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THE:
MUSIC TRADE
Herbert-Keghinld ilc Koven i
The
INSTIiliMKNTAL.
Smyrna (Intermezzo)
(Wm. IT. Tyers)
VCM'AL.
Kuiubledmu l>ay ( I l o n n a n n I.olir)
$0.60
Love in a C o t t a g e ( H u b e r t Until)
W{
My Gifts (Toresa del Ili«oj
w
O My Garden, Full of Hoses (Kobert Conlngsby
' Clarke)
£0
Rosamond (Dorothy F o s t e r )
W
Were I a Moth (Montague l\ l'hilllps)
-60
Romany Songs (Hermann Lolu)
l-»0
Six Serious Songs (Paul A. Rubensj
J.00
INSTRUMENTAL.
Bedtime at the Zoo, Karn Dance (Lionel Monckton) .60
Moments Intimes, Valse Lente (William Huse) . . . -M)
BOOSEY & CO..
9 East 17th Street, New York.
VOCAL.
A Melody of May (Arthur Percival-Robert Hatten)
fore
the
Summer
Goes
(Harold Simpson-Charles
Befo Deacon)
Dlaphenla (II. Constable-Harold Samuel)
Heart's Desire(Kffle ltarkworth-Katherlne Barry)
Phyllis with Kyes of Tender Blue (Theresa Des-
cours-Herbert. Buunlng)
The Bee and the Flowt r (Clifton Klngham-Jaek
Thompson)
Two Sacred Songs (Music by Samuel Liddle) . . . .
Like as the Heart (XLIId Psalm).
The Lord is My Shepherd (XXlIId Psalm).
When the Thrush Sings (Harold Simpson-Wilhelm
Ganz)
When You Pass, My Dearest (Augusta Hancock
Edith Moore)
IiOve Tokens. (Six Songs by Landon Ronald) . . .
1. A Burden
2. The Captain's Lark
:?. For Phyllis (Nocturne)
4. Summer and Winter
f>. Secret Love
0. My Flower
INSTRUMENTAL.
Paysnge Breton (For Piano) (Paul Wachs)
.CO
.60
^60
.60
.60
.60
.60
.60
1.00
.60
.60
.60
.00
.60
.60
.60
T H E OLIVER DITSON CO.,
150 Tremont Street, Boston, Mass.
VOCAL.
A Sunrise Song (Henry Van Dyke-W. J . Baltzell)
How Many Times Do 1 Love Thee (Thomas Lovell
Reudoes-Kugene Cowles)
: • • •
No Rose Without a Thorn (Annie L. Brackenridge-
J. C. Bartlett)
Something for Thee (S. D. Phelps-Lillian Taitt
Sheldon)
The Cross Roads (Marguerite
Merington-Ward-
Stephens)
INSTRUMKNTAL.
.50
Andante iinale, from Donizetti's "Lucia de Lam
mermoor."
For the left hand alone
RAC1IMANINOFK, SEKOE :
Meiodie, in E Major, Op. 3, No. 3
W I U ' I A M S , FREDERICK A. (For Piano) :
.50
(For t h e Organ) :
.60
.50
.60
March in C
Three Preludes for the Organ :
No. 1 in A Minor
No. 2 in I > Major
No. I{ in 10b Major
MAURICE SHAPIRO,
1416 Broadway, New York.
VOCAL.
Angel Eyes (Alfred Bryan-Kendis & Paley)
An Irishman's Toast (Fiske O'Hara-Frank Her-
som)
Eyes of Irish Blue (Fiske O'Hara-John T. Doyle)
Mammy's 'Lasses-Candy Chile, (Cecil Mack Will
Marins Cook)
My Haytian Queen (Wm. Jerome-Jean Schwartz)
Puddin' Face. (Edgar Selden-Melville J. Gideon).
That Was Before They Were Married (Joseph
VOCAL.
A Lovely Flower Thou Seemest (Joseph llenins)..
60
A Very Bad Man (Chas. J. Campbell-Julian Ed-
60
wards)
Cradle Song (E. Maxwell-Wyman)
,60
Good-Bye, Dear Old Pal of Mine (Howard &
,50
Howard-Henry Lodge)
.60
For Us (Kate Vannah)
50
My Angelett Choree (James Untckman)
.60
My Little Love (Sadie C. Harrison)
My Sweetheart's Only Three (Mabel Love-Eleanor
.60
Kent.)
