Music Trade Review

Issue: 1908 Vol. 46 N. 16

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10
THE: MUSIC TRADE:
ANENT INDUSTRIAL EDUCATION.
The National Society for the Promotion of In-
dustrial Education Only Recently Organized
Is Doing Some Good Work in Bringing to
Public Notice the Value of Industrial Train-
ing in This Country.
President Eliot of Harvard, and his associates
on the famous Committee of Ten, prepared a few
years ago a report dealing with the curriculum
for elementary schools, which has deeply af-
fected the schools of this country. The National
Society for the Promotion of Industrial Educa-
tion has recently organized a Committee of Ten
to consider the relations of industrial training
to the elementary schools > and this promises to
be as far reaching in its effect. Dr. Henry S.
Pritchett, President of the Carnegie Foundation
for the Advancement of Teaching, is chairman
of the committee.
The headquarters of the National Society fcr
the Promotion of Industrial Education at 546
Fifth avenue, New York, serves as a meeting
place for those interested in industrial educa-
tion. Here will be found information regarding
what has been accomplished in Germany and
other countries for the establishment of trade
schools and the cooperation between colleges and
the trades in which the apprenticeship system
is maintained.
Prof. Charles R. Richards, of Teachers' Col-
lege, was the secretary during the first year of
the society's existence. He has recently retired,
and the board of managers has elected Dr. James
P. Haney as its secretary. Dr. Haney has been
actively connected with the New York public
schools for twenty years, and is now the director
of art and manual training for the boroughs of
Manhattan and the Bronx. He has been associ-
ated from the first with the group of men who
are actively engaged in the promotion of indus-
trial education in this country.
The National Society for the Promotion of
Industrial Education has decided to organize
state associations. At the meeting of the board
REVIEW
of managers recently held in New York City
plans were perfected for establishing these
branch societies in thirty-eight states. This tes-
tifies to the rapid growth of the society, which
held its first annual meeting in January of this
year at Chicago.
A POPULAR PIANO DESIGN
daintily carved, and with graceful lines is sure
to meet the approval of buyers. Dealers who
wish to become better acquainted with the line
should send for the latest catalog just issued. It
tells a forceful story, and with halftone illustra-
tions gives one a clearer idea of the several de-
signs offered and other essential points as to di-
mensions, construction, finish, etc.
Is That Being Placed on the Market by the COMMUNICATIONS FROM A. E. BATES & CO.
Breslin Piano Co. in Their Style D Special—
It Is Making Many Friends for Those Han-
dling It.
Los Angeles, Cal., April G, 1908.
Music Trade Review, New York City, N. Y.
Gentlemen:—Referring to the suit that has
Notwithstanding the hand-to-mouth buying that been filed by Geo. S. Bates for dissolution of
has prevailed since the financial flurry, H. J. partnership, we will state that Geo. S. Bates is
not, and never was, a partner in the firm of A.
E. Bates & Co., and is now in no way connected
with us. Yours very respectfully,
A. E. BATES & Co.
MANY VISITORS TO BEHNING'S.
The Behning Piano Co., as a result of invita-
tions sent out to old customers and leading mu-
sical people of New York, have had many vis-
itors to their new retail warerooms at 313 Lenox
avenue, near 125th street, where they are show-
ing a very fine line of their grand, player and
upright pianos.
BURKE-HUME CO.'S NEW ttUARTERS.
BHEHMN STVI.F- I). SI'KCIA!..
Groeneveld, president of the Breslin Piano Co.,
97-99 Southern Boulevard, has made steady busi-
ness headway, and within six weeks has placed
the line with over thirty-five new agencies, and
these cover wide territory. Mr. Groeneveld can-
vassed the trade most thoroughly, and with a
trade-winning proposition which the Breslin
piano is sure to prove, looks forward to scoring
a big business this fall. One of the quick-selling
pianos made by the Breslin Co. is their style D
shown herewith. The case is of mahogany,
ACTION
RELIABILITY
The Burke-Hume Piano Co., Norfolk, Va., have
leased the big corner store at Granby and Wash-
ington streets, which they will occupy within a
week or so.
The Leeds Piano Co. are arranging to move
from their present quarters in Des Moines, la.,
to their new building at Ninth and Locust
streets, which is now nearing completion.
J. H. Schmitz has opened a new store in
Greene, la.
In order that pianos may prove satisfac-
tory in every respect it is necessary that
the actions be first class in every particu-
lar, for action reliability is a vital
necessity in piano construction. The
STAIB-ABENDSCHEIN
action is manufactured under the supervision of the men whose name it bears and who take
an honest pride in turning out first class workmanship.
On account of its excellence and reliability the S T A I B - A B E N D S C H E I N
has advanced year by year in the estimation of critical piano men.
action
THE STAIB-ABENDSCHEIN COMPANY
134tH Street and BrooK Avenue
NEW YORK
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
Increased Love for Music Throughout the Country Is Influencing Demand for High Grade Pianos
—Some Timely Reflections on This Topic—Mahler to Conduct Concerts of New York Sym-
phony Society—Hofmann and Kreisler Recital—Concert Tour of Chaminade With the
Everett—MacDowell as a Critic of His Own Works—Harold Bauer's Farewell Recital—
Cincinnati's Great Musical Festival—Pianos and Engines—Other Comments.
The increased appreciation of the really
artistic piano is one of the gratifying features of
the trade during the past few months. This
seems odd, too, in view of the financial depres-
sion, as one would think it was a time for econ-
omy. Yet, on the other hand, no doubt the rea-
soning on the part of purchasers is sound and
logical—they consider the high-class piano as an
investment, and in this spirit they have been
buying in all parts of the country. This is fur-
ther borne out by the fact that following the
run on a number of banks in New York and
Brooklyn in October, the local piano dealers re-
ported an unusual number of sa es of pianos for
cash. Those who had drawn their money out of
the banks invested in pianos. This is significant,
and demonstrates that there exists a better com-
prehension of piano values. A large number of
our people are "becoming more discriminating in
their selection of instruments, and while there will
always be a demand for popular priced creations,
yet people like to have an instrument in their
homes bearing the name of a legitimate manufac-
turer—a piano of high grade, whose reputation
is established and which is always a standard
of merit.
in a musical sense, must have a piano of unques-
tioned merit, particularly if he is desirous of
achieving any position in the musical world.
Pessimists to the contrary notwithstanding, there
is an increased appreciation in this country of
the better grades of pianos, and it is rapidly
being augmented owing to the increased love
for music in every section of this country.
* • * *
The fact that more than ten thousand people
attended the opera houses in New York four or
more times a week during the season just
closed, while thousands of others attended con-
certs by the great symphony orchestras, all tell
their story of increased musical culture. And
this growth of musical taste is not confined to
New York, for in all the leading cities from
here to the Pacific coast there are increasing
evidences of developed musical appreciation, all
of which must unquestionably result in a greater
demand for pianos and player pianos. Indeed
it is safe to say that at no time in the history
of the industry was the outlook for the really
artistic piano so bright and so hopeful. It is
only necessary to study the conditions to realize
this.

