Music Trade Review

Issue: 1907 Vol. 44 N. 23

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
in charge. With several other publishers aboard
the "Lucania" was Paul H. Cromelin, vice-presi-
dent of the Columbia Phonograph Co., General,
the most ardent and skilful opponent of the copy-
right bill to be freshly introduced in the coming
session of Congress. While the publishing group
were all Englishmen, still they are interested in
American copyright legislation, and should they
happen to meet the versatile, resourceful and
able gentleman of talking machine fame an argu-
ment might be framed up in which all hands
could participate and thresh out the differences
between them.
A three months' engagement has been made by
Thomas J. Quigley, manager of Francis, Day &
Hunter's professional department, to sing at At-
lantic City, N. J. During his sojourn he will
continue to look out for the firm's interests just
the same, and will occasionally have a look in
at the stand of the United Music Stores Co. on
the boardwalk that opens June 15.
William H. Penn, the well-known song writer,
for many years manager for Sol Bloom, is now
manager-in-chief of the Gus Edwards Music Pub-
lishing Co., in this city.
of Berlin. He is interesting both because of the
pronounc3d merit and attractiveness of his com-
positions. Mr. Lincke is not a newcomer in the
usual sense of the word, for he has been promi-
nent as a composer and conductor in European
musical centers for several years. Recently his
firm—Lincke & Riihle—closed an exclusive con-
tract with Joseph W. Stern & Co., and among the
first of his compositions that will be exploited
are the following: "Luna Waltz," "The Glow-
Worm Idyl," "Spring Waltz," "Berlin Echoes,"
march; "Castles in the Air," "Siamese Patrol,"
characteristic; "Police Parade," march; "Unre-
quited Love/' waltz. Mr. Lincke will be in New
York again in September.
Thirty-Day Sheet Music Special
. . . . 5c
. . 5c
. . . . 5c
(George Rosey's new waltz)
"ENCHANTMENT" Waltzes .
. .
.
.
"TELL ME YOU LOVE M E " Ballad
.
.
"MOTOR" March and Two-Step .
.
.
"WOOING" Rosey's Valse Intermezzo
8c
8c
8c
8c
A BIG CHANCE-TAKE ADVANTAGE OF IT
HINDS, NOBLE <& ELDREDGE
31-33-35 West 15th Street, New Yotk City
"AFTER THEY
GATHER
THE HAY"
* Do Re Mi
Fa Sol
La Si Do"
BALLADS
Down Whan Mohawk
Flows, Qold«n Autumn
Tim* Sw.«t EUlnt, ET«-
nlng Brun Sighing Uom«,
BwMt Home, Htvt'i To-
night In T«HMH4.
JOS. W. STERN
& CO.
The House of Hits
102-104 W. 38th St..
New York
&T S«nd lor rates
"Dearie"
Blllld
"THE BIRD
ON
The new play in which she is to appear next
season is by an American author and is almost
completed.
The music publishing department of Hinds,
Eldredge & Noble, 31 West 15th street, New York,
under the management of Albert E. Wier, has
been expanding steadily, and recently additional
office room was required. They are doing a
splendid business and this week they publish
several new folios for orchestra and band. Their
republication of classic non-copyrights is grow-
ing into a formidable list, the printing, paper
and other details being carefully looked after.
Leo Feist, who returned from Europe last
week, states he has signed Scotta, writer of "La
Tonquinoise," exploited in this country by Joseph
W. Stern & Co.
'• PETITE
TONKINOISE"
Parisian Two-
Step Craze 1
ROBERT TELLER SONS & DORNER
Mnstc Engravers and Printers
SEND MANUSCRIPT AND IDEA OF TITLE
FOR ESTIMATE
I2C WEST 261b STREET, NEW YORK CITY
"THE TOURISTS," by Burnslde &nd Kerker
"THE SOCIAL WHIRL," by Herbert and Kerker
"THE ROSE OF ALHAMBRA," by Cook uidHosmer
Complete Vocal Score and Special Numbers
Song Hits from the "Rich Mr. Hoggenheimer"
"DON'T YOU WANT A PAPER, DEARIE?" POKER LOVE
"BAG PIPE SERENADE," by Jerome D.Kera
T. B. HARMS COMPANY
1431-1433 Broadway
NEW YORK
WE ARE THE PUBLISHERS OF
THESE SUCCESSFUL PRODUCTIONS
"The
"The
"The
"The
Little Cherub"
Little Michus"
Blue M o o n "
Spring Chicken"
"Another industry which will soon take a
move to the north is the retail music shops,"
says a New York daily. "They have for years
clung to the neighborhood of Union Square. Now
w 17lh st
CHAPPELL & CO., Ltd. 3? NEW
YORK.
