Music Trade Review

Issue: 1908 Vol. 46 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
OLIVER DITSON COMPANY'S
MATCHLESS LIST
OF
Standard-Successful-Popular Music
Nowhere in all the world can be found a list that equals this. <| Almost every publisher has successes, hut the grand total
of successes of all publishers falls far short in actual merit and selling qualities of this unparalleled list of DITSON COPYRIGHTS.
live and progressive Music Dealer. Ask for short list of GOOD SELLING COPYRIGHTS.
It contains about 500 of our best sellers.
THE
ONE
HUNDRED
BEST
VOCAL
INSTRUMENTAL
Absence—High voice in E : low voice in I! (Alfred E. Little)...f0.40
Anf Wiederseh'n—Med. voice in Eb ; lo.v voice in (' < uosset
.40
tci- G. Cole)
Ballad of Trees a n d t h e Master. A—High voice in 10 m i n o r ;
Med. voice in 1) m i n o r ; low voice in C minor (George \ \ .
.50
Chadwick)
By t h e W a t e r s of Babylon—High voice in G ; low voice in Eh
.50
(Charles T. llowell)
Come J e s u s , Redeemer ( a d a p t e d t o t h e melodv of "A D r e a m " )
.50
— H i g h voice in G ; low voice in I) ( J . *C. B a r t l e t t > . . . .
Constancy-—High voice in C ; Med. voice in A : low" voice in
.50
Gb (Charles F . Webber)
Contentment—Med. voice in F ; low voice in I>: (Mary T u r n e r
.50
Salter)
Creole
Love Song—High voice in D : low voice in l'>b. by
Kdgar Beltnont Smith
50
Crossing t h e Bar—Med. voice in 1>: low voice in lib. ( Eugene
Cowles)
50
Day I s Ended. T h e (with Violin Obi.) lliirh voice in G : low
voice in E b ( J . C. B a r t l e t t )
50
Dear, Did You Know?—Med. voice in Ab ; low voice in F (Eu-
gene Cowles)
">0
Doan Ye Crv, Ma I l o n e v — H i g h voice in G : low voice in E
(Albert W. Noll) . .'
50
Don't You Mind t h e S o r r o w s — H i g h voice in A ; Med. voice in
G : low voice in E h (Eugene Cowles)
50
Dream, A — H i g h voice In Ab ; Med. voice in F ; Med. voice in
E ; low voice in Db ( J . C. B a r t l e t t )
50
Dreamy Davs- High voice in A ; Med. voice in G : low voice in
F (Robert Ashford)
50
F i r e l i g h t F a c e s — M e d . voice in A ; low voice in F (Gerald
Lane
60
Forget-Me-Nots—High voice in G ; low voice in El) I II. Engel-
mann)
(50
Forgotten—High voice in Ab; Med. voice in F : low voice in
El) (Eugene Cowles)
50
(Jiie to Sleep—High voice in D ; Med. voice in C ; low voice
in A (William Arms Fisher)
50
(Jood Night, Little Girl. Good Night—High voice in C; low
voice in Ab (.1. C. Macy)
50
(Jood
Shepherd,
The—High
voice
in F ; low voice
in I)
Bells of Sliando:i
Mnrceau Hiaracterisl ii|iie. Op. 71 ( W. F.
Sudds)
.fit
Brave Boy's March i Emil Ottoi
('.•impiis Dreams W a l l / (Edmund M. I i h i k i i :
Two hands
Four h a n d s
Cathedral Chimes—Caprice Brilliant* 1 < Leandcr Eisberi
Chapel by t h e Sea. The—Reverie (G. 1). Wilson i
Chapel in t h e Mountains, T h e - - T o n e Picture i G. I >. Wilson i
Chase. The (C. E. Van Laer)
Circus Galop (Win. Grosscurtli i :
Two bands
Four hands
Cord and ' l a s - e l Dance. Op. 7-"iL' ( I I . lOngelmann I
Dance of Hie H a y m a k e r s (G. I). Wilson I :
Two h a n d s
Four hands
I
Six h a n d s
1
Danse Ecossaise i J-'rctl T. Bakeri ;
T m i bands
Four h a n d s
Six bands
Eight hands
1
Edelweiss Glide Wallz ( F. 10. Vanderbeck) :
Two hands
Four lianas
Fairy Echo, The- -Romance, Op. -.', i S. Schoiibrun I
F l o a t i n g Song -Barcarolle (Adam Geih.-D
Flossie Waltz ( E . B. Spencer I
Forget-Me Nt t s . Op. 71M ( I I . 10iigeliiiai.ii i :
Two hands
Four hands
F r e s h Life
Marche Brillianle. Op. 45 < W. F. Sudds) :
Two h a n d s
F o u r hands
Gladys Waltz (A. 10. Greelyi
Happy Birds Waltz ( E d u a r d Hoist
Two h a n d s
Four hands
I Love T h e e ( Ich liebe d i d ) ) , Op. ~'-W (11. lOngelmanri ) . . . .
