Music Trade Review

Issue: 1910 Vol. 51 N. 7

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
result was averted was through no great feat of
armg or oratory, nor through any expenditure of
precious gold. It was merely a case of finding a
man unafraid of his .honest convictions. There was
but one such among five, and in this matter, accord-
ingly, the Man on'the Street takes off his hat to one
Harrv Von Tilzer.
nishes the theme of the play, "Meet Me To-night evening there was a gathering of relatives, includ-
at the Play," and one or two other numbers. ing Mr. Emerson's five children, eight grandchil-
Schwartz & Atteridge are the writers of "Possum dren and three great-great-grandchildren, in all
Rag," which caught the audiences greatly and was four generations.
pronounced by one critic, Amie Leslie, as the hit
To The Review Mr. Emerson said that lie on-
of the piece. It is published by Leo. Feist. A fine joyed the best of health, his only trouble being
imitation of Elizabeth Murphy, of "Mine. Sherry," deafness, and that while he can write his own let-
singing "Dublin Rag," is given by Ina St. Claire. ters, he can't read them without glasses. Mr.
"Kiss Me, Kid" and "Thank You, Kind Sir" are Emerson's voice is remarkable for his age,
WITH THE CHICAGO PUBLISHERS.
the contributions of the Ted Snyder Co.
as attested by his singing of a solo, and a duet
Season of Musical Productions Starts with
"The Girl of My Dreams," which opens to-night with Mrs. 11. E. Carter-Wright. Mr. Emerson
Whoop"—Publishers
Well
Represented at the Illinois, promises to be one of the biggest told the writer that while he has several pupils, he
Everywhere
by
Interpolations—Victor successes of the season. Extended notice will be has given up active, work and but occasionally
Kremer Makes Good Beginning in New ' found elsewhere. The music is published by Wit- composes music. He is very active and frequently
Venture with Strong Catalog—Harris' Pro- mark.
visits Boston and other cities. In fact, he's the
fessional Manager Writes Promising Song.
T. F. Delaney, manager of the sheet music de- "grand old man" of musical circles.
partment of Lyon & Healy, is spending his vaca-
(Special to The Review.)
tion at Hayward in northern Wisconsin.
TITLE CHOSEN FOR BERNARD PIECE.
"1 Love to Love a Mason" ('Cause a Mason
Chicago, 111., Aug. (i, 11)10.
The season is on with a whoop. "The Midnight Never Tells) is an interpolated number in "The "'The Duke's rnderstudy" is the title decided
Sons" (Harris) is repeating Eastern triumphs. Girl in the Kimona," put on Friday night for the upon for the new musical comedy in which Sam
The big theater scene with 2.50 people on the stage benefit of the visitors attracted by the Knights Rernard is to star this season. Mr. Bernard will
is the talk of the town, and the sale of the prin- Templar conclave. It's a scream and is published have the role of a valet who endeavors to im-
cipal songs sung in the show, and all published by by Ted Snyder Co. Some very effective advertis- personate his master. The piece will be presented
Harris, is reaching large dimensions. The big num- ing is being done on it.
by the Shuberts, and the music will be published
bers are, ''Eily Reaily," "Cynical Owl," "Fire-Fly
Victor Kremer, who, as previously reported in by Chas. K. Harris. Rehearsals were begun last
Lady" and "True Blue."
The Review, is again in business for himself under week. The book was written by Mark Swan and
"Jumping Jupiter," with Richard Carle and Edna the name of Victor Kremer, Personal, with offices Edgar Smith, the lyrics by Mark Swan and Ed-
Wallace Hopper as the principals, opened at the in the Oneonta building, has made a strong start ward Madden, and the music by William Jerome
Cort Theater Thursday night and is well treated on his catalog. "Night and Day," by Brennan and and Lou Hirsch.
Sydney Ellison, who arrived
by the critics. While the interpolations are un- Lloyd, is always a good seller. New numbers just from England recently and who staged the original
usually numerous, it is really a Witmark show, and out or in press are, "Just a Dream of You, Dear," London productions of "Florodora" and "Veron-
the songs published by them, and which seem des- by Milton Weil and F. H. Klickman ; "The Angle- ique," will stage the new musical comedy.
tined to particularly great popularity, are "I Like worm Wiggle," a character song, by Schwartz and
to Have a Flock of Men Around Me," by Francis Lawrence; "Any Old Time and Any Old Place,"
BANKRUPTCY DIVIDEND DECLARED.
