Music Trade Review

Issue: 1908 Vol. 47 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
pieces. The back is of maple, the front spruce,
the sides curly maple, the handle of maple, a
black ebony tail and finger-board and inlaid with
black ebony and pearl diamond. There are all
shades of pearl, and the violin is attracting much
attention. Mr. Barnes made it in ten days at
MUSIC TRADE
REVIEW
quick sellers in accordeons are illustrated and
described in detail, following which are thirty
pages devoted to a line of violins.
Included in this section, but printed in a dis-
tinctive fashion, are the celebrated master vio
lins from the workshops of Salvadore de Durro.
In succession follow innumerable styles of violin
bows, strings, 'cellos, harmonicas, mandolins,
guitars, banjos, a line of band instruments, an
assortment of drums and the thousand and one
things that go to make up a complete catalog
such as this one is. The entire edition is bound
in cloth and boards, the cover being embellished
in red and blue with the new Durro Seal of
Quality trade-mark lately adopted by Buegeleisen
& Jacobson.
The compiling, editing and publishing of this
volume is the work of L. M. Schwartz, the firm's
advertising man, and rounds out appropriately
the first year of his connection with the house,
during which time he has issued many novel
pieces of business-bringing advertising literature.
the side, and the shell had to be brought across*
on the deck of a steamboat from Maine; it was
so large and the head was made of pieced skins.
Mr. Baldwin died March 26, 1896.
Possibly the oldest drum in the country is the
one in the Old State House, that belonged to
odd joiis.
Major Daniel Simpson, who beat the drum with
the New England Guards when they started for
Marblehead
in 1812 to defend the coast. For
B. & J.'S NEW CATALOG.
seventy-five years he beat the drum with various
military companies, and in the sixty-sixth annual
A Most Creditable Example of Publicity—Care-
parade of the Ancient and Honorable Artillery.
fully Arranged, Well Printed and Ably
Last April there was presented to the Lexing-
Edited by B. & J.'s Publicity Manager.
ton Historical Society the drum that was beaten
on Lexington Green April 15, 1775, to announce
The illustrated modern musical merchandise
the approach of the British. The drum was
beaten by William Dineen. At this presentation
the drum was beaten for the third time since
that memorable morning in Lexington 128 years
ago. It was beaten at the Centennial exercises
in 1875.
There is an old drum in the work room of
J. C. Haynes & Co., marked "Boston City Guard,"
HISTORICAL FACTS ABOUT DRUMS. and is possibly 80 years old.
The Lamas of Thibet use in their church cere-
One of the Oldest in Existence Is in the Old monies that are certainly repulsive and grew-
State House in Boston—The Drum in Peace some. The skulls of two children are taken
and over the concave of each is stretched the
and in War.
skin of a snake. The two skulls are then
cemented at their verticis to either side of a
There lived a man in Boston by the name of
N. J. Baldwin, known also as "Grandsire Bald- wooden disc covered with a cotton cloth, the
win," who, during his life, made 18,000 drums— stretched skin being outermost. The heads have
and to match this 36,000 drum sticks were painted on them devils in red and blue colors.
needed. When the Civil War broke out, a firm To play them, two halves of a cord is fastened
here got a contract to make drums—and Mr. to the wooden disc, and the drum suspended
MUSICAL
Baldwin was engaged to do it. He made all and made to revolve; two short cords with knots
MERCHANDISE
sorts of drums—bass drums and tenor drums, hang down and as the drum revolves they strike
with tin sides that were so popular when silver it and make a "turn, turn."
cornet bands were in vogue. Hardly a Massachu-
Possibly the drum is the oldest musical in-
setts band that went to the front that did not strument. Every savage nation has its instru-
have one of his drums, and although he worked ment of percussion. In some lands it was cred-
hard in those days, drums could not be turned ited with divine origin. In the interior of Brazil
BUEGELEISEN t^JACOBSON
out fast enough to meet the demand, writes it is treated as a god. The native sorcerer of
NEW YORK
George Brayley, in the Dominant.
Lapland foretells by the use of a drum the suc-
Many went to Maine, New Hampshire and Ver- cess or failure of the hunting season. The Amer-
mont, and beat the brave men into many a ican Indian used it as an instrument of affection,
catalog of Buegeleisen & Jacobson, 113-115 Uni- charge. Some went on the other side, and in its monotonous beating, as Hiawatha told the,
"old story" on their way to MInnehaha.
t ._f
versity Place, New York, is fresh off the press. cheered the Confederates by their beat.
When Gilmore planned his Peace Jubilee in
The work of distributing the heavy edition is
VACATION PLANS OF THE BEHREND& •
already in progress. Although the fall buying 1871, he secured the services of Baldwin, not
season is not yet within striking distance, their only to make the big drum, but beat it. This
David Behrend, of Jos. W. Stern & Co.'s musi-
catalog is nevertheless going out at a rapid rate. famous drum was 6 feet across the head, and
cal merchandise department, is now on his vaca-
The volume abounds with a diversified line of
30 inches in width. This was a monster drum,
tion, going Thursday week. On his return Mon-
small goods, hundreds of fine illustrations lend- but the second one holds the record for size.
day, Al. Behrend, the co-manager, will seek a
ing it an inviting appearance. About a hundred It was 12 feet across the head and 4 feet across
cool spot in "some vast wilderness, some bound-
FOR " T H E TRIO CORNET '
THE VIENNA W O N D E R " A H D
"MILANO ORCANETTO ACCORDEONS
WRITE TO
WM. R. GRATZ IMPORT COMPANY, 35 and 37 West 31st St., New York
NAME
CONN
•NE> T H E
Union Label
ARE SYNONYMOUS
AND THE
less contiguity of shade." Following this period
of recuperation, he will take to the road and
pencil orders—he hopes—in rapid succession.
