Music Trade Review

Issue: 1906 Vol. 43 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
JfUSIC TIRADE
VOL. XLIII. No. 5 . Published Every Saturday by Edward LymanBiU at 1 Madison Ave., New York, August 4, 1906.
MUSICAL NOTES FROM SPOKANE.
To Erect Festival Hall—Bernstein Director of
Harmonic Singing Society—Artists to be
Heard Next Fall.
(Special to The Review.)
pianiste, and Miss Lisle Dunning, violiniste;
Mrs. Grace T. Hubler, soprano, and F. Wallace
King, basso, gave a delightful musicale in Pil-
grim Congregational Church, July 14.
LHEVINNE IN GREAT DEMAND.
Will Fill Many of the Dates Made Vacant by
Spokane, Wash., July 28, 1906.
Richard Strauss' Inability to Keep Ameri-
The Spokane Aschenbroedel Society, recently
organized by Prof. Adolph Kirchner, widely known
can Engagements.
in Boston, Chicago and New York musical cir-
cles, will, it is officially announced, include be-
The importance of the coming tour of Lhevinne,
tween 500 and 600 of the prominent professional the great Russian pianist, has been emphasized
and amateur musicians in the Inland Empire, by invitations extended to him from eastern
and a movement is now on foot to erect a festival orchestras to fill the dates made vacant by
hall in Spokane for the May competition, at Richard Strauss' inability to keep his American
which organizations from all over the country engagements next season. Richard Strauss in-
will be invited to participate.
Prizes and tended visiting this country for the premier of
trophies will be awarded to visiting musicians his opera "Salome," at the Metropolitan, and a
and organizations, the festival continuing a week,
beginning about the middle of next May.
Eugene Bernstein, a prominent Russian pian-
ist, has just accepted the directorship of the
Harmonie Singing Society, of Spokane, and an-
nounces a public concert for the middle of next
September. The society meets every Thursday
evening in Turner Hall. The Harmonie is plan-
ning a saengerfest for next June, when it is ex-
pected singers will be in attendance from Chi-
cago, St. Louis, Milwaukee and points in the
Inland Empire. Mr. Bernstein will direct a
chorus of 250 voices.
Miss Lois Steers and Miss Wynn Coman have
just concluded arrangements for a series of re-
citals to be given in Spokane next fall and win-
ter by Campanari, tenor; Rosenthal, pianist, and
Schumann-Heink, contralto. Campanari will be
in Spokane some time in October, Schumann-
Heink following in January and Rosenthal com-
ing in March. The series will close in April with
a concert by a string quartette to take the place
of the Kneisel, which is not available.
M. I . I I K V I N N l - : .
Critical but enthusiastic was the audience
which greeted Eugene Bernstein, Russian pianist, tour of "guest appearances" had been arranged
a. L . his first public recital in Vincent Church, Spo- for him with the leading orchestras, but when
kane, July 6, when he scored nicely with a pro- Dr. Muck was secured by the Boston Symphony
gramme, including numbers by Bach-Tausig, Orchestra, it was out of the question for his great
Chopin, Rachmaninoff, Scriabine, Rubinstein, confrere Strauss to secure a leave of absence
Weber, Liszt, Weber and Tschaikowsky. He was from the Berlin Royal Opera. With the an-
nouncement of this fact came the recognition of
assisted by Mrs. Grace Clark Kahler.
The Spokane College of Music, of which Dr. Lhevinne as a colossal figure in the musical
R. A. Heritage is president, held its commence- world, by immediate requests for his appearance
ment exercises recently, when eight pupils grad- in place of Strauss. In consequence, Lhevinne
uated, five of them receiving certificates and will play several times with the larger orches-
three diplomas. The gold medalist was Mabel tras.
Lenore Metz, soprano, who did four years' work
in three. Others receiving diplomas were Minnie
MME. EDWARDS IN NEW YORK.
