Music Trade Review

Issue: 1911 Vol. 53 N. 15

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
The World Renowned
SOHMER
MUSIC
TRADE!
REIVIE1W
QUALITIES of leadership
were never better emphasized
than in the SOHMER PIANO of
to-day.
VOSE PIANOS
BOSTON.
They have a reputation of over
FIFTY YEARS
It is built to satisfy the most
cultivated tastes.
for Buperiority in those qualities which
are most essential in a First-class Piano
VOSE & SONS PIANO CO.
The advantage of such a piano
appeals at once to the discriminat-
ing intelligence of leading dealers.
Sobmer & Co.
WAREROOMS
Corner Fifth Avenue and 32d Street, New York
BOSTON, MASS.
BALER
PIANOS
MANUFACTURERS' HEADQUARTERS
3O8 SOUTH
WABA8H
AVBNUB
CHICAGO,
JANSSEN PIANOS
The most talked about piano in the trade.
ORIGINALITY
In a class bv itself for quality and price.
The piano that pays dividends all the time.
PIANOS
BEN H. JANSSEN
East 132nd St. and Brown Place
GRAND and UPRIGHT
Received Highest Award at the United States
Centennial Exhibition, 1876, and are admitted to
be the most Celebrated Instruments of the Age.
Guaranteed for five years. J ^ ™ Illustrated Cata-
log furnisked on application. Price reasonable.
Term* favorable.
is the key-note of the
NEW YORK
Bush & Lane propo-
sition.
CABLE & SONS
comparison.
Pianos and Player* Pianos
SUPERIOR IN EVERY WAY
Old Established House. Production Limited to
Quality. Our Players Are Perfected to
the Limit of Invention.
Warerooms: 237 E. 23d St.
Factory: from 233 to 245 E. 23d St., N. Y.
all. We stop at nothing
CABLE & SONS, 5S0 West 38th St., N.Y.i
to produce
Pianos are conceded to embody rare values. They are the result
of over three decades of acquaintance with trade needs. They
are attractive externally, possess a pure musical tone and are sold
at prices which at once make the agency valuable to the dealer.
1901-1907
PARK
AVENUE,
NEW
YORK,
4
%
1
the best.
BUSH & LANE PIANO CO.
HOLLAND, MICH.
N. Y.
One of the three
GREAT PIANOS
of the World
The John Church Company
A case
design in advance of
DAVENPORT-TREACY PIANO CO.
FACTORY
A tone beyond
HIGHEST IH QUALITY
MADE IN CHICAGO
CINCINNATI NEW YORK
CHICAGO
Owner* of The Everett Piano Co., Boston.
HADDORFF
CLARENDON PIANOS
Novel and artistic case
designs.
Splendid tonal qualities.
Possess surprising value
apparent to all.
Straubc Pianos
SING THEIR OWN PRAISE
STRAUBE PIANO CO.
5 9 East Adams Street
CHICAGO
:
ILLINOIS
Manufactured fay the
HADDORFF PIANO CO.,
Rockford, - - Illinois
M.
P. MOLLER,
C1
d
M»NUFACTU»E» OF
&no«r P I P E ORGANS
HAG E R S T OWN. M D.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
flUJ1C TIRADE
VOL. LIIL N o . 15. Published Every Saturday by Edward Lyman BUI at 1 Madison Ave., New York, Oct. 14,1911
SINGL
$ |oS%TifE°AR
ENTS
Salesmanship Is Greatly Misunderstood
HAVE steadily maintained that salesmanship is a profession and should take its rightful rank among
the skilled professions of our time.
Good salesmen win greater incomes than ordinary physicians, lawyers or college professors,
and it requires years of the closest study to reach an altitudinous point in the world of sales-
manship.
One reason why salesmanship does not take its true rank among the professions is the fact that many
men have viewed it too lightly. They seem to think that anyone can sell goods. That is an absurd belief.
You ask the average man what salesmanship is and he will merely answer the selling of goods.
That is the definition which the dictionary might give. It defines but does not explain.
It falls far short of the description of what is meant by the term salesmanship.
It is not merely the exchange of certain goods for moneys.
There is ail intangible something beyond that. Exchange of goods for money is simply an out-
ward expression—a symbol.
The signing of the order—the exchange of goods and money which follow are simply details.
. We confound these material terms with the real sale, which is entirely immaterial and intangible.
Suppose a salesman is trying to sell a piano.
'* He has the instrument ready for demonstration and the customer is near at hand.
Here are three material factors that enter into any and every sale—the salesman, the product to be
sold, and the customer.
There is another factor which enters into any and every sale—and only another—the sale itself.
This is the immaterial factor, but after all the essential one.
The salesman believes that the customer should have the piano. He has convinced himself on this
point.
The customer, on the other hand, does not want the piano. He believes he does not need it.
His state of mind, in other words, is directly opposed to the state of mind of the salesman.
Here is where salesmanship comes in.
The good salesman gets his customer's attention and then enters into a demonstration of what the
piano will do, and finally at the psychological moment closes the argument-—he crystallizes that desire
to have in a decision to buy.
Now, what has happened?
The man's state of mind has been completely changed.
The salesman has convinced him that he was wrong and in this way created in him the desire to have
the instrument and a decision
to get it at the salesman's price.
There is only one w r ay that a man can be influenced to change his mind and that is by the power of
persuasion, and that word persuasion cuts a large figure in our language.
A sale is a mental process, since a decision can only be reached by the mind, and the mind can only be
influenced by persuasion.
Now, how did the salesman persuade?
It was his bearing—his appearance—his enthusiasm—his sincerity—his determination—all were fac-
tors, and who shall say that salesmanship is not a science?
I say that salesmanship is very greatly misunderstood.
It is a very proud profession and a most interesting one, and it illustrates how one man may control
by mental processes the decision of another's mind!
I

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