Music Trade Review

Issue: 1907 Vol. 45 N. 2

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
TIRADE
VOL. X L V . No. 2 .
Published Every Saturday by Edward Lyman Bill at 1 Madison Avc, New York, July 13, 1907
THE FABLE OF THE ANTIQUE
Who Switched Too Late Is Interestingly Told
in the Following Clever Story and the Moral
Is One Which Piano Men Should Take to
Heart.
The following clever story is from a little
volume issued by Calkins & Holden, advertising
specialists, New York, and makes mighty good
reading:
Once upon a time the Father Superior of an
old, respectable House was approached by a
Shameless Vender of publicity. The approach
was uneventful, for the Shameless one had been
bidden, actually bidden, after fifty-seven vain at-
tempts to break in.
When the man of ideas had gained the Carpet,
the Great Presence swung round and handed
him these words:
"This Business has been in existence for One
Hundred and Fourteen years. It has been passed
along from Father to Son without rubbing off
any of its Traditions, Prestige or Respectability.
"Never in all these years has it seen fit to seek
the recognition of the Riffraff and Bobtail of hu-
manity by means of Vulgar Advertising. The
Merits of its products and the Reputation of
those who have outlined its policies have served
to keep it in the Limelight, as the slangy Public
Prints are wont to put it and hold the trade of
the class of people to which it has always Ca-
tered.
"But conditions have changed. Our kind of
people are deserting us for these latter-day Up-
starts, who sneer at Prestige, trample on Tradi-
tions, cut prices and Flaunt their wares in the
magazines, in the newspapers and on the bill-
boards. We are losing Money, and have been
losing it for ten years. There is but one thing
to do, and that is pocket our Pride and advertise.
The thought grieves me, but the Business must
be saved."
The Shameless One, who had been calling him-
self the Goods and thinking up in the hundreds
of thousands, came down to earth like a spent
Balloon.
"My dear, but venerable Vegetable," he said, "I
have been trying for five years to butt in here
and outline the Awful Jolt that was waiting for
you, even as you have described it, but you had
me down as a Lemon distributer and I never got
by the boy who licks stamps.
"Prestige and Traditions are life-savers for re-
tired Steel Magnates who have Frisked the pub-
lic for all it will stand, but in business they're a
Pipe. It's nice to have people step softly and
Salute whenever your name is mentioned, but
such Pink Tea stunts never yet coaxed any Divi-
dends to the surface.
"Your trouble is that you have been living in
the Past. Your kind of people have been out of
Print so long that there ought to be a Premium
on you. You try to do business in the Nebulas
and you land in the Mulligatawney."
"I see our mistake," said the Main One, "and
are resigned to the Inevitable. We must reach
the people with announcements—something neat
and refined and in harmony with our Dignified
and Conservative Methods."
"The pardon comes too late. I'm glad your
Jong nap hag refreshed you, but you've overslept,
In other words, you're on the Toboggan, and it's
just one-half of Forty-six for yours."
"Meaning
?"
"Just this, that your wires are crossed; that
you've called a Doctor when you need an Under-
taker. There was a time when advertising would
have Swung you clear, but now you've passed
the Switch.
"If you flirt with Publicity at this late day, you
simply make it necessary for a few more Credit-
ors to attend the Obsequies. You don't need to
order the Crepe yet; the end won't be sudden.
Businesses like yours Wobble along several
months after Life is Extinct.
"But after the Light finally Blinks, here's a
neat, dignified and conservative Inscription for
the Tombstone:
MORAL
ADVERTISING WILL KEEP YOU
OUT OF THE HOLE, BUT IT
WON'T PULL YOU OUT
THE GILDEMEESTER RELIEF FUND.
Generous Action of the Personal Friends of the
Late P. J. Gildemeester.
Some of the personal friends of the late P. J.
