Music Trade Review

Issue: 1907 Vol. 44 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
44
THE MUSIC TRADE REVIEW
the circuit, going to Philadelphia on the 14th for
a fortnight, coming into New York about April
1; "The Girl Behind the Counter," by Harold
Talbot, and "The Daisy Maids," by Paul A. Ru-
bens and Frank B. Tours, are now in preparation
and will be produced this spring. "Experience"
and "Love's Last Word," a high-class ballad,
are both selling splendidly, according to the
report of Manager Eastman, who is reviewing
the outlook for his firm with great equanimity.
"Arrah Wanna." James B. Donovan and Rena
Arnold write that "Arrah Wanna" is the hit
song of their act. The Bradfords are featuring
the following songs from the F. B. Haviland
Publishing Co.: "Lovin' Time," "Arrah Wanna,"
"It's Great to Be a Soldier Man" and "Maybe
Some Time." Many requests from the best per-
formers in the business have been received for
Drislane's and Morse's big song hits—"Maybe
Some Time," "Arrah Wanna" and "Nobody's
Little Girl."
DE ANGELES DISCUSSES SONG.
How a Topical Song Ofttimes Makes a Play a
Success.
In a recent interview Jefferson de Angelis, now
filling the title role in "The Girl and the Gover-
nor," said: "I think the ideal musical play of
the future is not one composed of a string of
specialties and vaudeville acts; not one loaded
up with irrelevant songs; not one where a lot of
chorus girls in tights are danced in and off with-
out rhyme or reason. The song should be part
of the play. The chorus should be legitimate
characters of the play."
"Can a topical song make a musical play a
success?" "No, it is only an advertisement. I
suppose that song that I sang in 'Fantana,' 'Tam-
many,' was as popular as any song that has
been sung for many years. And it got so that I
was absolutely ashamed to sing it. I tried my
best to cut it out and sing something else. But
the audience would not let me. They insisted on
'Tammany.' And 'Tammany' advertised the show
so well that while we thought seriously of clos-
ing it up after two weeks, the advertisement
that 'Tammany' gave undoubtedly kept the at-
traction here for our run of forty-four weeks."
"You must remember that this song of 'Tam-
many' had nothing whatever to do with the play.
It was not in the original production at all. In
Chicago without it we had a very successful en-
gagement for a very long time. When we came
to New York at first they did not want us. Then
I sang 'Tammany' and it was better than a hun-
dred thousand three sheets. Everybody was
whistling it and singing it. And that led others
to come to the theatre and see that the show
was really a good one. No one song, however,
can make a bad show a success; but it can do a
great deal to advertise a good show."
A SPLENDID EASTER SONG.
Although a resident of the Middle West, Al-
fred G. Robyn is well known through his musical
compositions wherever light opera, high class
concerts and musical church services are given.
Mr. Robyn is a man of many gifts, and while
successful as a writer of music in the light hu-
morous vein, he has an original and high con-
ception of the music required for religious fes-
tivals and occasions. Hence his cantata, "The
Ascension," is of an unusual order. It contains
twelve numbers, and is a delightful composition,
rich and varied in melody, harmony and in the
treatment of the theme of Eastertide. The mu-
sic indeed particularly fits the well-chosen words,
and contain the joyous note and triumphant
strain which Easter itself suggests. Music of
this class has always appealed strongly to Mr.
Robyn, and in it he has been singularly success-
ful, as is evidenced by the list of anthems, hymns
and musical numbers for special occasions which
bear his name.
In "The Ascension" the music glows with the
sympathy, congeniality and spontaneity which
are so characteristic of Mr. Robyn, and it is one
of the most delightful compositions that can be
selected for an Easter service. The solos are ar-
ranged for soprano and bass, and the choruses
are full and musical, yet not at all difficult. Mr.
Robyn has the faculty of putting into his com-
positions the mystic touch which all recognize
whether enjoying his light operas, his songs or
his music of a sacred character, and that is one
of his secrets of success. It will be difficult to
select a more meritorious Easter work than
"The Ascension," or one which will be more
pleasing. M. Witmark & Sons are the publishers
of all of Mr. Robyn's work.
MORSE AND DRISLANE'S SONG HITS.
PATENT ON A NAME.
Tom Moore continues to sing "Arrah Wanna"
with great success. Eloise Anderson is featuring
"Arrah Wanna" and "Maybe Some Time." Sadie
O'Neill is meeting with great success singing
Few persons are aware that the name of Melba
has been secured by letters patent in the United
States. When the diva first visited this country
everybody was Melba mad, with the result that
REMOVAL NOTICE
T. 8 . HARMS COMPANY
Are at their New Quarters
No. 1431-33 BROADWAY, NEW YORK
everything was called Melba. One day Mme.