When one is up against it, there is virtue in
doing something. Inactivity—just plain, hope-
less drifting—is the limit of imbecility. In try-
ing something new one has a chance. However
remote that chance may be, it is a long way bet-
ter than passive death.
Lyon & Healy, Chicago, have received an order
for seventeen instruments to supply the new
brass band recently organized in Muncie, Ind.
The Frederickson-Kroh Music Co. store in
Oklahoma City, Okla., is not affected by the
taking over of the Muskogee store of the com-
pany by the Kroh Music Co.
SMITH ACADEMY
GUITARS a n d MANDOLINS
Genuine Distinguishing Marks of Superiority
Cannot Be Duplicated lor the Money
Which Will In Future Be Found On All
A trial order la all we ask
Wonder and American Model Band
and Orchestral Instruments
WRITE FOR A CATALOGUE OF SALABLE GOODS
MADE BY
C. G. CONN COMPANY,
Koerber-Brenner Music Company
ST. LOUIS
Exclusively
Wholesale
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
VOL. XLVIII. No. 5. Published Every Saturday by Edward Lyman Bffl at I Madison Ave., New York, Jaly J8,1908.
WATT GETS TWO YEARS
In the Elmira Reformatory for Using the Mails
to Defraud—Engineered a Song Writing
Ccntest—How He Operated the Scheme.
A verdict of guilty, with a recommendation to
mercy, was returned in the United States Cir-
cuit Court, New York, last week, by a jury in
the trial of Eugene B. Watt, accused o:' using
the mails to defraud. Postoffice Inspector Peters,
for the prosecution, told of his investigation of
the $500 prize song contest advertised by the
J. A. Bartlett Music Co. Judge Hough consented
to the striking out of the conspiracy counts in
the indictment against Watt because of lack of
evidence to sustain them, and sentenced the
prisoner to two years in Elmira Reformatory.
AN INEXPENSIVE AND YET A MOST ATTRACTIVE DISPLAY.
No. 3.
SINGLE COPIES, 10 CENTS.
$8.00 PER YEAR.
According to the evidence it, appeared that the
('efendant advertised an opportunity to "achieve
lame and fortune" in a song writing contest to
be held in this city, at which the most famous
composers and professional singers were to try
the pieces submitted, and chosen judges were to
select three of the best songs, from which one
was to be taken for the coveted $500 prize.
Many rhymesters nibbled at the bait and sent in
amounts ranging from $10 to $25. They still
await returns.
The defendant Watt's operations were con-
ducted under the various names of the Temple
Court Music Publishing Co., Broadway Harmony
Studios, Raymond A. Browne Music Co., and
J. A. Bartlett Music Publishing Co. Mr. Bart-
lett, who swore he was a bona fide music pub-
lisher, was a witness for the government, and
testified that the use of his name was unauthor-
ized, and that although he had entered into
some kind of a business deal with Watt, he had
withdrawn as soon as he learned the nature of
the latter's enterprise. Another witness, a
stenographer, testified that she had typewritten
more than seventy letters for Watt, all of which
were alike except the names of the persons t.;)
which they were addressed and the name of each
person's particular song.
NEW MUSICAL PRODUCTIONS
To be Produced the Coming Season by Chas.
Frohman at the Leading New York Theatres
—A Promising Roster.
In a recent letter from London, Charles Froh-
man, the well-known theatrical manager, out-
lined his "musical" plans for the forthcoming
theatrical season. Both Leslie Stuart and Paul
A. Rubens are under contract with him to supply
musical plays, both of which will, of course, be
published by Chappell & Co. "My first musical
production next season," says Mr. Frohman, "will
be 'Fluffy Ruffles' (T. B. Harms & Co.. New York).
My next musical play will be 'The Girls of Got-
tenberg' (Chappell & Co.), in which Miss Gertie
Millar will be the feature. This will be followed
by a musical play with a story from the French,
and which I expect to do in America and Eng-
land.
"After that comes 'The Dollar Princess.' The
adaptation of the book is being made for America
by George Grossmith, Jr. It will differ, as far as
the adaptation is concerned, from 'The Dollar
Princess' which George Edwardes will produce,
although, of course, the story and the music will
remain the same. I believe the locale of the last
act of the two plays will be entirely different
The two columns on either side are 7 in. square, to a plain wooden upright to which the music is one from the other.
" 'The Dollar Princess' has much humor that
the base being about 11 in. square. A strip of attached. The two units on either side of the
wood one-half in. thick by 2 in. wide is fastened center unit are made of strips of wood two in. arises from the situations. Its story is rare for
from one column to the other, at the top. A square with openings cut in at intervals in which America, because it is about Americans, and
short distance below it another strip similar to music shown horizontally is placed. A few touches on the American penchant for titles.
"This American story, all about America, is
the one on top is bent to form the arch. Crepe sprays of golden rod are used here and there as
paper cut in strips about one inch and a half shown, as the window was dedicated to the ex- written by two Germans, whose idea of Ameri-
wide is stretched from the top strip of wood to ploitation of Miss Mabel McKinley's "Golden cans is quaint. When I saw this play produced
the one below and twisted in spiral shape as Rod," published by Leo Feist, the well-known in Hamburg, the only thing American about it
shown in photo. The sheets of music are at- publisher, to whom The Review is indebted for —cast, production, scenes—was a roll-top Ameri-
tached to the strips as shown in the photo. The this series of photographs. Any flowers may be can desk. I venture to say that you will go wild
center unit is arranged on a piece of board cut used, however, with artistic effect. The window over this music—that there will be three num-
bers that will carry the town."
round about 12 in. in diameter. This is attached furnishes a valuable idea to dealers.

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