rarest type of masculine voices, but those of
the opposite sex, as well. But these opinions are
from the public. Opera singers have a different
viewpoint—Riccardo Martin, for one. Mr. Mar-
tin, who is a Kentuckian, and a firm believer in the
musical feature of his country, declares that the
United States has plenty of good natural tenor
voices and an abundance of sopranos, contraltos,
baritones and basses.
It is his belief that the reason for the compara-
tively small number of successful American sin-
gers in opera rests with the lack of opportunity
here for their development. He cites his own ex-
perience as a case in point and directs attention to
the Americans singing leading operatic roles in
many of the leading German music centers as evi-
dence supporting the truth of his statement.
"In the last three years," said the Metropolitan
tenor, "I have heard about fifty Americans eager
"A LOVELY LIAR" SUCCEEDS.
to learn whether they had voice enough to warrant
New Musical Comedy, the Book and Lyrics by
studying for the operatic stage. They have come
Junie McCree, with Music by Hans S. Linne,
to me asking for a frank opinion. In three in-
Produced at Indianapolis.
stances I advised in the affirmative, but although
"A Lovely Liar," a new musical comedy in
which Messrs. Frazee and Lederer present Louise
Dresser, was produced in Indianapolis on the even-
ing of November 10 and scored a distinct success.
The book and lyrics are by Junie McCree, and the
critics praise his work. The gifted composer, Hans
S. Linne is responsible for some tuneful music
ADVANCE NOTICE!
which contributed to the success of the piece. The
Just received word from
solo numbers "Back From Thirty-six to Twenty-
nine" and "White Lies and Black Lies" are par- ALBERT HOLE, the phenomenal
ticularly good. Two hits of the best kind are "If boy soprano, who is now
the Man in the Moon Would Speak" and "Cecilia." touring the west, that
the music of which is by Will H. Becker. There
was a large house on the opening night, the audi-
"KILLARNEY, MY HOME O'ER
ence waxing enthusiastic. "A Lovely Liar" opened
THE SEA"
at the Olympic Theater, Chicago, last Sunday for
is nothing short of a "rec-
an indefinite run. M. Witmark & Sons publish
the music.
ord hit" for him. This
IVAN CARYLL IN NEW YORK.
Century Music Pub. Go.
49
song is one of the best
selling Irish Ballads of
the year!
SAM CURTIS'S big "school
act" of ten people is scor-
ing a decided hit with
"IN THE DAYS OF GIRLS AND
BOYS"
Leo Edwards's clever "Kid
Song."
LEO.
FEIST - NEW YORK
"THE ENCHANTRESS"
with KITTY GORDON.
Beautiful lyrics
and a dashing
melody that is
irresistible.
Book and Lyrics by Fred De Gresac and Harry
B. Smith. Music by Victor Herbert.
At the New York Hippodrome
"ROUND THE WORLD"
Book by Arthur Voegtlin and Carroll Fleming.
Lyrics and Music by Manuel Klein.
At the Astor Theatre
THE QUICKEST HIT IN YEARS
Jerome H. Remick & Co.
131 W. 41st St.
New York
68 Farrar St.
Detroit, Mich.
"THE RED WIDOW"
with RAYMOND HITCHCOCK.
A. H. GOETTING
MUSIC JOBBING
cis8$St,
SERVICE
ALL YOOR
No matter what music is wanted or how many
copies, simply tend ONE ORDER to us, and the
music will be thipped to you on the day your order
it received.
Our prices are guaranteed to be the LOWEST.
M we won't be undersold by anyone. Send for
our Monthly Bargain List (free) and join th«
circle of money-making muaic dealer*.
Book and Lyrics by Channing Pollock and Rennold
Wolf. Music by Chas. J. Gebest.
A.
M. WITMARK & SONS
A. H, Goctting. SSI-ISO Waba.h Are., Chicago.
New York Music Supply Co., 1861 Broadway. N. Y.
EstcrpriM Muaic Supply Co., 14S W. SSth S t . N. Y.
Coupon Muaic Co., i l l Washington St.. Boston.
A. M. Gootdac I i l Yong* S t . Toronto. Can.
PUBLISHERS
New York
Chicago
San Francisco
London Paris
H.
