Music Trade Review

Issue: 1911 Vol. 53 N. 16

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
46
THE
. AN INTERESTING VOLUME
On the Wind Band and Its Instruments Written
by Arthur A. Clappe, the Distinguished Band
Master, Composer and Editor Which Has
Just Been Issued by the Publishing House of
Henry Holt & Co., New York.
MUSIC
TRADE
REVIEW
Considered as a whole, this volume is a most
valuable addition to the literature bearing upon
musical instruments, and Mr. Clappe is entitled to
credit for having produced the first book in the
English language dealing with wind instruments
and the wind band in such a comprehensive and
thoroughly able manner, as well as the congratu-
lations and the thanks of his confreres the world
over for producing a work of such unquestioned
merit and interest. The volume is dedicated to
Major F. A. Mahan, U. S. Army, Retired, and is
published by Henry Holt & Co., New York; $1.50.
"The Wind Band and Its Instruments, Their
History, Construction, Acoustics, Technique and
Combination" is the title of a volume of exceeding
interest just to hand and written by Arthur A.
Clappe.
This book, as its title indicates, covers the field
SCHINDLER STRINGS FOR ARTISTS.
of instrumentation of wind bands, treating each
(Special to The Review.)
instrument in detail from the viewpoints of their
Boston, Mass., Oct. 16, 1911.
utility as individuals and in combination. The
"Ever notice when you enter a store for making
writer treats of their historical development, as
a purchase of an article, that the artistic package
well as the principles of acoustics involved in
arrests your attention and you buy it?" asks Hugo
their construction, the methods of fingering and
Schindler, of the musical string house of H.
other details which must appeal to all desirous
Schindler & Co., Jamaica Plain district, this city.
of securing authoritative information on a sub-
Mr. Schindler is evidently right in his contention:
ject which has never before been given this indi-
in fact, by applying this principle to his business
vidual consideration.
it has created a great volume of sales. Mr. Schind-
It is true that in many works on orchestration,
ler knows that "artistic packages of Schindler
the wind band and its instruments have been re-
strings for artists" is "it," and that is why people
ferred to merely as elements in the building of
say "Oh, how pretty," when buying them. When
an orchestra; but in this book the author has
they use them, it is: "Oh, such a superbly pure
emphasized that each instrument of the wind band
tone."
family should be accorded consideration and re-
spect as befits its specific importance, and the
AMERICAN GUILD OF VIOLINISTS MEET.
qualities of each'are taken into consideration from
(Special to The Review.)
that viewpoint—history, acoustics, construction,
Chicago, 111., Oct. 14, 1911.
technique and collective utility.
At the convention of the American Guild of
There are few men so well equipped for writing
a book of this character as Mr. Clappe. For many Violinists, held in th,e Recital Hall of the Audi-
years he was on the faculty of the Royal Military torium last week, the famous Hawley-Maggini
School of Music; he was formerly band-master and violin, made by Viovanni Peola Maggini in Bres-
teacher in the United States Military Academy cia in 1620, and once owned by Vieuxtemps, the
in West Point; he was also for a long time editor French violinist, was the recipient of many loving
of a musical publication, and he is, therefore, a caresses from the visitors. Every delegate attend-
ing the first annual convention of the Guild declared
master of the subject under consideration.
To bandmasters and bandsmen in general, Mr. himself or herself envious of the owner of this
Clappe's volume is simply invaluable. It gives the priceless instrument as they took turns in trying its
ordinary bandsman or player in an orchestra, a new tone qualities.
"Violin making to-day is a lost art," said one
conception of tone values and tone colors, and the
important part the wind band plays in that con- of the musicians as he held the fiddle and the
nection, while to the layman it is a veritable mine bow in position, "but to-day the musical world has
of information from historical and technical view- a chance to enjoy the greatest violinists that ever
points. Thousands of people, desirous of knowing- appeared in concert, so playing is progressing even
something of the band instruments which they see if the art of the maker is lost. Of course, the
and hear time and time again, but the functions, im- recognized leaders are Ysaye, Kreissler, Mischa El-
portance and purpose of which they know little, man, Kubelik and Henri Marteau, but there is
will be enabled through reading this volume, to right here in Chicago a youth of twenty-one years,
gain a new interest in band and orchestral organi- whose name should stand among the masters. If
this young artist had been born abroad instead of
zations of all kinds.
