Music Trade Review

Issue: 1907 Vol. 44 N. 12

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
TH
MUSIC TRADE
MEW
EDWARD LYMAN BILL, - Editor and Proprietor
^. B. SPILLANE, Managing Editor
Executive and Reportorlal Stall:
GBO. B. KJDUJER.
W. N. TYLER.
F. H. THOMPSON.
EMILIB FKANCSI BAOBI.
L. E. BOWERS. B. BRITTAIN WILSON, WM. B. WHITH. L. J. CHAMBKRLIN. A. J. NICKLIN.
BOSTON OFFICE:
CHICAGO OFFICE:
E. P. YAN HABLINOEN, 185-187 WubMb Are.
TELEPHONES: Central 414; Automatic 8643
MINNEAPOLIS and ST. PAUL:
ST. LOUIS:
L. WAITT, 278A Tremont St.
PHILADELPHIA :
R. W. KAUFFMAN.
A. W. SHAW.
CHAS. N. VAN BURBN.
SAN FRANCISCO: S. H. GRAY, 2407 Sacramento St.
CINCINNATI, O.: NINA PUQH-SMITH.
BALTIMORE, MD.: TAUL T. LOCKWOOD.
LONDON, ENGLAND:
69 Basinghall St., B. C.
W. Lionel Sturdy, Manager.
Published Every Saturday at 1 Madison Avenue, New York.
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION, (Including postage), United State*, Mexico, and Canada, $2.00 per
year; all other countries, $4.00.
ADVERTISEMENTS. $2.00 per Inch, single column, per Insertion. On quarterly or
yearly contracts a special dl*count la allowed. Advertising Pages, $60.00; opposite
reading matter, 575.00.
REMITTANCES, In other tban currency form, should be made payable to Bdward
lyumn BID.
Directory ol Piano
The directory of piano manufacturing nrms and corporation*
'
~ "
found
on another
page will be of great value, as a reference
for
dealers
and others
Manufacturers
- • •
- ••
Exposition Honors Won by The Review
it .and Prim
Paris Exposition, 1900 Silver M edal.Charleston Exposition, 1902
Diploma.Pan-American Exposition, 1901 Gold Medal..St. Louis Exposition, 1804
Gold Medal.LewIs-Clark Exposition. 1905
LONG DISTANCE TELEPHONE—NUMBER 1745 GRAMERCY
Cable address: "ElbHl N e w York."
NEW YORK,
MARCH 23, 1907
EDITORIAL
O
NE of these periodical slumps for which Wall street is noted
occurred again last week, and as a result some of the so-
called authorities in the financial world have been painting the future
in indigo-hued tints. Meanwhile, the country still lives. Business is
active, and is being conducted on a more conservative credit basis
than for many years; the outlook in the agricultural sections is all
that could be desired, and as far as the piano situation is concerned,
it would seem as if the output of pianos at retail this year will equal
if not surpass any of its predecessors. Because a coterie of Wall
street buccaneers decide to depress or advance stocks is no reason
why the sane, sober, business element of the country should be
affected—outside of the usual injury which such tactics do to the
monetary situation. This is the time to give a black eye to the
prophets of disaster. It is the time to cultivate optimism—not
optimism based upon incorrect foundations, but rather the optimism
that is only deducible from a careful study of general business con-
ditions, and the financial health of the nation. There should be some
law to jail those men in and outside of Wall street who act like the
highway robbers of old. Whenever they choose they come together
and decide to make some extra money, and then, putting a pistol to
the public's head, set about depressing values. While these values
are all on paper, yet immense injury is done to the substantial busi-
ness interests of the country by such tactics, for it makes money
dearer and clogs, in a measure, the wheels of commerce.
T
HE man who builds up a great and successful business and
makes his trade-mark an asset expects and deserves the pro-
tection of the trade and of his customers. This protection is as
valuable to his customers as it is to him. If they buy his wares, they
know they are getting the worth of their money; they are getting
what they asked for, and what they wanted. If they buy a sub-
stitute they not only cheat him, but they do not get what they
desired, and they have absolutely no recourse if they are swindled.
One argument used by the substitution dealer is that he saves the
cost of advertising, which a standard article pays. This is all
tommy-rot. The man who has a trade-mark asset should be pro-
REVIEW
tected by the legitimate trade. He is doing a benefit to the industry
wherein his activities lie, and in the piano trade every manufacturer
who has created out of his name a valuable trade-mark should be
protected by every other manufacturer.
S
OME dealers, having secured the agency for certain other pianos
which closely resemble some of the great names, have endeav-
ored to confuse the public mind to such an extent that they can
substitute the imitation for the genuine. Whenever this course is
adopted in any city, the opposing dealers should do everything in
their power to crush out the substitution man. It is the great names
in the piano trade that dignify the industry; if it were not so, why
would a dealer emblazon his windows with gold lettering announc-
ing that he has the agency for some well-known pianos? He does
it because he knows that the passersby are sufficiently well posted
to recognize those names as representing standards of piano value.