GOETTING
Springfield, Mass.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
50
THE
the remainder had excellent natural voices they
lacked other requisites without which they could
not succeed.
"It must not be inferred from this that there
are not many other fine voices suitable for opera,
or that their owners have insufficient dramatic
ability or presence fitting them for a difficult call-
ing. In my travels throughout the United States
I have listened to a sufficient number of good sin-
gers to enable me to know that in both quality and
quantity our operatic material compares favorably
with that of Europe.
"Now and then some foreign country sends us
an unusually superior voice, but in the main
America's singing product ranks with any to be
found anywhere, so far as its raw state is con-
cerned. Owing to the fact that we have but four
opera houses in the country maintaining permanent
organizations, where the patrons insist on prin
cipals who have made their reputations in Europe,
our operatically-inclined young folk are obliged to
cross the ocean to gain experience.
"For those able to secure the funds for the long
training necessary, this is not an obstacle that
cannot be overcome, but had we a number of
opera houses where the American singer of un-
questioned gifts might have the benefit of routine
and rise from secondary parts to the first rolls, I
am confident that many American names would be
added to the roster of the leading opera organiza
tions of the world.
''Considering the methods that have prevailed in
America ever since opera has been sung here, it
is not surprising that the audiences should have
the idea that the European singer is superior to
the American. It is only in the las; few years
that we have had a sufficient number of native
singers at the Metropolitan—and, now, with the
Boston and • Philadelphia-Chicago companies—to
make any sort of showing. However, having
demonstrated that they can sing with the best ar-
tists of all countries, Americans now should be
given every possible chance."
INCORPORATES TO PUBLISH MUSIC.
The Arthur C. Wilson Music Publishing Co..
Los Angeles, Cal., has been incorporated with capi-
tal stock of $'2-5.000. The directors are A. C.
Wilson, B. L. Wilson and B. F. Finney.
WORLD WIDE HIT
Down By The Old Millstream
Every dealer should have it; alio,
"DAVY JONES AND HIS MONOPLANE"
"WHEN WE WERE SWEETHEARTS"
"BUCKWHEAT CAKES"
"FARE-THEE-WELL"
Order from your Jobber, or,
TELL TAYLOR, MUSIC PUBLISHER
Grand Opera House Bldg., CHICAGO, ILL.
Victor Kremer Co., " I K . "
Publishers of
" L I T T L E PUFF OF SM0KE,G00D NIGHT"
"HONEY SAL"
"SING ME AN IRISH COME-ALL-YE"
"RAGGED EDGES"
"MOTHER"
"WHY DON'T THE BAND PLAY DIXIE"
Victor Kremer Co.,
732 S H E
C H . CA A GV T
ROBERT TELIER SONS & DORNER
Music Engravers and
BKND MANUSCRIPT AND IDEA OP TITLB
FOR ESTIMATE
111 w m ink s n m , tow YOU CIIY
MUSIC
TRADE
REVIEW
F
MUSICA E MONTH
C H A P P E L L & CO., LTD.,
41 East 34th Street, New York.
VOCAL.
Agatha Green (Music by Margaret Cooper)
$0.60
An Old English Valentine (Music by Edward German). .60
A Song of Memories (Music by Clarence Lucas)
60
Come (Music by Guy d'Hardelot)
60
Crossing the Bar. Duet (Music by Hermann Lohr) . . . .60
Five Little Love Songs (Music by Liza Lehmann)
60
Flower of a Fairer World (Music by Montague Phil-
lips)
60
Lazyland (Music by Paul A. Rubens)
60
Prairie Pictures (Music by Liza Lehmann)
1.00
Rosette (Music by Montague A. Phillips)
60
Rose of My Heart (Music by Hermann Lohr)
60
Since You Came Back (Music by Dorothy Forster) . . . .60
Soldier, I Wish You Well (Music by Graham P e e l ) . . . .60
Songs of the Ship (Tersa Del Riego)
60
The Irish Fusilier (Music by W. H. Squire)
60
The Red Rose Wooed the White Rose (Music by
Teresa Del Riego)
60
Two Miniature Songs (Music by Godfrey Nutting)
60
Un Rien (Music by Guy d'Hardelot)
60
INSTRUMENTAL.
