Music Trade Review

Issue: 1908 Vol. 47 N. 26

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
V O L . X L V I I . N o . 26. Ptiblished Every Saturday by Edward Lyman Bill at 1 Madison Ave.,New York, December 26,1908.
later MacRoosevelt of Glenraincoat—sometimes
called Mackintosh. The President, while ad-
Of the Clan of Macintosh, When Persuaded by
mitting that there might be some truth in the
Harry Lauder, the Well Known Scotch
accusation, hoped that Mr. Lauder was mistaken.
Comedian, That He Was of Scotch Descent—
No shorter and uglier word was used, however,
But the White House Donkey Ate the Ar-
much to the satisfaction of everybody present. •
tificial
Thistles and
Now Suffers from
A series of tableaux were then given. Speaker
"Prickly Heat."
Joe Cannon was scheduled to appear as "Hon-
esty," but did not show up owing to lack of re-
Not hearing a word from the press bureau of hearsal. "Tim" Woodruff posed as a future
T. B. Harms and Francis, Day & Hunter re- Senator with little or no success, while Joseph
garding the visit of Harry Lauder to President Pulitzer made an excellent picture as "The End
Roosevelt on Tuesday of last week our "Man on of the World." A most emphatic hit was scored
the Street" takes the opportunity to gently chide by Harry Lauder himself, who in honor of Sir
this concern on missing a golden opportunity to Thomas Dewar, posed as "The Whiskey of His
exploit the famous little Scotch comedian's songs. Forefathers." So realistic was this picture that
He therefore gives the following account of this the President sent out for a dose of bromo seltzer.
historic visit, the description being the direct
Towards the conclusion of the visit Harry
result of a welsh rarebit, taken shortly before re- Lauder's legs were carefully wrapped in a
tiring on Saturday night:
blanket and the entire party were photographed
Washington, D. C. (delayed in transmission), 191)8. on the White House veranda, the President after-
The casual visitor in Washington, to-day (Tues- wards presenting Mr. Lauder with a cigar and
day) would imagine that Mr. Taft had taken time one green coupon both of which were carefully
by the forelock and was inaugurating himself wrapped in paper for use on some future occasion.
three months ahead of schedule time. However, As Mr. Lauder was leaving the President solicit-
the magnificent decorations seen here in the ously enquired if he was cold with the kilt.
store windows are in honor of Harry Lauder, Quick as a flash Lauder replied: "No, I'm kilt
the well known Scotch comedian, whose songs with the cold." Then the President fainted. All
are published by T. B. Harms and Francis, Day Harry Lauder's songs are published by T. B.
& Hunter. The Lauder party arrived here at Harms and Francis, Day & Hunter, and are ob-
7.30 A.M. this morning on the special Pullman tainable from the publishers direct or from any
car, "Riva," in which Mr. Roosevelt himself made Scotch jobber.
his famous continental trip to the Pacific Coast
a year or so ago. After breakfasting on haggis
SWEET AND DELIGHTFUL
prepared by a corps of chefs (vide the press)
and the train greaser (who nearly spoiled the Is "Peggy Machree" Says "The Man on the
succulent dish by emptying too much train oil
Street"—Its Gentle Fun and Tuneful Music
in the saucepan). Mr. Lauder. who had pre-
Being a Thousand Times Welcome—Joseph
viously removed his kilted pajamas, quickly at-
O'Mara Makes Striking Impression.
tired himself in his walking skirt, and buttoning
on his sporran (see nature fake directory),
Welcome dear "Peggy!"
Welcome "Barry
placed his 'bagpipes securely around his neck.
Trevor." Welcome all of you, you sweet and de-
Thus attired he entered a waiting taxicab and lightful characters bringing with you as you do
was driven in the direction of the White House. the true scent of the "ould sod" and the true
Turning into Pennsylvania avenue, however, Mr. blarneying humor that causes a lump to rise in
Lauder noticed that the cab indicator was the throat, and a tear to well in the eye, of every
registering with unhealthy rapidity, it having Irishman, who exiled from all that is dearest and
already passed the sixty-cent mark. A sudden best to him, finds in every laugh a tear, and in
stop, owing to a block in the traffic, enabled him every tear a laugh. For in the Irishman tears
to deftly alight from the vehicle with his escorts and laughter are very close akin.
without being observed by the driver, who in this
Joseph O'Mara has brought to the Broadway
way continued the journey alone. Later the Theater a real Irish comedy with music, and
driver in question was taken to the local lunatic best of all he does not rely entirely on new
asylum, shrieking that a Scotch ghost dressed in melodies to carry his offering to success. Why
kilts had hired him and had disappeared into thin should he when Moore's "Believe Me if All Those
air.