Gildemeester are raising a fund for his widow
and children. Mr. Gildemeester held prominent
positions in the music trade for many years, and
was also engaged in piano manufacturing on his
own ficcormt. He was widely known and highly
esteemed, and when the facts became known that
he left practically no estate surprise was mani-
fested among his friends, for the deceased had
always commanded a good salary, although he
was not successful in manufacturing on his own
account. However, there were many demands
made upon him for money which were not known
to those outside., and certainly the fund which is
being raised for the members of his family
shows a most commendable spirit on the part of
the members of the trade who are engaged in
this worthy enterprise.
The attitude of the music trade men shows the
value of friends, and what true loyalty means in
the music trade. Among the firms who have
given $100 or more are the following: O. A.
Field, St. Louis, $500; Lyon & Healy, $200; J. V.
Steger, Chicago, $100; J. A. Norris, New York,
$100; Ernest Urchs, New York, $100; W. H.
Daniels, Buffalo, N. Y., $100; George Clay Cox,
Rochester, N. Y., $100; F. B. Burns, Newark,
N. J., $100; Roth & Engelhardt, New York, $100;
Jas. R. Mason, Derby, Conn., $100; R. W. Cross,
Chicago, $100; W. L. Bush, Chicago, $100.
The amount will be placed in the hands of
trustees who will deposit it with a New York
bank and pay out $100 a month to Mrs. Gilde-
meester until the principal and interest are ex-
hausted. In case of her death before the fund
is us-.ed up the balance will go to the female
members of Mrs. Gildemeester's family.
W. E. Baum has purchased the interest of
Ross P. Curtice in the Curtice-!Bauin Co,, piano
dealers, of Omaha, Neb.
SINGLE COPIES, 10 CENTS.
$2.00 PER YEAR.
ADVERTISING IN MISSOURI.
A
Reformatory Measure Introduced in the
Legislature Which Compels an Advertiser to
be Modest and Accurate in His Statements.
A bill for the reformation of advertising has
been introduced in the Missouri Legislature.
What its fate there was or will be we do not
know, but if that bill ever does get passed—and
enforced—it will be convincing evidence that any-
body looking for the virtue and wisdom neces-
sarily characteristic of the millennium can find
them both in Missouri.
Think of telling an advertiser that he mustn't
call his goods "the best in the world" unless he
also says, and clearly, that the statement is one
of opinion, not of fact! And it is more than a
little hard to fine a man heavily because he prints
or causes to be printed a confident promise that
the stock he is offering will increase in value or
that the mine he is exploiting will pay dividends.
But the Missouri bill also deals with many ad-
vertising evils that are not the less real because
they now for the most part pass unnoticed as
mere customs of trade. For instance, it prohibits
the advertising of goods as reduced from a price
at which they were never sold, to a sum which is
their full value instead of a bargain value, and it
is especially severe on the man who "pads" a
fire or bankrupt sale with wares that have been
through no such experience. The regulations sug-
gested as to patent nostrums and quacks are open
to criticism only as counsels of perfection and
as not admitting a border line region where dif-
ference of opinion is still permissible.
CONGRATULATIONS.
William Knabe, of William Knabe & Co., the
eminent piano manufacturers, of Baltimore, Md.,
has surprised his many friends who had supposed
he was a confirmed bachelor, by assuming the
Benedictian role on July 6, when he was married
by the Rev. H. M. Warren, of this city, to Miss
Margaret A. Mason, of New Jersey. The bride's
brother gave her away, and the bridegroom's
cousin, Mr. Charles Keidel, Jr., acted as best man.
After a short wedding trip the happy couple will
reside in New York City. The Review joins with
a host of friends in extending sincerest con-
gratulations.
TO LICENSE PIANO TUNERS.
Nearly five thousand signatures have been
attached to the petition being circulated by A. A.
Clinkscales for the licensing of piano tuners in
Missouri. He is strongly supported by piano
dealers, musicians and music teachers, and it is
hoped to get the bill through the next State
Legislature.
MASON & HAMLIN RENOVATIONS.