Mae Wall and Mabel Arline Paulson. Certificates
were granted to Clara Emma Heritage, Hattie
Mme. Etta Edwards, one of the most noted
Louise Gilson, Helen Isabel Goodenough, Herine vocal teachers in this country, arrived in New
Alberta Hug and Agnes Ulrikka Libak.
York on Sunday night. Mme. Edwards will lo-
The Mendelssohn Club of Spokane, made its cate in New York permanently, where she will
first appearance in concert at Vincent Church devote herself to teaching. This noted woman
this month, under the direction of Francis Wal- left Boston about two years ago on account of the
ker. The cantata, "The Wreck of the Hes- severe illness of her husband, Dr. Thomas A. Ed-
perus," was presented, the soloists being Mrs. wards, which necessitated her to locate in Los
N. A. Krantz, W. L. Smith and George Ander- Angeles. She was hardly settled before she had
son, others assisting being Mrs. Wilbur Walker, a very large class, attracting pupils not only
from that section of the country, but from the
Miss M. Beaton and Mrs. Harry Baer.
Pilgrim quartette of Spokane and the Spokane East as well. Many of these pupils, and others
Ladies' Quartette, assigned by Mrs. M. E- Davis, frrun Los Angeles and other cities, are already
SINGLE COPIES, 10 CENTS.
$2.00 PER YEAR.
arriving in New York to continue their work
with Mme. Edwards, who has a number of pro-
fessional pupils in this city. Among these are
Mr. and Mrs. Frederick Martin, both well-known
as teachers and oratorio singers, and Miss Louise
Le Baron, known in light opera.
CONDUCTOR MUCK^NOT TO STAY
As Head of the Boston Symphony Orchestra
for More Than a Year—Re-engaged by the
Berlin Opera House for Six Years—Will
Arthur Nikisch Succeed Him?
Karl Muck, who is coming to the Boston Sym-
phony Orchestra for only one year, has been re-
engaged for the Berlin Opera House for six years
from the close of his term with the Boston play-
ers. Thii has reconciled his admirers to ihe loss
of him for one season. He is very popular in
Berlin, and at the performances of the Wagner
operas, which are his specialty, he is invariably
compelled to take his share of the applause with
the singers. Muck was a discovery of Angelo
Neumann, who called him to direct his opera in
Prague and then put him in charge of the com-
pany of German singers which went to Russia
in the '90s to introduce the Nibelungen Ring to
the rather unappreciative Russians.
Muck's
genius is by no means limited to operatic con-
ducting, and every year he conducts a series of
symphony concerts in Vienna. He has also trav-
eled as a "guest conductor" in Russia, Spain and
France, and he will have a large concert reper-
toire in which he has met with success to draw
on when he comes to Boston.
He never meant to be a conductor, although
from childhood he was deeply interested in mu-
sic. He played as a pianist at the age of eleven
in his native city of Wurzburg, but after that his
interest in the art was rather theoretical than
practical, and he selected his studies at the Uni-
versity of Leipsic with a breadth uncommon to
a professional pianist. He played at a Gewand-
haus concert soon after he was graduated, how-
ever, and his success then decided his career. In
spite of his theoretical training he commenced a+
the bottom of the ladder to learn the practical
side of his profession. He became chorus master
in the opera house at Zurich and gradually rosa
to his present post.
It is believed that Arthur Nikisch, in spite of
his extravagant demands in the way of salary,
will come here after the conclusion of Muck's
brief term. Nikisch, who must have heard how
the Philharmonic pays its conductors nowadays,
demands from Colonel Higginson $40,000 a year
for five years. Of this amount $15,000 is to be
paid to him, while the remaining $25,000 is to
be deposited in a bank to the conductor's credit
At the end of his term here he will in this way
have $125,000 to his credit to take back to Ger-
many. This complicated arrangement, says the
New York Sun, is a result of the extravagance of
Nikisch, who is said to spend as much as he
earns, and sometimes more. It is his custom in
Germany to have only a part of his salary paid
to him, while the remainder goes to his family's
credit in a bank. If the Boston Symphony Or-
chestra is willing to pay this sum Arthur Nikisch
will be its next conductor.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE RE1VIEW
CONCERT ART1STSJOR AMERICA.
