Music Trade Review

Issue: 1908 Vol. 47 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPILLANE, Managing Editor
Executive and Reportorial Staff:
GBO. B. KHM.IR,
L. E. Bownns,
W. H. DYKES.
B. BRITTAIN WILSON,
J. H i THEN CLARENDON,
AUGUST .T. TIMTK.
F. H. THOMPSON,
A. J. NICKLIN.
BOSTON OFFICE:
CHICAGO OFFICE
ERNEST L. WAITT, 100 Boylston St.B. P. VAN HARLINGHN, Room 806, 156 Wabash Ave.
Telephone, Central 414.
PHILADELPHIA:
MINNEAPOLIS and ST. PAUL:
ST. LOUIS:
R. \V. KAUFFMAN.
ADOLF EDSTHN.
SAN FRANCISCO:
CHAS. N. VAN BURHN.
S. H. GRAY, 2407 Sacramento St.
CINCINNATI, O . : BERNARD C. BOWBN.
BALTIMORE, MD.: A. ROBERT FRENCH.
LONDON, ENGLAND: 69 Rasingball St., E. C.
W. LIONEL STURDT, Manager.
REVIEW
than last year, and that there is a much greater proportionate in-
crease in the cotton crop, has had a good effect, and is another
reminder of the prosperity of the agricultural class, which must
ultimately extend its influence beneficially through all the channels
of trade. Conditions in the music trade have been steadily im-
proving, and it must be conceded that there was ample ground for
improvement, for the trade conditions in this industry for the past
year have been far below normal. Constant repossessions in all
parts of the country have kept the dealers' warerooms fairly well
filled without having to draw upon the manufacturers. The result
of this widespread repossession activity has been the curtailment
of sales in new lower priced pianos. Hence the manufacturers of
pianos of that grade have suffered through lack of orders. Deal-
ers who have taken back pianos for the non-payment of instal-
ments, have put them out again at low prices, and these have, in a
large degree, taken the place of lower priced instruments. Thus,
the curtailment in the sales of what we may term the commercial
pianos, has been noticeable this year. Happily these repossessions
have practically ceased, and now dealers are. compelled to replenish
their stocks from the factories and not from their customers' homes.
Published Every Saturday at 1 Madison Avenue, New York
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION. (Including postage), United States and Mexico, $2.00 per year;
Canada. $:j.5O ; all other countries, $4.00.
ADVERTISEMENTS, $2,00 per Inch, single column, per Insertion. On quarterly or
yearly contracts a special discount Is allowed. Advertising Pages, $60.00; opposite
reading matter. $75.00.
REMITTANCES. In other than currency form, should be made payable to Edward
Lymun Hill.
Music Publishers'
An Interesting feature of this publication Is a special depart-
Department V V» ment devoted exclusively to the world of music publishing.
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900
Silver Meda{.Charleston Exposition, 1902
Diploma.Pan-American Exposition, 1901
Gold Medal. ...St. Louis Exposition, 1904
Gold Medal
Lewis-Clark Exposition, 1905.
LONG DISTANCE TELEPHONES-NUMBERS 4077 and 4678 GRAMERCY
Connecting all Departments.
Cable address: "Elbill. New York.**
NEW
YORK,
NOVEMBER
28, 1908
EDITORIAL
HERE is unquestionably a better tone in the selling department
J-
of trade than has been in evidence for many months past
and dealers everywhere have gone on record as viewing the future
of the trade optimistically. We have been in receipt of a number of
communications from readers who expressed pleasure at the senti-
ments contained in The Review of last week, in which the dealers
of the country expressed their faith in the betterment of trade in
the strongest kind of terms.
Certainly, the business outlook has materially improved since
election day. Orders are coming in to manufacturers and dealers
more freely than before. This condition appears to result, not
from any special expectation of lower prices either in the music
trade or in the great staples such as steel and iron, but rather from
the development of a more matured confidence in returning pros-
perity.
Some manufacturers, indeed, report that recent orders are very
gratifying in their volume, and they look upon them as a happy
indication that trade is getting back to something like normal con-
dition, even when judged by the recollection of the swift pace of
recent vears.
W
ITHOUT making too much of the evident improvement,
there is certainly a hopeful tone prevalent throughout the
country as a whole, which presents a very striking contrast to the
dismay and apprehension which prevailed a year ago. At that time
there was the necessary curtailment of expenditure and business
activity, while now, with abundant money, there is a general re-
sumption of enterprise and increasing attention to the cultivation
of trade along practically all lines of effort. The more full em-
ployment of the railroads is one of the indications of the growing
volume of business and the prosperity, that some of them will have
their capacity taxed by the moving of crops and the carrying of
merchandise. In this encouraging condition of things the Govern-
ment's report that the yield of corn is 15,000,000 bushels greater
T
HERE has been splendid activity evidenced in the retail field
during the past few weeks, and conditions now indicate a
rush trade as the holiday season approaches. Business, however,
in the manufacturing centers will not be up to the old-time standard,
simply because thousands of people have been out of employment,
and they must have sufficient money to pay for the necessities of
life before they can think of indulging their tastes in acquiring
pianos and musical instruments. But the trade atmosphere is clear-
ing all the while.