During the summer quietude the Mason &
Hamlin Co., of 139 Fifth avenue, have placed a
contract for the renovation and decoration of
their warerooms. The specifications also call for
a new flooring, and when the work is completed
the firm will have one of tlie flnest salesrooms
on the avenue,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
REVIEW
EDWARD LYMAN BILL • Editor and Proprietor
J. B. SPILLANE, Managing Editor
Executive and Reportorlal Staff:
GBO. B. KELLEB,
W. H. DYKES,
F. H. THOMPSON.
BMILIE FRANCES BAUFB,
L. E. BOWERS, B. BRITTAIN WILSON, W J I . B. WHITE, L. J. CHAMBEBLIN, A. J. N I C U . I N .
BOSTON OFFICE:
CHICAGO OFFICE:
B. P. VAN HAKLINGEN, 195-197 Wabash Ave.
TELEPHONES : Central 414 ; Automatic 8643.
MINNEAPOLIS and ST. PAUL:
ST. LOUIS:
ERNEST L. WAITT, 278A Tremont S t
PHILADELPHIA :
R. W. KAUFFMAN.
A. W. SHAW.
SAN FRANCISCO:
CHAS. N. VAN BUREN.
S. H. GRAY, 2407 Sacramento St.
CINCINNATI. O.: NINA PUOH-SMITH.
BALTIMORE, MD.: A. ROBERT FRENCH.
LONDON, ENGLAND:
69 Basinghall St., E. C.
W. Lionel Sturdy, Manager.
Published Every Saturday at 1 Madison Avenue, New York.
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION, (including postage), United States and Mexico, $2.00 per year;
Canada, $3.50 ; all other countries, $1.00.
ADVERTISEMENTS. ?2.00 per Inch, single column, per insertion. On quarterly or
yearly contracts a special discount Is allowed. Advertising Pages, $60.00; opposite
reading matter, $75.00.
REMITTANCES, in other than currency form, should be made payable to Edward
Lyman Bill.
Directory ol Plaao
The directory of piano manufacturing firms and corporations
._
-
.
found on another page will be of great value, as a reference
MinnUelnreri
f o r ,j ea iers and others.
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900
Silver Medal. Charleston Exposition 1902
Diploma. Pan-American. Exposition, 1901
Gold Medal... St. Louis Exposition, 1904
Gold Medal. .. .Lewis-Clark Exposition, 1905.
LONG DISTANCE TELEPHONES-NUMBERS 1748 and 1761 GRAMERCY
Cable address: "Elblll New York."
NEW
YORK, JULY 13, 1907
EDITORIAL
W
E open a small book with a black covering, around which
runs a neat gilt border. On the front of the book is
stamped the words, also in gilt, "Patrick Joseph Healy. An Appre-
ciation." This little book contains much of interest to every mem-
ber of the music trade because in it are stray leaves culled from
the life of the late Mr. Healy in which is reflected that keen business
judgment, quaint humor and gentleness of nature which endeared
him to legions of friends in every section of the country. The
book is issued by his associates and it is rare indeed that we find
in this busy workaday world of ours that business men depart from
their regular daily duties to the extent of preparing an artistic
volume, filled with memories of one who is gone, not alone as a
memorial, but to show as well his nobility of character and how his
indomitable will power triumphed over all obstacles. In this case
it is a volume which in itself constitutes an enduring monument to
their beloved associate. The present officers of the great firm
which was founded by Mr. Healy have in this "appreciation" paid
a high compliment to the memory of a great and modest man and
they have also shown a refinement of taste which is most praise-
worthy in the preparation of this beautiful volume.
REVIEW
grade of the grammar school. His spelling was a source of won-
derment to the small Bostonions and exceeding delight to his
teacher. For, on the first spelldown, when he spelled 'shew,' and
the class objected, the teacher smilingly remarked: 'That's cor-
rect; that's the way Healy and I always spelled it when we were
boys together.' This teacher, William T. Adams, to whose dis-
cernment young Healy owed so much, was afterwards widely
known as 'Oliver Optic,' the author of the widely-known series of
boys' books."
i t / " \ N E day a clerk reported to Mr. Healy that a certain red-
V ^ headed stripling, who had grown up in the store, was
impudent to him, and must be discharged.