• • *
* *. * *
There can be no question that the playing of
Gustav Mahler, it was announced this week,
noted pianos in public by eminent artists has will conduct three concerts for the New York
contributed much to the high standing and pres- Symphony Society next season on Sunday after-
ent popularity of the piano. People have be- noons, Nov. 29 and Dec. 13, and on Tuesday
come educated to its merits altogether apart evening. Dec. 8. Walter Damrosch invited Mr.
from the fact that it is a necessity in the home, Mahler to conduct during this season, but owing
and in order to secure the best results in a mu- to his engagement at the Metropolitan Opera
sical way they desire an instrument of reliability House he could not accept. His contract for
and musical worth. The player piano, too, is next year, however j allows for a few outside ap
now a most potent medium for bringing musical pearances, and the concerts of the New York
education into the home. It enables those who Symphony Society will be his first and only ap
nave heard the great artists play a certain mu- pearances before the beginning of "his duties
sical number to repeat it in their own homes, with the opera. At two of the concerts the
inasmuch as they are furnished with the media works to be performed will consist of sym-
in the way of perforated music rolls and ex- phonies by Beethoven and Mozart and composi-
pression devices to produce the subtle colorings tions by other of the accepted classical com-
which are so necessary to a proper interpreta- posers. At the third concert Mahler's Second
tion of the compositions written by the great Symphony, which enlists the services of the en-
masters.
tire orchestra, a choir of extra instruments be-
* * * *
hind the scenes, two soloists and ichorus, will
Those who try to belittle the educational in- I e given. Mahler's Fourth Symphony was per-
fluence of noted piano virtuosos must be lacking formed by Mr. Damrosch two years ago.
in well balanced mentality, for it is obvious that
* * * *
it is by measuring one's ability with these artists
The joint recital of Josef Hofmann, pianist,
who have reached the apex of their art, that one and Fritz Kreisler, violinist, takes place this
is able to comprehend what musical progress afternoon at Carnegie Hall. It was a source of
has been made. This is entirely apart from great regret that in the joint recitals scheduled
bringing to public notice the merits of the indi- at a number of western points Mr. Kreisler was
vidual piano which these pianists choose as their ill. Josef Hofmann, however, added to his pro-
medium of interpretation. It is c'ear that the gram and gave most spirited recitals, feeling it
ambitious amateur, if he desires the best results incumbent upon him, evidently, to supply the
public with an extra good "bill of fare" in order
to make up for the loss of his confrere.
RUDOLF
PIANOS
are conscientiously made, good
instruments; in other words, the
sweetest things out.
RUDOLF PIANO CO.
458 E. 144th Street,
NEW YORK.
*

