Music Trade Review

Issue: 1910 Vol. 50 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
REMLW
THE
JfUSIC TIRADE
VOL. L. N o . 4.
Published Every Saturday by Edward Lyman Bill at 1 Madison Ave., New York, January 22, 1910
SING
$OO°P P ERVE°A C R ENTS
g^g^fr^£<5£*5g<5g il
Have Made Nations
S
ONG writers who without doubt have had a tremendous influence in shaping the destinies of nations have never been
recognized as have been poets and military chieftains.
The great nations of earth do not hesitate to pour out their treasure in erecting costly tributes to the achieve-
ments of military heroes.
In Trafalgar Square, London, the heart of the British Empire, a great naval hero is glorified.
Under the golden dome of the Tnvalides in Paris, the great art of the French nation, is shown in a beautiful tribute to the
man who made a new map of Europe.
In the Unter den Linden in Berlin the great Frederick is deified.
In the Capital City of this country a tall, gleaming shaft shows our tribute to the Father of His Country.
And on the lordly banks of the Hudson the magnificent tomb of Grant shows how the people revere our greatest military
leader of modern times, and yet, if we look the world over where do we find a monument to the men who have written songs
which have helped to create nations?
Where is the monument to Rouget de Lisle, who gave to France the Marseillaise—that ringing melody which inspired
the French people on the field so that they swept into battle inspired by this marvelous creation ?
Where is the monument in Germany to Max Scheneckburger, who wrote the poem beginning:
"A voice resounds like thunder-peal,
'Mid dashing wave and clang of steel.
The Rhine! The Rhine! The German Rhine!
Who guards to-day my stream divine?"
Where is the monument" to Carl Wilhelm, who set the five stanzas to music?
This song, to my mind; has influenced a great nation more than any other single song ever written.
It was at once and by common consent adopted as the German watch and war cry, and it was sung from the Baltic on the
North to Bavaria on the. South and to Alsace and Lorraine on the W T est.
It was in 1854 that this song was written and the young men of Germany, forbidden by the police to meet for political dis-
cussion took refuge in their saengerbunds and maennerchors where unmolested they sang the old songs of the Fatherland and such
revolutionary pieces as the Marseillaise, since you"cannot very well arrest a man foi\ singing.
When'the memorable struggle came in 1870 every soldier in the German legions knew "The Watch On the Rhine" by
heart and it literally became the marching song and the battle cry of the armies in the field. Whole battalions and divisions went
into battle stirred by its stately "measures and 'Bismarck voiced it as his personal opinion that the singing of this song did as much
to win victories as did-the .-German bayonets.
Musically it is all that a great and inspiring national lyric should be—broad—stately—melodious, with a moderate vocal
compass that fits it for all voices.
/
In this country our composers have never been honored by the people and yet it has been said by eminent men that no gen-
erals on the field did more during the dark days of the Civil War to stir the soldiers than did the songs of George F. Root.
His "Battle Cry of Freedom" and his "Tram]), Tramp, The Boys Are Marching" did more to inspire the Boys in Blue than
all the urging of commanders.
It was the songs—the sentiment—the encouragement—that peculiar humanness which appealed to the heart and stirred
the fighting blood of men so that victories were won, and yet, where is the monument to Root?
There is none, save the one which he, himself, erected in the hearts of the American people.
Of bronze—of marble creations, which should point to future generations our'appreciation of the great war poet there are
none.