They feel that upon entering the stores where such names are
flaunted they can secure those instruments, and they know they are
worth the prices asked for them—but here is where the substitution
dealer gets in his fine work. He lias a piano which he offers as a
"just-as-good," and the gap is wide in price—$ioo or $200 perhaps
—between his cheap piano and the standard instrument which the
customer came in thinking to buy. Some dealers hold the standard
make purely as a bait, as a drawing power, and when they get the
customers in their warerooms they use their powers of persuasion
to sell them something else.
*
I
F this plan were not pursued systematically there would be a
better trade for some of the first-class pianos in particular
localities. We know a case recently where a dealer had held the
agency for a well-known piano for several years. His trade, instead
of growing better, had steadily declined. The manufacturer found
upon investigation that he was substituting a cheaper piano for
his own, and at the same time the standard piano gave his establish-
ment character and dignity. We may as well take off our hats to
the great names of the industry and respect them. They deserve
it. They have helped to make the piano trade what it is, and do
not let us attempt to pull them down in the mud. There must
always be a line of demarcation between the standard articles and
those of intermediate grade. Then why not admit it and be honest
with ourselves and with the people who come in to buy pianos,
thinking that they will get square treatment in the warerooms?
N
OVELTIES in advertising are at all times interesting, and
now that the souvenir postal card craze has grown to such
an enormous extent in this country, why should not piano manu-
facturers utilize it especially to advertise their own product ? A
most attractive series of cards could be evolved, showing factories,
factory views, wareroom views and special kinds of pianos in colors.
Take such a great corporation as the Kimball Co. What an inter-
esting series of postal cards in colors they could work up, showing
views of their factories and warerooms, and how useful dealers
would find them. We put this out as a suggestion, and we believe
it could be adopted with excellent results by some of the piano manu-
facturing concerns. The postals would go into the homes of thou-
sands of people, where they would be shown and viewed with con-
siderable interest for a long time. It would be in a way permanent
advertising.
T
HE best way to disappoint a customer is to see that he gets
more for his money than he expected. The good effect of
the publicity thus secured gratuitously it would be difficult to esti-
mate. Wise piano men, please take notice.
T
HE influence which this journal occupies outside of purely piano
circles is infinitely greater than a paper devoted exclusively
to one line, appealing as it does to dealers who handle pianos and
organs, sheet music, small goods, talking machines and everything
which goes to make up a well-equipped music store.
It is of more value to the dealer than a paper which does not
contain such varied information, and it has as well greater value
for the advertiser. When we commenced a special talking machine
department some years ago that industry was young, and it has
been frequently said in trade circles that we "discovered it." We
at least saw its possibilities, and at once began to encourage trade
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE: MUSIC TRADE
along those lines. The Review was the only paper which gave the
slightest attention to this industry, which has since grown to a very
important one, and this institution is known to exercise a powerful
force in talking machine circles all over the world.
W
E have frequently stated that piano men who added talking
machines to their lines should not do it in an indifferent
manner. They should use the same care and system, the same
thought and application which has made their other departments
a success. When this is done there is no question of the paying
qualities of the talking machine department, but it will not pay when
treated in an indifferent manner, any more than piano players, if the
dealer has only one or two in stock, and those usually out of order.
In order to succeed in any line nowadays, the work must be handled
from the broad standpoint of interesting the public. A man may
have a thousand talking machines stored away in his store, and the
trade will pass him by. He has got to get them out, exhibit them,
put them in an attractive position, and have the department super-
vised by a man who understands the talking machine and knows its
possibilities and powers as an educator and entertainer, and as a
factor in our modern life. Then the talking machine department
will pay—as pay it should.
S
OME of the young men in this trade seem fond of stating that
the opportunities arc not as good for piano salesmen as for-
merly. Such a statement shows an incorrect view of the entire
piano field. There are splendid opportunities in this industry for
the right kind of men, but they must be producers, not merely
loiterers and salary drawers—but men who have originality and
some snap and ginger. They can win better salaries in this trade
than in many of the professional walks of life, and the question often
arising with the young man starting in life, "What shall I do for a
livelihood?" can be answered bv saying, "Sell pianos if you have
got the real metal in you."
There are doctors, lawyers, editors, ministers and statesmen,
but in all of these walks of life there are a great many applicants
for each position. In many cases the favored one, or the one that
has the pull, as it is commonly termed, is the one that gets the open-
ing. Then where is the chance for the young man of to-day?
There are producers in plenty, in fact we are a nation of producers,
but the producer alone cannot create a demand for his goods, and
so he looks to the salesman ; and were it not for him we would mid
a stagnation in all business.