E
VER since the formation of that big corporation known as the
American Piano Co., dame rumor has been persistently
active in circulating contemplated moves planned by that corpora-
tion. Hardly a week has passed without some astonishing bit of
news developing in a half dozen cities, in which the name of the
American Piano Co. has figured extensively. After all, it is but
natural that there should have been considerable activity in the
rumor field, for when the American Piano Co. was formed, it was
by the union of several great piano making institutions, all of which
played a prominent part in the piano output of this country. When
the direction of these various companies became centralized, it was
a logical deduction that new plays would be made upon the trade
chessboard, which would be more or less interesting to those who
figured directly in the move, and to outsiders as well. There has
been, when we come to sum up the great work of this corporation
within the past few months, a good many moves which have not
been entirely satisfying to outsiders, but the directors of this corpo-
ration probably will not consult the feelings of outsiders when
making trade changes. It should be understood, however, that this
corporation is not iconoclastic in its moves. It is guided by men
who seek to build trade and not to tear down business structures.
Quite naturally the coming together of important trade interests
was with fixed purposes in view. In the first place, there was a
material saving in expenses and many other important business
essentials, which is hardly necessary to itemize at this time, but the
directors of the American Piano Co. are not desirous of disturbing
business relations with any concern which are satisfactory; on the
contrary, they are interested in encouraging and stimulating those
trade relations which make for business enlargement. The business
of a great producing company can only be successful when the
distributive forces are making money. If there are breaks and dis-
sensions then there is a consequent loss of trade, for the business
cannot be profitable and most men are in business to make money.
Some of the rumors which have been circulated persistently anent
the American Piano Co. are to the effect that this company would
be overbearingly autocratic in its dictates.
T
H E S E statements are circulated with the obvious intent of
arousing disquietude among the dealers. Such statements
are glaringly absurd and will not bear the slightest analysis. The
American Piano Co. are interested in creating pianos and selling
them to responsible parties. The directors are in a position to
cater to the varied interests of the dealers, thus supplying all de-
mands which may be reasonably made upon them. They are not
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
anxious to create friction between the creative and distributive
forces. On the contrary, they are interested in maintaining
harmony, because through harmony business moves along the easiest
lines of resistance, but if distrust and uneasiness exists, then the
conditions are wholly different and it is the sheerest nonsense for
any business man to circulate absurd stories regarding the alleged
autocratic trade moves of this great corporation. Of course, from
the very fact that the interests which it controls are large, the op-
portunity offered for gossip is increased in like proportion, but this
company is officered by keen business men who are not looking for
petty trouble, but for business.
There may be a rattling of some dry business bones, but if there
was flesh upon them they would not rattle.
No man can reasonably expect to hold the agency for a great
piano unless he exhibits the possession of some red-blooded virility
in the conduct of his business. In this practical age it is the volume
of business which counts.
Loyalty cannot be one-sided nor all on the manufacturer's side
and be continued that way indefinitely. A dealer must evidence
loyalty to the product which he sells. lie must make the agency a
live one, else he cannot expect to retain it.
E
A. KIESELHORST, the well-known dealer of St. Louis,

forwarded us recently proof of an advertisement, stating
that this was the first half page advertisement ever put forth by a
piano house in the big papers of St. Louis. This advertising space
was used exclusively to exploit the Apollo piano player. The style
was excellent, the display good, and no doubt it proved a "puller."
We have had a number of half page and page advertisements sent
in to us from dealers at other points, showing that the piano dealers
of to-day are realizing the great importance and value of occupying
large advertising space in local papers.
We have been going some since the time when the piano dealers
used two or three inches single column to exploit their product.
There is no question but that the large advertisements bring better
returns proportionately than the smaller ones. It seems only natural
that the half page or full page advertisement should attract—larger
space has a certain effectiveness which comes entirely from its size,
so that a large advertisement, even if poor in itself, is likely to bring
better results than a small announcement equally poor would ac-
complish in proportion. It pays always to use advertising space
to the best advantage. A good many advertisers forget, however,
that it pays to get down to brass tacks, so to speak, in their opening
announcement. Many are inclined to wander around introducing a
lot of irrelevant matter before they get down to straight facts. Now,
the people have no time to lose in deciphering what an advertising
man is trying to figure out in his space. Wanamaker can afford to
do a lot of things in his headings that others cannot. The successful
writers of to-day, both in fiction and advertising, are those who begin
to tell their story with the first words. They jump right into the
middle of the story. The successful novelist of our times does not
start on the old-fashioned plan of telling how, when and why all
of his characters were born. lie picks a character up at the most
interesting part of his life and carries him straight on to the finish
of his story.
