Music Trade Review

Issue: 1910 Vol. 50 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MU3IO TRADE
REVIEW
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPILLANE, Managing Editor
Executive and Reportorlal Staff:
OBO. B. KBUUBB,
_ W. H. DTKBS,
A.
B. BBITTAIM WIUSON,
L. B. BOWKR8,
R. W. SIMMONS,
AUGUST J. TIM?B.
J. NlCKLIN,
BOSTON OFFICE:
BRNBST L. WAITT, 6© Bummer 8t.
CHICAGO OFFICE:
E3. P. VAN HABLINOUN, Room 806,156 Wabash Ave.
Telephone, Central 414.
MINNEAPOLIS a n d ST. PAUL:
ST. LOUIS:
PHILADELPHIA:
R. W. KAUFTMAN,
ADOLF EDSTBN.
CHAB. N. VAN BUKBN.
SAN FRANCISCO: S. II. GRAY, 88 Flrat Street.
CINCINNATI, O.:
BALTIMORE, MD.:
JACOB W. WALTBBB.
A. ROBERT FRENCH.
LONDON, ENGLAND: 69 Baslnghall S t , B. C.
W. LlONBL STUBDT, Manager.
Published Every Saturday at 1 Madison Avenue, New York
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION, (Including postage) United States and Mexico, f 2.00 per year;
Canada, $3.50; all other countries, $4.00.
ADVERTISEMENTS, $2.00 per Inch, single column, per Insertion. On quarterly or
yearly contracts a special discount Is allowed. Advertising Pages, $60.00; opposite
reading matter, $75.00.
REMITTANCES. In other than currency form, should be made payable to Edward
Lyman BUI.
important feature of this publication Is a complete sec-
to the interests of music publishers and dealers.
Music Section. tion An devoted
Exposition Honors Won by The Review
Brand Prim
Paris Bxposltlon, 1900
BUver Medal.Charleston Bxposltlon, 1902
Diploma.Pan-American Bxposltlon, 1901
Qold Mtdal... .St. Louis Bxposltlon, 1904
Qold Medal
Lewis-Clark Bxposltlon, 1905.
LONG DISTANCE TELEPHONES-NUMBERS 4677 and 4678 GRAMERCY
Connecting all Departments.
Cable address: "Elblll, New York."
NEW
YORK, FEBRUARY 5, 1910
EDITORIAL
H
OW firms differ in the conduct of their collection depart-
ments !
We know of some houses that have such a perfect system that
but a small percentage of their accounts are permitted to fall in
arrears.
They impress upon their customers the necessity of meeting
their instalments precisely as agreed and there is no question but
that the more rigidly these rules are lived up to the better it will
be all around.
A good collection department is a business essential which
should not be overlooked.
How many dealers who have failed during the past ten years
have been good collectors?
Now, that's a point worth investigating.
As a matter of fact the men who have handled the estates of
defunct concerns have been amazed at the laxity existing in their
collection department.
Now, a man who is not a good collector is not good in meeting
his own obligations.
A man who does not intend that others shall live up to their
obligations with him is apt to be very careless in meeting his obli-
gations with the manufacturers and it goes still on further up the
line.
The manufacturers who do business in accordance with strict
business methods are the ones who have splendid discount facilities
at the banks with which they do business.
There is no question but that this industry, or at least certain
members of it, could improve their conditions very materially if
they would inaugurate an up-to-date system early in the year.
There is nothing more, save rank dishonesty, which discredits
a man with the people from whom he is seeking financial favors
than careless and lax methods.
The man who is careless in his dealings never knows how he
stands.
REVIEW
The man who puts in force a collection system which cpmpelsf
his customers to live up to their obligations is the man whom the 1
traveling men are anxious to sell.
They arc the kind of men the manufacturers want to see op
their books, and why should they not?
They represent a safe business class.
B
USINESS men who are successful understand the necessity
and the value of advertising. Probably no advertising is
entirely devoid of material gain.
' ?}.
As the Kentuckian said of the whiskey: there is no poor
whiskey, but some is decidedly better than others.
Now, there is no absolutely worthless advertising, but some,
is infinitely more profitable than others.
Every man, therefore, is anxious to get the best possible re-
turns from his expenditures, and yet how is he going to do it?
Eirst, he must have something worth advertising.
If a man puts forth a piano without merit all the advertising,
in the world can only bolster it up temporarily and people after 1
a while will find out its true worth, and after they have befe'ni
"stung" they are not liable to get in the danger line again and'
they arc quite apt to influence their friends.