.50
Ootsie-Tootsie (Pat Rooney-Leo Curley)
.50
The Brook (Win. H. Gardner-Adam Geibel)
We Only Got Married This Morning (F. Clifford
.50
Harris-Eddie Jewell)
Where the Fairies Dwell (Jessica Moore-Geo. L.
Spaulding)
.:$o
INSTRUMENTAL.
Abide With Me (Transcription for Piano) (James
J. Freeman)
'
A Rustic Fancy (W. F. Sudds)
.no
A Woodland Lullaby (Eduard Hoist)
.50
Children in the Nursery (Karl Bergmann)
.30
Dandelion (Two step (Ted S. Ban-on.)
.50
Julia (Piano Solo) (Herman l'erlet)
.50
Meeting (Four hands) (Theo. Bendix)
Sunset in the A'alley (Reverie) (II. F>ngelmann) . . .60
The Circus Calliope (For Piano) (Leo Oehmler) . .50
The Straw Ride (Por Piano) (Harrison Aldrich) . . .50
.50
BRIGHT EYES.
(Chas. Dickson-O. A. Hauerbach-Karl L. Iloschna
Cheer Up, My Honey
.60
Harem Scarem, The
.60
I'll Build For You a Little Nest
.60
Lots of Little Things Can Happen (In a Vorv
Little While)
\ .60
Dearest Thing on Earth, The
.60
What's the Use (Duet)
.00
For You, Bright Eyes
.60
We are Only Poor Weak Mortals After All
.60
Mood Your In, The
.60
My Old Fashioned Garden Flower
.60
Selection
] .00
Waltzes
.75
MISS MOLLY MAY.
(Walter Browne Julian Edwards.)
Love Comes to Stay
.60
The Merry Model's Ball
.60
Art With a Capital "A"
.60
Molly May
.60
.60
My Face is My Fortune
.60
Poor Little Lonely Kid
.60
The Bag Pipes
Selections
i .00
'THE ARCADIANS" PRESENTED HERE.
.60
.40
.40
In the Swing
The Pony Ride
MUKI.I.EH. CARL C.
<><)
.50
LESCHKTIZKY, THEODOUB :
CADMAN, C I I A S . VVAKEFIELD.
«l)
fiO
M. W I T M A R K & SONS,
144 West 37th Street, New York.
CHAPPELL & CO., LTD..
37 West 17th Street, New York.
50
60
.t;i>
60
.60
60
.60
"The Arcadians," Charles Frohman's first
musical comedy production in America this sea-
son, was presented at the Liberty Theater, this
city, last Monday night, and repeated the suc-
cess which attended its opening presentations in
Philadelphia a few weeks ago. The piece has
already been duly reviewed in these columns.
It had the advantage in this city of being the
only new musical production offered at the open-
ing of the-week for the edification of the first-
nighters. It has had a long run at the Shaftes-
bury Theater, London, where it is still enjoying
great success. The story, in three acts, tells
of the invasion of the poetic land of Arcady by
a London hotel keeper, who has suddenly
dropped in among the Arcadians while they are
living in the simplicity of the Golden Age. The
music is published by Chappell & Co.
" I WONDER IF YOU'RE LONELY''
HEAD HAS HITS
By Ned Way burn and George Byrd Dougherty *
Hit of Shubert's New Casino Theatre Success
Sam Bernard in "The Girl and the Wizard"
Other successes in the same production
(George W. Head, Jr.)
WORLD'S GREATEST BALLAD
"Military Mary Ann"
"The Land of Love"
"La Petite Parlslenne"
"Without You The World
Don't Seem The Same"
49
REVIEW
THE REVIEW MEARS
THAT there were never so many song hits in
existence as are now being offered the over-ready
professionals.
THAT as each new song is the biggest hit that
was ever sung in any act, it must follow that
none of the publishers need listen to such a song
as "Tie Your Little Bull Outside."
THAT "The King of Cadonia" and "Tillie's
Nightmare" are to join the fade-aways, with
"The Goddess of Liberty" seen dimly in advance.
THAT Jerome D. Kern begs to differ with some
of Alan Dale's pet opinions, and never did agree
with many of them, anyway.