Jack O'l^antern
March humoresque. Op. :!0 ( ( ' . W. K n
mann)
J u n e Rose, A Reverie. Op. 25 (Charles Waketield ('adman)
(Beardsley
B d l
Van
V de
d Water)
W t )
50
Grass a n d Roses (with Violin OW.)— High voice in A : low
voice in E ( J . C. B a r t l e t t )
50
Happy Birds Waltz Song—Med. voice in Kb (Eduard H o i s t ) . . .50
Hark. Hark, My Soul — Duet, Soprano or Tenor and Baritone,
„ , , ' " y ( . .50 Love's Caprice (Max Heindl i"
Hills o Skye, T h e (with Cello a d lib)—ILgn voice in b ;
Two bands
low voice in Db (Victor Harris)
' ' GO
"
Four hands
Indifferent Mariner, The—Bass in 10b < Frederick Field Bill-
Ivove'.s Confession Solo and Duel (Marl in Klemmeri
50
iard)
Mocking Bird March (10. Mack i
1 Love You — High voice in D b ; Med. voice in Bb (Carl So-
Moonlight on t h e Hudson (G. I). Wilson I :
beski)
50
Two hands
I Once Had a Sweet Little Doll, Dears- -11 igh voice in A b ;
Four hands
1
Med. voice in F (Ethelbert Nevin)
50
Six hands
1
Lethe (with "Cello or Violin p a r t a d l i b i t u m ) - High voice in
Eight hands
-j
10 ; Med. voice in D ; low voice in C ( F . Boott)
50
Mountain
Echoes
-Tyrolieniie
(Leander
Fisher)
Little Boy Bine—Med. voice in G ; low voice in Eb (Florence
My Ma's Waltz (10. M a c k ) ;
Buckingham Joyce)
50
Two hands
l o v e ' s Dilemma—High voice in F ; Med. voice in D (,1. How-
Four hands
ard Richardson)
50
My Pa's Waltz < 10. Mack) :
My Faith Looks Up t o Thee—Duet, Mezzo-Soprano and Bari
Two hands
lone in G : Soprano and Tenor in lib (George B. N e v i n ) . .00
Four hands
My H e a r t I s Singing—High voice in D : Med. voice in C ; low
Narcissus- Melody I Richard G o c d e l e r )
voice in Bb (Gertrude Sans Souci)
5<>
Oh, for a Day of Spring—High voice in Eb : Med. voice in C
Night School March (G. P. B e n j a m i n ) ;
(Addison F . Andrews)
-10
Two bands
'
Once in a Purple Twilight—High voice in A ; low voice in F
Four hands
' . .
(Eugene Cowles)
50
Notre Dame Waltz (Pierre Latoui) :
Penitent, The—High voice in IOb; Med. voice in C (Beards-
Two hands
ley Van de Water)
00
Four bands
Publican, The—High voice in Eb : low voice in C i Beardsley
Oxen Wallz (Air. by 10. Mack) (W. A. Mozart I
Van de Water)
'. .50
Pasquinade
Caprice I L. M. Gottschalk) :
Shine On, Oil Stars—High voice in F : Med. voice in J) ( F r a n k
Two hands
E. Sawyer)
50
Four
hands
\ 00
Shoogy-Shoo, The—High voice in F ; Med. voice in Eb ; low
.50
P h y l l i s - - ('apriee ( Lillian I rish I
voice in C (Grace Mayliew)
50
.50
P u r l i n g Brook ( E . Mack)
Somewhere—High voice in Eb ; Med. voice in Db ; low voice in
Red Top Polka ( Sara 11. Reed I
Bb (Thomas Curtis Clark)
50
.50
Robins' D e p a r t u r e (Leander F i s h e r )
Stein Song (also witli German text, "Das K r u g l i e d " ) — B a r i -
.50
tone o r Tenor in I ) ; Bass in B b ( F r e d e r i c k Field B u l l a r d ) . 5 0 Ilobins' R e t u r n (1/eander F i s h e r )
S t r e n g t h of t h e Hills. T h e High voice in Ab ; Med. voice in
Two hands
.00
F (George B . Nevin)
60
Four hands
Sweeter Story Still, A — H i g h voice in G ; Med. voice in F ; low
.00
Shadows
on
t
h
e
Water—Reverie
(August
Lmimey
1
.
voice in E b ( M a r c u s Hope)
00
.00
Starlight on t h e Hudson—Morceau (G. 1). Wilson 1
Sweetest Story Ever Told, T h e - H i g h voice in G ; Med voice in
.50
Sweet
By-and
By
Variations
(\V.
C.
Slier)
F ; low voice in E b (R. M. Stults)
GO
.50
Thoughts of Home—Reverie (G. Bonaldii
T h e r e L i t t l e Girl, Don't Cry Med. voice in Db (Carl Sobeski) .40
Tremolo- Etude de Concert (L. M. Gottsehalk 1 . . . .