An article must possess merit and it must be sold at a price
which is reasonable for the values incorporated within it.
Having settled that, the next point is to attract the attention of
the people.
- -
Now, having interested the people in a way, it is useless tcj
suppose that the demand will go on increasing without advertising.'
It will not.
Spasmodic advertising is about the most unprofitable kind, and
the advertiser who figures that he can put a page in a magazine
now and then and carry a little card in a trade paper, with a page
occasionally, and win out in a business sense against the men who
have a perfect system in their advertising department is reckoning
entirely without reason.
It is steady advertising that pays and the advertisers who fol-
low up publicity in public and trade mediums in season and out
are the ones who it is safe to say are invariably in the lead.
They arc the ones who keep everlastingly at it.
They realize that spasmodic efforts only bring spasmodic re-
turns and it is the regular business in season and out that counts.
T
HEN the advertiser must put forth good arguments. He
must have something that will stand out in sharp contrast
to other advertising matter.
Illustrations and striking set ups must force people to notice
ads. He must bear in mind that he is only one of many and that
which appears to be striking and attractive by itself may attract little
or no attention when it appears among dozens or a hundred other
advertisements.
You can make your ad. so attractive that people will look at
it again and again.
It is not necessarily the largest ad. that is the most attractive,
but the advertisement must appeal to a man's sense of humor—his
human or artistic sensibilities—his admiration for beauty.
Impress upon him the utility and splendid quality of your
wares—the superiority of your products—some special points of
your pianos.
And. Heaven knows, most of the piano advertising of to-day
can just as well be applied to sewing machines or wash boilers or
anything else, because there is unquestionably a mass of unattrac-
tive—non-alluring—advertising put forth exploiting pianos.
Two or three advertisers have recently asked our opinion con-
cerning magazine advertising.
By direct questioning we found that they expected to expend
a few thousand dollars and had figured on using quite a number
of magazines.
Tommyrot, absolutely!
It would amount to nothing or precious near nothing.
They had very much better expend the money in local news-
papers and trade publications.
If they cannot advertise sufficiently strong to attract attention
in the magazines they had better get out of the game altogether and
husband their resources until such time as they can go in laro-e
enough to create an impression.
We do not believe that frequent changes of advertising benefit
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
the advertiser so much as a constant use of a particular illustration
or trade mark which may be used in connection with the advertise-
ment.
Such an advertisement may not draw custom at once, but when
a man desires something he is pretty sure to associate a small trade
mark or a peculiar kind of type or illustration with the article which
he desires.
W
HAT a contrast between some of the modern piano plants
and the factory organizations existing thirty years ago!
It is just that difference—just that advance—which has helped
to make it possible to produce instruments of astonishing value at
remarkably low figures.
Notwithstanding the great advances which we have made, it
is certain that further improvements in factory system as applied
to piano making will be made.
Yet we know of some factories where it seems that every
square foot of space is utilized in such a manner that the maximum
of production is maintained at all times.
Now the management of industrial enterprises is in a state of
evolution.
The tremendous growth of the past few years has caused
methods which were previously satisfactory to become inadequate
to present needs.
Many details which in the days of smaller affairs could be
absorbed by personal inspection must now be made matters of
recprd.
' Every man who is conducting an industrial enterprise realizes
full well the advantage of having. everything systematized and
recorded and there are few qualities which are more to be desired
in equipment—methods and men—than that of efficiency.
There are many systems which are so heavy and cumbersome
that the proprietors do not know what it costs them to build certain
creations—pianos if yog will
It is extremely difficult for some men to tell just what it costs
them to produce certain products.
Now, if they do not know, how can they tell with any certainty
whether they are marketing their goods at a profit or a loss.
i It is just this same condition which exists in many lines that
causes business failures.
It is absolutely necessary that a man should know what it costs
to manufacture and market an article.
Without this knowledge he is certainly proceeding along unsafe
lines.
T
HE attitude of the daily papers toward the piano industry
as reflected in their determination not to permit the names
of the pianos played by the famous artists of the day to be used
in reviewing concerts, is a subject which has been referred to at fre-
quent intervals in The Review. In speaking of automobiles, or motor
boats, aeroplanes, or a great many other things in general use, they
do not hesitate to use the names of the makers, but when it comes to
a piano—one of the greatest and most beneficent influences in our
civilization—the blue pencil is always ready to do its work.