The wide-awake advertiser should follow the example of the
novelist and begin to talk business interestingly with the first words.
Generalities rarely amount to anything. The opening talks of de-
partment store advertisements are nearly always general talks that
have little or nothing to do with the real business of the advertise-
ment, but in a business like pianos, no time should be lost in describ-
ing piano history. Sound arguments should be made, and the
whole advertisement should ! be gotten up in a manner to attract, and
it's a mistake to believe that any kind of a picture in an advertise-
ment is better than no picture. If you cannot have first class illus-
trations, better cut them out entirely. A piano illustration in an
advertisement is placed there to show the style. If it does not illus-
trate that fairly or even flatteringly, the space had better be left
blank or filled with type, and we have -seen in a good many of the
piano advertisements which have been sent in here, some of the
worst illustrations. It would seem that dealers had ransacked their
shelves to find antiquated electrotypes to show pianos of half a dozen
years ago in their advertisements of 1908. That is a mighty poor
advertising policy. Show 7 the best you can in piano illustrations or
cut them out entirely.
REVIEW
TIMELY ADVICE.—Buy your Christmas presents now and save your
energy to agitate during the holidays for a sane Fourth.
CAN THIS BE?—Mr. Roosevelt formally announces his belief that
"this Republic will endure for many centuries." Without him?
ABOUT THE SIZE OF IT.—Hyker—Money is a conundrum.
Pyker—What's the answer?
Hyker—Everybody has to give it up.
WHAT HE REALLY SAID.—Miss Woodby—So Mr. Smart really said
lie considered me very witty—eh?
Miss Knox—Not exactly; he said he had to laugh every time he met
you.
KNEW HER FAILINGS.—"Judge, will you do me a favor?" asked
the lady who was about to go into the witness box.
"Certainly, miss; what is it?"
"Will you please ask me my age before I take the oath?"
Some railroad employes were at work on a trestle. One of the num-
ber, a negro, fell from the trestle onto a pile of rocks below, a distance of
some fifteen or twenty feet. He got up rubbing his head and remarked:
"Ef it hadn't er ben fur dem. rocks whut sorter bruck de force ob de fall
I'd er ben hurt."
NONE BUT THE FAIR
. —"Don't you ever feel anxious because
your husband employs such a beautiful typist?"
"Not in the least. I was his typist for seven years, and I should
probably be working in his office^yet if I hadn't practically proposed
to him!"
POOR JINKS.—"Doctor, if a pale young man named Jinks calls on
you for a prescription, don't let him have it."
"Why not?"
"He wants something to improve his appetite, and he lodges at my
house!"
Diffident Lover (trying to feel his ground—nervously)—Do you know,
I—er actually dreamt that I proposed to you last night. Now—er what
can that mean?
Practical Girl (promptly)—Mean? Well, it means that you are a lot
more sensible asleep than you are awake, Freddy.
FROM THE ALIMONIAL POINT OF VIEW.—He—So your marriage
was a failure?
She—Oh, I don't know.
He—Why, I thought you had secured a divorce?
She—I did.
He—Well, don't you call that a complete failure?
She—Hardly. You see, my partner made an assignment and I re-
ceived a very neat sum as a preferred creditor.
He—Oh—um—er—I beg your pardon!—Judge.
ARCTIC FARE.—Sir Leopold McClintock, the Arctic explorer, who died
recently, was once giving an account of his experiences amid the ice fields
of the North.
"We certainly would have traveled much further," he explained, "had
not our dogs given out at a critical moment."
"But," exclaimed a lady, who had been listening very intently, "I
thought that the Eskimo dogs were perfectly tireless creatures."
Sir Leopold's face wore a whimsically gloomy expression as he replied,
"I—er—speak in a culinary sense, miss."—Exchange.
Two ladies who had not seen each other for
the street. They recognized each other after a
nition was cordial.
"So delighted to see you again. Why, you are
"So glad; and how little changed you are.
since we met?"
"About ten years."
"And why have you never been to see me?"
"My dear, just look at the weather we have
years recently met In
time, and their recog-
scarcely altered."
Why, how long is it
had."—Tid-Bits.
JOHNNY COULDN'T HELP IT.—The teacher of one of the rooms in
a school in the suburbs had been training her pupils in anticipation of a
visit from the school inspector. At last he came, and the classes were
called out to show their attainments.
The arithmetic class was the first called, and in order to make a good
impression the teacher put the first question to Johnny Smith, the star
pupil.
"Johnny, if coal is selling at £1 a ten, and you pay the coal dealer £4,
how many tons of coal will he bring yo "Three," was the prompt answer from Johnny.
The teacher, much embarrassed, said, "Why, Johnny, that isn't right."
"Oh, I know it ain't, but they do it, miss."

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