Music Trade Review

Issue: 1907 Vol. 45 N. 25

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
REVIEW
ITHE
MUJIC TRADE
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPHXANE, Managing Editor
Executive and Reportorlal Staff x
Q BO. B.
W. H. DTKHS.
P. H. THOMPSON.
J . HAYDHN CLARENDON.
B. BBITTAIN WILSON,
L. J. CHAMBHELIN,
A. J. NICTELIN.
L. D. BOWERS,
BOSTON OFFICE:
CHICAGO OFFICE:
E. P. VAN HASLINGEN. 105-197 Wabash Ave.
TELEPHONES : Central 414; Automatic 8«45
MINNEAPOLIS and ST. PAUL:
ST. LOUIS:
RRNBST L. WAITT, 278A Tremont S t
PHILADELPHIA 1
B. W. KAUITMAN.
ADOLF EDSTBN.
SAN FRANCISCO:
CBAS. N. VAN BUHEN.
69 Baslnghall S t , B. C.
W. Lionel Sturdy, Manager.
Published Every Saturday at 1 Madison Avenue, New York
Entertd at tht Ntw Ytrk Post Office ms Stand Class Matter.
SUBSCRIPTION, (Including postage). United States and Mexico, |2.00 per year;
Canada, $3.50; all other countries, $4.00.
ADVERTISEMENTS. $2.00 per inch, single column, per insertion. On quarterly or
yearly contracts a special discount is allowed. Advertising Pages, $60.00; opposite
reading matter, $75.00.
REMITTANCES, in other than currency form, should be made payable to Edward
Lyman Bill.
Directory ol Piano
The directory of piano manufacturing firms and corporations
~
:
~
found on another page will be of great value, as a reference
M m m e f r c r s
f o r dealers and others.
Exposition Honors Won by The Review
Grand Prim
Paris Exposition, 1900
Silver Medal. Charleston Exposition 1902
Diploma. Pan-American Exposition, 1901
Gold Medal... St Louis Exposition, 1904
Gold Medal. . . .Lewis-Clark Exposition, 1905.
LONG DISTANCE TELEPHONES—NUMBERS 4«77 and 4678 GRAMERCY
Connecting all Department*.
,
Cable address: "Elblll New York."
NEW YORK, DECEMBER 21, 1907
EDITORIAL
A
WELL-KNOWX dealer in a Western city, in commenting
upon an editorial in last week's Review, writes: " I was
much interested in your leading editorial hitting at the men who
attempt to undermine the value of artists' testimonials. I read
your article carefully and it seems to me that you have touched
upon a very important subject and I hope you will not cease in
your efforts until you have made the people who are endeavoring
to belittle the good work of piano manufacturers heartily ashamed
of themselves. I know that one dealer in this city has been in-
dulging in the kind of advertising which you hit so hard in your
article and I don't believe that the article made very pleasant read-
ing for him.
"As you say, we owe a great debt to the piano manufacturers
for the work they have done in maintaining the artistic side of the
industry. This they have done through the employment of great
artists and every dealer has profited by the advertising and ex-
ploitation which the artists and pianos have received in the columns
of the various daily papers and trade journals throughout the
Union. I believe with you that the publicity alone has given tre-
mendous impetus to the selling end of the business and I con-
gratulate you upon the clear cut way in which you have presented
the true inwardness of the situation."
W
it has resisted to a certain extent many of the encroachments of
commercialism. Cut out the artistic piano element—the artistic
environment, and what is there to sustain piano making and selling
above other lines of special trades, furniture for instance? With
the commercial forces hammering away to cheapen the product and
to cheapen methods, and with other elements hammering away to
endeavor to destroy the value of artists' testimonials, we would
have a fine condition in the trade if both of these forces should
succeed in demolishing the very bulwark of the piano industry.
All honor to the men whose enthusiasm has been clearly manifest
along lines of artistic development and who have never hesitated
to support their sincerity in piano making by enormous monetary
expenditures.
We should be pleased to receive from our readers copies of
any local papers containing advertisements which are calculated
to undermine the value of artists' testimonials.
S. H. GRAY, 2407 Sacramento S t
CINCINNATI. O.: NINA PUGH-SMITH.
BALTIMORE. MD.: A. ROBERT FRENCH.
LONDON. ENGLAND:
REVIEW
E may say in this connection that we have received a num-
ber of communications written along similar lines to the
one from which the above excerpt is quoted. Too much credit
cannot be given to the great leaders of the piano industry who,
whether times were good or bad, have never faltered in their
earnest, praiseworthy endeavors to place their creations before the
public through the mediumship of the greatest artists in the world.
Suppose that for the past half century the work of concertizing
had not been carried on. What position would piano making and
the instruments themselves occupy in the estimation of the public?