SPECIAL TO THE TRADE!
PUBLISHERS' DISTRIBUTING CO.
NELLIE'S HAT"
Ambolene, My K a f f i r
I W « NeTer Klued Like
That Before
Bob White Is Whistling
In the Meadow
H«rTMt Moon Shining on
Rlrer
(Special to The Review.)
Chicago, 111., June 2, 1907.
The Victor Kremer Co., of this city are rapidly
getting settled in their fine new quarters on the
bank floor of the Marine Building, corner of Lake
and La Salle streets. In the new location they
"THE MAN ON THE STREET."
have 6,000 square feet of space, giving them room
for double the amount of stock carried in the old
Wagers Being Made—Two Composers Whose location and also providing ample quarters for
"Must" Goes—The Up-Town Movement— Mr. Scott and the professional department, a
The Call of the Camera—Hinds, Noble & well-lighted private office for President Victor
Eldredge Expansion—Feist Signs Scotta— Kremer, and more than elbow room for the
Elsie Janis to Star in Musical Comedy.
counting room employes.
The Kremer Co.'s latest hit, "Under the Trop-
Wagers are being exchanged that the publish- ical Moon," words by McDonald and music by
ers interested in the two retail "combines" will Renrich, is having an almost unprecedented run.
not hang together a year, past performances be- The list of headliners using this song is remarka-
ing quoted as the criterion. These so-called "best ble, including such stars as Mrs. George Cohan,
bets" are being snapped up whenever offered.
nee Miss Ethel Levy; Truly Shattuck, Phillis
Allen, and Rome, Mayo and Juliet. Furthermore,
While the audience was assembling Friday it is the featured attraction in "The Wizard of
night last for the performance of "The Little Oz," now in summer run at the Great Northern
Typhoon," at Asbury Park, N. J., the managers Theater, where it is being sung by Ida Emerson.
were served with an injunction, taken out at the
Victor Kremer is now on a protracted trip
instance of Willard Spencer, of Pennsylvania, among his retail departments in Omaha, Minne-
author and composer of the opera, who alleges apolis and St. Paul, Minn., New Orleans and other
that his copyright had been infringed. As a re- cities.
sult there was no performance.
The United Music Stores Co., representing a
One of the questions debated by outsiders is group of New York publishers engaged in retail-
whether the members of the Music Publishers'
Association of the United States in convention ing music apart from their regular line, have
assembled will stand up and pose for a group openeo. another branch with Brown, Chappell &
photograph as at last year's gathering, with the Co.'s department store, Syracuse, N. Y., and also
subsequent baleful results? The anxiety to get with the Dodge-Spear Co., Boston, Mass., who
within the focus of a camera is often resistless are known to the trade. This makes four U. M.
to some men as a body, and the publishers are S. Co. establishments.
no exceptions to this human weakness. The
query now is "shall we be 'shot' or shall we
.'shoot.' "
Charles Dillingham has closed a contract with
Of those who have recently stepped into promi-
Elsie
Janis by which she will star in musical
nence in American musical circles, one of the
most interesting figures is that of Paul Lincke, comedy under his management for five years.
"RED DOMINO"
March
ind Two-Step
VICTOR KREMER CO.'S NEW QUARTERS.
NEW MUSICAL COMEDIES
PAUL LINCKE.
STANDARD AMERICAN A I R S
GRAND O P E R A B I T S
LOVE'S MEDITATION . . .
one of the largest firms has put up a building in
o4th street, and as it was always predicted that
one decided move of this kind would start an
immigration of the rest of the dealers uptown
Union Square will soon be deserted by the music
dealers." These "music dealers" comprise all the
great publishers in the country in high grade
work.
FOR THIRTY
DAYS OINUY
51 West 28th Street. New York
These 1907 Song Hits at 10c. per copy or $10 per hundred.
" EVERYONE IS IN SLUMBERLAND BUT YOU AND ME."
"TWINKLING STAR."
"SWEETHEARTS MAY COME AND SWEETHEARTS
MAY GO."
"WHERE THE JESSAMINE IS BLOOMING,FAR AWAY."
