Music Trade Review

Issue: 1910 Vol. 51 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
I Hope It Doesn't Rain on Sunday (A. Seymour
Brown-Nat D. Ayer)
50
I'll Do Anything, But—•— (Alfred Bryan-Henriette
Blanke-Belcher)
50
I'm Going Where the Weather Suits My Clothes
(Dave Clark-Albert Gumble)
50
I'm Just Pining for You (Williams-Van Alstyne) . . .50
Just Say the Word (Claude C. Barker-Roy L. Burtch) .50
BOOSEY & CO.,
Life Is a Merry Go Round (John L. Golden-Benjamin
Hapgood Burt)
50
9 East 17th Street, New York.
Love Dreams (J. J. Crawford-IIenriette Blanke-Bel-
cher)
50
Make a Noise Like a Fan (A. Seymour Brown-Nat.
VOCAL.
D. Ayer)
50
50
An Egyptian Romance (Alfred Hyatt-Herbert Oliver) . $0.60 Moontime in Junetime (Henry Lodge)
'Neath the Weeping Willow Tree (Earle C. Jones-
Like Stars Above (J. Anthony McDonald-W. H.
Neil
Moret)
50
Squire)
60
Love's Magic Gate (C. B. Minter-Tom Sutton)
60 Now She's Anybody's Girlie (Williams-Van Alstyne) . .50
Oh, You Dream (Wm. Jerome-Jean Schwartz)
50
O Beating Waves (Elizabeth Crawford-Alicia A. Need-
. ham)
60 On Mobile Bay (Earle C. Jones-Chas. N. Daniels) . . .50
Pa's Typewriter (Malcolm Williams-Benjamin Hap-
Springtime (Louis Arthur Hamand)
60
good Burt)
50
The First Song (C. Hilton-Turvey-T. HiltonTurvey) . .60
Shame Upon You, Nancy (Benjamin Hapgood Burt) .50
Until (Edward Teschemacher-Wilfrid Sanderson)
60
The Best Place of All (Claude L. Barker-Roy L.
We'll Know, We'll Understand (Vaughan Grey-
Burtch)
50
James Henry)
60
The Other Ones Were Better Than the First (Edgar
INSTRUMENTAL.
Bergeronnette. For Piano (Cyril Scott)
60
A. Woolf-Frederic Solomon)
50
;
The Sea Shell (Charles E. Baer-Charles P. Shisler) . .50
There's a Girl Up in the Moon (Jerome-Schwartz). . .50
T H E OLIVER DITSON CO.,
When Yankee Doodle Teddy Comes Marching Home
Again (Seymour Brown-Nat. D. Ayer)
50
Boston, Mass.
INSTRUMENTAL.
Avalon (Neil Moret)
50
VOCAL—SECULAR.
UP AND DOWN BROADWAY.
Fair Phyllis (Abbie F. Judd-J. C. Bartlett)
$0.60
Has Sorrow Thy Young Days Shaded? (Thomas
(Edgar Smith-Wm. Jerome-Jean Schwartz.)
Moorc-Arr. by J. B. Wekerlin)
50
VOCAL.
How Many Times Do I Love Thee? (Thos. Lovell
A Soldier's Life Is Grand
$0.60
Beddoes-Eugene C&wles)
50
Chinatown, My Chinatown
60
My Heart's in the Highlands (Robert Burns-Arr. by
Come Down to Earth, My Dearie
60
V. B. W.)
40
Dreamy Fandango Tune
60
On the Banks of Allan Water (Matthew G. Lewis-Arr.
Everybody Is Bagpipe Crazy
60
by W. A. F.)
30
Have a Smile with Momus
60
Sally in Our Alley (Henry Carey-Arr. by W. A. F) . . . .50
I Am Melpomene
60
She Wore a Wreath of Roses (Thomas Haynes Bayly-
I'm
Always
Happy
When
I'm
Sad
60
Joseph Phillip Knight)
50
I'm the Lily
60
VOCAL—SACRED.
I Want a Whole Lot of Girls
60
Communion Service in A (Bruce Stearne)
50
My Operatic Samson
60
Mass in G (Samuel Webbe)
40
New
York
Isn't
Such
a
Bad
Old
Town
60
One Sweetly Solemn Thought (Phoebe Cary-Arr. by
The Ghost of Kelly
60
N. Clifford Page)
50
The Kellerman Girlie
60
Requiem Mass in F minor (Fr. X. Schmid)
50
The Military Glide
60
INSTRUMENTAL.