It has been the artistic work carried on by the great piano manu-
facturers which has kept piano making on an elevated plane where
T
HE usual souvenirs for the New Year in the shape of superb
calendars are now beginning to put in their annual appear-
ance. It is a question whether all of the money which is laid out
for beautiful calendars at the first of the year is wisely expended
or not. In the piano line a dealer cannot find space in his office
for all the handsomely gotten up calendars which are sent to him
else the walls of his office would be pretty well covered with them.
They are too expensive to give away to the retail purchasers, there-
fore if these calendars which cost so much money find their way
to the waste basket or are hung in some obscure place the money
is unwisely expended.
Of course everyone sending out a calendar trusts that his will
be the one which will occupy the place of honor, but it must be con-
sidered that all cannot hold the leading vantage ground and that
some must be relegated to a rear position. We are rather inclined
to believe that there are other ways in which advertising appropria-
tions could be laid out to much better advantage than for calendars.
There are so many clever and useful souvenirs which can be almost
in constant us"e throughout the year. We have in mind at this time
of writing three which appear on the desk from which this article
is dictated—a rule, a paper cutter, and a paper weight. These three
articles, which bear the manufacturer's name, have been in use for
a number of years, and they are likely to be in service for some time
yet. The advertising benefit of such articles is seen in the fact that
every time one uses them the eye usually notes the name across the
article. Perhaps we can say of advertising what the Kentuckian
said of whiskey, "There is no poor whiskey but some of it is a
powerful sight better than others.*' Now there may be no poor
advertising as long as the name is mentioned in connection with
the advertisement, but it is certain that there are some kinds where
a man should get much better returns for his money than in others.
T
H E utterances of Governor Hughes upon the business situation
as recently voiced at a banquet in this city are well worthy
of perusal by every business man in this country:
"We are," he said, "passing through a period which tries men's
souls. Speaking with reference to the institutions of the State of
New York, where the trouble has been most acute, I desire to say
we have reason to congratulate ourselves that the State financial
institutions have so far withstood the unprecedented strain, and
in our criticisms of the few we must not forget to recognize the
soundness of the many. And in order that any needed changes in
the laws regulating the banks and trust companies may be made
we have taken steps to obtain the best expert opinion and the most
thorough consideration.
"It is a time for the exercise of sagacity and business prudence
and I believe the highest sagacity will be found in the endeavor to
see not to what extent credit may be restricted, but how far it may
be granted; to see not how many plants may be shut down, but
how many may be kept open; to see not how many men may be
discharged, but how many men may be employed; to see not how
many orders may be cancelled, but how much work can be car-
ried on.
"It is idle for those to lament the evils of general distrust who
fail to avail themselves of every opportunity to diminish it. Of
course every man will act with decent regard for the interests con-
fided to his care, but if the desire is to avoid any unnecessary
contraction of effort and individuality, to the fullest extent possible,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE.
MUSIC TRADE
to contribute to the re-establishment of confidence, we shall reduce
to a minimum the period of disturbance and be able at a much
earlier day to welcome the restoration of normal conditions."
F
OR some weeks past we have been presenting a number of
communications from leading dealers in various sections
bearing directly on.trade conditions. There has been throughout
most of these communications a feeling of confidence in the busi-
ness future which is most gratifying. It is that spirit of confidence
which ultimately will win over the weak-hearted pessimists. If
everyone is cheerful and optimistic it will do much toward dispell-
ing doubt as to the business future. It is well to preach confidence
all the time and this country needs at the present moment plenty
of men who believe in its future, who refuse to view the country
through indigo hued glasses and who are willing to devote a little
time to making other men cast off their doubts which do much to
shackle the onward movement. There never was a time when
sounder reasons could be advanced why confidence should remain
in the forefront than at the present time, for the nation is blessed
with good harvests and high prices for all its products. We need
to show unwavering faith in ourselves, our country and our destiny.
All of us can help in spreading the spirit of confidence and it is
pleasing to note that many are doing good in that way.
GREAT many business men lost their heads at the first blast
of the panic, and we know of quite a few who made through
fear some false moves which they have since regretted. It is the
business men—the leaders of industry 'who have to be the strong
forces in placing the country back where it should be. If they get
weakhearted the men further down the ladder will catch the in-
fection and they will jump off. Then it will be time to whistle
down brakes.
Of course, trade has suffered. Dealers in all lines have been
cleaning up stock instead of reordering. Business organizations
have been remodelled so to speak and there has been a lot of dead
wood cut out. That's excellent. Some men have accomplished
much in that line. We have in mind one or two large •institutions
the heads of which have not hesitated to say to us that they have
profited by this slump because they have gone more deeply, more
minutely into their affairs than ever before and they have found
that they were carrying a number of branch houses which did not
pay. They found, too, that a lot of stock in some places did not
sell, but by moving this around they have been able to work it off
at other points.