Instrumental
PAULA VAL.SE CAPRICB
It will pay you to keep in touch with us. Write to-day
THIEBES-STKRLIN MUSIC CO., SI. Louis, Mo.
JOBBERS ONLY
We do NOT PUBLISH Music, SELLING AGENTS
exclusively.
Carry Music of all the Publishers. We solicit the
Sheet Music Business of Dealers throughout the country.
Orders properly taken care of snd goods promptly shipped.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
45
THE MUSIC TRADE REVIEW
M U5ICIAN5 IJBRARY
THE
I
*S&S
THE MASTERPIECES of song and piano music, edited with authority, and issued for lovers of the best in music
in a series of beautifully made volumes of uniform size, binding and price, each complete in itself, and sold by itself.
VOLUMES ISSUED
ROBERT SCHUMANN: Fifty Piano Compositions
FIFTY MASTERSONGS
Edited by HENRY T. FINCK.
The fifty best songs of the world's twenty greatest song composers, ar-
ranged in chronologic order from Mozart to MacDowell; with nine portraits,
and elaborate critical introduction by the editor, and 186 pages of music in
. full folio size.
Issued in Tzvo Editions. For High Voice. For Low Voice.
JOHANNES BRAHMS: Forty Songs
Edited by
Contains fifty characteristic
disciple. The introduction is
and 188 pages of music, folio
XAVEK SCHARWENKA.
works selected and edited by an enthusiastic
in German, with English translation. Portrait
size.
SELECTIONS FROM THE MUSIC DRAMAS
OF RICHARD WAGNER
Edited by JAMES HUNEKER.
The forty best songs of Brahms, with his portrait, a critical introduction
of rare insight and charm, and 158 pages of music, folio size.
Issued in Two Editions. For High Voice. For Low Voice.
Arranged for the Piano by OTTO SINGER.
Twenty-five numbers representing every opera, in arrangements faithful
to the score and playable, by one who knows both Wagner's music and piano
technic. Introductory essay by Richard Aldrich. Portrait and 194 pages ot
music.
FREDERIC CHOPIN: Forty Piano Compositions
RICHARD WAGNER: Lyrics for Soprano
Edited by JAMES HUNEKER.
Edited by CARL ARMBRUSTER.
Contains twenty-nine numbers—eight songs, all the well-known soprano
arias in the earlier works., and the more lyric episodes from the later music-
dramas, with portrait, biographical and critical essay, chronological table,
bibliography, and 137 pages of music, folio size.
Contains a portrait of Chopin, an elaborate essay by the editor, the com-
poser's forty most beautiful numbers, and 184 pages of music in full folio
size.
i
ROBERT FRANZ: Fifty Songs
Edited by William FOSTER APTHORP
The fifty best songs of Franz, with his portrait, a manuscript in facsimile,
elaborate introduction, and 137 pages of music, full folio size.
Issued in Tzvo Editions. For High Voice (original key).
For Low Voice (transposed).
SONGS AND AIRS BY GEORGE FRIDERIC HANDEL
Edited by El'.KNEZER PROUT.
Vol. I for High Voice.
Vol. II for Low Voice
Volume I contains forty songs for soprano or tenor and 197 pages of
music; Volume I I forty songs for contralto or bass and 201 pages of
music. The accompaniments have been specially arranged for these volumes,
and the introductory matter is very complete. Each volume contains a
portrait of Handel.
FRANZ LISZT : Twenty Original Piano Compositions
Edited by AUGUST SPANUTH.
The twenty most attractive numbers (excluding those of great length),
with a portrait of Liszt, biographical and critical introduction, bibliography,
hints to players, and 147 pages of music, folio size.
FRANZ LISZT: Twenty Piano Transcriptions
Edited by AUGUST SPANUTH.
Contains a portrait of Liszt, biographical and critical introduction, bibliog-
raphy, advice to the player, and 156 pages of music, folio size.
FRANZ LISZT: Ten Hungarian Rhapsodies
RICHARD WAGNER: Lyrics for Tenor
Edited by CARL ARMBRUSTER.
Contains the twenty-eight principal tenor numbers from "Rienzi" to
"Parsifal," with a portrait of Wagner, biographical essay, complete chrono-
logical tablei and full bibliography, and 164 pages of music, full folio size.
FIFTY SHAKSPERE SONGS
Edited by DR. CHARLES VINCENT.
