Music Trade Review

Issue: 1910 Vol. 50 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
Bulletin
><^f W I S D O M ^
SPECIAL INTERESTS PIANO DEALERS
Vol. 2. No. 29.
Published Weekly by Christman Sons, New York
April 23, 1910
THE WORK OF A GOOD PIANO
D
OES a good piano work for you or
against you?
That's the question.
What do you think about it?
It pays to stop a moment and consider, Mr.
Piano Merchant.
It won't take long and, of course, your
answer will be that a good piano works for you.
Granted!
Then why not have a piano that is a good
worker—that works day and night—never
knows when quitting time comes—never hears
the whistle blow—never stops for holidays or
any other time, but just keeps right on working
365 days in the year and for YOU.
That's the Christman.
Christman pianos have been doing this kind
of work for successful dealers all over the coun-
try and they will continue to do that work as
long as the business exists.
There is no halting—no sleeping.
The Christman just goes right on working.
Of course you can do business without the
Christman.
There is no doubt of that.
But there is also no doubt but that you can
do more business with it and you can do busi-
ness easier.
Now, the Christman will help to increase
your own prestige.
Don't you realize that the respect which
people have for pianos they purchase helps the
dealer who sells them?
Don't you suppose that many a customer is
brought in and is influenced in making a piano
purchase by something that has been told him
by his friends?
Of course!
Now, we would like to talk these things
over with you, provided, of course, we have no
agent in your town.
If you are coming to New York before the
Convention at Richmond, or propose to visit the
city after it, figure to make a call at the Christ-
man factory at 597-601 East 137th Street, New
York.
We will tell you how successful dealers have
become more successful through their Christ-
man alliance—how small piano merchants have
grown to be large piano merchants through the
help of Christman influence.
There is no worn-out prestige about the
Christman.
It is fresh—up-to-date—vitalizing.
It is a force which should not be overlooked
in the piano world.
It is a force that will help you.
It is the right kind of a piano.
No doubt of that.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
10
THE
C«PTrighti894,b T Morri.on.rwo.g<,
EMMA
DONNA
REVIEW
EDOUARD DE RESZKE
ADELINA PATTI
MARCELLA-SEMBRICH
THE UNRIVALED BASSO
THE QUEEN OF SONG
THE EMINENT PRIMA DONNA THK WORLD'S GREAT TENOR THE EMINENT I'RIMA DONNA THE GREAT AMERICAN 1'KIMA
CALVE
"The Kimball is a superb piano "
MUSIC TRADE
"'
ai
.
" absolutely satisfied with
my Kimball Piano. '
"The Kimball Pianohasa won-
derfully sweet and sympa-
thetictone."
"The Kimball ranks with the
best Instruments before the
world."
JEAN DE RESZKE
"Wehaveconcludedtopurchase
Kimball Pianos for our per-
sonal use."
KMMA A L B A N I
'
"The Kimball Piano is an
ex-
cellent instrument.' 1
LILLIAN NORDICA
"The morel use my Kimball
Piano the better 1 like it."
WALTER DAMROSCH
Copyright 1SS2, l>y B. J. Flit, N. Y.
DAMHIISC'H
EMMA EAMES
OPERA CO.
"The Kimball Piano has a pure,
refined and powerful tone."
ttttmyt'wmiirrimriwm'wnnmm
World's Columbian Exposition
EMIL LIEBLIXG
JOHN PHILIP SOUSA
Award to
W. W. KIMBALL COMPANY
CONCERT PIANIST AND
COMPOSER
THE MARCH KING
•The Kimball l'iano Is first-
class in every respect."
This firm deserves the GREATEST COMMENDATION FOR
"I use the Kimball Pia
ex-
clusively because it meets my
requirements in every
spect."
THE SUPERLATIVE MEKIT and variety of exhibits, and
also for having attained THH HIGHEST STANDARD <>I
EXCELLENCE IN ALL BRANCHES OP T H E I R M A N -
UFACTURE.
E. P. CARPENTER.
Individual Judge.
G. CAMPANARI
THE WELL-KNOWN BARYTONE
RUDOLPH GANZ
CONCHRT PIANIST AND
COMl'OSER
•'The tone or II,- Kiml.11 P!«
s»p«»lallj 1
•Injing q
"I recommend the Kimball
Piano."
The Verdict which gives First Place to the Kimball
HENIOT LEVY
CONCERT PIANIST AND
COMPOSER
"The tone of a heautif ul sing-
Ing quality and powerful
enough to satisfy every de-
mand."
The World's Columbian Jury overwhelmingly sustained and confirmed by the music loving public,
30,000 of whom purchase Kimball instruments each year; the dealer whose personal profit depends
upon his ability to judge, general pur*/lasers, always keen to get the most for their money, and the
world's greatest artists whose lifr »vovk is music. There is wisdom in this multitude of counselors.
MYRTLE ELVYN
ERNESTO CONSOLO
ALLEN SPENCER
CONCERT PIANISTE
CONCERT PIANIST
CONCERT PIANIST AND
TEACHER
"The Kimhall pianos furnish
the most perfect medium for
h 4 > i i laying."
"The Kimhall pianos have
given me the utmost satisfac-
tion.
They possess g r e a t
breadth of tone and the sing-
Ing quality it exceptionally
food."
KIMBALL PLAYER PIANOS
Manufactured by
"Its marvelously responsive
action is a constant source of
wonder to me. It brings out
the best In a musician because
It arouses his enthusiasm."
EDOUARD
HESSELBERG
RUSSIAN PIANIST AND
COMPOSER
"A most perfect instrument
with full and round tone, of a
beautiful singing quality; the
action perfect and susceptible
to MM most delioat* touch."
SILVIO SCIONTI
CONCERT PIANIST AND
TEACHER
"IcongratulatetheW.'IV.Kimball
Co., on their production of a
piano sosuiUble for tl le teache
the student and for t w concert
stage."
WALDEMAR
LUTSCHG
KIMBALL PIANOS-PIPE A N D REED ORGANS
'Ranks with the best Instru-
ments before the world."
EMILE SAURET
CONCKRT PIANIST

"The Kimball pi
factory W me ii
JOHANNA GADSKI
s most satis*
ry respect."
THK EMINENT FRENCH
VIOLINIST
"Iplare the Kimball Pianos Id
the lirst rank of first-class
luitrtruents."
PIANO PLAYERS
KIMBALL COMPANY, (Established 1857), Chicago

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