The
Pretty
Little
Girl
Inside
60
Cadman, Charles. For Piano:
There
Must
Be
a
Girl
in
the
Moon
60
Dance of the Sunbeams. Op. 34, No. 8
50
Where Are Your Actors
60
Kirchner, Fritz. For Piano:
Throw
Up
Your
Hands
00
Danse Ukraine
«°
Leschetizky, Theodor. For Piano:
GIRLIES.
Arabesque en forme d'Etude. Op. 45, No. 1—•
50
(Geo. V. Hobart-Harry Williams-Egbert Van Alstyne.)
Meyer-Helmund, Erik. For Piano:
Arabesque in B
50
VOCAL.
Brahms, Johannes. For Piano (Four Hands):
Baby Talk
$0.60
Hungarian Dances. Book 1 (1-5)
1.50
Going Up
60
Hungarian Dances. Book 2 (6-10)
1.50
Honolulu Rag
60
Burgmuller, Friedrich. For Piano:
Life Is a Merry Go Round
60
Twenty-five Easy and Progressive Studies. Op. 100 .50 Meet Me Down by the River
60
Grieg, Eduard. For Piano:
. .
My Irish Girl
60
Play That Wedding March Backwards
60
Piano Lyrics and Shorter Compositions
l.oo
Ring Me Up in the Morning
60
Kohler, Louis. For Piano:
Since Hiram Went to Yale
60
That's
Good
60
Little School of Velocity Without Octaves
50
The Bullfrog and the Dove
60
Krause, Anton. For Piano:
Who Are You With To-Night?
60
You Can Find It in the Papers Every Day
60
Three Instructive Sonatas for the Piano
1.00
Snindler, Fritz. For Piano:
May-Bells. Twelve Very Easy Study Pieces. Op. 44 .75
MAURICE SHAPIRO,
E. E. GUILFORD,
Broadway, New York.
North Adams,
\
VOCAL. Mass.
VOCAL.
Give Her a Game of Jolly (Chas. N. Douglas-Earle ^
Awake, Beloved, for Our Wedding Morn (Clarice
E. Guilford)
•••• . . . . . . • . • • • $ 0 . 5 0
Manning)
$0.50
Hark to the Bugle Calling (Clifton Keith-Hattie M.
Baby Mine (Clarice Manning)
50
Guilford)
••••,••• 'TV ••••• \V
Good-bye, Bill (Billy Gaston)
50
I'm Going to Take the Train for Home, Sweet Home
"Somehow or Other" (Thomas F. Linehan-Hattie M.
50
(Herbert Ingraham)
50
•Guilford)
Jessamine (Frank B. Williams)
;
50
JEROME H. REMICK CO.,
listen to That Jungle Band (Al. Bryan-Kendis-Paley) .50
Playing
the
Game
of
Love
(Raymond
A.
Browne-
131 West 41st Street, New York.
Davidson-Godmilow)
-50
Sunny Days T7°hn H. Flynn)
50
That
Lovin'
Lazy
Rag
(Billy
Gaston)
50
VOCAL.
Under the Hebrew Moon (Edward Madden-Dorothy
Adieu, -Beloved, Adieu (Chas. E. Baer-Johann C.
Jardon)
50
You're Just the Girlie That I Adore (A. Seymour
Schmid)
...•••
^
Brown-Nat. D. Ayers)
50
Alma (Geo. V. Hobart-Jean Briquet)
?"
INSTRUMENTAL.
Avalon (Earle C. Jones-Neil Mo ret) • •• — • • " • • • • • ; • - 5 0
Arcadia. For Piano (Luella Lockwood Moore)
50
Becky, Do the Bombashay (Bobby Heath-Gus. A.
Havana Waltzes (Kendis-Paley)
60
8
MUSICT°H F E MONTR
Cavllier Rustican'' 'Rag '(Williams-Van Alstyne)
50
Fifty Years Ago (Earle C. Tones-L'Albert)••••••• \} •• - 5 0
He Got Right Up on the Wagon (Williams-Van
^
I'd Like* to be' an Animal in the Zoo (John G. Coliins-
W. H. G. Bradner)
,••••',;
VV
I'd Ring the Wedding Bells for You (Jerome-
Schwartz)
NOW
READY*
TWO GREAT NEW
COMPOSITIONS
By HARRY D. KERR
"YOUR LOVE IS MY GUIDING STAR"
High class ballad outranked by none.
