Music Trade Review

Issue: 1907 Vol. 44 N. 21

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MU3IO TRADE REVIEW
Conducted and Edited
A number of tuners from various sections of
the country, who read the mournful account
which I was obliged to give recently of the death
of Edward Weeks, have written to the depart-
ment expressing, along with their sympathy, a
strong feeling that this unfortunate young man
came to his death largely through overwork.
They point to some of his statements in the
letter from him which I published some months
ago as evidence that he was working at too high
pressure. While I happen to have known enough
of the state of his health to feel sure that not
overwork alone was responsible for his untimely
end, yet I feel justified in choosing these ob-
servations of my excellent correspondents as a
text whereupon to hang certain reflections on our
profession, its rewards and the possibilities of
expansion therein. How much then can a tuner
earn? Supposing that he is able to collect stand-
ard fees for his work and has all of his time
filled. Now it is reasonable to suppose that he
can do three ordinary tunings in a day. This
would account for a maximum gross income
from six to nine dollars per day. Deducting ex-
penses incurred when away from home, we may
fairly estimate a net income of not more than
six dollars per day. Repairing comes higher, of
course, and a large number of good repair jobs
will probably be worth some hundreds of dollars
yearly. But these are hardly to be depended
upon, except where a regular shop is maintained
and in that case it is better to specialize on this
alone and not go out far from home on long tun-
ing trips. But, anyway, it would seem that a
weekly income of a little better than $40 per
week represents the best that the independent
tuner can do, even in favorable circumstances.
And, after all, how many professions average bet-
ter? Certainly it is not too much to say that the
general run of country doctors, lawyers and min-
isters make a little less if anything. This is in-
contestable as regards the ministers and pretty
certain as regards the others.
But do not forget that there are many slips be-
tween the desire for the comfortable income de-
scribed above and its accomplishment. System in
routing trips, system in keeping in touch with
customers, system in looking after one's clientele
and extending it, system in advertising, system
in going about one's work, all these things de-
mand systematizing, and all demand patience and
the art of waiting cheerfully while the business
gradually and naturally expands. Don't expect
that a new connection will jump into the two
thousand a year class in the first twelve months.
You will be likely to wait five years before you
can have a new business established on such a
basis permanently. And remember that gradual
growth is generally more likely to be permanent
than that which is forced.
A correspondent, writing from Kansas City,
tells me that he has often disagreed with the
opinions I express in this department, but that
he has never felt willing to write and say so
openly. Don't be afraid, brother. I just live
on disagreements. Get up and cry from the
housetops all you like. The technical depart-
ment can stand it. If nobody ever disagreed
with any one else, what a weary world it would
be, to be sure.
F. Daley, of New York City, is requested to
communicate with L. C. Hazel, of 221 Central
avenue, Atlanta, Ga. Mr. Daley wrote some time
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down when the armatures rotate in one direction
and releasing them when the contrary effect
takes place. The gradation of touch is controlled
by a system of resistances whereby the power of
the current may be progressively weakened. The
by Wm. B. White.
pedals are operated magnetically, and the per-
ago to the department for information as to ob- formance may be controlled by an operator or
taining instruction in piano tuning. Mr. Hazel allowed to proceed automatically. The device
thinks he can help him out.
may be attached to any piano, grand or upright,
and involves no change in the case. It is a re-
I observe that a gentleman of our profession markable extension of the manifold uses of elec-
by the name of Clinkscales is circulating a peti- tricity, and there is doubtless a great future be-
tion down Kansas City way for the purpose of fore it. While nothing seems more certain to-day
influencing the legislators of Missouri to pass a than that the pneumatic player will continue to
law providing for State examinations for piano hold the field that it has won, it is by no means
tuners and repairmen. It will be remembered impossible that it will ultimately be supplanted
that one of the objects of the Helmholtz Society, by some electrical system, "which will have the
as expressed by the founders, was exactly similar advantage of doing away with pumping and re-
to this. Without expressing any opinion as to ducing the bulk of the player within the small-
the possibility of Mr. Clinkscales being success- est possible compass.
