Music Trade Review

Issue: 1908 Vol. 47 N. 26

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPILLANE, Managing Editor
J . HAYDEN-CLARENDON, E d i t o r
Published Every Saturday at 1 Madison Avenue, New York
SUBSCRIPTION, (Including postage), United States and
Mexico, $2.00 per year; Canada, $3.50; all other coun-
tries, $4.00.
Telephones—Numbers 4677 and 4678 Gramercy
Connecting all Departments
NEW
YORK, DECEMBER 2 6 , 1 9 0 8
COMMENTS B Y ^ \ ,
THE
H prosperous IRew HJear Zo HIl
To our many friends in the music publishing
and retailing world, who in a thousand different
ways have helped to build up this section, which
The Review is forever striving to make worthy
of the important industry which it represents,
the writer wishes the brightest and most pros-
perous of New Years and a continuance of
prosperity and good fortune in the years to come.
A Pertinent Inquiry.
So many communications reach this depart-
ment weekly, relevant as well as irrelevant to
the publishing and retailing of sheet music, that
to "read, mark, learn and inwardly digest" their
contents and answer them fully in these columns
would be a task far beyond the capacity of any
one individual. It is unnecessary to say that the
writer is always glad to receive letters from the
readers of this section, and though individual
communications are rarely dealt with separately,
their contents are carefully noted, oftentimes be-
ing made the subject of inquiry, and usually pub-
licity is sooner or later given them in some form
or other. A recent letter from Tomaz F.
Deuther, a well-known Chicago retailer, however,
is deserving of individual consideration for the
reason that he asks a number of pertinent ques-
tions, not the least important of which are the
following: "Are you sincere in your seeming
endeavor to try and correct the evils (i.e., of the
sheet music trade) as now existing?" And
again: "Is the advertising that the publishers
give you worth enough for you to refrain from
getting after them?" (i. e., if they cut rates).
MUSIC TRADE
REVIEW
In short, Mr. Deuther questions the sincerity
of The Review in its desire to help the dealer
against the "cut rate" methods of some of the
"popular" publishers, at the same time inferring
that as the publishers alone are our advertisers,
and consequently a source of revenue, they and
they alone are the ones to whom we cater.
Where Thought Is Necessary.
While Mr. Deuther propounds an interesting
question, maybe he could have spared himself a
good deal of writing had he given his subject a
moment's thought. He might have figured out
that the value of any newspaper lies primarily
in its circulation, and to get that circulation, a
newspaper—be it a trade paper or otherwise—
must necessarily give its best efforts towards the
interests of its readers as a whole and not to any
particular class. Mr. Deuther might also have
figured—that is, if figuring is in his line—that
advertisers do not pay their good money for pub-
licity unless they get a quid pro quo for their
expenditure, that they would not advertise in
The Review unless they were certain it reached
and was read, by the entire sheet music trade,
and that reaching the entire trade as it does, it
must be obvious to them that the readers of The
Review have confidence in its editorial policy.
Maybe Mr. Deuther requires a flat unequivocal
answer to his question. Gladly does the writer
give it: The "Music Section" of The Review is
sincere in its endeavor to try and correct the
evils now existing in the sheet music trade, and,
moreover, the amalgamated music publishing in-
terests of the entire country have not enough
money or influence to buy a critical opinion
within its pages. If a publisher, no matter
whom he may be, departs from what The Review
regards as the median line of trade equity,
whether he be our largest advertiser or an un-
known quantity in the publishing world, he has
been in the past and will be in the future ex-
posed without fear or favor. Moreover, the
writer goes on record as saying that if anyone
advertising in this section imagines that their
advertising carries with it any special privileges
or favors so far as our news columns are con-
cerned, then they are invited to withdraw their
advertising as soon as it is convenient for them
to do so.
Special Privileges for None.
The "Music Section" of The Review is not run
for the publisher, neither is it run for the re-
tailer, but for the trade as a whole, and its un-
alterable policy is to benefit the trade as a whole
so far as lies in its power. True, its critical
opinion may at times be untutored. Oftentimes,
indeed, it may be faulty, but it is the best it has
to offer and is given squarely and honestly with-
out fear, favor or prejudice. Mr. Deuther may
THE MOST POPULAR. PIANO PIECES
We are the Publishers of
"HAVANA"
Leslie Stuart's Latest Opera
"THE GIRLS OF GOTTENBERG
AND
"MISS HOOK OF HOLLAND"
Chappell & Co., Ltd.,
37 West 17th Street
N E W YORK
A collection of 85 standard
piano pieces arranged and in
some instances simplified by
the famous American com-
oser and musician, George
osey, intended especially for
the use of second and third
year piano students, and for
the use of amateurs who wish
to have good piano music
which they can play without
any great degree of technical
ability. The contents include
a wide variety of composi-
tions and is of such a nature
as to appeal to every lover
of piano music. Regular price,
75c.
Price to the trade,
27%c. per copy; 25 copies or more at 25c; 100 copies or
more at 22 %c.