Melba went into a shop and it occurred to her to
ask the proprietor whether he did not think he
should have asked for permission before using
the name.
"No," he replied calmly, "Melba's name is not
her own. I am as much entitled to use it as she
is." The idea did not commend itself to the
great singer's lawyers. They therefore advised
that letters patent should be applied for, and
to-day no one can use the name of Melba for any
article without first obtaining permission from
its rightful owner.
ANALYZING POPULAR SONGS.
The Character of Songs Change Just Like the
Fashions—Some Recent importations That
Are Destined to Prove Popular.
"Popular songs are cut less pathetic this winter
than last, and a little more on the lightsome than
in former years. The music one hears nowadays
or now-a-nights at the vaudeville theaters, music
halls, concert gardens and rathskellers has lost
its somber, wailing 'I loved her, but she went
away' air for a more optimistic, even if a more
cynical or humorous, tone," observes a philosoph-
ical writer in the New York Herald, who makes
it his business to study the popular song mar-
ket, his remarks being interspersed with copious
extracts from the numbers that appeal either to
his sense of cynicism or his humor.
"There does not seem to be a single 'mother'
song so called, popular to-day, and by the same
token 'father' has been dropped as one deserving
of ephemeral sympathy only. Instead there have
appeared the forerunners of a new vogue, and
that is the Italian dialect song. Music men say
they do not know whether it is because the read-
ing public has taken a.fancy to the dialect, as
evidenced by the number of verses appearing
everywhere, or whether it is because the Italian
population is increasing. At all events, the two
songs of this class are now known as 'hot sell-
ers.'
Of these two, 'My Mariuccia' is one, al-
though M. Witmark & Sons 'Good-a-bye, John,'
seems to have the lead.
" 'My Mariuccia' is one of those songs which
have at intervals a musical pause long enough
to permit whistles being given by the audience
or stamps of their feet or resounding raps on a
table with a glass or stein.
"After the two novelty songs, which give prom-
ise of having many successors within the next
few months, come some of the old timers. Of
course, the good old adverb song is still popular
—the 'when the/ 'how the,' 'where the' song, so
dear to the home and fireside. 'When the Flow-
ers Bloom in Spring Time, Molly Dear,' is one of
the adverb hits, as they are called. As usual, this
one is a promise of marriage conditioned on the
flowers blooming in the spring, which, according
to the New York cases, does not bind the promis-
ing party. It is therefore more popular in New
York City.
"The heart throb ballad sets forth 'While the
Old Mill Wheel Is Turning.' This is nothing
but melancholy, except in the music. The song
is not exactly new, but it holds a place in the
affections of persons who like to think how sad
they are. It tells of the love of a young man for
a girl, of course, and also tells how the young
man is called to the city. Before he goes he
tells his sweetheart that he will never forget her
'while the old mill wheel is turning.' He goes
away from there, and one day just as they sub-
stitute steam for the wheel, or something like
that, she gets a telegram that he passed away
in the city.
" 'When the Evening Breeze is Sighing Home,
Sweet Home,' is another adverbial proposition
that, in the technique of the Rialto, is 'beaten to
a whisper' by tenors of minstrel shows, and the
sentimental-looking men who come forth and
take a high note at the conclusion of every song.
It comes from Jos. W. Stern & Co. 'After They
Gather the Hay,' which is put forth by the same
firm, is a pastoral set to music, the plot of which
is slightly vague. There has evidently been a
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
separation, but whether it is due to 'him' or to
'her' the librettist does not make clear. Anyhow,
they loved each once, and he went away, or she
went away, or they both went away. They were
to meet when the next crop of hay was gathered,
but something happened. It is in waltz time.
"Children's songs are always good when they
are very, very good, but the public has become so
fastidious in such things that only a few little
children's songs make a 'hit.' One of the wonder-
ful ones this winter comes from Jerome H. Re-
mick & Co. 'Won't You Come Over to My House?'
is its title, and it is played much at public gath-
erings. It is a variation on the usual idea, for
in this case an adult tells it to a child. Songs
of the 'Bedelia' type are too popular to die,
and too much liked to be called novelties. There
are a half dozen of them popular this winter.
"Signs are not wanting to show that the mod-
ern Afro-American 'coon song' is not so popular
now as it was. However, there is still a demand
for the syncopated melodies, and there are a half
dozen or more in the market to-day that 'go.' M.