Endearing Young Charms" is as new to-day as it
The arrival of the Lauder party at the White was on the day it was written, and will be as
House was somewhat of a disappointment, owing new again on the day when Ireland writes its
to the fact that the front decorations which con- final Epitaph on the hallowed remains of Robert
sisted of festoons of artificial thistles had been Emmett. The writer is by no means disparaging
surreptitiously eaten by the White House donkey. the original numbers, however, all of which
Mr. Loeb took the entire responsibility, however, score individual successes. Not only are they
and as he (the donkey, not Mr. Loeb) appeared tuneful, but they are in the picture, and not in-
none the worse for his prickly meal peace rela- troduced to exploit a St. Bernard dog or a bevy
tions were maintained.
of trained children. For "Peggy Machree" is
Mr. Lauder, whose songs are published by T. Irish—as Irish as the pigs of County Wicklow—
B. Harms and Francis, Day and Hunter, greeted and not Williamsburg or 14th street, for which
the President kindly, and endeavored for some the saints be praised.
moments to persuade him that the Roosevelts
At the opening performance on Monday night
were the direct descendants of the MacRooseys—• Mr. O'Mara made—indeed he had to make—a
HOWDY? SAID MacROOSEVELT
SING
^.OS 0 P P E I R S *EAR E N T S '
short speech, in which he said that the object in
presenting "Peggy Machree" was to give a clean,
pure and wholesome entertainment. Had he
added "clever," "musical" and "altogether delight-
ful" to his list of adjectives no one in the theater
would have gainsaid him.
The cast is of even excellence and includes
Adrienne Augarde, vastly improved «ince the
days when she appeared in such comedies as
"Dandy Dan the Lifeguardsman."
John D.
O'Hara as "Alexander McDougal," a Scotchman,
gave a piece of characterization which will keep
him in America indefinitely if we have a pro-
ducer who knows his business. Of Joseph
O'Mara himself all that can be said is that he
is Joseph O'Mara. And if there is any higher
compliment to be paid him it must be under-
stood as written.
To the retail trade the writer has only to say
that in years he has heard no more delightful
Irish music. Every song does honor to all con-
cerned in it, and if the writer's recommendation
goes for aught then verily will the music of
"Peggy Machree" be heard from coast to coast.
The following numbers are particularly recom-
mended: "Ladies We Love You," "The Birds
Fly South," "Peggy Machree," "Idle Colleen,"
"Family Pride" and "O Love Me Roses." Pub-
lished by the John Church Co.
THE MAN O.\ THE STREET.
SOME FANTASTIC IMAGININGS.
Says the New York Evening Mail: "There
has been large and abundant commotion in music
publishers' alley these last few days. Several
singers of popular songs, including Marie Cahill
and Blanche Ring, have organized themselves
into companies to issue their own editions of
sheet music of melodies identified with them,
and Will Cobb, author of 'Dolly Grey' and other
plaintive melodies, is doing likewise. If this
scheme expands and amplifies it means—as a
leading music publisher observed Saturday after-
noon— that these same publishers, who have
grown wealthy, buying automobiles and other
airy trifles, will lose a fat slice of income. It
costs no more than $50 to print a song, with its
title page thrown in, and if it should turn out to
be a season's hit it can make for its issuer a
considerable percentage of $100,000. Can't you
detect the Eva Tanguay, Vesta Victoria and Alice
Lloyd Music Publishing houses in the offing?"
Says The Review, to this and all such other
"tommyrot," Piffle!
A MUSICAL WHIMSICALITY.