De Witt and Harry Aubacher; "Dearie, Won't You featured by Fred Hamill and his bathing beauties;
Snuggle Close to Me," by the same writers; "I'm "She's a Patient of Mine," by Chris. Smith, author
William H. Willis, referee in bankruptcy, lias de-
Awfully Afraid of Girls," "To the Strains of the of "Cousin of Mine" and "After the Round-Up." clared a dividend of W-i per cent, on the claims of
Wedding March," and "It All Goes Up in Smoke,"
J. Walter Leopold, professional manager for the the creditors of the Gus Edwards Music Publish-
by Gus Kahn and Grace LeBoy; "The Rest of the Chicago house of Charles K. Harris, has written a ing Co., bankrupt. Creditors have been notified by
Week She's Mine," by Charles H. Taylor and John new song, "That's What They All Say," which Theron B. Strong, trustee, that the dividend will
W. Bratton, and "Only a Man."
is being featured by Dan McMillan in the "Broken be payable on and after Aug. 15 at the office of
The York Music Co. have a song which fur- Idol," which has been revived in fine shape and Stern, Singer & Rarr, 299 Broadway.
will be heard in Chicago in a few weeks.
EDITORIAL
The following epigrammatic edi-
torial appeared in one of our
great weeklies:
"The high cost of living is
coining down. Beethoven's
Sonatas, in excellent edition,
now can be bought for ten
cents a copy."
COMPOSER ACTIVE AT NINETY.
Luther 0. Emerson Celebrates Anniversary
Which Makes Him Nonogenarian—Sings to
Friends in Duet and a Solo.
(Special to The Review.)
Boston, Mass., August 8, 1910.
Luther O. Emerson, the noted composer, cele-
brated his ninetieth birthday at his home last week
at Hyde Park. Many letters, telegrams, flowers
and other remembrances were received by him,
the first being a large cluster of flowers from the
employees of the Oliver Ditson Co., which for
years has published his compositions. A public re-
ception was held in the afternoon, while in the
By AL PIANTADOSI,
Creator of Italian Character Songs.
It referred of course to
CENTURY
EDITION
CENTURY MUSIC PUBLISHING CO.
1178 BROADWAY, NEW YORK
H E A D HAS HITS
(George W. Head, Jr.)
WORLD'S GREATEST BALLAD
"Without You The World
Don't Seem The Same"
An Endless Chain of Sales of This Song Will Start
From First Purchase.
Best Ballad Since the Time of Jenny Lind
THE HEAD MUSIC PUBLISHING CO.
1416 Broadway, Cor. 39th Street,
THAT
ITALIAN
RAG
New York
A DREAM OF SUCCESS
COME TRUE!
A POSITIVE HIT!
A PROVED SELLER!
CHICAGO DELIGHTED
with
Orders poured in the very day after this
song was first sung at Hammerstein's
Victoria Theater.
GOING STRONGER EVERY D A Y !
PUBLISHED BY
THE GIRL OF MY
DREAMS "
LEO. FEIST, NEW YORK
The delightful new musical production now at the
Illinois Theatre with JOHN HYAMS and LEILA
McINTYRE.
The book and ly-rics are by Wilbur U. Nesbit and
Otto A. Hauerbach, and the music by Karl L.
Hoschna, composer of those unqualified successes,
"Three Twins," "Bright Eyes," and "Madame
Sherry."
THE MARCH SONG HIT OF THE YEAR
ALL THE MUSICAL NUMBERS NOW READY.
ANTICIPATE THE D E M A N D -
ORDER RIGHT AWAY!
(A MOHAMMEDAN SERENADE)
M. WITMARK & SONS
CHICAGO — NEW YORK - SAN FRANCISCO —
LONDON - PARIS
"Why Don't the Band Play Dixie?"
By S. J. Raber,
And Best Seller on the Market.
SI
IMAM
By Nathaniel D. Mann.
This is the name of that weird and captivating
melody that you hear being played by all bands and
orchestras, unquestionably the biggest instrumental hit
of the year.
VICTOR
KREMER CO.
1 08-1 1 0 Randolph St., Chicago (Opp. Garrick Theatre)
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC
TRADE! REVIEW
save the composer of "Dolly Gray," we fear that thing. Wedless to say, she is an American. Her
Brother Morse would have accused that other of
voice is contralto, but that doesn't matter a great
encroaching on his private ground. The popular deal.