Witmark & Sons are still receiving loud calls for
'I've Got to Dance Till the Band Gets Through.'
'Bill Simmons/ which has a steady vogue. Of
the two newer ones are 'Moses Andrew Jackson,
Good-bye,' a work of Ben Shields, and 'Abraham
Jefferson Washington Lee.' They are farewell
songs in which certain domestic woes are recited.
The second stanza of the first named reads like
a complaint in a separation suit.
"Vesta Tilley is bringing from London what
Francis, Day & Hunter say is the logical succes-
sor to 'Waiting at the Church.' New York is tak-
ing more and more to English popular songs of
a lightsome kind, and 'Poor John' is thought to
be one that will win popular approval. 'Mollie
Malone'. is another importation that seems to
have struck the fancy, according to Francis, Day
& Hunter. They class a large number of the
'hits' to-day as 'Broadway walking songs.' The
kind very prevalent is in musical comedies, where
they stroll backwards and forwards in the good,
old sextette style. 'I Like Your Way' is one of
Important Announcement
Our Position of Sole Selling Agents for the
Georg Rosey Publishing Company permits
us offering their successful numbers
Sten\da.rd American Airs
Grevnd Opera. Bits
Motor-Ma.rcK and Two-Step
Wooing-Intermezzo
At Especially Attractive Rates. Write for
Descriptive Circular and Special Rates
HINDS, NOBLE 41 ELDRXDGE
31 West 15tK Street, New York City
"RED DOMINO"
March
&nd Two-Step
"AFTER THEY
GATHER
THE HAY"
- Do Re Mi
Fa Sol
La Si Do -
BALLADS
Down When Mohawk
F l o w s , Golden Autumn
Time Sweet Elaine, Eve-
ning Breeze Sighing Home,
Sweet Home, Heart'» To-
night In Tennes.ee.
JOS. W. STERN
& CO.
The Housa of Hits
102-104 W. 38th St..
New York
£ 9 " Send lor rates
Amlmlene, My K a f f i r
Queen
I W a s NeTer Kissed Like
That Before
Bob White Is Whistling
in the Meadow
H i r r a l Moon Shining on
River
"Dearie"
Bill&d
" THE BIRD
ON
NELLIE'S HAT"
.,
PETITE
TONKINOISE"
Parisian Two-
Step Craze !
ROBERT TELLER SONS & DORNER
Music Engravers and Printers
SEND MANUSCRIPT AND IDEA OF TITLE
FOR ESTIMATE
226 WEST 26th STREET, NEW YORK CITY
TWO
GREAT
HITS!
"Where the Mississippi Meets the Sea"
AND
••SWEETHEART"
MELVILLE MUSIC PUBLISHING CO.
55 West 28th Street. New York
45
them, from Stern & Co., while Francis, Day & tie Girl," "Isle of Ding-a-Ling," "Arrah Wanna,"
Hunter offer 'Wouldn't You Like to Learn to all by Drislane and Morse, who have in prepara-
tion a new dainty number, "Won't You Be My
Love Me?' and 'Little Girl, You'll Do.'"
Honey?"
The Bradfords are using "Arrah Wanna," and
GLORY, BUT NO PAYMENT
report great success with it. Published by F. B.
Seems to be the Fate of Composers Who Turn Haviland Publishing Co.
Out Choral Works, Oratorio or Cantata—
Mills and Norris have added "Loving Time"
Scores Are Hired and Sales Are Few and Far to their clever act. It's from Haviland's.
Between—How Present and Prospective
Jack Drislane and Theodore Morse have just
Copyright Laws Affect Matters.
returned from Philadelphia and Chicago, where
they have been introducing "Arrah Wanna" and
A letter to the New York Sun recently, tell- their other song hits.
ing of the difficulty a composer had experienced
in getting a hearing for his work, led another
VICTOR HERBERT, LIBRETTIST.
composer to point out one of the difficulties that
Victor
Herbert is an Irishman of large per-
follow after publication and production have been
sonality
and
ready sympathy, but he has not es-
accomplished, as follows:
caped, the usual fate of the composer in running
"The composer in question may have had a counter to the men who write the words to which
genuine grievance/' said he; "hut it is only he has to give a musical setting. At a large the-
when his work has been published that his real atrical dinner recently the autograph fiend was
troubles begin. If he has written a choral work, more than usually busy, and, while Mr. Herbert
oratorio or cantata, he naturally expects to get was engrossed in conversation with the man on
some return for his labor when his work is pub- his right, a mountain of menus accumulated un-
licly performed. The composer looks for money observed on his left, already scribbled over with
returns from the sale of his books to choral so- signatures. Finally his attention was called to
cieties precisely as a novelist looks to the sale them. At first he was aghast, but he finally bor-
from his stories to the public. What happens rowed a pencil and said: "Oh, well! I'll show
in the case of the composer is this: A few 'em I can write as well as those d
d libret-
choral organizations will buy his work from the tists."