T h i s Would I Do—Mezzo Sop. or B a r . in E b ; Sop. or Tenor in
Twilight Thoughts—Reverie (Chas. W. I'ailniiini . . .
<; (William R. C h a p m a n )
,",()
Vanished Dreams -Valse de Salon (Charles P. Scott)
.00
Twilight—Duet—Alto and Baritone in A ; Soprano a n d Tenor
Visions of Rest Waltzes (Fred T. Baker) :
in Db (George B. Nevin)
50
Two
hands
.00
Under the Rose High voice in F : Med. voice in I ) ; low voice
Four hands
.85
in
... C (William Arms Fisher)
.50
Six
hands
.00
When the H e a r t is Young, Op. 07, No. 5—High voice in E b ;
. ,,, , „,.,
.00
Med. voice in C : low voice in Bb (Dudley Buck)
50 Wayside Chapel, The—Reverie (G. D. Wilson)
Where Blossoms Grow—High voice i n Db ; Med. voice in Ab
Witches Carnival, The—I)*nce F a n t a s t i q u e ( E . B. Spencer 1 . . .00
(Gertrude Sans Souci)
50 Yorktown March—Two-Step (C. H a r r y Kain)
.50
OLIVER
DITSON
COMPANY,
Boston
CHAS. H. DITSON & CO., New York
LYON & HEALY, Chicago
J. E. DITSON & CO., Philadelphia
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
raw
THE
V O L . XLVI. N o . 1 1 .
r
Published Every Saturday by Edward Lyman Bill at 1 Madison Ave., New York, March 14, 1908.
SINGL
£ OC OTER\EAR ENTS -
I ^ H E present issue of The Review is a publication of more
try, who are instructed not only to report what is going on in the
than ordinary interest in that it contains an imposing Spe-
piano trade, but to' give faithfully and impartially the news of the
cial Number, incorporated within the regular edition, devoted to
music publishing world as well.
The advantage of such a specialized paper over those which
the portrayal of the developments of a single branch of the indus-
try to which this trade newspaper appeals as a whole.
This Special will demonstrate to all of our readers in every
do not treat of the various departments of the industry in an
intelligent manner is obvious.
Thousands of piano dealers not only sell musical instruments
part of the country the important position which music publishing
And, too, it will show beyond argument that the
but music in sheet fo'rm as well, and a paper which covers broadlv
men who control the publishing field are keenly alert to the pos-
this particular department is unquestionably of greater interest to
sibilities o'f the trade situation.
They are in truth the kind of
publishers than one which ignores their interests. Then again, such
men who do things and with such forces behind the guns there
a publication is of vastly greater value to piano advertisers be-
is no good reason to doubt the continued expansion of the music
cause it reaches many more people than an exclusive piano paper
publishing industry.
can ever hope to.
has assumed.
In fact these interests are so great to-day
The varied departments all help to make a
that there is an actual need of a publication which, free from
strong publication and give to' each advertiser an increased value,
alliances of every nature, shall represent the interests of the
and it is with some degree of pride that I refer to The Review
music publishing trade in a fair and consistent manner—a paper
of to-day, as a publication which covers comprehensively all
that shall be reliable and clean-cut in its utterances and shail
branches relating to the music trade industry.
disseminate only news of a truthful character—a paper which
I have endeavored to make The Review the forum of the
shall accurately record not only what is going on in the musical
music trade in the truest sense and to make it a vitalizing force
world, but tell from a critical standpoint all of the happenings
for manufacturers, publishers and dealers, and to make it of such
relating to music publishing.
value that it will be sought for eagerly by all branches of the
Realizing the truth of this and knowing the importance of
this special branch of the industry, we have placed during the
trade for reliable information which it contains, reinforced by
suggestions which are of value to every business man.
past year added emphasis upon the music publishing department
I trust that my efforts may continue to merit the good will
of this paper and have endeavored by every consistent means to
and co-operation of those whose interests are closely related to
advance the legitimate interests of music publishers and dealers.
the musico-industrial affairs of America in further developing
That our work is appreciated is evidenced by the imposing size
this trade newspaper to greater power for the support of straight-
of the present Review, which is in truth a remarkable publication.
forward legitimate trade interests.
The music publishers are not slow to take advantage of such an
aided by a competent staff of specialists all members of which
influential publication as this, which reaches every city and hamlet
have worked with unswerving loyalty in the upbuilding of a trade
in the United States and foreign countries as well, for this news-
newspaper institution which should stand for correct business
paper institution maintains its own offices in London, Bo'ston, Chi-
principles and be a helpful adjunct to all of the musical indus-
cago, and a corps of correspondents throughout the entire coun-
tries
"
In my work I have been
EDWARD LYMAN BILL.

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