The settings of songs from the plays cover the period from Shakspsre's
day to the present time, arranged chronologically, with full introduction,
portrait, and Iu7 pages of music, folio size.
Issued in 'Two Editions. For High Voice. For Lozu Voice.
SONGS BY THIRTY AMERICANS
Edited by RUPERT HUGHES.
Thirty songs by thirty representative American composers, arranged in
chronological order, a biographical and critical sketch of each composer,
together with his portrait and autograph, and 137 pages of music in full
folio size.
Issued in Two Editions. For High Voice. For Lozv Voice.
MODERN FRENCH SONGS: Vol.1: BembergtoFranck
Edited by PHILIP HALE.
Thirty songs of modern French composers, with a biographical sketch of
each composer, portraits of nine, and 143 pages of music in full folio size.
Issued in Two Editions. For High Voice. For Low Voice.
MODERN FRENCH SONGS: Vol. II: Georges to Widor
The best known and most valuable Rhapsodies, A portrait of Liszt, a
critical introduction, and 152 pages of music, folio size.
Edited by PHILIP HALE.
Thirty songs of modern French composers, with a biographical sketch
of each composer, portraits of nine, and 142 pages of music in full folio
size.
Issued in Two Editions. For High Voice. For Low Voice.
FELIX MENDELSSOHN: Thirty Piano Compositions
SEVENTY SCOTTISH SONGS
Edited by AUGUST SPANUTH and JOHN ORTH.
Edited by PERCY GOETSCHIUS, with an Introduction by DANIEL
GREGORY MASON.
The composer's thirty most characteristic numbers, with hints on inter-
pretation, introduction by Daniel Gregory Mason, portrait, bibliography,
and 187 pages of music, folio size.
WOLFGANG AMADEUS MOZART:
Twenty Piano Compositions
Edited by CARL REINECKE.
A presentation of Mozart by his chief interpreter, including a masterly
introduction, an essay on interpretation, bibliography, portrait of Mozart,
and 181 pages of music, folio size.
Edited by HELEN HOPEKIRK.
The beauty of these Northern folk-melodies is greatly enhanced, and their
atmosphere preserved, by the musicianly and sympathetic accompaniments.
Contains introductory essay, portrait, and 189 pages of music.
Issued in Tzvo Editions. For High Voice. For Low Voice.
ANTHOLOGY OF FRENCH PIANO MUSIC
Edited by ISIDOR PHILIPP.
VOL. I: EARLY COMPOSERS.
VOL. II: MODERN COMPOSERS
The first volume contains forty-eight numbers from the French composers
of the seventeenth and eighteenth centuries, biographical notes, portraits,
and 171 pages of music. The second volume contains thirty-five numbers
by the modern composers from Alkan to Leroux, biographical notes, por-
traits, and 190 pages of music.
FRANZ SCHUBERT: Fifty Songs
EARLY ITALIAN PIANO MUSIC
Edited by HENRY T. FINCK.
The fifty best songs of Schubert, with his portrait, a critical introduction,
and estimate of each song, a full bibliography, and 219 pages of music in
folio size.
Issued in Tzvo Editions. For High Voice. For Low Voice.
A collection of pieces written originally for the Harpsichord and Clavichord
Edited by M. ESPOSITO.
Forty-nine numbers from the Italian composers of the seventeenth and
eighteenth centuries, with biographical sketches, five illustrations, and
180 pages of music, folio size.
TWENTY-FOUR NEGRO MELODIES
ROBERT SCHUMANN : Fifty Songs
Edited by W. J. HENDERSON.
The fifty best songs of Schumann, with his portrait, critical introduction,
bibliography, and 1/4 pages of music in folio size.
Issued in Two Editions. For High Voice. For Low Voice.
Transcribed
Folk-melodies,
compositions in
T. Washington,
for the Piano by S. COLERIDGE-TAYLOR, Op. 59.
both African and American, used as themes for masterly
the style of fantasias. Biographical introduction by Booker
portrait of the composer, and 127 pages of music.
Each volume in heavy paper, cloth back, $1.50; in full cloth, gilt, $2.50. Copies mailed post-paid.
Other volumes in preparation. For free booklet, giving full particulars, send to the publishers.
OLIVER DITSON COMPANY, Boston
C. H. DITSON &• CO., New York
LYON & HEALY, Chicago
J. E. DITSON & CO., Philadelphia

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