Music Trade Review

Issue: 1907 Vol. 45 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
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THE MUSIC TRADE RSVIEW
"While on this subject we have a suggestion to make to all of our
manufacturers of musical instruments: Let them expend in addition
one-half as much on the interior of pianos, upon that part which gives the
instrument its character, as they throw away on unnecessary ornamenta-
tion on the exterior—ornamentation causing positive injury to tone and
durability. The best pianos we have seen, though made of the finest wood
and well finished, were invariably plain. A much better piano could be
made for $250 under these conditions than many that sell for $500 as
handsome pieces of furniture."
Evidently the judges did not care much for frills in those days. The
plain models appealed to them.
A number of manufacturers sprung up in New York after 1830, but
it is a notable fact that with one or two exceptions, none of that early
list has been perpetuated down to our times. The old makers were good
artisans, and their pianos were practically absorbed by the retail trade,
and when they died their business passed away with them.
Along towards 1850 the business in New York began to assume
SHOWING FOSTEIt-ARMSTKOXG CO., TWAY, WISSNER, SHONINGEU STORES ON F I F T H AVENUE.
when good instruments can be produced at moderate prices. In this view
of the case Messrs. Torp and Love both deserve the gold medal awarded
them.
SOHMEH BUILDING IS SHOWN IN THE BACKGROUND, ON F I F T H AVENUE.
14TH STREET, BELOW FIFTH AVENUE, TOWARDS SIXTH AVENUE.
greater proportions, and at the London World's Fair in 1851 a number
of American piano manufacturers exhibited. Among them was Jonas
Chickering, who in company with C. Frank Chickering, went to England
personally to superintend this exhibit. The New York piano manufac-
turers who exhibited at London, and whose work was highly commented
upon were Nunns & Clark, Heers & Pirsson. From that time on the piano
business in New York and Boston began to expand rapidly. International
World's Fairs began to attract the attention of the world to American
piano manufactures. A Crystal Palace Exhibition which was held in New
York City in 18&8 brought a big collection from the European manufac-
turers, and this gave the Americans an opportunity to compare their
instruments side by side with the best of Europe. This means of meas-
uring ability gave domestic manufacturing a new impetus.
It may be said that perhaps at no other American exposition has there
been such a line of distinguished piano makers of Europe as were repre-
sented here in New York at the Exposition in 1853. The great house of
Steinway was founded at that time, Henry E. Steinway, the founder, hav-
ing arrived in this country, accompanied by his sons, from his native
Duchy of Brunswick in 1851. With the accomplishments of this family,
who have given so much to the music trade history of the world, we shall
deal later.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
REVIEW
9
A number of other well known institutions were founded, which will
be referred to elsewhere.
The house of Weber was founded by Albert Weber in 1852, and in
1869 this far-sighted business man had surprised the trade world of New
York by opening up warerooms on the corner of Fifth avenue and
Sixteenth street, warerooms which have been continued by the Weber
Co. all these years, having been finally abandoned in 1906.
In 1857, just a half century ago, there was a financial crisis in New
-York similar to the one which we have just witnessed. A number of the
smaller piano firms of those early days succumbed to the conditions
which were forced upon them. The stronger ones, however, survived, and
the industry in this city began to assume large proportions. It has never
ceased in its development, and while as years rolled on factories have been
started all over the country, New York has always been considered not
only the metropolis in a financial sense, but the headquarters for music
trade creations.
A list of the corporations manufacturing pianos in this city to-day
•shows the importance of piano making in New York City. Huge factories
have grown up here, and according to a report recently issued by the
Federal Government, the value cf musical instruments produced in New
York represents more than one-third of the total production of the
United States.
This special bulletin, which was issued this fall by the Department
of Commerce and Labor, contained the following regarding the develop-
KNABE BUILDING ON F I F T H AVENUE IS SHOWN IN THE FOREGROUND.
establishments, the report of the Census Bureau says, is more or less
characteristic of all lines of industry in recent years, being indicative of
the tendency toward production on a large scale.
AEOLIAN HALL ON F I F T H AVENUE, KNICKERBOCKER TRUST BUILDING ADJOINING.
ment of the manufacture of musical instruments, which was treated in
a statistical form. The bulletin covers a period of five years, ending in
1905. In this bulletin the figures show astonishing development, and
some interesting facts are presented regarding the value of products and
the number of wage earners employed. According to statistics New
York's lead in the making of musical instruments is clearly emphasized.
The official bulletin shows that there were 625 establishments engaged
in this industry in 1905. They employed 35,220 wage-earners, reported
an aggregate capital of $72,225,379,. and manufactured products to the
value of $69,574,340. Five years tefore, when the census of 1900 was
taken, the number of establishments reported for this industry was 619;
total number of wage-earners, 23,714; the aggregate capital, $47,706,582,
and the value of products, $44,418,978.
Comparison of the figures for these two censuses shows that there
was an increase in the five year interval of $25,155,362, or 56.6 per cent.,
in the value of products; $24,518,797, or 51.4 per cent., in the amount of
capital employed, and 11,506, or 48.5 per cent., in the number of wage-
earners. The establishments in the meantime increased by only six, or
about 1 per cent. This comparatively small increase in the number of
SHOWING SCHIBMER, JACOT AND REGINA STOHES ON UNION SQDABB,

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