Published by HINDS, NOBLE & ELDREDGE
g
31-35
T. B. Harms & Francis, Day
& Hunter
"FLUFFY RUFFLES"
MUSICAL COMEDY
HARRY LAUDER'S
SONG HITS
Successful Songs in
'The Girls of Gottenberg
1431 BROADWAY, NEW YORK
West
15th
Street,
New
THE BABY BALLAD
York
City
BEAUTIFUL
"Always Me"
By CHAS. K. HARRIS.
The Best Child Song he has written since
"Always In the Way "
Sold by your music jobber or direct
from the publisher.
CHAS. K. HARRIS, 31
MEYER COHEN, Mgr.
read, but that his mental digestion is lacking ia
self-evident. A slight tax on his memory would
have answered his questions, to which, however,
he has a right to demand an answer. To make
up for this lack of memory, we have files of this
section of The Review on hand which are at all
times open to his inspection—files which prove
beyond possibility of contradiction that our
policy is and has been "equal rights for all and
special privileges for none."
DETAILS OF OPERA CONTEST
Established by the Metropolitan Opera Co. to
be Observed by the American Composer Who
Desires to Write the Best Opera.
Mr. Gatti-Casazza recently announced the de-
tails of the contest established by the Metropoli-
tan Opera Company for the best opera by an
American composer. The winner of the contest
will receive a prize of $10,000, and the opera will
be produced the following season at the Metro-
politan Opera House. Here are the rules govern-
ing the contest:
The composer must be a native citizen of the
United States of America; his residence is im-
material.
The opera must be what is known commonly
as grand opera.
The entire performance, including intermis-
sions, must not exceed three and one-quarter
hours.
The libretto must be in English. If it is an
adaptation of any existing literary work, it must
be a new adaptation.
The contest opens on December 20, 1908, and
closes on September 15, 1910.
All scores must be anonymous, containing a
mark of identification corresponding with an
identical mark on a sealed envelope containing
the names of the composer and librettist.
The award will be made by a jury of recog-
nized authorities selected by the Board of Direc-
tors of the Metropolitan Opera Company.
The agreement of at least two-thirds of the
jury is necessary for a decision, and the jury
may reopen the contest for a period of eighteen
months.
The opera receiving the award will be staged
by the Metropolitan Opera Company in New
York the season following the making of the
award.
The opera company shall be entitled for it-
self and its affiliated theaters to the exclusive
performing rights in the United States, Canada,
Cuba and Mexico for a period of five years after
the first performance without payment of any
royalties. The opera company reserves the op-
tion to extend the exclusive performing rights
DEMANDED BYTHE PUBLIC
EVERYWHERE
The Musical Gems of
Henry M. Blossom and Victor Herbert's
New Musical Comedy Success
The Prima
Donna
Mme. FRITZI SCHEFF'S
STARRING V E H I C L E
Stock Up Now! You Will Get
Calls for Them!
M. WITMARK & SONS
144 West 37th Street, - New York City
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
49
REVIEW
worth while for any of the many Christmas shop-
pers to walk the half square from Hamilton
street and be fully repaid in seeing a very fine
and costly display. "The Man Who Fights the
Fire" is published by Leo Feist.
Dec. 23. All of the songs of Mr. Lauder are pub-
lished by T. B. Harms & Francis, Day & Hunter.
The Modern Music Publishers are steadily
branching out and now have representatives in
Cleveland, Cincinnati, Denver, New York and
Chicago. Quite a showing indeed for the young
house, whose bump of continuity is well devel-
TRADE NEWS FROM CHICAGO.
oped. The firm say that the aggregate number
Latest Productions at the Theaters—What a
of copies of their "Kiss Me Dearie" solo is now
"For Rent" Sign May Mean—Bert Leighton a
nearing the 50,000 mark.
Benedict—Miller Co. PublicationsPopular—
"When I Go Marching with Georgie" (Ros-
Harry Lauder Due This Week—Modern
siter) is still one of their best selling numbers.
Music Publishers Branching Out.
The Ballman orchestra, a popular north side
ANENT FEIST'S WINDOW COMPETITION.
organization, of which Otto Frey, professional
(Special to The Review.)
manager of the Chicago house of Witmark is
Says the Allentown, Pa., Item: In a contest
Chicago, 111., Dec. 19, 1908.
manager, were commended very highly in their
for the most attractive and best window display,
The long run of the Cohan productions at the
made up of the title pages from the popular song, Colonial Theater will be interrupted on Jan. 3, interpretation of the high class numbers used
"The Man Who Fights the Fire," H. S. Schultz when "The Soul Kiss' 1 (Witmark) comes to the at Isadora Duncan's farewell appearance at the
& Co., the enterprising music house of No. 41 Randolph street playhouse. Chicagoans have Auditorium last night.
"Someday" (Star Music Publishers) by Tell
South Seventh street, were the winners of the been awaiting with interest a chance to view
Taylor, is assuming a "hit"-like sale. "I Want
second prize. The contest was very close and this much heralded production. "The Talk of
music houses all over the United States were in New York/' "The Yankee Prince" and "The a Little Girlie Just Like You" is now ready with
the contest. Other prize winners were from American Idea" (Cohan & Harris) have all met slides.