. . .
.
Is this right?
Is it
fitting?
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
RENEW
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPILLANE, Managing Editor
Executive and Reportorial Stall:
Oso.
L. B. BOWEBS,
B. KULXMOL,
w . H. DYKES,
R. W. SIMMONS.
AUGUST J. TIMPB.
B. BBITTAIN WILSON,
A. J. NICKLIN,
BOSTON OFFICE:
BSNBST L. WAITT, 69 Summer St.
PHILADELPHIA:
CHICAGO OFFICE:
E. P. VAN HABLINQBN, Room 806,1S6 Wabash Are.
Telephone, Central 414.
MINNEAPOLIS a n d ST. PAUL:
ST. LOUIS:
B. W. K i c m r i R ,
ADOLI- EDSTBN.
CHAS. N. VAN BDRBN.
SAN FRANCISCO: S. H. GBAY, 88 First Street.
CINCINNATI. O.:
BALTIMORE, MD.:
JACOB W. WAI/TUBS.
A. ROBEBT FRENCH.
LONDON. ENGLAND: 69 Baslnghall St., B. C.
W. LIONBL STUBDI, Manager.
Published Every Saturday at 1 Madison Avenue, New York
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION. (Including postage). United States and Mexico, $2.00 per year;
Canada, $3.50; all other countries, $4.00.
ADVERTISEMENTS. $2,00 per Inch, single column, per Insertion. On quarterly or
yearly contracts a special discount Is allowed. Adrertising Pages, $60.00; opposite
reading matter, $76.00.
REMITTANCES. In other than currency form, should be made payable to Edward
Lyman BUI.
important feature of this publication is a complete sec-
to the interests of music publishers and dealers.
Music Section. tion An devoted
Exposition Honors Won by The Review
Brand Prim
Paris Exposition, 1900
Diploma.Pan-American Exposition, 1901
Gold Medal
Stiver Medal. Charleston Exposition, 1002
Gold Medal
St. Louis Exposition, 1904
Lewis-Clark Exposition, 1900.
LONG DISTANCE TELEPHONES-NUMBERS 4677 and 4678 GRAMERCY
Connecting all Departments.
Cable a d d r e s s : "Elblll. N e w York.**
NEW YORK, JANUARY 22, 1910
EDITORIAL
A
NUMBER of advertisements put forth by various retail piano
concerns throughout the country indicate that the January
bargain offerings are now in evidence.
Merchants in all lines seem to think that it is impossible to get
the people to come in to the various stores in January without a
brass band and various other accompaniments.
It may be true that extra inducements are necessary to bring
out the people, but it seems as if the present idea of slaughtering
prices indiscriminately is not a safe one.
When a dealer advertises a piano worth $450 for $225 does it
not look as if he were carrying price cutting to an extreme point?
Surely no one could believe that if a piano was actually worth
$450 that the dealer could afford to sell it for $225.
Men would know at once that he had not reached the point
where his profits wore entirely eliminated.
It may be well enough for merchants in certain lines to sell
goods which are going out of style at cost or below cost, but people
of intelligence know that pianos do not depreciate in such a manner,
therefore the bait offered by such an announcement as we have
quoted above is carrying the point a little too far and it is culti-
vating the idea in the minds of the public that there is no real basis
of piano values, for when a customer is offered a piano at a price
there is no guarantee that the price is anywhere near the right one
and statements of such alarming reductions do not smack of good
merchandising.
The announcements are too sensational to belong to a settled
trade.
•No, it is not good business to cultivate the impression in the
minds of, the purchasing public that piano prices are not right.
Again we notice that the system of guessing contests is having
a good swing at this time once more.
Well, after the guessing contests what then ?
When business is forced up to a certain point through methods
REVIEW
which are sensational and are not sound the question is what will
men do to hold trade up when these temporary props are removed
and they cannot last forever.
It is pretty difficult to tell just where the guessing contest and
coupon plan is going to leave the piano trade of the future.
SUBSCRIBER w r riting to The Review from an Eastern city
says that he does not look for a big trade in his line during
the present year owing to the fact that the increased cost in living
makes it impossible for many people to purchase pianos.
There is no question but that the rising tide in living cost is
affecting all lines of trade, but how are we going to stop it?
That is the question.
A lot of brilliant minds have been discussing this matter.
Eight well-known American economists have favored the pub-
lic with their explanations of the present soaring prices. As is
usual among experts of the economical faculty, there is considerable
difference of opinion and further proof thus afforded that their
science, despite all the effort expended on it, is not yet an exact one.
Yet from the eight explanations a greater concurrence of view
can be extracted than is common. Five mention the increase in
the world's gold supply as the chief or a chief cause of the rise.
It is needless to say that Prof. Irving Fisher, of Yale, is the most
pronounced advocate of the gold theory. For several years, on
every available occasion, he sounded the tocsin of alarm, pointing
out that if there was not found a way to lessen the flow of golden
treasure from the mines that the world would soon face a grave
crisis. Agreeing with him, although less emphatic and allowing for
other causes, are Prof. Frank Taussig, of Harvard; Prof. Frank
J. Goodnow, of Columbia; Prof. Davis R. Dewey, of the Massa-
chusetts Institute of Technology, and Prof. J. R. Kennedy, of the
University of Illinois. On the other hand, Prof. Simon N. Patten
denies that the increased gold supply has had any appreciable influ-
ence, while Prof. J. Lawrence Laughlin, of the University of Chi-
cago, lays the chief blame on the trusts, and Prof. John B. Clark,
of Columbia, on the exhaustion of natural resources.
There is a common note of hopelessness. Prof. Fisher sees no
relief in sight unless a way is found to boost interest rates more
quickly and thus apply a brake to the overstimulus that rising prices
give to industry. Prof. Taussig says that "it is inevitable that
prices should advance." Prof. Goodnow sees no relief except
Argentina comes to the world's assistance with new food supplies.
"Higher yet," says Prof. Dewey, and Prof. Kennedy is similarly
discouraging. Prof. Laughlin predicts "still higher prices for all
commodities," Prof. Clark sees "no immediate relief for the high
prices," and Prof. Patten says the same. The eight economists are
thus a unit on the proposition that things are to grow worse before
they grow better for the man whose expenses are increasing faster
than his wages or his salary.
Yet some progress is made when there is general perception of
the fact that the gold supply of the world has relation to the price
average. In many industries, to secure stability, the principle of
regulating production is necessary. Is it possible, to keep average
prices from sliding first up and then down, that there must be con-
trol of gold production with only a stipulated number of ounces
allowed to be mined each year? If the gold theorists are right, and
the yellow metal comes in greater volume, there would seem to be
no other way to hold the balance true between debtor and creditor
except to alter the weights of gold coin or introduce some multiple
standard of value.
T
HERE are but few piano manufacturing institutions in this
country which are doing an appreciable business in South
America.
All of the trade which comes from those countries at the present
time is sporadic.
Tt is a piano here and there and the total does not figure very
much.
Tn this connection it may be interesting to review briefly some
trade statistics, showing jn.st how our trade balance stands with
Latin America.
From a preliminary statement issued by the Treasury Depart-
ment we learn that final reports will show that trade between the
United States and South America in HJOO, was greater than in anv
year preceding. The total volume of this commerce is estimated at

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