Award of $10,000 for Best Work Is Deferred for
field is really suffering from lack of nourishment
"Anna gives first an idea of how some Amer-
a Year—One Composer Writes Letter of
which such a hit as "Dolly Gray" would afford, icans sing a coon song, and there is much quaint
Protest Against Extending the Time.
however, and if any such sustenance shall come dragging over the vowels. Then she sings the
One of the composers competing for the $10,000 from "Betty Brown" the choice of this style of 'Yiddisha Rag,' which is a broken-time melody with
prize offered by the Metropolitan Opera Co. for song will be cause for congratulation both to a rare lilt and swing—quite an infectious affair,
which makes you laugh and" invites you to keep
the best opera composed by a native of the United Messrs. Morse and Cook and to the public.
time. Finally, she throws herself upon a couch
States has written the following letter of com-
and spreads herself among the rays of beaming
plaint to The Sun:
PASSION NOTE COLORS "YSOBEL'
Light. She invites some one not in view to hyp-
"On behalf of those who have hurried their
works and have lost many a night's sleep in order Mascagni's Music for New Opera, Including hyp-hypnotize her. It is then that you wish you
were in the mesmerizing line of business, if only
Another Masterly Intermezzo, Praised by
to have their operas ready within the specified
to oblige Anna, who seems really in need of some
George C. Tyler—Love Story Pervades Book
time, I should like to utter a protest against ex-
obliging professor's passes. It is quite a queerly
Which Author of "La Boheme" Has Written.
tending the time another year. It seems hardly
funny effort, unlike any song yet heard on the
fair to those who have not only done work that
would have been much better could they have had
George C. Tyler, manager for the firm of Lieb- music hall stage here, and sung with a mastery of
a longer time in which to finish it, but who have ler & Co., theatrical producers, made some inter- travesty possessed by few."
already incurred the expense of having their scores esting statements on his recent return from abroad
copied, which is no trifling one, and composers are, regarding the new Mascagni opera, "Ysobel," in
AS TO MODERN SONG WRITING.
as a rule, not overburdened with this world's goods. which Bessie Abott will sing the title role. Except
"Naturally, they do not feel like losing either for "The Girl of the Golden West," by Puccini, Young Mozart de Steyn desired to shine
As a writer of popular songs,
the time or the money; consequently their operas and "Paoletta," by Floridia, this will be the first
will suffer in comparison with those that have had time that a grand opera of such importance will So he cribbed right and left from composers of heft,
With never a blush for his wrongs.
two years expended upon them instead of one. have had its premiere in the. United States. The
It would seem in an equable contest that it is not book of "Ysobel" was written by Luigi Illica, who
fair to change the conditions under which the con- has won a place at the head of Italian librettists He copied six bars from a chant to the stars
testants have been working."
That came down from Gregorian days;
as the author of the books of "La Boheme,"
The competitor suggests that the competition be "Cavalleria Rusticana," "Tosca," and "Madame Then he added a bit from a primitive hit
And he straightway became a great craze.
Butterfly." Mr. Tyler says the opera is rapidly
delayed six months instead of a year.
"When Mr. Gatti-Casazza decided to postpone Hearing completion at Illica's villa in Castellar-
the closing of the competition," said Otto H. Kahn, quato, where the librettist and composer arc now lie borrowed the best of Wagner the blest,
And of Gounod and Mendelssohn, too;
commenting on the letter, ''he consulted an attor- working together.
ney, who advised him that he had the right to do
"The opera is daily unfolding its beauty," says I'oito was clay in his hands, while Bizet
Was made with six themes to "come through."
so. Until the postponement was thought of there Mr. Tyler. "The famous Mascagni passion note
had been very few works submitted. After cer- pervades the whole work, and Mr. Tllica has de-
tain composers had assured Mr. Gatti-Casazza that veloped a love story every bit as holding as 'Romeo So Composer de Steyn has thrived on the line
they would compete in case the time were extended and Juliet.' 'Ysobel' is in three acts, the story
That he's wrung froin the past as a loan;
to allow them to compose an opera, it seemed that of Lady Godiva set to music. The second act Hut this is the worst of his borrowing thirst—
ihe greatest good of the greatest number should shows a balcony overlooking the principal street
He imagines each song is his own!
be consulted, and the postponement was an- of the city. The audience has seen Ysobel start on
—ARTHUR CHAPMAN, in The Sun.
nounced."