Eddie Foy made his first New York appear-
ance in "Mr. Hamlet of Broadway" at the Casino
Theater on Wednesday evening. "Mr. Hamlet of
Broadway" is described as a "musical whimsi-
cality in two acts." The book is by Edgar
Smith, lyrics by Edward Madden and music is
by Ben H . Jerome. The production includes
eighteen musical numbers, among them "Under
the Honeymoon," "Mr. Hamlet of Broadway,"
"The Dusky Salome," and "Everything Depends
on Money," published by The Trebuhs Co. The
performance will be reviewed later in The Review.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPILLANE, Managing Editor
J . HAYDEN-CLARENDON, E d i t o r
Published Every Saturday at 1 Madison Avenue, New York
SUBSCRIPTION, (Including postage), United States and
Mexico, $2.00 per year; Canada, $3.50; all other coun-
tries, $4.00.
Telephones—Numbers 4677 and 4678 Gramercy
Connecting all Departments
NEW
YORK, DECEMBER 2 6 , 1 9 0 8
COMMENTS B Y ^ \ ,
THE
H prosperous IRew HJear Zo HIl
To our many friends in the music publishing
and retailing world, who in a thousand different
ways have helped to build up this section, which
The Review is forever striving to make worthy
of the important industry which it represents,
the writer wishes the brightest and most pros-
perous of New Years and a continuance of
prosperity and good fortune in the years to come.
A Pertinent Inquiry.
So many communications reach this depart-
ment weekly, relevant as well as irrelevant to
the publishing and retailing of sheet music, that
to "read, mark, learn and inwardly digest" their
contents and answer them fully in these columns
would be a task far beyond the capacity of any
one individual. It is unnecessary to say that the
writer is always glad to receive letters from the
readers of this section, and though individual
communications are rarely dealt with separately,
their contents are carefully noted, oftentimes be-
ing made the subject of inquiry, and usually pub-
licity is sooner or later given them in some form
or other. A recent letter from Tomaz F.
Deuther, a well-known Chicago retailer, however,
is deserving of individual consideration for the
reason that he asks a number of pertinent ques-
tions, not the least important of which are the
following: "Are you sincere in your seeming
endeavor to try and correct the evils (i.e., of the
sheet music trade) as now existing?" And
again: "Is the advertising that the publishers
give you worth enough for you to refrain from
getting after them?" (i. e., if they cut rates).
MUSIC TRADE
REVIEW
In short, Mr. Deuther questions the sincerity
of The Review in its desire to help the dealer
against the "cut rate" methods of some of the
"popular" publishers, at the same time inferring
that as the publishers alone are our advertisers,
and consequently a source of revenue, they and
they alone are the ones to whom we cater.
Where Thought Is Necessary.
While Mr. Deuther propounds an interesting
question, maybe he could have spared himself a
good deal of writing had he given his subject a
moment's thought. He might have figured out
that the value of any newspaper lies primarily
in its circulation, and to get that circulation, a
newspaper—be it a trade paper or otherwise—
must necessarily give its best efforts towards the
interests of its readers as a whole and not to any
particular class. Mr. Deuther might also have
figured—that is, if figuring is in his line—that
advertisers do not pay their good money for pub-
licity unless they get a quid pro quo for their
expenditure, that they would not advertise in
The Review unless they were certain it reached
and was read, by the entire sheet music trade,
and that reaching the entire trade as it does, it
must be obvious to them that the readers of The
Review have confidence in its editorial policy.
Maybe Mr. Deuther requires a flat unequivocal
answer to his question. Gladly does the writer
give it: The "Music Section" of The Review is
sincere in its endeavor to try and correct the
evils now existing in the sheet music trade, and,
moreover, the amalgamated music publishing in-
terests of the entire country have not enough
money or influence to buy a critical opinion
within its pages. If a publisher, no matter
whom he may be, departs from what The Review
regards as the median line of trade equity,
whether he be our largest advertiser or an un-
known quantity in the publishing world, he has
been in the past and will be in the future ex-
posed without fear or favor. Moreover, the
writer goes on record as saying that if anyone
advertising in this section imagines that their
advertising carries with it any special privileges
or favors so far as our news columns are con-
cerned, then they are invited to withdraw their
advertising as soon as it is convenient for them
to do so.
Special Privileges for None.