Alba, for Piano (Carlo Albanesi)
50
Der Rosenkavalier, Tanzwalzer (Richard Strauss)
100
Gipsy Love, Waltz (Franz Lehar)
75
"DER ROSENKAVALIER."
Music by Richard Strauss. Separate Vocal Numbers.
German Text (English and German Text in Press.)
Arie des Tenor ( I . Akt) "Di Rigori armato il seno."
Monolog der Marschallin ( I . Akt) "Kann mich auch ein
Made! erinnern."
Schlussduett (I. Akt) (Marschallin Oktavian) "Die Zeit, die
ist ein sonderbar Ding."
Ankunst des Rosenkavalier und Uberreichung der sil-
bernt-n Rose, Duet ( I I . Akt) (Oktavian Sophie) "Mir
ist die Ehre widerfahren."
Duet ( I I . Akt) (Oktavian-Sophie) "Mit ihren Augen voll
Tranen."
Terzett ( I I I . Akt) (Sophie-Marschallin-Oktavian) "Hab"
mir's gelobt, ihn lieb zu haben."
Schlussduett ( I I I . Akt (Sophie-Oktavian) " I s t ein Traum,
kann nicht wirklich sein."
Instrumental Arrangements.
Walzer for Piano (O. Singer).
Walzer for Piano Duet.
Valse (arranged for Dancing) (Joli. Doebber).
Vorspiel (I. Akt), for Piano Solo.
Fruhstiicksscene (I. Akt) for l'iano Solo.
Nachlange (Fantasie) for Piano (O. Neitzel).
" T H E QUAKER GIRL."
Lyrics by Adrian Ross and Percy Greenbank. Music by
Lionel Monckton.
Come to the Ball (Valse Song)
$0.60
A Ouaker Girl
.'
60
Ah, Oui
60
Tony from America
60
O, Time, Time
60
Or Thereabout
60
Petticoats for Women
60
Just As Father Used to Do
60
Take a Step (Dancing Duet)
60
Pianoforte Selection
1.00
Valse
75
Vocal Score
Net 2.00
"GYPSY LOVE."
Lyrics by Harry B. and Robert B. Smith. Music by Franz
The Melody of Love
'
$0.60
I Will Give You All for Love
60
Lessons in Love
60
Matrimony
60
Baby Duet
60
Love Is Like the Rose
60
Love's Sorcery
60
There Is a Land of Fancy
Gypsy Love
6o
When I'm Waltzing With You
60
Waltz
7u
March (Hungarian)
60
Selection
1.00
"PEGGY."
Lyrics by C. H. Bovill. Music by Leslie Stuart.
Ladies, Beware
$0.60
The Lass with the Lasso
60
Go Away, Little Girl. Go Back to School
60
Whistle and the Girls Come Round
60
Juliet and Romeo
60
I Beg Your Pardon (Duet)
60
Mr. Edison
60
Which He Didn't Expect From a Lady
60
I Like to 'Ave a Little Bit On
ttO
Vocal Score
2.00
Selection
L00
Danse Fascination
68
Peggy Valse
75
G. RICORDI & CO.,
14 East 43d Street, New York.
VOCAL
Absence (J. A. Middleton-Easthope Martin)
$0 60
A Song of Dreams (Dorothy llazlehurst-Cecil Hazle-
hurst)
6 0
I.ecause God Gives Me You (Frederic G. Bowles-
Frederick Knight Logan)
."
60
For the Kiss (Georges Doncieux-A. St. John Brenon).. !co
I m a Jolly Old Rover (T. E. B. Henry-Geoffrey
O liara)
c o
Maono (Henri Daisey-A. St. John Brenoti'-Paui
r auchey)
QQ
°., Lovely^ Night ( E d . Teschemache'r'-Landon Ronald) '.'. ~6u
1 he I n foreseen (Rosamund M a r r i o t t Watson-Cyril
Two Little Songs (E. Cuthbert NuunY.'.
60
No. 1—Pearl. N o . a—Rose •
Who? (Githa Sowerbv-F. Paolo T o s t i ) . . .
«o
...