Then, too, it is certain that credits in the future will be scanned
more closely than they have been in the past few years. Men who
are not worthy of credit will find it impossible to get merchandise
on the same generous terms which they have heretofore. It may
be said that credits in the music trade industry have undergone a
great change from the conditions which existed a few years ago
when it was possible for a clever man to obtain a piano stock worth
thousands of dollars when he could not obtain a suit of clothes on
credit in his home town.
A
It is certain that credits in all lines will be scrutinized more
closely than ever before, (ieneral conditions will be opposed to
laxity in business matters, and the sounder the business lines, the
sounder the business institutions, and the better able they will be
to withstand any kind of shock.
T
HERE is an item appearing in another portion of this paper
from our correspondent in Yokohama, Japan. It deals with
the substitution plan which is now current in that country. Ac-
cording to our report, it is a waste of expense fighting a counterfeit
label in the courts, as well as a duplication of names adopted by
foreign firms. Already pianos are being exported with the names
of standard makers, and the writer says, the business of course is
small at present, and little attention is being given to it, but he adds
significantly: "When too late the export trade of America will
learn that the Japanese are great workers and live for a great
future."
As far as the courts are concerned, foreigners do not stand the
slightest show, because, according to Japanese law, any person can
infringe a trade-mark and when brought into court if he says he did
not know it was an infringement the case is thrown out with costs
on the plaintiff.
REVIEW
IN LIGHTER VEIN
1906 still stands as a record breaker in the music trade industry.
Sometimes it's a question whether the man outgrows the job, or the
job outgrows the man.
A campaign of education instead of vituperation should be the slogan
for the knockers during 1908.
*
Don't close the windows; let in the trade sunshine. It will do you
good and drive away the blues.
Of course the Christmas trade is slumped, but that's no reason why
we shouldn't burn a yule log or two.
A man who tries to drown his troubles in the flowing bowl usually
finds that they are equipped with life preservers.
How many men there are who believe that they could have won dis-
tinguished success in some other vocation than their present one.
A pleasant smile alone will not bring back good times. Smiling is
excellent, but reinforce the smile with hustle and a grim determination
to win the battle.
"I will give you my answer in a month, Pat."
Pat—"That's right, me darlint, tek plinty of time to think about it.
But tell me one thing—will it be yes or no?"
"So you ran across dat millionaire when you was goin' down de road?"
said Meandering Mike.
"Yes," answered Plodding Pete.
"Any conversation?"
"No. We jes' exchanged thoughts. I was wishin' I had his money an'
he was wishin' he had my appetite."
TO GREET THE TRADE.—Guide—You will be the second person,
my lord, who will have climbed to the top of this mountain.
My Lord—Yes; and who was the first?
"A postcard seller, who has now got a shop on the summit."—Bon
Vivant.
BEYOND CONTROL.—Although the old gentleman with a red face
and choleric temper had opened the car window five times with much
vigor he had found it closed every time he waked from his doze.
He felt perfectly sure that the person to blame was the man behind
him, who gave vent to a stifled groan each time the window was opened.
At last the choleric gentleman turned in his seat.
"Sir," he said indignantly, "you are evidently one of those persons
who cannot bear fresh air; but may I ask you who controls this window,
the person beside it or the one behind it?"
"If you could stay awake a few minutes," responded his neighbor,
"you'd soon discover that nobody can control that window, sir—not even
the brakeman or the conductor."
ONE CASE OF STRINGENCY.—"I have six weeks left to buy Christ-
mas presents."
"Yes."
"And nothing else."—Cleveland Plain Dealer.
NOT REASSURING.—A farmer, on a frosty autumn afternoon, went
out into his turnip field and began to gather turnips. The early sun sank
in the West, and as the bluish dusk came on the farmer perceived at the
other end of the field two men, who, laying down a bag, began to dig
with frantic haste.
The farmer watched the pair in some perplexity. What could they
be doing? And he was just putting his hand to his cheek to shout and
ask them their business when one of them rose up and yelled loudly and
reassuringly:
"Don't let us disturb you we are only prigging a few ourselves."
REAL BOHEMIANISM.—Elihu Vedder, the painter, lives in Rome,
where he has a beautiful apartment, and in Capri, where his white villa
looks down on the sea.
"Elihu Vedder," said a New York illustrator the other day, "is as
bohemian as ever. Fame has not spoiled him. 1 visited him last year,
and his bohemian ways were delightful.
"You know they tell a story of a visit that he once paid to Alma-
Tadema, in London, in that glittering house which Mrs. A.-T.'s money,
made in grateful, comforting cocoa, bought.
"The morning after his arrival, very early, before even the servants
were up, Vedder began a thunderous knocking on his host's sandalwood
door.
"Alma-Tadema turned in his gold bed, threw back the lace coverlet,
sat up.
"'Who's there? What is it?' he cried in a startled voice.
" 'I say, Tadema,' shouted Vedder, 'where do you keep the scissors
that you trim your cuflfs with?'"

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