"The Message of a Dying Engineer" is proving
Wisconsin, Iowa, North Dakota and Minnesota. with merited success in the windy city, and the
This music house is to be congratulated upon the hits of these productions have been much in one of the best sellers of the Hart catalog, re-
cently purchased by the Albright Music Co.
fine window displays, which seem to be a spe- vogue.
"I Wish I Had a Girl" still heads the list of
cialty with them, and at the present time it is
"Always Me," the popular ballad of Chas. K.
popular numbers of the Thompson Co.'s catalog.
Harris, is being taken up with enthusiasm by
the orchestra leaders, and is proving itself a
T is a significant fact that
popular dance number.
CONSERVATORY EDITION
The demand for "Playmates," "Baby Talk" and
although music business gen-
"Monterey," with the attractive slides furnished
erally has been "hit hard" recently,
them, by the Victor Kremer Co., continues most
EVEN if you'd like to think so, there
satisfactory and the company are unusually busy.
are no other editions of
"Morning Cy" is meeting with undiminished pop-
ularity as a barn dance number.
The fact that a "for rent" sign decorates the
sales have held their own, which
window of a cut rate music store on Washing-
means that many people purchased
ton street would seem to indicate that the prob-
ten cent music because they wanted
lems of the sheet music field had either dulled
or broken the edge of the "cutter."
to economize, and becoming ac-
Another music publisher has joined the ranks
quainted with
that are nearly so good as the just
of the Benedicts. The event, which occurred a
published
month ago, had as its principals Bert Leigh-
ton, one of the firm of the Star Music Publishers,
and a Decatur girl, and had a romantic trend.
for the first time, created new bus-
Schoolmates in Decatur, and later lovers, they
iness and caused activity in our
pledged their troth and were married in Toronto,
Can., where the groom was playing. The couple
sales department.
of these standard works, and best of all,
have the congratulations of the trade.
they cost less than any other edition—
The era of
none nearly so good.
"In the Happy Days of Yore" and "Sailor Boy"
(Miller Music Co.) must be steadily increasing
in popularity judging from their increased use
Conservatory Publication
by professional people around the city. "If
You'll Love Me I Will Buy the Earth for You,"
Ten Cent Sheet Music has come.
Society
Mr. Miller's first incursion into the very "pop"
Cor. BROADWAY and 28th ST., NEW YORK
field, promises to prove a winner and some hand-
some slides are now in preparation.
Harry Lauder, the famous Scotch comedian,
CONSERVATORY EDITION
19 West 28th Street, New York
with an all star company and a special orchestra,
will open at Orchestra Hall on the evening of
from year to year for a further, period of five
years upon payment of stipulated royalties.
Any other opera submitted may be selected by
the opera company, in which event the opera
company reserves at its option exclusive perform-
ing rights in the United States, Canada, Mexico
and Cuba for a period of seven years after the
award upon payment of stipulated royalties.
Printed copies of the regulations of the contest
may be obtained at the Opera House and will be
mailed on request.
I
"CENTURY EDITION"
Kphler,
Heller
and
Czerny
"CENTURY EDITION"
Conservatory
Edition
"CENTURY EDITION"
Century Music Publishing Co.
THE TEACHER'S FAVORITE
Send
for
our
special
GRADED
EDITION
• . U.S.PAT Orr.
RED U.S.PAT. O
LEO FEIST. Feist Buildin*. 134 W. 37th St., N. Y.
new
issue
proposi-
tion—
A HIT
"MAKE A NOISE LIKE
A HOOP
AND ROLL AWAY"
ANOTHER
WE ARE PLEASED TO ANNOUNCE
NOTE OUR NEW ADDRESS
Tbe Most Famous Borne Songs
The second in our great series of
Folios. Larger, more attractive,
better and more complete than
any other ever offered you.
Sample copy with special rates 18c.
Most Famous Pub. Co., S
ROBERT TELLER SONS & DORNER
Mnslc Engravers and Printers
•XND MANUSCRIPT AND IDEA OP TITLK
VOR ESTIMATE
I I I WET Ilth ST1BT. NEW YOU CITY
" Hit- HELF <& HAGER CO.
Music PublisHers
land" 1418 Broadway,
New York
Dealers look out for imitations. The
only BARN D A N C E that fits the step
and is used by dancing teachers in teach-
ing the new craze is the original
"MORNING CY"
Write For Our Special Offer
if you are not getting our literature.
VICTOR KREMER CO.
152 Lake Street, Chicago.
Thompson's 1908 Hits
" I WISH I_HAD A GIRL"
"COMMON SENSE"
"BASEBALL"
ind a lot of others. Ask your Jobbir for them
THE THOMPSON MUSIC CO.
368 Wabash Aye.
CHICAGO
ALL BIG SELLERS
"MY BRUDDA SYLVEST"
"UNDER THE MATZO TREE"
"When The Moon Plays Peek-A-Boo
With You"
"THE MEANEST MAN IN TOWN"
"IN GERMANY"
"I Never Knew What Love W a s
Till I Fell In Love With You"
FRED. FISCHER MUSIC PUB. CO.
1431-33 BROADWAY, NEW YORK

Download Page 48: PDF File | Image

Download Page 49 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.