Music Trade Review

Issue: 1910 Vol. 51 N. 13

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE: MUSIC TRADE:
REVIEW
(NEW) M U S I C
(REAL)
Just What the Name Implies
Mr. Dealer:—// you are awake to the present times, here is the realization of your dreams
GRASP IT
Music that will last.
Music that will sell. Music that will bring your daily bread.
OUR TWO NEW ISSUES
YOUR LOVE IS MY GUIDING STAR
A High Class Ballad that will exceed in popularity and sales even "Love Me and the World Is Mine."
PLAYIN' HONEYMOON
A Classic Child Novelette, not like a "kid" song
Both Numbers by the prolific and popular writer
HARRY D. KERR
Then we have a (new) Instrumental number. We call it "Our Waltz Winner" because it is such
a wonderful composition. It is (like The Maiden's Prayer) a difficult sounding, showy piece. Yet it is
so easy to read and execute that anyone can play it—therefore (like The Maiden's Prayer) it will be in
every home in the world before it stops. It is entitled "Myrtle" Waltzes. Composed by Ben Huntley,
Prop, of "The Huntley Shows," and named for his beautiful wife, Myrtle E. Huntley.
SEND FOR THESE PIECES AT ONCE
Write for our standing order blank—sign it, and date it to commence with these three issues—or to start back of that if you like. We will then
send you one copy of each of these, and of all our new issues (Postage prepaid) at 6c. each. Prices thereafter to be our regular catalog
rates and discounts.
Sell this first copy (for 25c.) and you will get calls for ten more. Sell these ten and each one
will bring you ten more orders. But for "goodness sake" don't cut the prices on OUR music—you can
sell more GOOD music at a good price than you can poor music at a low price. Because the sales on
good music continue, and—well, anyway—these pieces are money makers and we have given you the tip.
-WRITE US TO-DAY-
MILLER MUSIC PUBLISHING CO.
515 SO. HERMITAGE AVE., CHICAGO, ILL.

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