This volume is admirably printed and edited, and on the south side, he would be classed well at the
contains a great number of illustrations as well top—but alas, he is an American."
The violin exhibit includes a Johann Baptiste
as charts bearing upon the composition of bands in
various countries, the classification of the wind Rogerius, made in Cremona in 1697; a Joseph
band instruments, the formation of a brass band, Guarnerius, made in Cremona in 1731, and an Anto-
systems of fingering the various instruments and nius Stradivarius, made in Cremonia in 1697.
"This Strad is worth $8,000, said the expert in
tables suggesting relative power value among
voices of instruments in the wind band, and other charge of the exhibit, "and in all the world there
may be 300 violins left to show the workmanship
pertinent and informing topics.
OEGELEISEN
VJACOBSON
113-115 University Place
NEW YORK
Largest Jobbers in America of
ODERN
USICAL
ERCHANDISE
of Stradivarius, but of these 1 am sure less than
seventy-five are in condition to play. Paganini
originally played a Stradivarius, but finally a woman
gave him a Joseph Guarnerius, which he used
until his death. By his will it was left to the city
of Genoa, and is exhibited there in the museum in
a sealed glass case."
The Guild gathering closed with a banquet at the
Auditorium Hotel at 9 o'clock Saturday night.
A. A. GEMUNDER MARRIED.
August A. Gemunder, of A. Gemunder & Sons',
the well-known experts and dealers in violins, was
married last week to Miss Emilie E. Eisentrager,
a pianiste of Berlin, Germany, at the Grace Luth-
eran Church.
Henry Cassell, the youngest son of R. T. Cas-
sell, president of the Columbine Music Co., Den-
ver, Col., was seriously hurt last week when the
auto in which he was riding, in guiding, over-
turned, injuring both young Mr. Cassell and his
fiancee, Miss Batey, and her mother.
THE PATON-PERRY CO.
Leomlnster, Mass.
Manufacturers of
"Made In America Quality"
MUSICAL M E R C H A N D I S E
Ebony Pegs—Shell Picks, etc.
Send for samples & prices
MUSICAL
Merchandise
Cincinnati
Chicago
YORK BAND INSTRUMENTS
ARE GOOD SELLERS
The dealer who handles good sellers is the on«
who has a Rood profit to show at the end of the
year. York Band Instruments are of the highest
possible quality—they couldn't be better and per-
formers all over the country know it. That** why
they sell BO well. The line comprise!
Band Instruments, Drums and Cases
Our interest does not end when we sell the
dealer—we do all we can to boost the sale of the
instruments. Plenty of advertising matter it fur-
nished free of cost. Better write us to-day for
our catalog and proposition.
J. W. YORK A SONS, Grand Rapids, Mlob.
Black Diamond
Strings
WRITE FOR NEW CATALOG
A PROBLEM
SOLVED!
Warranted that wither Bow Sertw Rings nor Caps ean fall oft on Bow Screws as above Illustrated.
advanoe In price If Violin Bows are purchased having the Patented Screw Attached to the Frog.
a No
THE WORLD'S BEST
National Musical String Go.
New Brunswick, N. J.
WM.
R. G R A T Z I M P O R T C O . ,
35-37 West 31st Street, lew York City
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
VOL. LIII. N o . 16. Published Every Saturday by Edward Lyman Bill at 1 Madison Ave., New York, Oct. 21, 1911
"GIPSY LOVE" PLEASES.
Lehar's Charming Music Backed Up by Clever
Book and Capable Company—Some Num-
bers of the Score That Attracted Attention.
Franz Lehar's new operetta, '"Gipsy Love," had
its first metropolitan production at the Globe
Theatre on Tuesday evening, and the first nighters
gave it a reception calculated to ensure the ulti-
mate success of the piece for a period at least.
Marguerita Sylva, the star, owing to the effects
of illness that caused the show to close its out-
of-town season a couple of days ahead of time and
postponed the opening from Monday to Tuesday
night gave out in the first act and was compelled
to speak the words of her songs rather than sing
them. In the remaining acts an understudy, Miss
Partington, took the role of Zorika, and was well
received.
It is the general opinion that the music of
"Gipsy Love" is fuliy up to the Lehar standard
as set by his previous productions, and in most
parts compares very favorably with "The Merry
Widow.'' The various gipsy airs in the score have
real distinction and national flavor, notably "Gipsy
Love Song" and a march song in the second act.