Some Distinguished Artists Secured by Henry
Wolfsohn Who Will be Heard Here Next
Season—An Eminent Roster.
A most lively concert season may be expected
this coming winter. Henry Wolfsohn returned
to New York this past week, and had some im-
portant announcements to make.
Emma Eames, whose concert tour last winter
proved such a marvelous success, will devote the
months of December and March to concertizing,
enal success last year when assisting Madame
Emma Eames on her tour. He will return the
beginning of December, and it is now arranged
that he will make several appearances in the
Sunday concerts at the Metropolitan Opera
House.
Sig. Ca*mpanari is to continue his tour, which
will this season extend to the Pacitic Coast, after
which he will go to Texas. Negotiations are also
pending for Sig. Campanari's appearance in the
Metropolitan Opera House with Director Con-
ried's company in a limited number of perfor-
mances.
Hugo Heermann, the famous violinist, who will
return as Professor of the Violin Department of
the Chicago College of Music, will also make
several tours arranged by Mr. Wolfsohn.
Aloys Burgstaller, who is this year the lead-
ing Wagnerian tenor of the Metropolitan Opera
Company, will also make a short concert tour
before his regular contract with the opera be-
gins.
Air. Wolfsohn's list of American artists has
not been surpassed at any time. It includes such
singers and instrumentalists of distinction as
Bessie Abott, of the Metropolitan Opera House;
Lillian Blauvelt, Mrs. Corinne Rider-Kelsey,
Laura Combs, Susan Metcalfe, sopranos; Janet
Spencer and Gertrude-Stein, contraltos; Edward
Johnson and Daniel Beddoe, tenors; Herbert
MME. Si'HUMANN-HEINK.
spending the intervening time in this city sing-
ing with the Metropolitan Opera Company.
Mme. Schumann-Heink, who is now singing in
Bayreuth, will return in September and will be-
gin a tour of eighty concerts, commencing with
the Maine State Festivals, and extending to the
Pacific Coast. Commencing February 15, Madame
Schumarin-Heink will begin a special engagement
at the Metropolitan Opera House. Her song re-
cital in Carnegie Hall in October next will be
the first important event of the musical season
here.
Moriz Rosenthal, the "Giant of the Keyboard,"
will play one hundred concerts on his coming
tournee, beginning in Carnegie Hall, New York,
in the first part of November. This will be
followed by a series of concerts with the Boston
Symphony and New York Symphony Orchestras.
Madame Louise Homer, another opera favorite,
is to make a concert tour before the beginning of
the opera, singing with the Chicago, Boston
Symphony, Minneapolis, and St. Paul Symphony
Orchestras, in addition to a series of recitals
given in other Western cities.
Alexander Petschnikoff, the Russian violinist,
surnamed the "Poet of the Violin/' will arrive
about the middle of November, and will be heard
Defined by Ffrangcon Davies—Looks to
America and England for Great Results.
The London Musical Herald reports a recent
lecture in which Ffrangcon Davies, author of
that suggestive book, "The Singing of the Fu-
ture," declared that if the best and greatest
singing were not, later on, to be found in Ens-
land and America, he knew not where to look
for it. A singer, he said, should take what was
good, but avoid the manifest faults of Continen-
tal singing, e.g., sensuousness, undue passionate-
ness or morbidity, flippancy, superficiality of
tone, unmusical roughness, trickiness, contortions
of buccal and nasal cavities, etc. The mental ac-
tivity, all through the state of pupilage and artis-
tic career, must be concentrated upon thought,
word, tone. Modern teaching and singing, how-
ever, proceeded on the contrary principle: Tone,
word, thought. Many so-called critics taught that
mad gospel. Those who made a merchandise of
the vocal a r t and profession must be guarded
against. England, however, owed a great deal
to its finest critics. The chief fault of the mod-
ern singer was that he had but one kind of tone.