i Is will be added to the concert party which
wil tour the United States. Already the John
Church Co. have received innumerable offers
from managers in leading cities in regard to the
1 ooking of Mme. Chaminade, but as her tour
will be brief, no dates can be arranged for until
later.
It is a great victory for the John Church Co.
to get Mme. Chaminade to visit the United
States, as offers upon offers have been made to
her for many years by leading managers and
others to visit these shores, but she has always
preferred the quiet atmosphere of France to the
bustle of the United States. Moreover, as she
is wealthy in her own right, playing the piano
with her is not a necessity, but a pleasure. A
great treat is in store for those who will hear
Mme. Chaminade through the medium of the
Everett piano. She is a delightful pianiste, and
she is certain to revei in the beautiful tone of
the Everett grand.
*
*


W. H. Humiston, a college chum of the late
Edward MacDowell says that MacDowell was
one of the severest critics of his own works that
ever lived. He was continually revising. Some
of his earlier published works have been re-
published in a much improved version, notably
the "First Modern Suite" and "The Marionettes."
He added: "Before publication they were often
rewritten several times, and I would find a
movement begun and continued for half a page,
then it would be broken off suddenly, and a re-
mark like this written at the end: 'Hand organ
to the rescue!' He would try scoring passages
for orchestra; part of the first movement of the
'Keltic Sonata' exists in orchestral score in one
of his sketchbooks. It is generally known that
'The Saracens' and 'The Beautiful Aida' were
parts of a symphony to be called the 'Roland
Symphony.' The first movement never satisfied
him, and he suppressed it entirely. As it is
among the earlier works, it may have escaped
the conflagration on that account."
• * * *
The May Festival to be held in Cincinnati
from May 5 to 9, in historic Music Hall, prom-
ises to be the most elaborate musical event in the
history of this country. The principal choral
works to be performed present an array of the
best from the classic, romantic and modern
schools. The St. Matthew Passion of Bach,
which will be given on the second night of the
festival, will receive on this occasion its first
"DISTINCTIVELY HIGH GRADE"
» •
Harold Bauer, who has scored such a phenom-
enal success on his Pacific coast trip returns to
the East and gives his farewell recital at Car-
negie Hall on Tuesday afternoon next. He has
prepared a program of unusual excellence and
will be heard through the medium of the Mason
& Hamlin piano.
*
11
* • *
The announcement made in The Review last
week by the John Church Co., that Mme. Cecile
Chaminade would visit the United States next
season, appearing in recital in our leading
cities, is a matter of extreme pleasure to the
hundreds of thousands of admirers of this gifted
French woman. While the exact details-of the
tour have not been arranged as yet, she will
play some of her own piano compositions, using
the Everett piano as her medium of interpreta-
tion. It is not improbable that some vocal solo-
She CHKISTMAN
STUDIO GRAND
is the greatest success of the day.
It possesses a scale of rare even-
ness, a tone of remarkable sonority
and richness, with a quality that
is highly orchestral. Our latest
styles of Grands and Uprights
mark a decided advance in the art
of piano-making. We court inves-
tigation. Some territory still open.
CHR1STNAN SONS, Man«l*ctur,r.
FACTORY AND OFF'CK:
869-873 Ewi 137th St.
FEW
WAEEROOMS'
35 W«jt 14 YORK

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