"PLAYIN' HONEYMOON"
A dainty, classic child song.
These songs are of the kind that never grow old.
Send for our standing order proposition and price
lists when you order the above pieces.
MIILER MUSICTUBLISHING CO.,
515 So. Hermitage Avenue, Chicago.
50
M. W I T M A R K & SONS,
144-146 West 37th Street, New York.
Boots and Saddles. For Piano (Walter V. Ullner. .$0.50
Caress, The (Four Hands). For Piano (Gaylord Bar-
rett)
60
Children Wide-Awake. For Piano (Karl Bergmann) .30
Falling Petals. For Piano (H. W. Loomis)
25
Riddle, A. For Piano (H. W. Loomis)
25
Down Cellar. For Piano. (Harvey W. Loomis)
25
Over the Summer Sea. For Piano (Harvey W.
Loomis)
25
Dutch Kiddies. For Piano (Geo. J. Trinkaus)
50
Fleeting Thoughts. For Piano (Nicholas Garagusi). . .50
Fleurette (Valse Lente). For Piano (Victor Herbert) .50
Heart to Heart. For Piano (Geo. J. Trinkaus-E. R.
Ball)
60
Intermezzo Hongroise. For Piano (E. R. Kroeger) .. . .50
Make Believe Parade, The. For Piano (Jessica Moore-
G. L. Spaulding)
30
Marie (Polonaise). For Piano (Eduard Hoist)
40
Mountain Brook,'The. For Piano (Victor Herbert). .50
Parting (Four Hands). For Piano (Theo. Bendix). . .60
Pussums Leave Their Homes, The. For Piano (Geo.
L. Spaulding)
30
Purple Twilight. For Piano (John W. Bratton)
50
Ruby Red. For Piano (Paul Lawson)
30
Tulip's Dream. For Piano (Geo. L. Spaulding)
50
Village Gossip, The. For Piano (Theo. Bendix)
50
Witches' Dance, The. For Piano (Eduard Hoist)... .50
51
tion entitled "Land of Freedom," a trumpet, cor-
net, eight aida trumpets, four suits of clothing, a
fur coat, a uniform suit, mackintosh, etc., and
about 2,000 sheets of printed matter.
Mussbaum owes Gertrude Scheer, of No. 433
East 83d street, $361 on a judgment obtained in
1906 for money loaned; Distin Mfg. Co., Williams-
port, $350 for alleged breach of contract, and the
Remington Typewriting Co., of No. 327 Broad-
way, $10 for services rendered.
BECK PUTS BANJM MUSIC COVERS.
Publishers' Names in Large Type Will No
Longer Be Seen in Orchestras of the Or-
pheum Circuit's Theaters—Song "Plugging"
Also Forbidden.
Martin Beck, general manager of the Orpheum
circuit of vaudeville theaters, returned to New
York recently after a tour of inspection of the cir-
cuit's principal houses. One result of the tour is
the following order, which is of interest to music
publishers as affecting one phase of their business :
TO ALL LOCAL MANAGERS.
"During Mr. Beck's recent trip he made several
observations which he directs this department to
call to the attention of the local Orpheum man-
agers, with a request that their personal and im-
mediate attention be given each suggestion:
"Music Covers—It is to be made a rule that
music folders or binders upon which song publish-
ers' names are printed in tremendously large type,
intended obviously for cheap advertising purposes,
shall not be placed on the music stands in the or-
chestra. Your musical director should be instruct-
ed to display no bindings or covers excepting those
which are either plain or bear the name of the
act.
"Jewish Parodies—It was observed that notwith-
standing Mr. Beck's earlier warning to artists play-
ing the Orpheum circuit, the Jewish parody and
witticisms at the expense of this and other na-
tional and race characteristics are reappearing. A
flagrant violation of his rule is the 'Jewish Rag,'
heard several times on the circuit recently.
"Such material should not be permitted. It
should be so determined at the rehearsal and
should never be permitted at even the opening
matinee.
"This applies to all songs, dialogue or parodies
treating disrespectfully any nationalities, creeds,
religious or racial characteristics.
"Song 'Plugging'—Attention is again directed to
the 'song pluggers,' as any song that becomes uni-
versally popular will appear with tiresome regu-
larity on nearly every succeeding week's bill un-
less the manager exercises his privilege and his
duty of not permitting a repetition, either on the
same bill or during succeeding weeks.