Would we have a whole picture painted entirely
in one color, however beautiful the color might
be? If not in painting, why in singing? Again,
why did we admire loud tone? Would we have
Shakespeare bawled at us?
Sembrich, Gadski and Bispham Among the
Artists Whose Tours He'll Manage.
MM 10. KM.MA EAMES.
PADEREWSKI TO COME FOR A WHOLE
SEASON.
MoHIZ JtnSENTUAI..
THE SINGINGJ)FJHE FUTURE
CHARLTON'S CONCERT SEASON.
Witherspoon, Emilie de Gogorza and Gwylim
Miles, baritones; Fannie Bloomfield-Zeisler and
Efna Richoldson, pianistes, and Rosa Zamels,
violiniste.
with the leading orchestral associations in addi-
tion to a large number of recitals. In many of
the latter he will have the assistance of Madame
Petschnikoff, herself a violinist of high attain-
ments, they being heard in duets.
A warm welcome will await Joseph Hollman,
•the famous 'cellist who made such a phenom-
Kempner to become the musical director of the
new Astor Theatre. Mr. Barrett wrote all the
incidental music for Beerbohm Tree's production
of "Twelfth Night" and other Shakespearean
plays. He will immediately begin work on an
elaborate musical setting for "A Midsummer
Night's Dream," which, with Miss Annie Russell
as Puck, will dedicate the Astor Theatre.
Charles Ellis has just settled by cable a new
contract with Ignace Paderewski to return to
this country and play under his management for
the entire season of 1907-08. The pianist will
come here in October and remain until May, giv-
ing in that period no less than one hundred cin-
certs. M. Paderewski was to have come here in
January for seven concerts only with the Boston
Symphony Orchestra. On this tour M. Pade-
rewski's new symphony will be played by the
orchestra under Carl Much, and the pianist will
be the soloist at the concerts, but he will make
no appearance in recital. In spite of the many
requests made to Mr. Ellis that the pianist give
at least a few recitals, it was found impossible.
Mr. Ellis finally compromised the matter by sign-
ing a contract with M. Paderewski for the whole
of the season afterward.
ASTOR THEATRE MUSICAL DIRECTOR.
Augustus Barrett, an English musician and
composer, has been engaged by Wagenhals &
London Charlton, who returned last week from
Europe, has announced the list of his artists for
the coming season. Mme. Sembrich will make a
concert tour under his management at the close
of the Metropolitan season, and Mme. Gadski will
appear in concert from October to December,
David Bispham will also make a long tour.
Among the violinists Mr. Charlton will bring
to this country are Francis McMillen and Cesar
Thomson, the noted Belgian, who will arrive
here in January and remain for two months,
Francis McMillen is a young American player
who has made his career abroad. Elise Roegger,
the Belgian "cellist, is also to make a tour here
for the first time in several years.
Among the American singers to appear under
the management of Mr. Charlton are Ellison Van
Hoose, Francis Rogers, Kelley Cole, Katherine
Fiske, Mrs. Shotwell-Piper and Alice Sovereign.
WILL SAINT-SAENS' OPERA BE HEARD?
The suggestion has been made in connection
with the coming of Saint-Saens to this country
that Mr. Conried or Mr. Hammerstein should in-
vite him to produce one of his operas, under his
personal supervision and direction? That would
be certainly a thing to look forward to with
joyous anticipation—one of the events that would
find a place in the annals of music in America.
Three musical events of the week of August
6-11, at Chautauqua, N. Y., will be the evening
concert of Monday, August 6, at which Mr. Will-
iam H. Sherwood and Mr. Sol Marcosson will
appear as soloists; the opera "Pinafore" presented
by the children of the Chautauqua Junior Choir
on the evening of Friday, August 10, and Julian
Edward's opera, "Brian Born," which will be
given on the evening of Saturday, August 11.
The last London concert given by Mark Ham-
burg was announced as his one thousandth ap-
pearance before the public as a pianist since
he finished his studies with Leschetizky eleven
years ago.

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