ful, I can at least wish him all the success in
the world, and sincerely trust that he may meet
Communications for the department should be
with the support of the intelligent people of
addressed to the Editor Technical Department,
his State. Especially, it seems to me, the piano
The Music Trade Review.
dealers, teachers and performers should every-
where indorse this movement. It is in the high-
DEPARTMENT OF PATENTS.
est degree unlikely that the law will have a
chance of passage at the first presentation, but
FINGER-GUIDE FOR BRASS INSTRUMENTS. Issued
it will be much to have it even presented. This to J. A. Evans and F. Wolf, of Deer Lodge, Mont,
department stands ready to back up any such May 7, 1907. Patent No. 853,074.
praiseworthy effort at any time.
This invention consists of a brass guide placed-
above the valves of a brass instrument, such as
I wish to call special attention to the new a cornet or any form of horn, with the purpose
Department of Patents now being published in of arresting the upward movement of the fingers
connection with the Technical Department, and used in operating the valves, the notion being
under the same editorial control. It will be found to avoid unnecessary finger movements and con-
immediately following this department, and pro- sequently obtain greater rapidity.
vides a running commentary on all that is
SOUND RECEIVER FOR SUBMARINE SIGNALING.
novel and interesting in the patent records from Issued to L. I. Blake, of Boston, May 7, 1907.
week to week. The descriptions of new inven- Patent No. 852,760.
tions are not mere clippings from technical and
This invention, which is related to the music
highly intricate specifications, but simple and industry through the fact that the inventor takes
easily understood digests, whereby any one who advantage of certain phenomena of acoustic reso-
reads may keep up to date and know at all times nance, and has applied these in cases where the
what is transpiring among the music trade in- medium of excitation is liquid, consists of a novel
ventors. Cuts are given whenever the merit of form of sound-producing apparatus to be used
an invention is such as to deserve this, or when in submarine work. The inventor has recognized
comprehension is facilitated thereby.
the fact that resonance occurs when periodic vi-
brations of an excited medium are reflected from
It is indeed encouraging to note that the
the walls of a confining chamber. In the case of
Y. M. C. A. in New York is having considerable
the medium being atmospheric air the principle
success in organizing its coming class in piano
is well illustrated by various musical instruments
design and applied acoustics. The workmen in
of the pipe form. When, however, the medium is
the piano factories are showing real interest in
the highly incompressible liquid water, it is found
the forthcoming lectures and there seems to be
that the process of throwing any body of such
no doubt that there will be a large class organ-
a medium into sympathetic periodic vibration
ized in the early fall of the year. As a begin-
involves such powerful variations of hydrostatic
ning to the larger plans of technical edu-
pressure as usually to shatter the walls of the
cation that are now engaging the atten-
resonance chamber. But some sort of resonance
tion of some of the best minds in the trade,
chamber is highly essential in any form of signal-
this class deserves a place in contemporary in-
ing apparatus for submarine work which involves
dustrial history, and I make no doubt that its
the sending of sounds to a distance, and therefore
influence will be far greater than will be realized
the inventor has devised a resonator, consisting
by most of those who form it. I think it only
essentially of two steel cylinders, close together,
proper to repeat that persons who desire in-
into the first of which water under pressure is ad-
formation as to the class and its program, may
mitted at one end and expelled at the other
obtain this by addressing Merton L. Beebe, secre-
through a narrow annular orifice, the resultant
tary, Union Branch, Y. M. C. A., 149th street and
annular jet impinging upon the opening of the
St. Anne's avenue, New York City.