•her ride, which is to save the people, and the ride
Mr. Kahn declined to say how many scores had itself is then indicated in a masterly intermezzo, in
PLAYING LIKE SPEEDING PIANOLA.
been submitted, but it has been reported that only which are depicted the ringing of the bells and
The Chicago Daily Journal speaks as follows of
twelve had been received a few months ago. Natu- the tram]) of the horses' hoofs on the cobblestones.
rally, any move on the part of the committee that Kveryone has closed his house, and not a soul Mike Bernard, the well-known ragtime pianist,
who is playing the fascinating Witmark number
tends to increase the number of works submitted looks out at the solitary rider. At the climax of
does not find favor with the composers who have the intermezzo the tenor bursts forth on the bal- "Temptation Rag": "Bernard gives a piano-playing
already submitted their works.
cony, and, leaning far over, covers Ysobel with exhibition that looks like an acrobatic sideshow
and sounds like a speeding pianola. Bernard plays
The reward is one that is well worth trying for. masses of roses."
the 'Temptation Rag' and Paderewski's masterpiece
In addition to a cash prize of $10,000, the Metro-
with the same elemental motive of force."
politan Opera Co. promises to produce the work
ANNA CHANDLER LIKED IN LONDON.
and pay royalties for its use.
HARRY 0. SUTT0N AT THE PALISADES.
American Singer Pleases and Surprises the Eng-
lish by Methods Familiar on This Side—
MORSE 'TUTTING OVER 1 ' A GOOD ONE.
Harry O. Sutton, manager of M. Witmark &
Uses Harry Von Tilzer's Songs.
Sons' professional department, who, by the way,
Just to start the season well, the Theodore
is a clever and cultivated musician, is taking a
Morse Music Co. are quietly "putting over" a song
Anna Chandler, a vaudeville singer well known
breathing spell over on the Palisades these hot
which has all the earmarks of a distinct hit. And in this country, is now touring England and is at-
days. His many friends in and who frequent the
not so quietly either, for the professional depart- tracting considerable attention by singing some
Witmark Building miss him greatly and will gladly
ment of that firm is almost swamped just now, American songs which are familiar to Americans,
•welcome him back.
we can say from personal knowledge, by a steady but which have proved something of a sensation
stream of professionals who want the new song among the British. An English critic, writing of
NO MIXTURES IN ORCHESTRA.
for their acts. The number is called "Good-bye, her first appearance in London, has this to say, not
Betty Brown," and is a march song with an irre- knowing, of course, that the songs he refers to—
Edwin H. Lemare has an interesting article in
sistible swing to the chorus. As in the cases of
"Southern Rose," "Yiddisha Rag," and "Hip-hip the New Music Review, in which, among other
so many other songs in the popular field to-day, Hypnotize Me"—are three of Harry Von Tilzer's things, he controverts the assertion, so often made,
the new number has a refrain from a world- most popular numbers:
that there are "no mixtures in the orchestra." As
famous song embodied in the chorus. In this case
"There was no trumpeter in advance of Anna a matter of fact, he declares, "the orchestra is full
it is "Swanee River," and as far as musical clever- Chandler. She came unheralded. This may have of mixtures. The upper partials of the various
ness is concerned in the interpolation of the few been due to modesty, or it may have been an over- instruments are so prominent that when the entire
bars used, the song is all that could be desired sight. Anyhow, she's here, and I expect she will orchestra is playing we have a far greater num-
by those to whom the fashion appeals. If "Good- stay a while. If the ability to entertain is a quali- ber of overtones than we have in the organ by
bye, Betty Brown" had been written by any one fication, she is to be reckoned on as a regular means of the mixtures. Eliminate the upper notes
of the flutes, oboes, clarinets, and violins (the lat-
ter often playing high chords closely resembling
the mixture) ; do away with the picolo, and what a
FOUR BIG SELLERS BY WM. MARX
dull and dreary orchestra we should have. There
" I ' m Awfully Glad I Met You."
would be no more life or brilliancy than there is
"Don'l Forgcl Thai We Were Playmates"
in the 'muddy' and 'growly' sixteen and eighteen-
" I Want a Girl From Yankee Doodle
feet organs of the present day."
" When The Evening Turns To Gray "
GRAND OPERA CONTEST POSTPONED.
HAVILAND'S HITS!
" Where The Brazos River Flows "
" A Peaceful Country Home"
WM. MARX, Music Publisher
251 Ida A v c , Wichita, Kan.
Sample copies free to Dealers interested
Town."
" Under The Irish Moon."
"Monkey Doodle Dandy." (JungleSong)
Our new-issue proposition is of interest to every dealer.
Send for it.
THE F. B. HAVILAND PUBLISHING CO.
1 2 6 West 37th Street, Now York.
PHILIPP TO GIVE NEW MUSICAL PLAY.
Adolph Philipp will open his season with a new
Parisian musical play by Paul Herve, with music
by Jean Briquet (the author and composer of
"Alma, W r o Wohnst Du?"), called "Therese, Sei
Nicht Boese."

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