THAT "The Jolly Bachelors" owes much to cer-
tain vaudeville methods, which, however, Is no
reason why it should not appeal as a good, swift
musical comedy, as it is.
THAT Chas. K. Harris had to pay cash for the
seats from which he watched the opening per-
formance of "The Prince of Bohemia," but just
managed to escape the speculators.
THAT he was busy all last Saturday answering
telephone calls of congratulation on having ob-
tained the publishing rights of so decided a suc-
cess.
THAT Egbert Van Alstyne and Harry H. Will-
iams, song writers, whose compositions are pub-
lished by Jerome H. Remick & Co., not only
"nibbled at vaudeville bait," but at the Colonial
this week seemed about to swallow line, hook and
sinker.
THAT the assertion that the new Skull Trouble
Club is, of course, a branch of the Ancient
Order of Boneheads, is untrue; at least, so says
Crawford, of Hammerstein's, known as Brother
Baldy Skull.
THAT if Sophie Tucker, singing "That Loving
Soul Kiss," published by the Jos. Morris Co., be-
lieves that making the audience gasp means suc-
cess, then she achieves that distinction.
THAT George W. Head, Jr., has recovered from
a cold which affected his vocal organs so seri-
ously last week that he could hardly appear in
print.
THAT Cecil Lean and Florence Holbrook, now
starring in "Bright Byes," are writing and com-
posing two new songs which they intend shall
rank with "Mrs Casey" and "Pan, Fan, Fan."
THAT Leo Feist's song feature, "Be Jolly,
Molly," is now the principal number of Mabel
McKinle'y's act, that singer having declared the
song to be a natural hit.
THAT Andreas Dippel says an opera by an
American composer, sung in English by Ameri-
can singers, is to be one of the features of the
Metropolitan Opera House season this year.
THAT Shapiro has opened new retail stores in
Cincinnati, Wilmington and Trenton.
THAT even if William Penn is determined to
build up the Laemmle business on Forty-second
street "just for spite," he is nevertheless deter-
mined to increase it.
'The Midnight Sons"
Publishing \\
TREBUHS c c (mo
An Endless Chain of Sales of This Song Will Start
From First Purchase.
Best Ballad Since the Time of Jenny Lind
EDWARD LASRA, Gen'l Manager.
1416 Broadway,
HEAD-WESTMAN PUBLISHING CO., Inc.
Publishers of Shubert Musical Attractions
"UNLESS SOMEONE CARES"
Another really great waltz ballad
by the writers of
"I CLOSE MY EYES AND DREAM OF YOU"
1 5 2 Lake Street
CHICAGO, ILL.
VICTOR KREMER CO.
1416 Broadway, Cor. 39th Street, New York
GUS EDWARDS IS HIMSELF AGAIN!
'ANOTHER REALLY GREAT BALLAD
This is the opinion of everybody
Wilh bigger and better song hits than ever !
The Hit of "Miss Innocence"
"MY COUSIN CARUSO"
"SCHOOLMATES"
.
"MY OLD LADY"
.
.
.
.
.
.
.
. 50
.
.
50
50
WAS
The Hit of " Follies of igoq "
"I'M AFTER MADAME TETRAZZINI'S JOB" 6 0
Leo Edwards' Two Bisrgest Sellers
"LORD, HOW HE CAN LOVE"
.
.
'' THIS ROSE BRINGS MY HEART TO YOU "
FOOL?
50
60
By Chas. K. Harris
We have absolutely no selling agency arrangement
with anyone anywhere.
Gus Edwards Music Pub. Co., ™ l B r o a d w g y- N - Y - C i t y
If 1IARRK 31 W. 31st St., New York
i fci nAIMIOi MEYER COHEN, Mgr.
.
BOB WHITE'S
BIG HITS
" Hello Angel Face "
" Every Girl I Get the Other Fellow Steals "
" Kiss M e Dearie "
" Won't You Love M e "
" Come and Tease The Moon with Me "
" A Tear, A Kiss, A Smile "
" Watching and Waiting For You "
" Merry Mary, Marry Me "
" Come Right In, Sit Right Down, and Make Yourself
At Home "
" If Your Heart is Right You Can't Do M e a Wrong "
" Meet M e Cindy By The Cinder Pile "
BOB WHITE, the Modern Music Publisher
121
PLYMOUTH
STREET,
CHICACO