second cylinder and thus giving rise to periodic
One of the most ingenious developments of the vibrations of the water within the latter. The
piano player idea is to be found in the interior fact that the walls of this cylinder are unyield-
mechanism devised by the Telelectric Co. The ing causes the production of resonant vibration,
power is electrical, and nothing but the operating which, carried through the water, gives rise in the
electro-magnets need be placed in contact with receiver to a powerful periodic wave, the pitch
any part of the piano. The controlling devices whereof depends upon the dimensions of the cyl-
are separately housed within a small cabinet inder. In connection with this sender there is
which is connected with the piano by an electric a receiver adapted to be attached to the under-
cable, and may be at any distance therefrom. water side of a vessel. It consists of a cylinder
Electric circuits are made and broken by the ac- similar in form to the resonant cylinder of the
tion of a very narrow perforated roll made of sender, to which is attached a microphonic trans-
brass and in this manner the electro-magnets un- mitter, connected with a telephone receiver
der the keys are alternately energized and de- within the vessel. The sounds set up in the
energized, causing armatures between their poles sender, through variations in the pressure of
to rotate. Wires attached to the armatures con- the water admitted into the annular oriflced cyl-
nect with the bottoms of the keys, pulling them inder and impinging upon the resonance cylinder,
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
14
THE
are transmitted through the elastic medium of
the water and received by the microphone, which
transmits them into sound vibrations within the
vessel containing the telephone apparatus.
BASS-DRUM AND CYMBAL-HEATER.
Issued to M.
B. Kendis, of Omaha, Neb., May 7, 1907. Patent
No. 852,881.
This invention consists of a light portable de-
vice for beating a bass-drum and cymbal, com-
prising a novel form of base, and of a beater-ball.
PIANOS. Issued to R. N. # Wells, of Newcastle,
Ind., May 7, 1907. Patent No. 852,917.
The invention consists of a means for string-
ing on upright pianos. The strings are carried
up over the top of the back and the tuning-pins
are driven vertically into the wrest-plank, which
is placed with its face vertical at the top of the
instrument. The intention is to give increased
length to the strings, a desideratum undoubtedly
accomplished by this invention, which, however,
cannot, of course, do away with the troublesome
right-angled bearing of the strings where they
cross over the edge of the plate at the top of the
instrument.
PIANO-PLAYING MECHANISMS.
Issued to F. C.
White, of Meriden, Conn., May 7, 1907. Patent
No. 852,752.
• This invention is intended to increase the
power of touch control through variation in
pedal pressure. As a well-known, judicious man-
ipulation of pedals enables the operator of play-
ers to make such Ghanges of tension in the wind-
chest as sensibly to increase the power of nuanc-
ing a musical composition so played. This in-
vention is intended to increase this control and
is both simple and ingenious. A valve is provided
in the interior of the reservoir bellows, which
communicate, through the wind-way, with the
pumper bellows. This valve is normally open
when the pumper bellows are being operated, but
a momentary hard pressure upon the pedals, by
increasing the exhaust tension, will instantly
cause the valve to shut down, thus momentarily
cutting off the equalizing reservoir bellows and
throwing the suddenly increased tension directly
into the wind-chest. The normal equalizing influ-
ence of the reservoir bellows, being thus inter-
rupted the tension in the wind-chest is increased
exactly in proportion to the increased pedal pres-
sure, enabling the operator to accent single notes
accurately by means of the pedals alone.
PIANO-PLAYING MECHANISM.
Issued
to F. C.
White, of Meriden, Conn., May 7, 1907. Patent
No. 852,751.
This invention consists of a novel means of ar-
ranging for the equalization of tension in piano
players. There is a bellows arranged in the wind-
way between the reservoir bellows and the wind-
chest, through which the power of exhaust must
be felt before it can reach the chest. This bel-
lows operates to maintain a secondary reservoir
MUSIC TRADE
REVIEW
of exhaust, as it were, and the condition of the
wind-chest from instant to instant as to tension
depends upon what is going on in this bellows—
that is, upon the degree to which this bellows is
from time to time collapsed. If the spring which
tends to keep this bellows in resistance to the ex-
haust be connected with a finger-plate, so as to
enable the operator to vary the resistance of the
bellows to the exhaust from instant to instant, it
follows that the tension in the wind-chest will
vary as the resistance of the bellows and its con-
sequent tension. This provides a means of manu-
ally accenting various notes by changing the ten-
sion of the wind-chest suddenly and momentarily.
The regulating bellows is provided with a flap-
valve, normally open, which will close under ab-
normal pressure, and which, therefore, tends to
maintain normal tension, except under the cir-
cumstances noted or in the conditions about to be
described. Here, then, is one feature of the in-
vention.