publisher, but the vast majority hire them of a
The task cost him his dessert, and when he had
New York man who makes it his business to buy
a limited number of copies of successful can- finished the man on his right timidly held out a
tatas and rent them to societies all over the menu as yet blank. "If you will write me one
country. Royalties, of course, are paid to the of those songs without music," he said, "I prom-
composer on the copies bought by the man in the ise that it shall remain in solitary state." "A
lending business, but thereafter the man who song without music, is it?" Mr. Herbert said, in
made the music gets nothing. I could name good-natured self-satire. "Very well, then!" And
scores of examples like that of a man whose scoring five lines and a clef he wrote the most
cantata was produced about ten years ago. As charming airs of his two latest scores, "Made-
soon as it proved its popularity about 200 copies moiselle Modiste" and "The Red Mill."
were bought by the lender, and these copies have
That Quartette have included "Won't You
been traveling ever since from Maine to the Pa-
cific Coast, used now by one chorus and now by Come Over to My House" in their act, and Em-
another, the composer getting merely the satis- pire City Quartette, Pan-Americ^ni Four, and
faction of knowing that his music is in constant Empire Comedy Four have all claimed this song
use, which is pleasant but doesn't pay the the best in their acts.
grocer's bill."
The "New York man who makes it his # busi-
ness" to hire out musical works, thus cutting out
the publisher from further sales and the com-
poser entirely of his royalty, is so well known
to the trade that mention of his name is su-
perflous. Under the present copyright law, it is
held that every time a copy is "hired" it is tanta-
mount to a violation of the statute. The pub-
lishers handling music of the kind from which
this man and others of his stamp have built up a
large and profitable business, having refused to
sell them on trade terms, therefore a suit for
$250,000 damages was instituted, and in which
the prosecution were defeated. Then an at-
tempt was made to amend the copyright law to
legalize the nefarious practice, and which was
reported out of committee in the House. It
provided, however, that the public performance
of a musical work should not be for profit in
order to be exempt. Finally "the let for hire"
provision is incorporated in the pending bills
as the sole and exclusive right of the copyright
owner.
HAVILAND & CO.'S NEW SONGS.
Among the new publications from the F. B.
Haviland Publishing Co. are: "It's Great to Be
a Soldier Man," "Loving Time," "Nobody's Lit-
SPECIAL TO THE TRADE!
FOR
THIRTY
DAYS
OINL.Y
These 1907 Song Hits at 10c. per copy or $10 per hundred.
"EVERYONE IS IN SLUMBERLAND BUT YOU AND ME."
"TWINKLING STAR."
"SWEETHEARTS MAY COME AND SWEETHEARTS
MAY GO."
" WHERE THE JESSAMINE IS BLOOMING, FAR AWAY."
Instrumental
PAULA VAL.SE CAPRICE;
It will pay you to keep in touch with us. Write to-day
THIEBES-STffiRLIN MUSIC CO., St. Louis, Mo.
NEW MUSICAL COMEDIES
"THE TOURISTS," by Burnside &nd Kerker
"THE SOCIAL WHIRL," by Herbert and Kerker
"THE ROSE OF ALHAMBRA," by Cook and Hosmer
Complete Vocal Score and Special Numbers
Song Hits from t h e "Rich Mr. Hoggenheimer"
"DON'T YOU WANT A PAPER, DEARIE? " POKER LOVE
"BAG PIPE SERENADE," by Jerome D.Kern
T. B. HARMS COMPANY
1431-1433 Broadway
NEW YORK
WE ARE THE PUBLISHERS OF
THESE SUCCESSFUL PRODUCTIONS
"The
"The
"The
"The
Little Cherub"
Little Michus"
Blue M o o n "
Spring Chicken"
CHAPPELL & CO., Ltd. 2.5 JSS2
PUBLISHERS' DISTRIBUTING CO.
51 West 28th Street, New York
JOBBERS ONLY
We do NOT PUBLISH Music, SELLING AGENTS
exclusively.
Carry Music of all the Publishers. We solicit the
Sheet Music Business of Dealers throughout the country.
Orders properly taken care of and goods promptly shipped.

Download Page 44: PDF File | Image

Download Page 45 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.