Music Trade Review

Issue: 1910 Vol. 50 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
The World Renowned
HE QUALITIES of leadership
were never better emphasized
than in the SOHMER PIANO of
to - day.
SOHMER
VOSE PIANOS
BOSTON.
They have a reputation of over
It is built to satisfy the most
cultivated tastes.
The advantage of such a piano
appeals at once to the discriminat-
ing intelligence of leading dealers.
Stobmer & Co.
WAREROOMS
Corner Fifth Avenue and 32d Street,
N e w York
FIFTY YEARS
for superiority in those qualities which
are most essential In a First-class Piano.
VOSE & SONS PIANO CO.
BOSTON, MASS.
THE
BUSH & LANE
BALER
PIANOS
013
Pianos
MANUFACTURERS' HEADQUARTERS
No*.
2BO382
WABA8H
AVENUE
CHICAGO,
GRAND AND UPRIGHT
Received Highest Award at the United States
Centennial Exhibition, 1876, and are admitted to
to© the most Celebrated Instruments of the Age.
Guaranteed for five years. E3g~ Illustrated Cata-
logue furnished on application. Price reasonable.
Terms favorable.
€J It leads all others for TONE
QUALITY, STYLE, and GEN-
ERAL CONSTRUCTION.
Iff It sells quickly and stays sold.
Iff A source of satisfaction to both
customer and dealer.
THE
Bush & Lane Piano Co.
RIGHT IN EVERY WAY
Warerooms: 237 E. 23d St.
B. H. JANSSEN
Factory : from 233 to 245 E. 23d St., N. Y. 1881-1883 PARK AVE.
N E W Y O R If
DAVENPORT & TREACY
Pianos are conceded to embody rare values. They are the result
of over three decades of acquaintance with trade needs. They
are attractive externally, possess a pure musical tone and are sold
at prices which at once make the agency valuable to the dealer.
FACTORY-190 I-1907 PARK AVENUE, NEW YORK.N.Y.
Factory and Sales Offices,
Holland, Michigan
FHCMEFIE
CHICAGO
PIANOS
CONCEDED TO BE THE
NEW ARTISTIC
STANDARD
It is with pardonable pride that we refer to the unanimity with which the
Greatest Artists, Brightest Critics and Best Musicians have accepted EVERETT
Pianos as the new Artistic Standard. Progressive dealers are fast providing
themselves with "The Everett" as a leader.
The John Church Qo.
CINCINNATI
NEW YORK
I'///. v,'//,///
OOOOOOOOQ
DEALERS WILL FIND IN THE ESTEY
PRODUCT THAT
LINDET^AN
Standard of Excellence
AND SONS
WHICH IS A POSITIVE GUARANTEE:
TO EVERY PURCHASER
900CXX3OOOOO
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CHICHGO
XPOOOOOC
PIANOS
ORGANS
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piano
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PIANOS
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
REM LW
THE
fflJJIC TIRADE
V O L . L. N o . 6.
Published Every Saturday by Edward Lyman Bill at 1 Madison Ave., New York, February 5, 1910
SING
$2 E OS 0 PERVE 0 A C R EVTS
=£<'S** ! £^ ! 5«'5« ! S^=^^^
Cut "KnocKin:
D
OKS "knocking" pay?
Now, by "knocking'' in this case I mean the colloquial term which is applied to
the depreciation of a competitor's wares or methods.
In my opinion trade knocking never pays, even in a money sense.
Do not knock, for it puts business on a low plane of ethics and no man pulls himself up by
his business boot straps by using slurring methods against another.
It is not good business.
It is unethical.
Furthermore, it tends to raise in the mind of the customer a question about the man who
adopts knocking methods.
If you cannot properly present your argument for the product which you are offering to
a prospective customer without abusing your competitor, then you are hard up indeed for argu-
ments, and do not for one moment feel that abuse constitutes argument.
It never did and it never will.
Do not knock your competitor, but emphasize what your house can do and stick to your own
arguments.
They ought to be strong enough to interest.
- Be frank and earnest and sure of what you are talking about.
And above all things do not knock.
The hammer is a dangerous weapon to the man who uses it.
He is quite as likely to smash his own fingers as to drive his purpose home.
The best interests of any trade is not served by it.
Neither is the good of your own house.
If you can stand on your own feet you are all right, but it is all wrong to kick the feet out
from under some other fellow.
You are always in danger of slipping yourself when doing it.
Perhaps it is human nature to be jealous of the strong competitor, but remember it is not
the strong competitor who uses the hammer.
Avoid knocking.
It is a bad practice and should be entirely cut out from the selling vocabulary.
It is in the end apt to come back with crushing force upon the one who uses it as the chief
stock in trade.
Avoid knocking as you would a rattlesnake.
There is no sound reason why good, straight, convincing, clean-cut arguments cannot be made
without resorting to the abuse of a competitor.
*
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