Now, here is a chance for the young men. If they can make
successful salesmen, employment at a good figure is always open
to them. The business of salesmanship possesses one great advan-
tage over all others; one docs not have to wait in an office or store
for people to come to you for advice or to purchase your goods, but
you go right out and hunt your client or customer. This business
makes a man a clear thinker and a good talker, and no man can be
successful in the piano business unless he talks well. No man can
talk well unless he thinks well.
r
I A HE salesman must know how to handle men and mold them to
X
his opinions, have confidence in himself, never feel embar-
rassed. In order to do all this he must know the article or articles
that he is selling and be sure that his proposition is just as it is
represented. One can sell pianos better the more intimate the
knowledge of them. A man must believe himself in order to im-
press others; he cannot impart successfully what he has not learned
or does not believe. He must be a man of many resources, quick
to put them into execution; he must be sensitive to impressions, of
quick perception to grasp the favorable moment, and decision to
close the bargain on the spot, and not afraid of anything when he
knows he is right. He must be ready at all times with an argument,
ready to make the best use of an opening; ready to discuss almost
any question; he must be always ready to take in and assimilate all
that comes to him in his broad and varied experience.
T
RADE in the countries lying south of us is being rapidly de-
veloped, and there are good opportunities for business
throughout all Latin-America. Some of the West Indian islands
afford possibilities which should not be overlooked by business men.
There are not, however, large opportunities for trade in musical
instruments in either Cuba or Porto Rico, but they are helping out
REVIEIW
tremendously trade in a general way. Porto Rico has made mar-
velous strides since she came under our flag.
In 1896 the imports into the United States from Porto Rico
amounted to $2,145,758; exports from the United States amounted
to $1,688,337, while in the first ten months of 1906 the Porto Rican
products to the United States amounted to $19,320,137, and we sent
merchandise there amounting to $16,509,946—so that the total for
1906 must have exceeded $40,000,000 by considerable. This is a
market right at our doors. Not only has the trade from Porto Rico
to the United States increased enormously, but the general trade
of the island shows a large increase during the period in question.
This remarkable growth in the general commerce of Porto Rico is
the result of the growth of production of staple articles used in
commerce and the consequent growth in the consuming power of
the people.
VERY large proportion of the trade of Porto Rico is with the
United States; in fact, it may be said of the total merchan-
dise leaving the island 87 per cent, goes to the United States, and
of the total merchandise entering the island 86J/2 per cent, is from
the United States; these figures being based upon the records of
and ten months ending with October, 1906, the latest available fig-
ures of the Bureau of Statistics of the Department of Commerce
and Labor.
The principal articles forming this large and rapidly growing
trade with Porto Rico are sugar, tobacco, coffee and fruit, and the
articles sent to Porto Rico include cotton manufactures and manu-
factures of iron, steel and wood, boots and shoes, clothing, etc.
N*)w while on the surface it might seem as if there would be an
immediate market in that country for a fair number of pianos and
organs, yet the facts are directly opposite. While the population
of the island amounts to practically a million and there are some
cities of from 40,000 to 60,000, yet the percentage of the popula-
tion who are able to purchase such costly articles as pianos and
organs is very small.
A
APiOR in Porto Rico is receiving greater remuneration than
ever before, which, of course, increases the purchasing
power of the people, and this together with the natural added wealth
that is coming from development, constantly improves the market.
But at the present time the people there are more interested in talk-
ing machines and smaller musical instruments than in pianos. It
should be remembered that the Porto Rican does not spend much
time indoors; therefore, the articles which can be used on the
veranda appeal to him more strongly. More Americans are going
there each year, and their influence is being perceptibly felt all
along the line. The climate is most charming, much like our June
throughout the entire year, and is not enervating like that of the
southern portion of the United States.
L
H E piano advertisement that bores the reader at sight lacks
the first element of success. What it should possess is the
interest which finds its outlet in the request for further information.
There are a lot of stupid, meaningless advertisements which have
been sent us lately. It seems to us that men should figure that a
"funny" advertisement is not appropriate in the piano line. It is
not the business for "sloppy" work! Piano advertisements should
not be run on the line of quack medicine and liver pills. Some
advertisers seem to feel that the more words they can get into the
space they purchase, the more they are getting for their money, and
by following this plan they often defeat the best objects of adver-
tising, and their announcements lose an attractiveness which every
advertisement should have.
T
HEN the two trade conventions meet next June in Chicago
there will be "something doing." No doubt of that! Chi-
cago never does a thing in a half-hearted way. An entertainment
committee has been appointed to prepare a programme that will be
a hummer, and there is no doubt that the visiting members of the
trade will enjoy every minute of their tarry in the great Western
metropolis. It is probable that the future meetings of the associa-
tion will be confined to the great cities where splendid hotel facilities
can always be secured. Presideiic Blackmore's timely letter, which
appears elsewhere, should, stimulate increased, interest in the
yention,
t
W

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