It is about time that manufacturers and leading dealers in their
localities should make inquiries of the editors of their local papers
as to this inconsistent and unfair attitude. The first to fall in line
in this connection is Philip Werlein, of New Orleans, La., the
former president of the National Piano Dealers' Association, who
has sent the following communication to all the New Orleans news-
papers :
*
"Gentlemen:—We would like, as a mere matter of information,
to ioQ,o^..why it is that when a piano concert is given, the name of
the piano cannot be used in the account of the performance. We
would also iike to understand why, when the name of the artist,
using a certaKf 1 designated make of piano, is mentioned, that the
name of the piano cannot be used, such use of name being con-
strued by you as advertising.
"Our interest in this matter at this time is occasioned by our
noticing the constant naming of the make of automobiles used by
the different automobile racers. We also notice the names of new
automobile concerns and the line of goods that they are to sell.
This is never done for the piano people, although we believe that the
piano advertising is of more financial value to your paper than
automobiles. We don't understand this policy and we would appre-
ciate enlightenment."
REVIEW
Now, this is the right kind of work, and the answers to this
communication will be awaited with interest. It is an example
that can be followed by dealers in other sections of the country
with good results. It is good publicity and follows out association
suggestions. It is time that the editors and publishers of the daily
papers should realize that their policy of discrimination is unfair
to a great industry such as ours.
IN LIGHTER VEIN
A PEEVISH PATIENT.—"You are unreasonable," declared the phy-
sician.
"Whx so, doc?"
"You stuff yourself with forty kinds of rich grub, and then kick be-
cause you have to take two kinds of medicine."
Exasperated Purchaser—Didn't you guarantee that this parrot would
repeat every word he heard?
Bird Dealer—Certainly I did.
"But he don't repeat a single word."
"He repeats every word he hears, but he never hears any. He is as
deaf as a post."
ALL THE SYMPTOMS.—"That kid of mine was born in a log bunga-
low."
"Which makes him a Presidential possibility to start with."
"Exactly so. As soon as he gets a little older I'm going to have him
chop down a cherry tree and also split it into rails."
HIS EXCUSE.—"Didn't you see me waving my hand for you to
stop?" said the irate woman, out of breath, when she caught up with the
car half way down the block.
"Yes, mum," replied the conductor, touching his hat; "I see you
waving your arms, but I thought you was trying to attract the attention
of somebody in one of them aeroplanes!"
WELL-CONNECTED.—The Maple—What is the oak so conceited
about?
The Elm—He is the original oak under which Washington stopped
In 1776.
The Maple—But the souvenir fiends have left him only a blackened
stump.
The Elm—That's it. He has extensive branches in every city and
town in the country.
AN ARCTIC LUNCH.—"You were twenty miles from the North Pole
and starving!" exclaimed the credulous housewife. "And how did you
save yourself?"
"Why, mum," responded Frigid Fred, as he wiped away a tear, "in
me starving moments I remembered de Eskimo dogs. Pushing out
through the snow I twisted one of der tails an' den—an' den
"
"And then what, my poor man?"
"I—I got a cold bite."
WAITING ON THE WAITER.—He was a kindly, courteous colored
waiter, and he treated me well. When he presented his check I said, "You
have waited on me very well, now let me wait on you. I would like to
hand you this piece of Gospel bread that will last you longer than this good
breakfast will me—'God so loved the world that He gave His only be-
gotten Son, that whosoever believeth in Him should not perish, but have
everlasting life.' "
He said, "That's true, that true, sah." The Lord knows whether he
ate the bread or not, but I noticed that he took my tip of two dimes.—
The Bible To-day.
DID NOT NEED THE SYMPATHY.—A couple of old salts met after
a long absence, and the following animated conversation opened:
"Well, old man, how are you getting on?"
"First rate! I have taken a wife."
"A very sensible idea."
"Not a bit of it; she's a regular Tartar."
"Then I'm sorry for you, mate."
"There's no need; she brought me a large vessel as her marriage
portion."
"Then you made a good bargain, after all?"
"Nothing to boast of, I can tell you. The ship turned out a worthless
old tinder-box."
"Then I'm sorry I spoke."
"Bah! You can speak as much as you like. The old tub was well
insured and went down on her first voyage."
"So you got the pull there, anyhow."
"Not so much, mate; I only got five hundred pounds out of the job
as my share."
"That was too bad."
"Too bad? Nothing of the sort! Wife was on board and went down
with the rest."

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