"Your attention and acknowledgment requested."
Jeromehremicksellers.
Talk is cheap. We could utilize all this space
to tell you that all the songs we mention in our
advertisement are
Surehitsbut
we want your confidence and we want you jurft
to believe us when we say that if you buy more
than your usual allowance of the following song s
Youwillnotgetstuckfor
we are going to make them sell better than the
old time and proverbial hot cake.
Werefertothesefive
11
Oh You D r e a m "
" S h a m e Upon You N a n c y "
"Honolulu R a g "
" Sugar Moon " and
"Silver Bell"
Order from your Jobber or direct from us either
New York or Detroit.
Yours truly
B0IE1T TELLER SONS ft DORNER
MUSIC HIS PRINCIPAL ASSET.
Misic EMiravcrs n i Prlitcri
••MD MANUSCRIPT AND IDEA OP TITLE
FOR ESTIMATE
til
WOT
it* n u n , «w YMI cmr
Abraham H. Mussbaum, a music composer re-
siding at No. 148 East 86th street, in a voluntary
bankruptcy petition gives liabilities of $721. His
assets consist of a copyright on a musical composi-
Jerome II. Pemich I! (o.
1 31 Wast 41 st Stroet, Naw York
6 8 Farrwr Streat, Detroit
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
52
MUSIC TRADE
Fischer
REVIEW
Stands for the best In
Player, Upright and Grand
J. & C. Fischer
Established in 1840
New York
THE
CAPEN PIANO
THOROUGHLY UP-TO-DATE
The most value for the money. The
case design Is artistic. The tone, touch
and finish are unexcelled. Investigate
It. We will make it to your advan-
tage. Address for catalogues, prices,
•tc.
THE BROCKPORT PIANO MFG. CO.
HAZELTON
BROS.
Since 1849, instruments bearing the above name have been created under the
personal supervision of members of the Hazelton family. They have won the
highest praise from the musically critical.
FACTORY, 66-68
UNIVERSITY
PLACE,
NEW YORK
1806
DECKER &. SON
PIANOS
PACTORYi
699-703 East 135th St.
NBW YORK
Unaurpasa*d In Ton*, Touch and Plnlah
N. Y.
THE
THE TUNER'S GUIDE
NEW and BETTER
An Authentic Hand Book on Tuning and Regulating. Invaluable to the Dealer, the Salesman
and the Repair Man. Endorsed by experts all over the country. Contains over one-hundred
pages, Illustrated. Cloth bound.
RICCA
EDWARD LYMAN BILL, Publisher, ' 1S5T"S" M *
A Piano Worth While at
a Popular Price
A LITTLE BEAVTY
Exclusive Representation Given. Some Good
Territory Still Open
RICCA & SON, Inc
PRICE OINB DOLLAR,
POSTPAID
JAMES ® HOLMSTROM
^Small Grand with a Big Tone"
ARTISTIC UPRIGHTS
93-99 Southern Boulevard, New York
With or Without Our Perfected
Transposing Key-Boo.rd
JAMES <& HOLNSTROM
FACTORY: 132nd St. and Alexander Ave.
OFFICES: 23 E»«< 14th Street
THE STYLES FOR 1910
EXCEL ALL PREVIOUS
CREATIONS.
New York
Represent in
t h e i r construc-
tion the highest
FACTORIES
mechanical a n d
Cypress Avenue,
136th and 137th Streets
New York
artistic ideals.
THE RIGHT PIANO AT THE RICHT PRICE
MILTON PIANOtfCO.
A. H Kay ton. President
12th Ave. and West 55th Street
NEW YORK
FRANCIS C O N N O R
Factory Address
ARE BUILT TO SATISFY A CRITICAL TRADE
134th St. and Cypress Ave.
Warerooms: 4 East 42d St., NEW YORK.
R E L S O (GL CO.
605 West 21st Street,
NEW YORK.
PIANO MANUFACTURERS
PIANOS
.ANOS
Win
Friends
fer
the
O«ai«r
C. KURTZMJUM ft CO,
= MCTIIIV
526-536 Niagara St.. Buffalo. K.Y.
STRICH <& ZEIDLER
PIANO MANUFACTURERS
East 140th St. and Robbins Ave.
NEW YORK:

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