,, ,
. INSTRUMENTAL.
Ritournelle, for Piano (Landon R o n a l d ) .
BO
Echoes, for Piano (Ralph II. B e l l a i r s ) . . '. '. \ \ '. '. '. '. \ '. \ ] [QQ
S H A P I R O M U S I C P U B L I S H I N G CO.
1416 Broadway, New York
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VOCAL.
Come Back Marguerite (Alfred Bryan-Fred Fischer)..$0.50
He Never, Never Said Good-by ( B e n D e e l y ) .
50
1 vc Got a Ragtime I k e in My Bonnet ( L Wolfe "Gil'-
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5 0
J u s t Think of All the Money You Could' Save' (Wiliiam '
Jerome-Jean Schwartz) . .
.50
They Don't Speak to One Another N o w ' ( E d g a V Selden-
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Herbert Ingraham)
When a Girl VVhose H e a r t I s B r e a k i n g ' L o v e s ' a " Boy
.50
Who Doesn't Care (Dave Oppenheim-Joe Cooper)
HARRY VON TILZER MUSIC PUB.
126 West 43d Street, New York
\i
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BeS 63 ! 1
Oh, Mr. Dream j j
CO.,
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' W - D e n n i s°n-Anna Gumaer
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VANDERSLOOT MUSIC PUB. CO.,
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.,
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INSTRUMENTAL.
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( apitol City March and Two-Step (Hai
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I Wonder How the Old Folks are at 1
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(K W. vandersloot) . . .
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T> rch 3 " d J w o - S t e P ("arry'j.' Lincoln) To
TriniJl W m *
col
Reverie Iranscnption (Harry J. Lin-
50
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144 West 37th street, New York
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> ' " a n O l 1 I e r n i a i 1 J> «rlet)
Merry Mill," The (Pau? W^chs 6 ) . . e " 0 ' . S t )
laying in the Barn. For piano (Walter' RoVfe)
Pomegranate Mowers. For piano (H. von Zois
Valse Boheme. For piano (C Kriens)
$0.60
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.30
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My Shadow (Jessica Moore-tieo." L. Spaulding)
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anch Houses: New York and
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28
Also at London and Leipzig
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VOCAL
A World Enchanted (Alfred H. Ilyatt-W. Franke-Har-
ling)
$0-50
The Birth of Love (Ellis P. Butler-Reginald Barrett). .50
The Time I've Lost in Wooing (Thomas Moore John
Gaiety Theatre Bldg., 665^ Washington St.. Boston.
H. Densmore)
50
The Whispering Song (Carrie Bullard-John Kendrick
"CHICKEN
" " U " '
- WALTZES.
Bangs)
50
INSTRUMENTAL.
Oehmler, Leo, for Piano:
Brave American Boys, Two-Step, Op. 178, No. 2 . . .30
Clown's Parade, Op. 175, No. 1
30
BOSTON
N E W Y O R K
Farewell, Sweetheart, Op. 177
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Hare and the Tortoise Race, The, Op. 178
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ntir.pate at1 H Snonlv Every Requirement of Mimi- n , . i
In Lover's Lane, Op. 180
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J. II. REM1CK & Co.,
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VOCAL
Do It Now (Williams & Van Alstyne)
$0.50
I'm Coming Back (Seymour Brown-Nat. D. Ayer)
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It's Just Like Being at Home (Harry Lauder-William
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50
Lazy (Williams and Van Alstyne)
50
My Irish Girl (Henrietta Blanke-Belcher)
50
When the Dew is On the Rose (Anita Owen)
$0.50
"Let George Do It." Book by Aaron Hoffman,
Lyrics by Paul West, Music by Nat 1). Ayer...
Confidences
50
Waltz Me to the Altar, Walter
50
Gee, How I Hate You
5o
The Subway Squeeze
.•
50
I'd Rather Go to Jail
,'fto
The Gum Shoe Man
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Spoony Words
[50
The Telegraph Girl
J50
In a Bungalow for Two
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SOME OF
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I'M CRAZY 'BOUT THE TURKEY TROT
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Our New Isiuc Proposition will be of intereit to you
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The F. B. Haviland Pub. Co.
125 West 37th Street
N e w York

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