The second feature consists of further means
for regulating tension, but applied in this case
for accenting through marginal perforations in
the perforated music roll. In other words, this
second feature is a "solo" or accenting device op-
erated by extra perforations in the roll, quite in-
dependent of the performer. The regulating bel-
lows before mentioned are provided with a flap-
valve, as stated, but this flap-valve is peculiar
in some ways. It is arranged, not upon the wall
of the windways within the beltows, but upon a
throttle-valve hinged upon that wall. There is,
of course, a hole through the throttle which the
flap-valve normally leaves open, and this hole con-
nects with the interior of the windway, and hence
with the wind-chest and reservoir bellows. But
if this throttle be opened it uncovers a larger hole
than that normally left open by the flap-valve
upon it. In this manner any means that may
be devised to open this throttle from time to time
will have the effect of increasing the tension of
exhaust through the regulating bellows into the
wind-chest, and hence the power of the chest upon
any finger pneumatic at that moment in opera-
tion, thus accenting any given note. The means
for operating this throttle valve is a marginal
perforation of the music roll, which operates
through a duct upon a primary and secondary
valve and a small power pneumatic, the collapse
of which works a rod, pushing it up against the
throttle-valve and opening it suddenly. This is
a most ingenious and interesting invention.
A VISITOR FROM MONTANA.
Among recent callers at The Review sanctum
was A. I. Reeves, of the Reeves Music Co., Helena,
Mont., who came on, primarily, to attend the
Chickering reunion in Boston. He made quite a
stay in New York, where he has many friends,
making his headquarters at the Everett Piano
Co.'s warerooms, taking in, of course, the open-
ing of the Rocky Mountain Club in New York.
He expressed himself well pleased with general
conditions, and was in a buoyant and optimistic
frame of mind when conversing with The Re-
view.
MAHER BROS.MNEW QUARTERS.
Now in Full Possession and Displaying a Fine
Line of Instruments—Rooms Are Hand-
somely Fitted Up—Eleven Years in Business.
(Special to The Review.)
Jackson, Mich., May 20, 1907.
Maher Bros., the progressive dealers of Jack-
son, Mich., are now installed in their new build-
ing at the corner of Bast Main street and Michi-
gan avenue. The new quarters are handsomely
arranged and very roomy, the main floor being
22 by 132 feet. The front is used as a general
reception and display room, and the rear is ar-
ranged in half-floor partitions, the upper being
for the talking machine department, and the
lower for organs. The basement front is being
constructed for a general repair department for
the whole store.
The Michigan avenue entrance is used for re-
ceiving and shipping instruments, and is so built
as to conform to the perfect convenience of the
several departments to avoid extra and unneces-
sary handling.
Among other makes of pianos Maher Bros.
carry the Chickering, McPhail, Conover, Story &
Clark and the Kurtzmann. They also handle the
Kingsbury and Regina lines of player-pianos.
Both Edison and Victor machines and records are
carried in stock.
Maher Bros, started the business in Jackson
eleven years ago in a very small way, and their
growth is an excellent illustration of what a
couple of hustlers can do.
JOHN R. HENRICKS SOLE PROPRIETOR.
John R. Henricks, of the Henricks Piano Co.,
Pittsburg, Pa., has purchased the interest of his
son, John M. Henricks, in the business, and will
conduct it in the future under the same company
name with several members of the Henricks
family interested with him.
The concern will handle the same line as form-
erly, including the Hazelton, Henry & S. G. Linde-
man, Emerson, Decker & Son, Schaeffer and
Ivers & Pond pianos. It is rumored that John
M. Henricks will engage in the piano business
on his own account.
Lyman T. Payne, the well-known dealer of
Middletown, Conn., has secured the agency for
the Cotg pianos, made in Fall River, Mass.
If price is not the only consideration and you are looking
for good goods at fair prices, these will appeal to you :
WINTER & CO. PIANOS and
The Master Player Piano
w
1O14 SOUTHERN
BOULEVARD
NEW
YORK

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