The inevitable waltz is there and the prospects
are that the town will soon he whistling "When
I'm Waltzing With You." Another number of
which more will be heard is "The Melody of
Loye."
While Lehar's music is of the quality to demand
recognition, the operetta owes its success, tor it is
a success, to a clever plot, well carried out, and
a capable supporting company. The music is pub-
lished by Chappell & Co.
ATTACHMENT AGAINST EDWARDS.
Customer Claims That $1,000 Is Due Her for
Costumes for "Song Revue."
Gus Edwards, music publisher and manager of
vaudeville acts, was compelled to furnish a bond
of $1.0n(.) last week to secure an attachment against
him in favor of Mme. Frances, a New York cos-
tumer, who states that that amount is owing to
her for costumes furnished for Edwards' "Song
Revue." Edwards' tried to get out of the matter
by taking the Poor Debtors Oath, declaring that
he possessed less than $20 and received only $75
weekly as salary. The attorneys for the plaintiff
pointed out that while Edwards, as headliner of
the act, claimed to receive only $75 weekly, the
treasurer of the company received $100 and some
of the chorus girls as high as $50 weekly.
THE STINGER IS STUNG.
Herbert J. Woods in Court on Charge of Using
United States Mails to Defraud Those Who
Fondly Imagine They Are Talented—Court
Suspends Sentence That He May Make Res-
titution.
Herbert J. Woods, of West New York, N. J.,
which, as a matter of fact, isn't New York at
all, was up before Judge Hough in the United
States Circuit Court on the charge of using the
mails to defraud ambitions and confiding would-
be composers of music, while conducting what was
called the Co-Operative Music Publishers' Asso-
ciation, with offices at 32 Union square, New
York. Woods met his Waterloo when two boys
of Clinton, Mass., were attracted by his adver-
tising, and with the desire to get in on the ground
floor, parted with all their savings—$500 each,
for stock in the company. When Woods got all
that money at once, it is claimed the shock was
too much, and he promptly retired from business.
Woods pleaded guilty before the court, and
asked for a chance to make restitution, stating
that he was now in a position to pay back the
money which he had received from the victims,
and which amounted in all to about $1,600.
Judge Hough gave Woods until the second week
in January to make good on the repayment propo-
sition or have sentence passed on him and also
took occasion to express his impatience with peo-
I _WANT A GIRL
KNOCK WOOD
THEY ALWAYS PICK
YOU'RE ACQUAINTED
ALL ALONE WITH THIS ONE
ABOARD FOR BLANKET
SINGLE COPIES, 10 CENTS.
$2.00 PER YEAR.
pie who part with their money in the belief that
they are talented. "The number of fools who
imagine they can write poetry books or music is
incredible," he said.
SUES FOR BREACH OF CONTRACT.
The Ted Snyder Music Co., E. Ray Goetz and
A. Baldwin Sloane Named as Defendants in
Suit Brought by Chas. K. Harris Over
"There's a Girl in Havana."
Some interesting developments are looked for
in the suit brought by Chas. K. Harris, the music
publisher, against the Ted Snyder Music Co., E.
Ray Goetz and A. Baldwin Sloane, and growing
out of the publication by the latter house of the
song "There's a Girl in Havana," by Goetz and
Sloane, which is used in Lew Fields production,
"The Never Homes," at the Broadway Theater.
The lyrics and music of "The Never Homes" are
by Goetz and Sloane, respectively, and Mr. Harris
claims that he has a contract with both through
which he has the sole publishing rights of all the
music of the production, and has published and
offered for sale all the music with the excep-
tion of "There's a Girl in Havana." The latter
number is published by the Snyder Co., with the
names of E. Ray Goetz and A. Baldwin Sloane
displayed on the title page. The papers in the
action were served on the Ted Snyder Co. on
Friday of last week. Beyond admitting the serv-
ice, the Ted Snyder Music Co. stated that they
had nothing to say regarding the matter at this
time.
The suit is looked upon as offering an excellent
opportunity for securing the decision of the court
regarding the binding clauses of contracts between
authors and composers and publishers and the
coming legal battle will be awaited with interest.
Raymon Moore, writer of "Sweet Marie" and
other popular song hits, is reported critically ill
and penniless in a Boston hospital, and his former
friends are taking steps to aid him.
FEATURED IN FOUR "GIRL
IN THE TAXI' COMPANIES

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