"'Very well,' said Mr. Healy, 'discharge him.'
"Presently the clerk came back and said: 'I have discharged
him, and he won't go. Won't you please sign a written order for
his dismissal ?'
"Mr. Healy signed the order with his customary bold flourish.
"In a few moments the clerk returned again, in a high state of
indignation, and blurted out: 'He won't go. I gave him your
written order, and he read it and tore it up, and then said, 'Oh,
you go to blazes!'
" 'Well/ replied Mr. Healy, turning to his correspondence,
'since you've discharged him and I've discharged him and he won't
go, I don't see what further can be done.' "
W
H E N he left Boston, Oliver Ditson had said by way of en-
couragement : "If you have good luck in ten years' time
you will do a business of $100,000 per year." The new firm passed
that figure before the first twelvemonth had expired. Yet Mr.
Healy found time to make a few friends, to give long and careful
attention to the problems that needed it, and from the first to be-
stow kindnesses with an open hand upon all who asked either his
advice or his assistance.
In those days one of the best known of Chicago's capitalists
was a certain old gentleman, who chanced to be Lyon & Healy's
first landlord. One day, after the new firm had been established
three or four years, he dropped in for a short chat. "Healy," said
he, "don't you want to borrow some money to help increase your
business ?"
"I couldn't afford to pay 10 per cent.," rejoined Mr. Healy;
"and that's what the trade tell me they have to give you."
"Well," replied the old gentleman in a whisper, with his bony
finger to his cautious lips, "it won't cost you 10 per cent."
And this was probably as high a compliment as the old gentle-
man ever paid to anyone.
T
O Lyon & Healy's one day came a pale and worn man, carry-
ing a violin under one arm and a roll of manuscript music
in his hand. He was tired and discouraged, for his regular pub-
lishers would not advance him further royalties. He approached
Silas G. Pratt (since so well known as a composer and conductor,
then a bright young salesman), and asked him if he could close a
contract with Mr. Healy. Pratt said, "We have talked somewhat
of getting out a new Sunday-school song book and if you like I
will ask Mr. Healy to give you an audience."
As Mr. Healy came out from the office into the store to hear
some of the musician's ideas, he took in the situation at a glance.
The delicate, refined face of the musician, drawn with a deep
anxiety, told its own story of financial distress, and of the thousand
rebuffs that had broken the heart of one of the gentlest men that
BRIEF review of the pages of the Healy biography does not ever lived.
convey a correct impression of the work. The story is so
When his music came to an end, the stranger asked anxiously:
charmingly and interestingly told it is best to preserve the individu- "How do you like it?"
ality and word phrasing of the anonymous biographer, who tells of
"That's all right," responded Mr. Healy, and he then and there
Mr. Healy's early struggles, his strength of will to overcome re- contracted for a work to be known as "The Signet Ring."
verses, and through it all runs such a spirit of gentleness that makes
About a year afterwards people began coming in to ask for
one glad to have read the book.
"The Signet Ring," and chiefly because of one certain song it con-
In telling of the early boyhood of Mr. Healy in an Irish coun- tained. At first no attention was paid to these indications, but
try village, the biographer says: "Yielding to the inevitable, the finally the song was printed separately, and edition after edition
Healy family gave up the struggle to make headway amid the was published and sold.
pretty but impoverished vales of Burnfort, and when Patrick was
In the meantime Pratt had gone to Europe to study. Three
ten years of age they planted his small feet in the classic city of years passed, and he returned to New York City. "As the boat
Boston. He had already acquired a remarkable stock of knowledge came up to the pier," he says, "the band was playing a simple tune
for one so young, and his first day in school in America was sig- that seemed familiar. As I alighted the porters were humming this
nalized by a flying jump from the primary room into the highest same air, then when T reached the street the newsboys were
A

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