The "Music Section" of The Review is not run
for the publisher, neither is it run for the re-
tailer, but for the trade as a whole, and its un-
alterable policy is to benefit the trade as a whole
so far as lies in its power. True, its critical
opinion may at times be untutored. Oftentimes,
indeed, it may be faulty, but it is the best it has
to offer and is given squarely and honestly with-
out fear, favor or prejudice. Mr. Deuther may
THE MOST POPULAR. PIANO PIECES
We are the Publishers of
"HAVANA"
Leslie Stuart's Latest Opera
"THE GIRLS OF GOTTENBERG
AND
"MISS HOOK OF HOLLAND"
Chappell & Co., Ltd.,
37 West 17th Street
N E W YORK
A collection of 85 standard
piano pieces arranged and in
some instances simplified by
the famous American com-
oser and musician, George
osey, intended especially for
the use of second and third
year piano students, and for
the use of amateurs who wish
to have good piano music
which they can play without
any great degree of technical
ability. The contents include
a wide variety of composi-
tions and is of such a nature
as to appeal to every lover
of piano music. Regular price,
75c.
Price to the trade,
27%c. per copy; 25 copies or more at 25c; 100 copies or
more at 22 %c.
Published by HINDS, NOBLE & ELDREDGE
g
31-35
T. B. Harms & Francis, Day
& Hunter
"FLUFFY RUFFLES"
MUSICAL COMEDY
HARRY LAUDER'S
SONG HITS
Successful Songs in
'The Girls of Gottenberg
1431 BROADWAY, NEW YORK
West
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New
THE BABY BALLAD
York
City
BEAUTIFUL
"Always Me"
By CHAS. K. HARRIS.
The Best Child Song he has written since
"Always In the Way "
Sold by your music jobber or direct
from the publisher.
CHAS. K. HARRIS, 31
MEYER COHEN, Mgr.
read, but that his mental digestion is lacking ia
self-evident. A slight tax on his memory would
have answered his questions, to which, however,
he has a right to demand an answer. To make
up for this lack of memory, we have files of this
section of The Review on hand which are at all
times open to his inspection—files which prove
beyond possibility of contradiction that our
policy is and has been "equal rights for all and
special privileges for none."
DETAILS OF OPERA CONTEST
Established by the Metropolitan Opera Co. to
be Observed by the American Composer Who
Desires to Write the Best Opera.
Mr. Gatti-Casazza recently announced the de-
tails of the contest established by the Metropoli-
tan Opera Company for the best opera by an
American composer. The winner of the contest
will receive a prize of $10,000, and the opera will
be produced the following season at the Metro-
politan Opera House. Here are the rules govern-
ing the contest:
The composer must be a native citizen of the
United States of America; his residence is im-
material.
The opera must be what is known commonly
as grand opera.
The entire performance, including intermis-
sions, must not exceed three and one-quarter
hours.
The libretto must be in English. If it is an
adaptation of any existing literary work, it must
be a new adaptation.
The contest opens on December 20, 1908, and
closes on September 15, 1910.
All scores must be anonymous, containing a
mark of identification corresponding with an
identical mark on a sealed envelope containing
the names of the composer and librettist.
The award will be made by a jury of recog-
nized authorities selected by the Board of Direc-
tors of the Metropolitan Opera Company.
The agreement of at least two-thirds of the
jury is necessary for a decision, and the jury
may reopen the contest for a period of eighteen
months.
The opera receiving the award will be staged
by the Metropolitan Opera Company in New
York the season following the making of the
award.
The opera company shall be entitled for it-
self and its affiliated theaters to the exclusive
performing rights in the United States, Canada,
Cuba and Mexico for a period of five years after
the first performance without payment of any
royalties. The opera company reserves the op-
tion to extend the exclusive performing rights
DEMANDED BYTHE PUBLIC
EVERYWHERE
The Musical Gems of
Henry M. Blossom and Victor Herbert's
New Musical Comedy Success
The Prima
Donna
Mme. FRITZI SCHEFF'S
STARRING V E H I C L E
Stock Up Now! You Will Get
Calls for Them!
M. WITMARK & SONS
144 West 37th Street, - New York City

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